The First Art Newspaper on the Net   Established in 1996 United States Sunday, July 21, 2019

Japan Society Gallery to Show Forerunner to Today's Manga Artists
Utagawa Kuniyoshi, Fishermen at Teppozu, early 1830s, Colour woodblock, oban, 24.6 x 36.4 cm, American Friends of the British Museum (The Arthur R. Miller Collection) 03604.

NEW YORK, NY.- Thrashing sea creatures, samurai warriors, and a giant, looming skeleton are among the distinguishing subjects of the brashest of Japan's Ukiyo-e masters, Utagawa Kuniyoshi, whose populist oeuvre is to be presented by Japan Society Gallery from March 12 to June 13, 2010.

Fresh from its spring 2009 showing at London's Royal Academy of Arts, where it was the surprise smash hit of the season, Graphic Heroes, Magic Monsters: Japanese Prints by Utagawa Kuniyoshi from the Arthur R. Miller Collection marks the first major exhibition of Kuniyoshi's work in the United States in nearly 30 years. The exhibition has been organized by the Royal Academy in collaboration with Arthur R. Miller and The British Museum. The vast majority of the 150 color woodblock prints on display are from the Arthur R. Miller Collection, New York, generously loaned to Japan Society by the American Friends of the British Museum.

Like Hokusai, Hiroshige, and other masters of the school of Ukiyo-e printmaking ("Pictures of the Floating World"), Utagawa Kuniyoshi pursued the themes of landscape, kabuki theater, and beautiful women. He was unique, however, in his mastery of lesser known subjects: action-packed tales drawn from the history, religion, folklore, and myths of Japan, China, and other Asian countries; comic "crazy pictures" often featuring animals impersonating humans; and exotic experiments with foreign subject-matter and European techniques of visual representation.

"Kuniyoshi's work can be seen as foreshadowing the visual storytelling of contemporary manga, anime, and computer and video games," says Joe Earle, Director of Japan Society Gallery and organizer of the exhibition. "Like a number of the top creators in these genres of today, he was an eccentric who specialized in comic figures and action scenes sold in vast numbers at low prices to an insatiable and visually sophisticated audience."

Kuniyoshi practiced as a woodblock printmaker during the Tokugawa shogunate, which routinely censored popular printed materials. "There is a sense in which censorship spurred Kuniyoshi's imagination, as he sought to circumvent the government bans," says Earle. Certainly, the artist became adept at applying his graphic inventiveness to the coding of political meaning into seemingly innocuous scenes.

While his narratives may have toed the official line, their veiled subtexts were only too clear to his fellow townspeople. One of the prints on view, created in 1843 during a particularly stringent period of repression, became a cause célèbre for its version of a tale about the evil Earth Spider, who conjured up a battle between rival armies of demons to torment the ailing warrior hero Yorimitsu. Viewers identified Yorimitsu with Japan's ineffectual shogun, Tokugawa Ieyoshi, and the print was widely interpreted-and pirated-as a hanji-mono ("riddle picture") slyly satirizing current-day reforms.

At this point, government censorship even extended to the portrayal of beautiful courtesans and geisha entertainers, hitherto among the most lucrative genres for print publishers. Kuniyoshi responded to this challenge with graceful prints of beauties designed for round summer fans (uchiwa), hanging scroll paintings, and a number of original series. The exhibition features selections from ten such series, which ostensibly offer virtuous models of feminine behavior while satisfying the popular appetite for pictures of attractive women in a variety of situations.

The bravura of Kuniyoshi's picture-making is particularly evident in his prints of battles and other manly struggles. Muscular tattooed warriors are shown in dramatic combat in the series 108 Heroes of the Popular Water Margin; the warrior Morozumi Masakiyo is shown at just the moment he kills himself in battle in an extraordinary fractured design (1848); a crowd of figures is depicted in the battle on the roof of Horyu tower from one of the best-loved scenes of a popular novel (1840); and a giant skeleton thrillingly occupies three quarters of a triptych in Mitsukuni Defies the Skeleton Specter Conjured up by Princess Takiyashi (1845/46).

One of Kuniyoshi's greatest innovations, in fact, was to spread a large motif across all three sheets of a three-sheet format, unifying the composition and heightening the visual drama. In one print in the exhibition, created in 1851/52, he also brilliantly exploited the extremely unusual format of a vertical triptych to show the monk Mongaku doing penance for murder under the great Nachi Waterfall: daringly, the middle panel of this triptych shows only water and rock.

