Adrian Piper, Out of the Corner, 1990. Exhibition view: Before Projection: Video Sculpture 1974–1995, MIT List Visual Arts Center, Cambridge, MA, 2018. Courtesy the Whitney Museum of American Art, New York; Gift of the Peter Norton Family Foundation. Photo: Peter Harris Studio.
CAMBRIDGE, MASS.- The List Visual Arts Center, MIT’s contemporary art museum, will celebrate its fortieth anniversary in 2026, a milestone marked by the announcement of an anonymous $1 million challenge grant designated for the long-term stewardship, conservation, and engagement of the Institute’s Public Art Collection. The List Center also announces the recently established Honorary Board of Advisors, which honors a broad set of visionaries who have shaped the Center’s standing as a premier institution for contemporary art on the global stage over the past four decades. Inaugural Honorary Board Members include artists Sanford Biggers, Joan Jonas, and Christine Sun Kim, and architect J. Meejin Yoon, alongside former List Center directors and other distinguished members. Also marking the anniversary, the List Center will present a major group exhibition, Performing Conditions: Artistic Labor and Dependency as Form, and a day of performance and celebration on April 11, 2026. The List Center’s Fortieth Ann ... More
BEVERLY HILLS, CALIF.- Marc Selwyn Fine Art is presenting an exhibition of two major installations by Barry Le Va, marking the gallery’s inaugural presentation at its new space at 427 N Camden Drive in Beverly Hills. The exhibition brings together Eliminating Strips and Shattered On Center, On Edge, On Corners – Two Layers at a Time (Within the Series of Layered Pattern Acts), two works from 1968 which exemplify Le Va’s radical rethinking of sculpture during a pivotal moment in the development of Postminimalism. It follows Le Va’s recent Kunstmuseum Liechtenstein retrospective which travelled to Fruitmarket, Edinburgh and Museum Kurhaus Kleve in 2025. Barry Le Va (1941–2021) was a central figure in the generation of artists who expanded sculpture beyond the discrete object, working alongside contemporaries such as Bruce Nauman, Richard Serra, Eva Hesse, and Robert Smithson. Beginning in the mid-1960s, Le Va developed a body of work that rejected traditional sculptural permanence in f ... More
Emil Lukas, ninety seven inch shift #2399, 2025-26. Acrylic on canvas over wood panel, 30 x 24 in. 76.2 x 61 cm.
SAN FRANCISCO, CA.- Emil Lukas' perplexing objects transcend their materiality to become meditations on the workings of the universe and the purpose of art. This installation focuses on two types of work from the artist's many-pronged practice: the "Thread Paintings" that he's best known for, and a new type of work he calls "Lattice Paintings," which though physically quite different, are conceptually related. Confusingly, Lukas' "thread paintings" don't actually use paint. They're shallow wooden trays or parabolic plaster bowls across which he stretches colored filaments. The accumulation of delicate fiber lines creates complex color fields that shimmer and glow, changing with shifts in ambient light or the position of the viewer. Rectilinear works glimmer moodily, like twilit windows or glowing screens. Round pieces call to mind planets and moons—or ocular devices such as the lens of a telescope, microscope, or camera. Though ... More
Kate Gottgens, Between Worlds, 2026. Oil on canvas. Work: 167 x 214 cm (65.7 x 84.3 in.)
