GLOUCESTER, MASS.- On June 30, the Cape Ann Museum (CAM) in Gloucester, Massachusetts, opened Avery, Gottlieb & Rothko: By the Sea, a landmark exhibition featuring 82 works of art from 26 lending institutions, including 16 museums across the country. On view at the Cape Ann Museum from June 30 through September 27, 2026, the exhibition is guest curated by Eliza Rathbone, Chief Curator Emerita at The Phillips Collection. Following its Gloucester debut, the exhibition will travel to The Phillips Collection in Washington, DC, in October 2026—marking the first time an exhibition organized by the Cape Ann Museum will tour to a national museum. The exhibition also coincides with the reopening of the Museum’s main campus after 20 months of closure for renovations and improvements, following an unprecedented $23 million fundraising campaign, far exceeding the Museum’s original $18 million goal. “This is an extraordinary opportunity to tell the story of the close friendship among these major ... More
Patrick O'Brien, USS Spitfire on Patrol, 2020 (detail).
NEW YORK, NY.-Cavalier Galleries is marking its 40th anniversary this year, celebrating four decades of growth from a small Stamford, Connecticut gallery into an independent enterprise with exhibition spaces in New York, Greenwich, Nantucket, and Palm Beach. Founded in 1986 by Ronald Cavalier Jr., the gallery began modestly, at a time when establishing credibility in the competitive art market required patience, persistence, and a clear point of view. Over the years, Cavalier built its reputation through scholarship, connoisseurship, and close relationships with artists, collectors, institutions, and the communities in which it operates. Today, the gallery is known for museum-quality exhibitions, the representation of leading contemporary artists, and a long commitment to public art. That public-facing mission has been central to Cavalier’s identity for decades, beginning with the founding of the Stamford Sculpture Walk in 1993 an ... More
Lotus L. Kang, Receiver Transmitter (Casket), 2026, cast aluminum, 49 cast aluminum kelp knots, concrete, steel, hardware, 152.4 x 99.1 x 30.5 cm.
GERMANTOWN NY.- Mendes Wood DM is presenting Casket, a presentation of new work by the Canadian-born, New York-based artist Lotus L. Kang. Receiver Transmitter (Casket) (2026), a cast aluminum sculpture centering on avian bodies, a relatively recent motif in Kang’s practice, takes as its central image a bird nourishing through regurgitation. Non-human, its figures bear what are among the most shared of experiences of inheritance, loss, the passage from one generation to the next, the extreme newness of a life just begun, what a mother can pass on to her brood. Working to monumentalize this exchange, treating it as a process rather than a state of arrival or finality, Kang has been thinking about leakiness, regurgitation, and translation. The concepts find their most literal form in the act of feeding, one body passing what it holds into another. What cannot be contained, that leakiness in existence, gives the work its model of inheritance, the messy, formless business of passing som ... More
LONDON.- Marking Sakshi Gallery’s 40th year, Unfolding Narratives: Perspectives in Contemporary Indian Art showcases works by six artists: Amit Ambalal, Manjunath Kamath, Ravinder Reddy, Rekha Rodwittiya, Shine Shivan and Surendran Nair, who have, over many decades, shaped and redefined the contours of Indian contemporary art. A number of works have been created especially for the exhibition, offering audiences an insight into the artists’ current directions and evolving practices. The exhibition opens on June 30, 2026 and remains on view until July 8, 2026 at the Mall Galleries, London. While rooted in South Asia, their practices are situated within a wider transnational context. Their works are well-represented within international collections, including the Victoria & Albert Museum, Detroit Institute of Arts, Peabody Essex Museum, Los Angeles County Museum of Art (LACMA), the Kiran Nadar Museum of Art, and the Museum of Art & Photography (MAP), among others. This presentation also ... More
NEW YORK, NY.- Galerie Lelong, New York announced representation of Los-Angeles based painter Sarah Cain. Known for her vibrant color palette and playful language of abstraction, Cain boldly pushes the boundaries of painting. The artist centers her practice in feminist principles, dismissing historic conventions of her medium to construct a new, expanded language of abstraction rooted in the experiential. Her paintings often incorporate found objects or extend beyond the canvas into monumental site-specific installations that embody an emotive experience. This marks Cain’s return to Galerie Lelong, having worked with the gallery for nearly a decade leading up to 2020. “We're thrilled Sarah Cain is returning to the gallery. She is one of the most exciting and freshest voices among painters today, with her multi-dimensional painting and site responsive installations extending the medium’s language. We’re happy to welcome her back as we continue to strive to raise the profiles of wom ... More
Portrait of Bas Hendrikx in the garden of De Pont Museum, photographer: Roos Pierson.
