Carol Bove, Cutting Corners, 2018. Stainless steel and urethane paint. Private collection.
NEW YORK, NY.- Carol Bove is the first museum survey and largest exhibition to date of the work of American artist Carol Bove (b. 1971, Geneva, Switzerland; lives and works in New York). The presentation transforms the entire Frank Lloyd Wright–designed rotunda, with sculptures, installations, paintings, and works on paper integrated into an exhibition design that foregrounds the unique spatial dynamics of Wright’s architecture. It traces pivotal shifts in the artist’s career across more than 25 years and debuts two new bodies of work: a monumental group of her steel compositions known as “collage sculptures” conceived for the space and a series of wall-mounted aluminum panel works. Bove’s inventive practice ranges widely, from assemblages of paperback books and intimate paper collages to towering metal sculptures. She explores the workings of perception through her experiments with surface, color, scale, and space, inviting viewers into moments of heightened imaginative awareness. ... More
Installation view. Photo: Janean Malloy Kay Healy and Paradigm Gallery + Studio.
PHILADELPHIA, PA.-The Village of Industry and Art (VIA) marks the 150th anniversary of the founding of the Pennsylvania Museum and School of Industrial Art (PMSIA)—the institution that would later become the University of the Arts and the Philadelphia Museum of Art—by hosting an exhibition and related programming within its historic buildings. On view through May 31, VIA hosts Don’t Trash a Good Thing, an exhibition of recent works by local artist and UArts alum Kay Healy, curated by Paradigm Gallery + Studio, nodding to the lineage and vibrant reality of the creative community incubated on these grounds. Steered by Scout, the Village of Industry and Art (VIA) occupies historic buildings at Broad and Pine originally developed by the Pennsylvania Museum and School of Industrial Art (PMSIA), an institution chartered in 1876 to advance industrial art and design in Philadelphia. PMSIA ... More
Ultra-rare Savage Model 1907 (manufactured in 1907) 45 ACP Trials Pistol of a type produced to compete against the Colt M1911 in the U.S. military pistol test trials. Estimate: $15,000-$20,000.
WILLOUGHBY, OHIO.- Superlatives flow easily when perusing the fantastic array of antique and vintage productions in Milestone’s March 21-22, 2026 Premier Firearms Auction. The 1,158-lot sale is loaded with top-shelf guns from the most highly regarded American, European and Japanese arms manufacturers. But over and above their scarcity, the firearms chosen for the auction lineup carry historical significance from having been used by war heroes, lawmen, and intelligence agents over a timeline of 140+ years. The live gallery event, with all forms of remote bidding available, spans all of the most popular collecting categories, including World War II, BATF-NFA, Nazi, Civil War, Old West, sporting, and more. An extraordinary weapon that saw hazardous duty in World War II is the Union Switch ... More
Horse-Shaped Pendant, Western Zhou Period, 1066-771 BCE Jade, 1.75 x 2.87 x 0.25 in.
NEW YORK, NY.-Throckmorton Fine Art will present an exhibition of 65 distinguished jade carvings spanning the 800-year period of the Western Zhou (1046–771 BCE) and Eastern Zhou (770–221 BCE) Dynasties. Mandate of Harmony: Jade Carvings from the Western Zhou to the Eastern Zhou Dynasties will be on view from March 5 through April 11, 2026. Laboriously and finely carved, the jade ritual objects, ornaments, and utilitarian objects on view are imbued with considerable meaning. These small sculptures are mystical, yet timeless, witnesses to the beginnings of a great civilization. The carvings were meant to be held and remain inviting, all but asking to be handled. Their beauty leads one to understand the Chinese proverb, “A gentleman does not part with his jade without good reason.” Likewise, there is a telling verse from the Chinese Book of Poems, “Thinking of the gentleman, ... More
NEW YORK, NY.- Pace announced its representation of Anicka Yi, who explores subjects across technology, microbiology, and politics through her highly inventive artworks. Known for her rigorous research-based practice, Yi creates imaginative installations incorporating unconventional and unexpected organic and human-made materials—from animal and plant matter to mechanical, animatronic, and algorithmic elements—to investigate what she calls a “biopolitics of the senses.” Guided by a deep interest in the nuances and mysteries of embodied experience, Yi experiments with visual, sensory, and olfactory elements across painting, sculpture, and installation. She usesscientific techniques and new technologies to foreground issues of perception and human psychology in her work. Pace will represent Yi in partnership with Gladstone Gallery, 47 Canal, and Esther Schipper. Yi will debut a new painting on Pace’s booth at Art Basel Hong Kong in March and will present ... More
Lynn Chadwick, Back to Venice (conceived and cast in 1988; estimate: £1,000,000 - 1,500,000).
