GREENWICH, CT.-Heather Gaudio Fine Art is presenting Ian McKeever: Going Forth, Painted Panels & Other Works, the artist’s third solo exhibition at the gallery. The show runs through December 5th. Ian McKeever is an acclaimed British artist whose distinguished career is marked primarily as an abstract painter. He works serially, simultaneously developing several paintings that take several years to complete. Each series is characterized with its own identity, inspired by nature, art history or culturally historic works, and all share the artist’s preoccupation with light, transparency and the bodily presence. The two predominant series featured in the exhibition are the new Going Forth paintings and the continuing Painted Panels which the artist began in 2012. Following his five-year engagement with the Henge Paintings, which were preoccupied with mass and volume, the color black predominantly featured and integral in depicti ... More
VILNIUS.- This autumn, (AV17) Gallery, Vilnius, brings the work of internationally acclaimed Lithuanian artist Žilvinas Kempinas to Artissima 2026, one of Italy’s leading contemporary art fairs. The presentation will explore Kempinas’ distinctive approach to movement, perception, light and space, transforming familiar materials and physical forces into dynamic, often unexpectedly immersive visual experiences. Based in New York since 1997, Kempinas has developed a practice that occupies a distinctive position between sculpture, installation and perception-based art. Magnetic tape, light, air, gravity and other seemingly simple elements become active participants in his work, producing situations that change according to the viewer’s movement and the surrounding environment. At Artissima, AV17 Gallery will present a selection of Kempinas’ works exploring perception, movement and physical forces. Across the presenta ... More
NEW YORK, NY.- This fall, The Frick Collection presents the first ever exhibition to focus on Siena as a center of artistic excellence and technical innovation in bronze sculpture during the Italian Renaissance. Siena: The Art of Bronze, 1450–1500 brings together nearly forty works—including statues, reliefs, candelabra, medals, and more—by some of the most influential sculptors in this period, among them Donatello, Vecchietta, and Francesco di Giorgio. Owing to their size and importance, many of these objects have never been shown outside of Tuscany, let alone in the United States. Building on popular past presentations of bronze sculpture at the Frick, the exhibition invites visitors to appreciate the medium’s extraordinary beauty and versatility while discovering the technical ingenuity, collaboration, and political ambition behind Sienese bronzework. The exhibition and accompanying catalogue also present significant new discoveries and attributions, offering fresh insights int ... More
Omar Fakhoury, Palm 3, 2026. Arcylic on linen, 90 x 65 cm. 35 3/8 x 25 5/8 in.
LONDON.- Two Balconies and One Superstition began, quite simply, with Omar Fakhoury looking at the things around him. One balcony is his own, where his bedroom windows look onto a giant rubber tree, which he describes as a kind of living screen, shifting with the light and wind. The other is the Corniche, Beirut’s balcony onto the sea, which he walks often. Here are the palms bending in the wind, the changing sea and sunsets, and the ladders installed by swimmers on the rocks, descending straight into the Mediterranean—as though, for a moment, the whole sea were a swimming pool. The paintings came about in much the same way. Subjects that had been quietly sitting in Fakhoury’s mind were suddenly jolted into being painted. His six-year-old daughter, sitting with him in a café one morning, asked him to draw a vacation palm tree island. Later that afternoon, walking along the Corniche in heavy wind, he saw the palms battered and blown about – recalling for him a dystopian versi ... More
1992 UAE Arabian Camel 4 Se. Photo: Department of Culture and Tourism - Abu Dhabi, Zayed National Museum Collection.
ABU DHABI.- Zayed National Museum, the national museum of the UAE, announces its inaugural temporary exhibition, Tracks Through Time: The Camel in Society, Trade and Art. The world’s first exhibition to comprehensively explore more than 7,000 years of camel history will open early December 2026, coinciding with the museum’s first anniversary celebration. Tracks Through Time examines the camel’s role in society, trade networks and creative cultures of the UAE and the wider region, from the earliest evidence of wild camels on this land to the living traditions practised today. The exhibition will include wild camel bones excavated from the archaeological site of Baynunah in Abu Dhabi dating to the Neolithic Period (4,500-4,000 BCE), on loan from Natural History Museum Abu Dhabi, alongside remains from Al Sufouh in Dubai dating back to the Bronze Age (2,000-1,300 BCE) loaned from Dubai Culture and Arts Authority. This is the first time that detailed evidence of the now-extinct wild cam ... More
Zali Morgan. Photo: Saul Steed.