JOHANNESBURG.- Goodman Gallery is presenting Kate Gottgens’ ‘Her own myth’, the artist’s first exhibition with the gallery. The show comes ahead of Gottgens solo exhibition at Norval Foundation in September 2026. Central to Gottgens’ practice is the collecting of found everyday photographs. Gottgens then selects and recontextualises figures and elements in environments, pulling from multiple photographs to produce a new narrative on canvas. This borrowing and dislocating from the original – often suburban – scenes defies nostalgia, enabling a looser story disconnected from an identifiable time and place, with space for critique of a collective memory. Here the beautiful exists alongside the ominous, domestic encounters with sinister underbellies. The evolution of Gottgens’ work has seen a leaning towards translucent, ephemeral, spectral figures. Their temporal quality allows them to be imagined as existing in multiple planes. This can be seen in ‘Her own m ... More
VADUZ.- For more than fifty years, Eleanor Antin (b. 1935 in New York, USA) has been one of the ground- breaking voices of her generation. A pioneer of artistic self-promotion, she creates and embodies fictitious characters to raise key questions of identity, history and representation. Her work unites profound humour with subtle storytelling. Antin’s cross-media practice – which includes photography, film, text, performance, sculpture and installation – invites us to take a fresh look at familiar narratives and discover surprising perspectives on how we see ourselves and society as a whole. This retrospective – the first ever in Europe – examines the complexity of Antin’s oeuvre, demonstrating how timely and powerful her work remains today. The show covers the period from Antin’s early performances from the 1960s to recent works. The artist’s early iconic works include the legendary postcard series 100 Boots (1971–1973) – an adventurous, stage ... More
MINNEAPOLIS, MN.- The Walker Art Center opened Christine Sun Kim: All Day All Night, the artist’s first major museum survey. Kim’s (US, b. 1980; based in Berlin) expansive practice is grounded in a deep exploration of sound, from its function, to how it is physically experienced, and to its primacy in how we engage with each other and within our broader social constructs. Using musical notations, infographics, her native American Sign Language (ASL), written language, and the body, Kim captures the complexities of communication and invites audiences to experience the vibrancy of Deaf culture. All Day All Night reveals the humor, poignancy, and incisive quality of Kim’s oeuvre through more than 100 works, including drawings, site-specific murals, paintings, video installations, and sculptures, produced between 2011 and 2026. The exhibition will remain on view through August 30, 2026. The exhibition also features a new mural being ... More
Grant Mooney, sphere music (detail), 2025. Commissioned and produced by Chisenhale Gallery with Museum Abteiberg. Courtesy of the artist and Miguel Abreu Gallery.
MÖNCHENGLADBACH.- The sculptural works of the US artist Grant Mooney approach material not as an autonomous property of a substance, but as the effect of a configuration in which material, bodily, and discursive forces intersect and generate one another. Matter is not passively shaped; it acts as a formative force in its own right, generating meaning. In this sense, it becomes an active participant in processes of aesthetic knowledge and experience. The exhibition sum is Grant Mooney’s first museum exhibition in Europe and, at the same time, a solo presentation that expands into a broader project including works by other artists. With his relational concept of sculpture, Mooney creates a field of currents and flows between objects from the collection of Museum Abteiberg, selected historical works, and works by other contemporary ... More
ZURICH.- Galerie Eva Presenhuber presents a group exhibition featuring works by Aria Dean, Sandra Mujinga, and Tschabalala Self. Working across the mediums of moving image, sculpture and painting, the artists explore the making and erasure of the body: Dean stages death without the dead, Mujinga sutures grief into spectral silhouettes, and Self reconstructs the figure through assemblage. Together, their works trace the architectures of modern violence, resisting spectacle while reconfiguring the terms of subjecthood. Of the artists in this exhibition, Tschabalala Self (b. 1990 in Harlem, NY, US; lives and works in Upstate New York) presents the most explicitly painterly position. Working across painting — that is, the application of acrylic and oil- based pigments to canvas — as well as collage, appliqué and stitching, Self constructs playful yet deliberate, larger- than-life figures of women. Echoing the logic of the Surrealist “exquisite corpse,” these bodies appear as tho ... More
I guess people are going to ask me ‘why a praying mantis?’. One answer is that they’re really cool. They are the embodiment of how strange and wonderful the world can be.
COPENHAGEN.- Galleri Nicolai Wallner is presenting ‘The Mantis Muse’ by David Shrigley, for the first time outside of the UK. For this exhibition, a giant praying mantis sculpture by David Shrigley stretches into the tall ceilings, its elegant arms and charming smile bringing an unmistakable playfulness into the white cube. Made from fibreglass and steel with an animatronic head, The Mantis Muse stands at three meters tall. The walls of the gallery are covered with hundreds of drawings of the Mantis – mostly by local school children and visitors to the gallery. Surrounding the insect are easels and drawing boards, and other supplies – an invitation to draw as a way of looking. Shrigley first presented The Mantis Muse in the school where he first learned about art, functioning as an invitation to engage in creativity as part of the learning process. At the school in Leicestershire, England, students were invited to take part in a series ... More
HAMBURG.- For the first time, the art of Maria Lassnig (1919–2014) and Edvard Munch (1863–1944) is being shown together in a major double exhibition. While more than half a century separates the Austrian and the Norwegian artist, on closer inspection there are nevertheless astonishing parallels between their imagery and biographies. A thematic juxtaposition—a dialogue in pictures—now allows their work to be read in a new light. Lassnig and Munch share a unique handling of colour as a compositional device and a forceful means of expressing inner feelings: passing physical sensations and persistent emotional states such as grief, love, loneliness, fear, joy, and pain. Both artists were keenly attuned to investigating otherwise unnoticed forms of sensory perception and translating them into their own artistic vocabulary, giving rise to pictorial inventions that were ... More
Maqbool Fida Husain, 'Second Act' sold for $5.1 million. Courtesy Sotheby's.