LONDON.- Christie's will present Lynn Chadwick's major sculpture Back to Venice (1988; estimate: £1,000,000-1,500,000) as one of the leading highlights of its Modern British and Irish Art Evening Sale on 18 March 2026. Appearing at auction for the first time, the work comes from the collection of Dr Robert A. Holton, whose pioneering scientific research transformed modern cancer treatment. The title of the sculpture, Back to Venice, celebrates Chadwick's long and influential relationship with the Venice Biennale. He first exhibited there in 1952, as part of the British Pavilion's groundbreaking presentation of sculpture that inspired critic Herbert Read to describe a new wave of artists as the “Geometry of Fear.” In the aftermath of the Second World War, a generation of British sculptors created angular, tension-filled figures that reflected the uncertainties of the time, and Chadwick's sharply defined, welded iron forms ... More
Thomas Houseago, Mystery Egg II, 2025. Redwood, 236.2 × 76.2 × 76.2 cm. 93 × 30 × 30 in. Courtesy: the Artist and Xavier Hufkens, Brussels. Photo: Thomas Merle.
BRUSSELS.- Thomas Houseago’s large-scale exhibition celebrates thirty years of collaboration with the gallery. Featuring sculptures in diverse media, including bronze, plaster, and wood, as well as different scales, the presentation encompasses both the familiar and newly emerging themes that shape his practice. An immersive installation, Cosmic Snail (Shell Temple), 2025, transforms the first floor into a space for solitude and reflection. Giant Striding Figure (Van Gogh on the Road to Arles), 2025, a towering redwood sculpture, stands in splendid isolation in the first gallery. Striding figures regularly appear in Houseago’s work, suggestive of forward motion but also, conversely, of flight. These works evoke a rich art-historical tradition, from Rodin’s Homme qui marche (c. 1899-1900) to Giacometti’s similarly titled work (1960) or Bruce Nauman’s ... More
Michelle Yi Martin, Skyscraper, 2025. Cotton and monofilament, 57 x 10 x 4 inches / 144.8 x 25.4 x 10.2 cm.
SAN FRANCISCO, CA.- Jessica Silverman presents “The Shape of Dusk,” a solo exhibition of new sculptures by Michelle Yi Martin, a Bay Area artist and experimental weaver, on view from March 5 through April 18, 2026. Yi Martin’s first solo show with the gallery features free-floating and wall-hung multimedia sculptures that inhabit suspended moments—where light becomes dark and gravity meets weightlessness. The play of air and shadow, along with the viewers' movements, animates the real life of these three-dimensional works. Yi Martin creates her work on a floor loom, combining copper, nettle, silk, wool, horsehair, paper, and nylon fishing line into intricately structured artworks. Using fibers sometimes finer than human hair, she often works by touch rather than sight, relying on embodied memory. The process requires both mathematical precision and intuitive responsiveness, reflecting the dual intellectual ... More
Ron Gorchov, Arrichion, 2013. Oil on linen on shaped stretcher, 111 x 88 x 23 cm | 44 x 35 x 9 in.
BRUSSELS.- Maruani Mercier presents Ron Gorchov: Painter, Sculptor, Painter, an exhibition of important works by the artist spanning four decades of his artistic production. At once advancing and retreating, convex and concave, Gorchov’s spatially dynamic works manifest the materiality of painting and powerfully probe the notion of the pictorial plane. Gorchov created his first shaped canvas in 1967, at a time when Clement Greenberg’s assertion of ‘flatness’ in modernist abstraction was being dismantled by artists associated with Minimalism. Integrating curved supports with painterly abstract surfaces of stretched canvas, Gorchov’s works offered a nuanced response to the critical debates around abstraction at the time, advancing an intentionality of shape and an awareness of the relations between volume and surface. Establishing a palpable physical presence, each painting stages a corporeal, rather than purely visual encounter, making the viewer become aware of their body ... More
Gabrielle Dunayski, A Ban On Spaghetti Straps to Prevent Public Erections, 2025. Oil on canvas, 100 x 90 in (254 x 228.6 cm).