ADELAIDE.- Building on ten years of extraordinary artistic and cultural achievement, the Art Gallery of South Australia has unveiled the next chapter of its acclaimed Tarnanthi Festival, announcing Noongar curator and artist Zali Morgan as Artistic Director alongside landmark new funding partnerships. The first program highlights for the 2027 Tarnanthi Festival have also been revealed, including the major survey exhibition Yunupiŋu: Seven Sisters, developed in collaboration with Buku-Larrŋgay Mulka Centre and the Yunupiŋu family; and, Melting Point: Wati Wai!, an ambitious project developed by Mimili Maku Arts and initiated by Yankunytjatjara artist and cultural leader Robert Fielding and the Mimili Maku Wati Studio. Based near Boorloo/Perth, Zali Morgan is a Noongar woman with ancestral connections to Whadjuk, Balladong and Wilman Boodjar. She is currently Curator of the Carrolup Collection at John Curtin Gallery, Western Australia, and has curated significant exhibitions includin ... More
Pablo Picasso, Corps Perdu, first edition, limited copy I of III, Paris, 1950. Estimate $40,000 to $60,000.
NEW YORK, NY.- Swann's fall Fine Books auction on Thursday, October 22, features special copies of important books in a spectrum of collecting categories. Collectors of early printed books will find incunabula and post-incunabula, including examples in period bindings, along with sixteenth-century English imprints. Special first edition works of nineteenth- and twentieth- century literature are well represented, with first editions by F. Scott Fitzgerald, Ernest Hemingway, J.D. Salinger, Margaret Atwood, Octavia Butler, Emily Brontë, Bram Stoker, John Steinbeck, David Foster Wallace, Jack Kerouac, J.R.R. Tolkien, and others. Top highlights include Fitzgerald’s The Great Gatsby, first edition, first printing in dust jacket, 1925 ($15,000-20,000); Stoker’s Dracula, 1897 ($7,000-9,000); Hemingway’s For Whom the Bell Tolls, inscribed first edition in dust jacket, 1940 ($6,000-8,000); and Brontë’s Wuthering Heights, first American edition, 1848 ($4,000-6,000). A run of Stephen King wor ... More
Portrait of Leon Kossoff (Copyright Toby Glanville).
NEW YORK, NY.- Luhring Augustine announced representation of the Estate of Leon Kossoff, in collaboration with Annely Juda Fine Art, London, and Xavier Hufkens, Brussels. Earlier this year (April-June 2026), in partnership with the Estate, Luhring Augustine staged a major exhibition of Kossoff’s paintings that spanned the artist’s career. Andrea Rose, Art Historian and Editor of the Leon Kossoff catalogue raisonné and Dr. Barnaby Wright, Deputy Head of the Courtauld Gallery and the Daniel Katz Curator of 20th Century Art, served as co-curators of the exhibition. One of the most substantial presentations of the artist’s work to be held in New York in recent decades, the exhibition was accompanied by a fully illustrated catalogue featuring a specially commissioned essay by acclaimed critic Hilton Als. Leon Kossoff (1926–2019) was a leading figure of postwar British art, who was celebrated for his deeply expressive paintings and drawings of the people and places that shaped his life. ... More
LAIKA Presents WILDWOOD: The Exhibition installation view at the Design Museum. Photo: Aaron Parsons Photography.
LONDON.- The Design Museum has opened LAIKA presents WILDWOOD: The Exhibition, a new exhibition created in collaboration with Portland, Oregon-based stop-motion animation studio LAIKA. The exhibition follows the London premiere of Wildwood, directed by Travis Knight, at the BFI London Film Festival, where the film has attracted widespread critical acclaim from publications including Forbes, The Telegraph and Variety. It opens ahead of the film’s UK and Irish cinema release on 23 October 2026, offering audiences a unique opportunity to explore the design, craft and technology behind LAIKA’s filmmaking before experiencing the finished film on screen. The exhibition marks a significant first for LAIKA, bringing the studio’s creative process to a major public exhibition ahead of the film’s release in cinemas. It explores the development and making of Wildwood, from early visual research and concept art to character design, puppet fabrication, miniature set construction, animatio ... More
Alejandro Sintura, Spiralling, 2026. Oil on canvas, 134x106 cm.
STOCKHOLM.- Galleri Magnus Karlsson announces Alejandro Sintura’s first solo exhibition at the gallery. In Between Hidden and Almost Revealed a series of new paintings are presented. The exhibition’s title is taken from Brazilian author Clarice Lispector’s posthumous novel A Breath of Life (1978), which has been important to the artist during the working process. In an attempt to put into words an almost unbearable beauty, she describes it as something ”Between the hidden and the almost revealed. It’s also a shimmering desperation and the pain gets confused with beauty and mixed with an apocalyptic joy.” In a similar vein, Alejandro Sintura speaks of his paintings—as an attempt to unite form, material, and subject in order to bring something elusive and hard to grasp to light. Alejandro Sintura’s new paintings can be described as balancing between narrative and materiality. The group of works on view in the exhibition shows great variety, both in how they ar ... More
Adriaen Coorte, Still Life with Wild Strawberries, 1705. Oil on paper mounted on board, 16.5 × 14 cm. The Hague, Maurithuis.
MADRID.- The Museo Nacional Thyssen-Bornemisza and the Mauritshuis in The Hague are simultaneously exchanging twenty-five outstanding works from their permanent collections thanks to a collaboration agreement between the two institutions. In Madrid, an exceptional collection of 17th-century Dutch masterpieces is on display, including Johannes Vermeer's View of Delft (ca. 1660-1661), brought together in the classical rooms, a new exhibition space in the museum, close to the rooms dedicated to this same school, thus offering a more complete view of that extraordinary and fruitful century. The Thyssen-Bornemisza family's ties to the Netherlands date back to the early 20th century, when Heinrich (1875–1947) settled in The Hague after the Hungarian Revolution of 1919. It was in this city that Hans Heinrich was born and spent his childhood. In addition to the financial ties and business platform created there, he developed a passion for Dutch painting, one of the most brilliant chapters in his c ... More
Nino Kapanadze, Horserace (Variation mirage / VI 2/3), 2026. Mineral pigments on canvas, 195 x 145 cm.
PARIS.- For Nino Kapanadze's first solo exhibition at Michel Rein, Paris, the images, forms and questions that have been central to the French-Georgian artist's practice for several years are brought together here along a single trajectory. In these new paintings, abstraction and figuration coexist in such continuities that defy a strictly serial or chronological interpretation, instead revealing an underlying flow of forms and images capable of shifting, transforming and constantly altering the direction of the work. Here, Nino Kapanadze explores the possibilities of painting more deeply, to the point of feeling the need to redefine its language each time. Yet, viewed from distance, these explorations, which once seemed to follow distinct paths, reveal a deeper continuity, as if certain images had never truly disappeared, but had continued to act silently beneath the surface of the painting, only to resurface and transform, carrying with them something of the time that has passed and, at the ... More
Alex Müller, Heddas große Lust (Hedda's Great Desire), 2026, ink on canvas, 95 x 75 cm; Photo: Jens Ziehe.