The huge public appetite for Kuniyoshi's prints may be gauged by the print run of one series represented in the exhibition. Issued in 1847 and 1848, Biographies of Loyal and Righteous Hearts comprised 51 prints packed with gruesome detail and bold action: 8,000 impressions of each print were sold, for a whopping total of 408,000 sheets.

Arthur R. Miller Collection
Professor Arthur R. Miller, one of America's leading lawyers and legal scholars, was an associate at Cleary Gottlieb Steen & Hamilton in New York before his move into teaching at Columbia University School of Law, the University of Minnesota, and the University of Michigan. In 1971 he joined Harvard Law School, where he became Bruce Bromley Professor of Law. Since 2007 Professor Miller has been University Professor in the School of Law at New York University and last year he became Special Counsel to Milberg LLP. A renowned commentator on law and society, he appeared on "Good Morning America" for two decades as its legal editor and on PBS in several celebrated seminars. He received two Emmy awards for his work as host of several TV series and has published more than forty books. An avid art-lover, Professor Miller has been collecting prints by Kuniyoshi for nearly thirty years. In 2008 he began to donate his collection of nearly two thousand prints to the American Friends of the British Museum. The collection is presently on loan to the British Museum.

Japan Society Gallery | Utagawa Kuniyoshi | Manga Art |

Today's News

November 23, 2009

Cai Guo-Qiang Presents Retrospective and Hangs Out at the Taipei Fine Arts Museum

Australian Artist Rupert Bunny's Life in Paris Examined in Exhibition

Sale of Modern and Contemporary Photographs at Villa Grisebach

Christie's Presents: Historical Design Reflects-The East 61st Street Years

Expanding Personal Investment Options: Trading and Borrowing Against Fine Art

Essl Museum Invites Ten International Museums to Take Part in Exhibition

Design Museum Dedicates Exhibition to Unsung Hero of Good Design: Ergonomics

LACMA Announces Exhibition 150 Years of American Masterpieces

VMFA Announces Exhibition Lineup to Follow Grand Opening

Japan Society Gallery to Show Forerunner to Today's Manga Artists

Rijksmuseum Presents First Survey of Winter Landscapes by Hendrick Avercamp

Florence Griswold Museum Announces Sewell Sillman: Pushing Limits

Thomas Hirschhorn's The Subjecters on View at La Casa Encendida

The Wolfsonian-FIU Presents 'New Voices, New Works' During Art Basel at Miami Beach

Bellevue Arts Museum to Present Retrospective of Acclaimed Shoe Designer Beth Levine

Manchester Art Gallery to Present Recent Works from China, India and Japan

Provocative and Colorful Artistic Dialogue by Takashi Murakami Opens in Valencia

Former Museum Director Jan Ernst Adlmann to Exhibit at Eight Modern in Santa Fe

Galician José Cendón Shows Photos Taken in Psychiatric Hospitals

Comprehensive Survey of German Impressionism Opens at Kunsthalle Bielefeld

Thom Vink's Moth House on View at Stroom Den Haag

Most Popular Last Seven Days

1.- Original 'Star Wars' creators lift lid on special effects challenges

2.- Lost '$170 million Caravaggio' snapped up before French auction

3.- Mansell's 'Red Five' on pole for Bonhams sale

4.- Impressionism's 'forgotten woman' shines in new Paris show

5.- Sotheby's to auction the best-surviving NASA videotape recordings of the Apollo 11 Moon Landing

6.- Exhibition explores Dutch and Spanish painting of the 16th and 17th centuries

7.- Cyprus discovers 'first undisturbed Roman shipwreck'

8.- Sotheby's unveils 'Treasures from Chatsworth' with Leonardo Da Vinci drawing, Lucian Freud portraits, and more

9.- Infamous botched art restoration in Spain gets makeover

10.- 1958 Gibson Flying V Korina played by Dave Davies to grab center stage in Heritage Auctions' sale

Related Stories

Japan Society Gallery Showcases Rare Japanese Tin-Toy Vehicles

Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .


Ignacio Villarreal
Editor & Publisher:Jose Villarreal - Consultant: Ignacio Villarreal Jr.
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
Founder's Site. The most varied versions
of this beautiful prayer.
to a Mexican poet.

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful