LEON, SPAIN.- Several experts from the world of art have stated that there is an extraordinary likeness between the figures that appear in the Guernica painted by the artist and those in a Mozarabic Bible from the 10th Century, which is housed in the Cathedral in Leon, to the point where it has been discarded that it was fruit of a coincidence.
This Bible was exhibited in Barcelona in 1929 and in Paris in 1937, a time when the Cubist genius could have discovered the expressionist drawings that appear in the medieval text, according to the head of the Cathedral of Leon Museum, Máximo Gómez Rascón.
Several experts consulted by news agency EFE arrived at the same conclusion and base it on the relative aspects of the double view, in front and to the side, of the figures in the painting, as well as in the horse and the bull.
In this way, the director of the museum, has explained that the similarities are seen especially in the bull, which in the Bible symbolizes Saint Luke and which is almost exactly as the one that Picasso painted on Guernica.
The similarity also manifests itself in the horses head that appears in the painting and, to a lesser extent, in the faces of the persons, as well as some of the profiles that also allude to the ones appearing in the bible.
It has been pointed out that in the bible there is also a lion, with its tongue out, whose face and expression are very similar to the horse that appears in Guernica, or to the one that has a type of knife coming out of its mouth.
The head of the museum has discarded the idea that the similarities are fruit of a coincidence and is convinced that Picasso without a doubt had seen this bible, which was created by Deacon John in 920 and written in parchment with Visigothic letters.
Even though that during those times codices were illustrated with those kinds of symbols, Gómez Rascón has emphasized the singularity with the one in Leon, one of the most important from that era.
Painter Benito Escarpizo, former professor from the School of Applied Arts in Leon, is completely convinced: "If the similarities are enormous in the painting, they are even greater in the sketches".
Escarpizo still has a reference card made by him, with the images of the Bible and of Guernica, with which he explained students the similarities between the two works of art.
"These are the details where one can see that there is a clear inspiration" by Picasso from the Bible, said the artist, who is convinced that it is practically impossible that these similarities are coincidence.