NEW YORK, NY.- Anna Zorina Gallery announced the Gabrielle Dunayski solo exhibition, Hymen Hysteria. Dunayski creates paintings where memories accumulate rather than resolve. Figures are layered repeatedly, building into dense compositions that mirror the obsessive return of emotionally heightened recollections. Each canvas suggests that memory is not a stable archive but an active process shaped by repetition, distortion, and reinterpretation. The exhibition marks the beginning of Dunayski’s three-part interrogation of her personal indoctrination growing up in a cult-like mega church, charting the passage from internalized dogma to critical unraveling. Drawing on journals, biblical annotations, sermon notes, and other memorabilia, the artist deconstructs religious motifs and formative memories. Her satirical and severe titles act as catalysts in the studio, providing the provocative basis for exploring the contradictions ... More
Isaac de Jouderville (Dutch, Leiden circa 1612 -1645/48 Amsterdam), Portrait of Rembrandt in Oriental Dress, circa 1631 Oil on panel, 22 7/8 x 19 7/8 in. (70.8 x 50.5 cm) The Leiden Collection, New York.
WEST PALM BEACH, FLA.- The Norton Museum of Art announces the final weeks of Art and Life in Rembrandt’s Time: Masterpieces from The Leiden Collection, a presentation of more than 75 works by 27 artists from The Leiden Collection — one of the world’s most important private collections of 17th-century Dutch art. On view through March 29, 2026, this landmark show will soon conclude its time in South Florida. The exhibition has hosted a record number of visitors, with attendance up some 40% over the prior year, and may become the most visited at the Norton in the last five years. “We have been honored to host a record number of visitors from Florida and beyond for Art and Life in Rembrandt’s Time,” said Ghislain d’Humières, Kenneth C. Griffin Director and CEO of the Norton Museum ... More
Installation view. Courtesy of the artist. Photo: Joel Tsui.
ROCKLAND, ME.- Aaron T Stephan’s installation Murmur consists of thousands of cast concrete blocks, ranging in size from slightly over life size at the work’s perimeter to vanishingly small as they approach the center of the room. The culmination of a decade-long engagement with the concrete block, both as an abstract form and for the promise it held as an inexpensive construction material with industrial, commercial, and residential uses, Murmur ironizes its material and in the process tackles obvious art historical precedents—a strategy running through a wide swath of Stephan’s work as a whole. In particular, on first glance Murmur is a parody of the Minimalist and post-Minimalist practices of artists who also used cinder blocks including Carl Andre, Robert Grosvenor, and Sol LeWitt, as well as those who created large sculpture fields, Walter de Maria in particular. Its first title was, in fact, Block Field, a nod both to de Maria (e.g., The Lightning ... More
Samuel Laurence Cunnane, Plants inside a restaurant, 2016. Hand-printed C-type print on archival photo paper, framed. Image Size: 15.2 x 10.2. Framed Size: 32.6 x 27.6 x 3 (all dimensions in cm).
LONDON.- The Hayward Gallery presents Samuel Laurence Cunnane: Blue Road. This marks the Irish artist’s London debut and the fifth exhibition in the RC Foundation Project Space Exhibition Series, which showcases the next generation of emerging international artists. The exhibition takes place in the HENI Project Space in the Southbank Centre’s Hayward Gallery – a space that offers the opportunity for audiences to discover exhibitions from new artistic voices for free. Blue Road surveys Kerry-based analogue photographer Samuel Laurence Cunnane's work to date, featuring traditional photographic prints developed by hand in his darkroom studio. Cunnane travels by van across Europe and beyond for long periods, capturing fleeting scenes that result in luminous images that reveal ... More
Quote The first hole made through a piece of stone is a revelation. Henry Moore
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M+ unveils "Inner Worlds" to explore the private psyches of contemporary Chinese artists HONG KONG.- M+ presents M+ Sigg Collection: Inner Worlds exhibition. Inner Worlds highlights the diversity and breadth of contemporary Chinese art from the mid-1990s to the 2010s. The third exhibition of the M+ Sigg Collection builds upon previous groundbreaking editions: M+ Sigg Collection: From Revolution to Globalisation (2021–2023) and M+ Sigg Collection: Another Story (2023–2025). M+ Sigg Collection: Inner Worlds offers an in-depth perspective on the collection and contemporary Chinese art by highlighting key artists and trends. This new exhibition shifts the focus inwards, tracing artists’ emotional journeys amid profound social transformation. The time between the mid-1990s and 2010s saw China experiencing rapid globalisation and economic transformation, significantly influencing people’s attitudes and values. Chinese artists became regular ... More
Fundación ARCO presents the "A" Awards for Collecting MADRID.- Fundación ARCO, promoted by IFEMA MADRID, has presented the “A” Awards for Collecting, which this year recognises four collections. Juan Antonio Pérez Simón - 'A` Helga de Alvear Award-; Laurent Dumas - 'A` International Collection Award-; Gabriel Calparsoro - 'A` National Private Collection Award- and MACBA Studio - 'A` Young Collector Award-. Fundación ARCO has, at this thirtieth edition, awarded these prizes in recognition of the artistic value of the collections by both private collectors and institutions, as well as their work in supporting the dissemination of contemporary art. The Laurent Dumas collection, built up over more than two decades, has established itself as an essential reference point for understanding the evolution of art in France from the 1960s to the present day. His holdings, characterised by a significant presence ... More
National Museum in Wrocław exhibits works by three contemporary artists born in Japan WROCłAW.- ”Sunrise in the West” is an exhibition presenting work of three contemporary artists born in Japan, who at the start of their career moved to Europe – Koji Kamoji (b. 1935), Yoshio Nakajima (b. 1940) and Keiji Uematsu (b. 1947). Educated in their country of birth, they subsequently worked in a different cultural context, becoming important members of the international art milieu of the 20th and the 21st cent. All three artists grew up in the post-war era, thus experiencing the accelerated economic, political and social changes taking place in Japan – they observed the clash of the conservative tradition with the introduction of Western political structure, the emergence of consumerism and expansion of popular culture. This was the background to the activities of the now legendary, vibrant avant-garde art scene in Japan in the period from the 1950s to the 1970s, even ... More
Özer Toraman debuts first installation in "Silent Dialogue" at Pi Artworks ISTANBUL.- Pi Artworks Istanbul presents Özer Toraman’s solo exhibition titled Silent Dialogue between 5 March and 2 May 2026. In addition to the artist’s new works, the exhibition, which includes an installation for the first time, points to a new direction in his practice. Silent Dialogue focuses on still and calm moments that often go unnoticed within the noise of everyday life. Through light, colour and spatial constructions, the exhibition addresses the non-verbal relationship that human beings establish within nature and their own inner world. The artist expresses his approach to the exhibition with the following words: “Silent Dialogue does not present a narrative that attempts to produce meaning; instead, it proposes a space where the search for meaning is suspended. Here, looking and pausing are enough. The paintings wait rather than respond; they remain silent rather ... More
Lily Hargreaves unearths a forgotten 1936 disaster to critique British stoicism LONDON.- For her first solo exhibition at Cooke Latham, Lily Hargreaves combines a fascination with British stoicism and the arrogance inherent to the much satirised ‘stiff upper lip’ with a curiosity as to how these attributes manifest in our relationship to nature and the architecture of the English Garden. In April of 1936 a school master, Kenneth Keast, and twenty-seven British schoolboys set out on a ten-day excursion to the Black Forest (Rhon, Germany). Five of them lost their lives in a disaster consequently known as ‘the English calamity’. The anomalies of the case remained dormant for many years with the official story being that the onset of terrible weather had tragically claimed the student’s lives. Until, at the beginning of the 21st century when an amateur historian who was researching the Hitler youth became interested in the case. The picture ... More
Franz Stein's "Feels Like Spring" captures the rhythm of afterimages at König Galerie BERLIN.- König Galerie present Feels Like Spring, a solo exhibition by Franz Stein in the Chapel of St. Agnes, the artist’s second exhibition with the gallery. Franz Stein’s paintings are created through a multi-stage, process-oriented approach. He begins by pouring paint onto the canvas, usually diluted with water and consisting of remnants from previous works. The act of pouring paint onto a pictorial surface has a long tradition in art history, with artists who practice it seeking to relinquish control and allow the flow of paint—rather than controlled brushwork—to determine the pictorial act. For Franz Stein, further steps follow this initial pouring. The treated canvas is subsequently overpainted in white. Applied in varying thicknesses, the white allows the underlying layers of color to show through with differing intensity, creating a vibrant surface. The white field—uneven and at times ... More