NEW YORK, NY.- Sotheby’s New York’s Modern & Contemporary South Asian live auction totaled $22.1 million, with a 100% sell through rate and 95% of works selling above their high estimates. The auction marks the department’s second-highest total in its more than 30-year history. Manjari Sihare-Sutin, Sotheby’s Worldwide Head of Modern and Contemporary South Asian Art, commented: "Today's auction was a landmark moment for Modern and Contemporary South Asian art. Achieving $22.1 million with 100% of lots sold underscores the extraordinary demand and global appreciation for these artists. From record-breaking results for K.C.S. Paniker and Vivan Sundaram to strong participation across continents, the sale reflects both the enduring significance and the growing momentum of this field in the international market.” Key Facts & Figures: ● Modern & Contemporary South Asian Art: $22.1 million (est. $7.5 - $10.8 million) ● Strong sell-through rate of 100% ... More
Édouard Vuillard (French, 1868-1940). Yvonne Printemps on the Sofa (Yvonne Printemps dans le canapé), 1919-21. Distemper on board, 47 1/4 x 31 5/8 inches. Acquisition candidate, Taber Art Fund. 2025.18
TULSA, OK.- Philbrook Museum of Art today announced recent acquisitions of works by an interdisciplinary and intergenerational group of artists, allowing the Museum to tell an ever-deepening story of art’s past, present, and future. Spanning over 150 years of artistic production, the acquisitions include a significant painting by French artist, Édouard Vuillard, a soul-stirring work of video art by Jeffrey Gibson ((Mississippi Band Choctaw/Cherokee), and a powerful sculptural statement by Vietnamese-American artist, Tuấn Andrew Nguyễn, a recent recipient of the heralded MacArthur Foundation “Genius Grant.” "I am excited to bring these works into our collection, the core of how we connect with the community," said Philbrook President and CEO Megan Nesbit. "We want our guests to visit often, spend time with favorite works, and be constantly surprised and inspired by new artists, perspectives, ... More
Previously, McNamara was Curator-at-Large and Interim Director at Providence College Galleries, and from 2015–2019 served as Director of Galleries and Exhibitions at Otis College of Art and Design in Los Angeles.
CAMBRIDGE, MASS.- The Carpenter Center for the Visual Arts announced Kate McNamara as our new John R. and Barbara Robinson Family Director. "What excites me most about this moment is the opportunity to deepen the Carpenter Center’s role as a leading contemporary art space and artistic laboratory. Through new residencies, expanded exhibitions, publishing collaborations, and partnerships with our university and neighboring communities, we are building an ecosystem where artists, students, scholars, and local residents encounter art as a living, shared practice. I’m grateful to continue this work and to help guide the Carpenter into its next chapter." In addition to directing the Carpenter Center for the Visual Arts for the past year, Kate M. McNamara is a curator, educator, and author. She is the founder of ODD-KIN, a contemporary ... More
Quote You've got to be a fool to want to stop the march of time. Pierre-Auguste Renoir
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New York Landmarks Conservancy announces 2026 Lucy G. Moses Preservation Award winners NEW YORK, NY.- The New York Landmarks Conservancy has announced the winners of the 2026 Lucy G. Moses Preservation Awards, the Conservancy’s highest honors for excellence in preservation. The Award recipients demonstrate outstanding and challenging preservation projects that occur throughout the City. The Awards Ceremony will take place on April 16th at The Cathedral of Saint John the Divine in Manhattan. The Lucy G. Moses Preservation Awards recognize individuals, organizations, architects, craftspeople, and building owners for their extraordinary contributions to preserving the City. The Conservancy is grateful for the generous support of the Henry and Lucy Moses Fund, which makes the Awards possible. “The Lucys introduce you to great preservation work, and the amazing people who made it happen. It’s an uplifting celebration--and a great ... More
Norton Museum of Art showcases works from its Collection in two new exhibitions WEST PALM BEACH, FLA.- The Norton Museum of Art draws from its Collection for two new exhibitions, Artists at Work and 60 Seconds: Polaroids from the Collection. Open through June 21, Artists at Work, a selection of paintings, sculptures, and works on paper, focuses on the artists themselves. While an artist’s name or artistic style may be recognizable, that individual’s physical appearance or method of working is often less familiar. “Portraits of artists in the act of artmaking show the tools, bodily postures, and facial expressions that characterize an artist,” noted Curatorial Research Associate Sarah Bass, who curated the exhibition. “Depictions of studios offer a glimpse into the surroundings that foster productivity.” In addition, preparatory works displayed alongside the final versions demonstrate the development of artists’ ideas. The Norton is among the places ... More
Stuart Allen returns to PDNB Gallery with "Flights" and "Watercolor Pixels" DENTON, TX.- This spring PDNB Gallery will host a solo exhibition for Stuart Allen, a Texas/New Mexico based artist (b. 1970, Wichita, Kansas). This will be his third solo exhibition at PDNB Gallery. His show will feature new work that includes watercolors, Watercolor Pixels, and a series titled, Flights. The Flights series features photographs taken from an airplane window at 35,000 feet. The snapshots taken are transformed into a dot pattern created with an algorithm to align grids of small dots like a half-tone pattern, but different since the color values are retained. The resulting image is a record of atmospheric light. All are titled with the airline flight number, time and place. Another new series, Every Unique Color, explores all the unique colors from a snapshot of food. The artist reorganizes via X and Y coordinates all the unique colors by their color hue, horizontally, and by ... More
Magnus Walker's personal Porsche collection totals $2 million LOS ANGELES, CA.- RM Sotheby’s successfully concluded its online auction of Magnus Walker: The Outlaw Collection today, achieving a total of $2 million across 160 lots, including 16 complete cars, in a truly global sale that attracted bidders from 30 countries. With every lot offered without reserve, the auction achieved a 100% sell-through rate. Drawn from the fascinating personal collection of legendary car customizer and style icon Magnus Walker, the sale spanned nearly 50 years of automotive history and reflected the passion, individuality, and unmistakable taste that have defined Walker’s career and influence within the global car community. From the early short-wheelbase cars that first made his name, to the brawling Turbo of the following decade and the front-engined Porsches of the 1980s and 1990s, the collection offered a compelling look into the cars, ... More
Heather Horton explores liminal realities in "Filigree" at Friedrichs Pontone NEW YORK, NY.- Reality is not enough for one to fully recognize the ornate and delicate nature of life itself. To accomplish such a lofty measure, one must channel a visual prowess to see the hidden reflections of light to gain a deeper perspective of what they visualize. Heather Horton (b. 1974, Canada) attempts to engage with the chaotic order of perception as she painstakingly describes her introspection through an employment of contemplative narratives by way of rhythmic techniques. Friedrichs Pontone presents a selection of her latest paintings in Filigree, where she orchestrates her self-reflections within confined spaces, utilizing her mastered technique of lace, filigree, as a conflicting form against her display of rigid geometric patterns. Horton paints her subjects subtlety, imbuing shimmers of pattern found across the canvas. Whether she emphasizes geometric or lacey ... More
Monaco mega-sale: RM Sotheby's estimates soar to €87M after high-voltage consignments LONDON.- RM Sotheby’s Monaco auction just got even more exciting, with a fresh round of consignments taking the total low estimate of the sale to a remarkable €87 million. More than €30 million in value has been added through just 13 cars, which include a freshly restored 1957 Porsche 550A Spyder race by Ernie McAfee, a low-mileage 1989 Ferrari F40 Berlinetta recently recommissioned by Michelotto, and a one-of-40 2024 Bugatti Bolide. Heading the recent consignments in value terms is the 2024 Bugatti Bolide (Est: €3,500,000 - €4,500,000). One of only 40 examples made, the Bolide is the ultimate expression of Bugatti’s W16 platform and the most powerful car the company has ever produced. This lightly driven example has covered only 359 kilometres from new and left the factory with almost €300,000 of optional extras. While many auctions feature ... More
Everything is connected: Yuko Mohri unveils "Entanglements" at Centro Botín SANTANDER.- From 28 March – 6 September 2026, Centro Botín presents “Entanglements”, a solo exhibition by Japanese artist Yuko Mohri, whose work explores the transformative potential of everyday objects and natural elements and their ability to generate visual and sonic shifts. Through ephemeral assemblages and interconnected systems, she draws attention to fundamental environmental and social issues. Yuko Mohri (Kanagawa, Japan, 1980; lives and works in Tokyo) is known for her intricate and original compositions and was recently selected to represent Japan at the 60th Venice Biennale (2024). Inspired by Marcel Duchamp (1887–1968) and Alexander Calder (1898–1976), Mohri creates site-specific kinetic sculptures that incorporate found items, as well as reworked musical instruments connected to electronic circuits. Her work responds ... More
Bruce Munro returns to Waddesdon Manor with immersive light survey WADDESDON.- This spring, an exhibition featuring new and recent work by the internationally celebrated artist Bruce Munro (b.1959) will open at Waddesdon Manor. It will also feature the first UK father-daughter collaboration between Bruce and his daughter, Tink Munro (b.1996). Four Seasons will explore time and place in a series of new large-scale indoor installations, featuring projections, light, digital photography and fabric art, to explore the seasonal changes that punctuate our lives, as well as the music and memories that they inspire. Bruce Munro has a deep and familiar connection to Waddesdon, stretching back over a decade, including a 4-year artistic residency which introduced the Manor’s light art programme. His work has been exhibited around the world, from the USA and Australia to Japan and Scandinavia. Now he will bring a new version of his 2016 ... More
John Stezaker's new collage cycle bridges imperial past and present CHICAGO, IL.- John Stezaker, the British artist known for his groundbreaking conceptual collage cycles, will be having a solo exhibition at GRAY Chicago, opening on March 28, 2026. Titled Raft, the exhibition features a new series of landscape works that mend together two images from the artist’s vast archive to create a single, uncanny composition. Sourced from nineteenth-century British books—ostensibly about world travel, but flaunting the geographic extent of the empire—Raft is a continuation of the radically gestural collage techniques Stezaker has been pursuing for nearly six decades. Stezaker’s Raft compositions contain what the artist calls “spatial betweens”: oceans and courthouses, rivers and bridges, shipyards and valleys. In their original context, the images were meant to be sublime renderings of pastoral and urban spaces. Sliced in half and placed on top ... More
Palm Springs Art Museum opens A Queer Arcana: Art, Magic, and Spirit PALM SPRINGS, CALIF.- Palm Springs Art Museum announces A Ǫueer Arcana: Art, Magic, and Spirit, a major exhibition exploring how queer artists across generations have turned to magic, esoteric spirituality, and occult knowledge as tools for survival, resistance, and world building. Bringing together work by 35 artists made between 1909 and 2026, the exhibition traces more than a century of artistic engagement with alternative spiritual practices as sources of identity, affirmation, and transformation. Presented as part of the museum’s Q+ Art initiative, which centers LGBTQ+ artists and histories, A Ǫueer Arcana asks how hidden or mystical knowledge has functioned as a cultural strategy. Drawing on the meaning of arcana—hidden, mystical knowledg —the exhibition considers how alternative spiritual practices have served as a source of connection, affirmation, ... More
Constable Country unveiled: Landmark 250th anniversary exhibition opens in Ipswich IPSWICH.- As one of the most celebrated landscape artists ever to have put paintbrush to six-foot canvas, the legacy of John Constable (1776-1837) reaches far and wide, including his name now being synonymous with the surrounding Suffolk and Essex countryside. But how did the son of a merchant rise to such heights of artistic fame and legacy? As part of the 250-year celebrations of Constable’s birth by Colchester + Ipswich Museums (CIMS), a new exhibition at Christchurch Mansion, in Ipswich, made possible by funding from The National Lottery Heritage Fund, will reveal stories about the people who helped turn Suffolk into ‘Constable Country’. With over 100 works and objects, including portraits, sketches and landscapes by the artist himself and others, Constable: A Cast of Characters will delve deep into the background characters of Constable’s life; from family ... More
The Brooklyn Bridge—Photographed
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On a day like today, American painter and educator Grace Hartigan was born
March 28, 1922. Grace Hartigan (March 28, 1922 - November 15, 2008) was an American abstract expressionist painter and a significant member of the vibrant New York School of the 1950s and 1960s. Her circle of friends, who frequently inspired one another in their artistic endeavors, included Jackson Pollock, Larry Rivers, Helen Frankenthaler, Willem and Elaine de Kooning and Frank O'Hara. Her paintings are held by numerous major institutions, including the Museum of Modern Art in New York City. As director of the Maryland Institute College of Art's Hoffberger School of Painting, she influenced numerous young artists. In this image: Grace Hartigan, The-The #1, 1962. Courtesy of the New York State Office of General Services.
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