BERLIN.- “One can, and of this I am convinced, only ever begin in the middle.” So begins the autofictional short story “Between July and October,” written by Alex Müller while she was still a student and read aloud in class in 2001. Until 2025, it was never heard or read again. Along with other materials and objects that Müller finds, collects, receives as gifts, dismantles, or rescues, it forms a kind of archive. Like a seed in the ground, this short story waited for a moment when it could come to light again and be transformed by the artist into something else: in this case, a pair of white double-jeans dangling from the wall with four legs over three meters long. They look like birch trunks, and Müller handwritten the entire story from 2001 onto them—like a seemingly endless, obsessive bark of writing. Like everything in Müller’s collection, this story is part of a body of work that deals with what is remembered and forgotten, what is physically and psychologica ... More
Quote Christ was the greatest of all artists. Vincent van Gogh
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MAXXI L'Aquila highlights Fabio Mauri in flagship Italian Capital of Culture 2026 survey L'AQUILA.- Fabio Mauri: Gli anni dell'Aquila, curated by Maurizio Cattelan and Marta Papini, is an exhibition organised by L'Aquila City Council and produced by MAXXI Museum, and is one of the most eagerly awaited projects as part of L'Aquila's designation as Italian Capital of Culture 2026. The exhibition pays tribute, on the centenary of his birth, to Fabio Mauri an artist, writer and intellectual who was one of the most radical figures of the second half of the 20th century—and is on view at MAXXI L'Aquila until January 24, 2027. The project takes its starting point from the bond that Mauri forged with the city and its inhabitants—from 1979 to 1999, he taught 'Aesthetics of Experimentation' at the Academy of Fine Arts—and explores some of the fundamental themes of his work: the allure of ideologies, the mechanisms of propaganda, the power of images and their ability to influence individual and collective consciousness. Works, installations, photographs and performances thus cons ... More
Josh Lilley opens Celeste Rapone's third solo exhibition with the gallery LONDON.- Josh Lilley presents How We're Doing, the third solo exhibition by Celeste Rapone (b. 1985, NJ, USA) with the gallery. Educated and living in Chicago but born and raised in New Jersey, Rapone’s paintings are imbued with the formal sophistication of a former Art Institute lecturer and the sensitive observation of a family member and a spouse. Her daily drive to challenge her technical capacity entails no preparatory drawing or sitters- each painting is an opportunity to explore and learn, discovering the purpose of the picture and the characters of the protagonists within it spontaneously. Behind that process of acute variation rests the years of humble repetition and solitude inherent to a committed, daily practitioner; the studio pilgrimages, the perpetual reaching for the blurry purpose of one’s work. It is through that rigour that Rapone achieves a deep honesty to her painting, where the borders of her compositions and the boundaries of her relationships are aligned. She b ... More
National Gallery reunites Yinka Shonibare's iconic sculpture with Gainsborough's 'Mr and Mrs Andrews' LONDON.- For the first time since its creation, Yinka Shonibare’s 'Mr. and Mrs. Andrews without their Heads' (1998) will go on display with the painting which inspired it, Thomas Gainsborough’s Mr and Mrs Andrews (about 1750). Yinka Shonibare and Thomas Gainsborough: A Conversation will take place in the H J Hyams Room at the National Gallery from October 2026. Bringing together these two works on the eve of the 300th anniversary of Gainsborough’s birth, the National Gallery will show Shonibare’s vibrant re-evaluation of a very English depiction of privilege and identity through sculpture. This will mark a once in a generation opportunity to see 'Mr. and Mrs. Andrews without their Heads' in the UK, on loan from the National Gallery of Canada, Ottawa. 'Mr and Mrs Andrews' is the first Old Master work which British-Nigerian artist Shonibare responded to in his celebrated sculpture style. Mr and Mrs Andrews are separated from their land and their heads. The life-sized headless ... More
Art of the Islamic and Indian Worlds including Rugs and Carpets at Christie's on 12 November LONDON.- Christie's much anticipated bi-annual auction of Art of the Islamic and Indian Worlds including Rugs and Carpets will take place on 12 November, celebrating over a millennium of artistic production across the Islamic world and the Indian subcontinent. Comprising over 230 lots, the sale features a selection of manuscripts, paintings, ceramics, metalwork and textiles, highlighting the creativity and craftsmanship of cultures stretching from Spain and North Africa to India and Central Asia, led by an exquisite Syrian wooden panel (estimate: £300,000-400,000). Alongside these works, the auction presents a distinguished selection of rugs and carpets from across the Islamic world, including examples from Persia, Anatolia, the Caucasus and Central Asia, led by a rare dark ground Caucasian 'Dragon' carpet (estimate: £100,000-150,000). Reflecting centuries of design innovation and technical mastery, the offering encompasses a range of weaving traditions, from finely knotted court carpets to tri ... More
Poster Auctions International to sell renowned William W. Crouse Art Deco collection CHICAGO, IL.- On October 20, Poster Auctions International (PAI) presents Selling Modernism: The William W. Crouse Collection, an exceptional selection of rare Art Deco vintage posters. Featuring works by A.M. Cassandre, Paul Colin, Charles Loupot, Leonetto Cappiello, Jean Carlu, Roger Broders, Otto Ernst, Edward McKnight Kauffer, and others, the auction spans automobiles, aviation, railways, ocean liners, entertainment, sports, and consumer products. Originally designed for commercial purposes, these once everyday advertisements are now prized collectibles of art historical importance that helped to define graphic design for the rest of the century. Of further note, the majority of the posters in the Crouse Collection are framed with valuable museum-grade acrylic glazing. Assembled by William W. "Bill" Crouse and his wife Elaine, the collection reflects their longstanding appreciation for Art Deco design. A renowned authority on the subject, Crouse authored Grand Prix Automobile de Monaco Posters ( ... More
Tim Van Laere Gallery presents Tal R's fourth solo exhibition ANTWERP.- Tim Van Laere Gallery presents its fourth solo show by Tal R, titled Woman Behind Fence. In this exhibition Tal R presents a new body of sculptures, paintings and drawings that explores figures at the moment they seem to fall out of character — bending, collapsing, hiding and transforming into something that remains deliberately difficult to define. The starting point for the exhibition was an unexpected departure from the artist’s usual way of working. Tal R has traditionally approached painting and sculpture with a fixed plan, beginning with a question or a clear desire. This time, he deliberately did the opposite. He began by gathering discarded materials from his studio — bottles, tubes, old brushes and other remnants — building them into small mountains of waste before assembling, wrapping and covering them with tape and papier-mâché. Out of this process, nameless forms began to emerge. One small pink sculpture, titled Woman looking over Fence, became a turning ... More
Briscoe Western Art Museum presents Kathy Sosa's 'Revolutionary Women of Texas and Mexico' SAN ANTONIO, TX.- The women who shaped Texas and Mexico were not simply witnesses to history. They were participants, survivors, cultural transmitters, laborers, activists, mothers, revolutionaries and community leaders whose resilience and determination helped shape the cultural landscape connecting Mexico, Texas and the American West. Opening Oct. 15 at the Briscoe Western Art Museum, Kathy Sosa: Revolutionary Women of Texas and Mexico brings those stories to the forefront through more than 30 works by San Antonio artist Kathy Sosa. On view through June 14, 2027, the exhibition complements the Briscoe’s landmark Tejano Legacy: Another American Origin Story and offers a contemporary artistic continuation of the history explored throughout that exhibition. Works featured include paintings, mixed media and sculpture. “Women have always been essential to the story of the West, but too often their contributions have been minimized or left out altogether,” said Liz Jackson, President and CEO ... More
Reunited sixty years later with one of his most significant works
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On a day like today, Italian painter Alesso Baldovinetti was born
October 14, 1427. Alesso or Alessio Baldovinetti (14 October 1427 - 29 August 1499) was an Italian early Renaissance painter and draftsman. Baldovinetti was born in Florence to a rich noble family of merchants. In 1448 he was registered as a member of the Guild of St. Luke: "Alesso di Baldovinetti, dipintore." He was a follower of the group of scientific realists and naturalists in art which included Andrea del Castagno, Paolo Uccello and Domenico Veneziano. Tradition says that he assisted in the decorations of the church of S. Egidio, however no records confirm this. These decoration were carried out during the years 1441 - 1451 by Domenico Veneziano and in conjunction with Andrea del Castagno. In this image: Annunciation (1457) Tempera on wood, 167 x 137 cm Galleria degli Uffizi, Florence.
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