Rance Jones explores resilience in Cuba, Israel, and Palestine at Forum Gallery NEW YORK, NY.- Forum Gallery announced a new exhibition for American watercolorist Rance Jones (b. 1965). Rance Jones: Watercolors will be his third solo exhibition at Forum Gallery, opening on March 5, 2026 and continuing through April 18, 2026. While Cuba has been a focus since he first visited the island-nation in 2018, Rance Jones most recently traveled to Israel and Palestine early in 2023. Rance Jones: Watercolors will include 10 paintings from the region, and more than 15 works from Cuban trips, taking us on a deep and immersive dive into the human condition. Jones’ scenes of daily life in Cuba and Israel are immediate, moving, nuanced and complex. They offer us a view into the essence of lives, economic hardship, and the timeless resilience of the spirit, each executed with the remarkable technique that distinguishes the art of Rance Jones. Making visits ... More
VeneKlasen New York presents Sigmar Polke's seminal "The Dream of Menelaus" cycle NEW YORK, NY.- VeneKlasen, New York is presenting Sigmar Polke: The Dream of Menelaus, the gallery’s inaugural exhibition devoted to Sigmar Polke’s (1941– 2010) major four-painting cycle of the same name, completed in 1982. This exhibition offers a rare opportunity to view one of Polke’s most seminal series of paintings in full. The early 1980s proved a highly productive period for Polke, who, reinvigorated by his global travels and cross-cultural encounters of the previous decade, refocused his practice on painting after a period of working with photography and film. Exposure to diverse rituals, cultural traditions, and myths prompted Polke to experiment with new iconographies and unconventional materials that were at times toxic and volatile. In The Dream of Menelaus cycle, Polke incorporated natural minerals—powders of aluminum, manganese, and ferrous ... More
Bugarin + Castle to represent Scotland at La Biennale di Venezia in 2026 VENICE.- For the 61st International Art Exhibition – La Biennale di Venezia in 2026, Bugarin + Castle are to represent Scotland, curated by Mount Stuart Trust and commissioned by Scotland + Venice. The work will be shown from Saturday 9 May to Sunday 22 November 2026 at Olivolo, Castello 59/C 30122, Venice. From Scottish castles to Filipino cemeteries, Bugarin + Castle explore overlapping geographies and time periods in a contemporary queer and trans reimagining of public shaming rituals. Bugarin + Castle narrative unfolds not in a single scene, but in a carnival-like procession of subversion and defiance. Working across architecture, moving image, sculpture, and performance, their practice draws vibrant connections between queer and trans lives in Scotland and internationally, including diasporic connections to the Philippines. Their work focuses ... More
Eglė Budvytytė to represent Lithuania at La Biennale di Venezia with animism sings anarchy VENICE.- For the 61st International Art Exhibition – La Biennale di Venezia in 2026, Eglė Budvytytė will represent Lithuania, exhibiting a new multi-channel film installation animism sings anarchy. The work will be shown at Fucina del futuro, Castello 5063/B, 30122 Venice. The project has been commissioned by the Lithuanian National Museum of Art under Commissioner Lolita Jablonskienė, Director of the National Gallery of Art, a subdivision of the Lithuanian National Museum of Art. It is being curated by Louise O’Kelly, a London based independent curator and founding Director of Block Universe, a leading international performance art festival and commissioning body. Eglė Budvytytė is an artist based in Vilnius and Amsterdam working at the intersection between the visual and performing arts. Her practice, spanning song, video and performance, explores the ... More
Immersive, speculative sound-work and sculptural installation to tour Wales in 2026 CARDIFF.- Heaven in the Ground is a speculative sound-work and installation that reimagines the underground as a sacred space of regeneration, guided by insects, mycelium, and the Earth’s bedrock made by Wales artists DARCH. Originally debuting at Liverpool Biennial 2025, it evolves across three Welsh venues; g39, Cardiff, Mostyn, Llandudno and Mission Gallery, Swansea in 2026, with additional newly commissioned works for each venue, bespoke workshops and audio described tours. DARCH is the collaborative practice of artists Umulkhayr Mohamed and Radha Patel. Their work seeks creative ways to articulate care-centred practices for people of colour, with an approach grounded in solidarity and liberation. The work celebrates the underground as a site of memory, rebirth, and collective history, fostering a vision of interconnection and honouring ... More
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On a day like today, Giovanni Battista Tiepolo was born
March 05, 1696. Giovanni Battista Tiepolo (5 March 1696 - 27 March 1770), also known as Giambattista (or Gianbattista) Tiepolo, was an Italian painter and printmaker from the Republic of Venice who painted in the Rococo style, considered an important member of the 18th-century Venetian school. He was prolific, and worked not only in Italy, but also in Germany and Spain. In this image: The Banquet of Cleopatra, 1743-44, National Gallery of Victoria, Melbourne.
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