TILBURG.- Bas Hendrikx will join De Pont Museum in Tilburg as senior curator on 1 October 2026. Together with Maria Schnyder, who will assume the position of director and chief curator on the same date, he will be responsible for the further development of the museum’s exhibition programme and collection. Hendrikx is currently a curator at Kanal-Centre Pompidou in Brussels, where he has been developing exhibitions, new commissions and audience engagement programmes since 2022. Previously, he worked at P/////AKT in Amsterdam and at the artist residency Hotel Mariakapel in Hoorn. Long-term collaboration with artists is central to his practice, with a consistent focus on new productions developed in direct dialogue with artists. He is particularly interested in presentation formats that are shaped by the specific nature of an artist’s practice. Maria Schnyder, director and chief curator of De Pont Museum from 1 October: 'Bas Hendrikx combines artistic vision and strategic insight with a d ... More
Gwangju Biennale Exhibition Hall. Courtesy of Gwangju Biennale Foundation.
GWANGJU.- The Gwangju Biennale Foundation has announced an international open call for the Artistic Director of the 17th Gwangju Biennale, marking a significant shift in the Biennale’s curatorial selection process. Until now, the Artistic Director has been selected through a recommendation-based system, in which a small group of advisors nominated candidates for consideration and a final director was appointed from among them. While the existing system has often brought in internationally renowned figures, the Biennale is embracing a new approach to honor its landmark 30-year history. The transition is meant to uphold the spirit of Gwangju and the pride of its legacy while establishing a more democratic and transparent selection process. This change reflects a commitment to prioritizing curatorial vision, exhibition content, and professional capability over individual reputation. The open call is open to exhibition professionals and curators from around the world, regardless of nationality, ... More
Ain Bailey, Maybe It's Because I'm A Londoner, 2026, Waterloo Underground station. Photo by Thierry Bal.
LONDON.- Maybe It’s Because I’m A Londoner is a new sound artwork for Waterloo station by London-based composer, artist and DJ Ain Bailey (b. London, 1963) with experimental vocalist and movement artist Elaine Mitchener (b. London, 1970). Bailey’s first UK public artwork undertakes an autobiographical mapping of London to reflect on the value of London’s cultural spaces and their place in shaping a personal identity. Maybe It’s Because I’m A Londoner is an original 6:30-minute audio work. It features a new libretto paying homage to more than 70 London premises that have been important to Ain Bailey throughout her lifetime, which are no longer open. The work can be heard at Waterloo Underground station along the travelator connecting the Northern and Jubilee lines. Bailey’s libretto has been interpreted and performed by Elaine Mitchener as a multi-layered composition for voice. Mitchener brings her singular compositional style of vocal free experime ... More
Installation view.
BUFFALO, NY.- The Buffalo AKG Art Museum opened the exhibition, Ali Banisadr: Temple of the Mind. The show takes place in the museum’s Hemicycle Gallery, as well as throughout the Wilmers Galleries—the first time an artist has been invited to host interventions in the AKG’s permanent collection galleries—and will be on view from Friday, June 26, to Sunday, November 8, 2026. Ali Banisadr (American, born Iran, 1976) merges the compositional elements of landscape painting with abstract mark-making to create an altogether new form of figuration. The resulting compositions are a carefully composed bedlam of forms that suggest but ultimately deny any specific narrative. Variously reminiscent of gardens of Eden, the seasonal genre pictures of Flemish Renaissance painter Pieter Bruegel the Elder, and Boschian depictions of Hell, Banisadr’s contemporary abstractions call upon the history of painting. The title of the exhibition, borrowed from Albert Pinkham Ryder’s enigmatic pai ... More
Stephanie Syjuco,Applicant Photos (Migrants) #1, 2013-2017, Archival Epson pigment print,16 x 20 in.
NEW YORK, NY.- Fridman Gallery presents Double Bind: Belonging and Its Discontents, a group exhibition curated by Catharine Clark featuring works by Athena LaTocha, Sandow Birk, daaPo Reo, Stephanie Syjuco, Zeina Barakeh, Nate Lewis, Hiba Kalache, Arleene Correa Valencia, Wura-Natasha Ogunji, and Deborah Oropallo and Andy Rappaport. Through drawing, sculpture, textiles, photography, video, installation, painting, and performance, Double Bind explores belonging as both a political condition and a lived experience. While many of the participating artists engage questions of migration, citizenship, public memory, and national identity, the exhibition ultimately asks a broader question: What allows us to feel that we belong? The exhibition's title references the paradox at the heart of contemporary belonging. To belong often requires visibility, yet visibility can expose individuals to surveillance, exclusion, or control. To assimilate may provide access and recognition, yet difference remains marked and ... More
NAPLES.- The Maria Lai exhibition is part of an initiative launched by Madre at the start of its 2023 programming cycle, under the presidency of Angela Tecce and the directorship of Eva Fabbris: to bring visibility and historiographical rigor to the practices of female artists who worked in the second half of the twentieth century with a radicalism that is often still underrecognized. Following those on Kazuko Miyamoto and Tomaso Binga, the exhibition on Maria Lai expands this commitment, bringing to the forefront a body of work in which the practice of gesture, the transmission of knowledge, and the collective memory of women’s labor converge in an original visual language. This exhibition coincides with the second winning exhibition of the Premio Meridiana; shortly after comes the opening of the third chapter of the exhibition series Gli anni, which continues and deepens the exploration of the history of exhibitions in Naples and the Campania region. Maria Lai: To Be Is to Weave, curated ... More
Avelino Sala, Invisible Violence (Instant and Danger). Installation view, Madrid, 2026. Courtesy of CentroCentro. Photo: Amapola Creativa.
MADRID.- Main highlights of CentroCentro’s exhibition programme for the second half of 2026: The Tempest (La tempestad) is the first institutional monographic exhibition in Madrid devoted to Avelino Sala (Gijón, 1972), a leading Spanish exponent of art as a vehicle for resistance. Through ten installations—most of them created specifically for this show—Sala reflects on the symbolic mechanisms of power, memory, and contemporary conflicts, questioning dominant discourses and inviting visitors to imagine alternative narratives. Curator: Semíramis González. Co-produced with LABoral Centro de Arte y Creación Industrial, Gijón, Spain The Slowness of Light (La lentitud de la luz) is the first institutional exhibition in Madrid by María Lara (Loja, Granada, 1940), who has long been considered a ‘secret painter’. Bringing together nearly 40 paintings and drawings produced over the last twenty-five years, the exhibition highlights her meticulous exploration of geometry, colour, and the shifting qualit ... More
HEIDELBERG.- The Prinzhorn Collection Museum houses a collection that is unique in the world – some 40,000 works created by institutionalised patients and people with experience of mental illness between 1840 and the present day. In 2026, the museum celebrates its 25th anniversary. With the anniversary exhibition ‘Is It All Art?’ and an extensive programme of events, the museum – in collaboration with numerous partners – is focusing on a central question that has accompanied the institution since its foundation: How can works created in a psychiatric context be exhibited when they were not originally intended for the public or were not created as art? The aim of the exhibition is to explore new ways of presenting ‘art on the fringes of art’ and to further strengthen the inclusion of outsider art within the art world. The exhibition presents key works from the collection in a new light. These include, for example, the life-size doll by Katharina Detzel (1872–1 ... More
Quote We artists are mythmakers, and we participate with everybody else in the social constructionof reality. Helen Mayer Harrison
More News
Nicolas Party, an immersive musical experience and a celebration of art and sport MONTREAL.- The Montreal Museum of Fine Arts unveiled its summer program, boasting a rich and diverse offering that celebrates art in all its forms. Open every day from June 29 to September 6, the MMFA is Montreal’s must-see destination of the summer. Visitors to the Museum will be able to choose from a variety of experiences at once immersive and accessible, from a mural by Nicolas Party to the contemporary sculptures of the exhibition Beyond the Pedestal, to a musical project by the group feu doux, to Ready, Set, Go!, which highlights a selection of works from the MMFA’s collection inspired by sport. Starting in early June, visitors to the MMFA will be able to admire Trees, a mural by Swiss artist Nicolas Party, who was given carte blanche by the MMFA for this creation. This permanent work reflects the special relationship forged between the painter and the Museum since the presentation of his highly successful exhibition L’heure mauve in 2022. Painted on the wall of a lounge area ... More
FOMU opens concurrent exhibitions on emerging Belgian photography and colonial history ANTWERP.- FOMU opened 2 new exhibitions on Friday 26 June. .tiff 2026 - Emerging Belgian Photography offers a fresh look at contemporary photography. FOMU supports 10 promising artists and photographers with a Belgian connection every year with .tiff . In Material Revolts: Ecosystem against Empire, Ghanaian artist Kelvin Haizel (1987) takes a microscopic look at the photographic representation of colonial history. Alderwoman for Culture Lien Van de Kelder: "With .tiff we are doing exactly what we want to encourage with our cultural policy: we offer young, promising makers opportunities and a stage to show themselves. At the same time, Kelvin Haizel challenges us to look at our colonial past with a different perspective; he literally puts that theme under the microscope. This summer, FOMU is already doing what it promises: broadening our view with a stimulating and multifaceted offering." Each year, through .tiff, FOMU supports 10 up-and-coming artists and photographers who live or ... More
Joseph Bellows Gallery presents Joni Sternbach's 19th-century process surfboard portraits LA JOLLA, CA.- Joseph Bellows Gallery is presenting Surfboard, an exhibition of photographs by Joni Sternbach featuring twenty 14×11-inch gelatin silver contact prints made from glass-plate collodion negatives. Devoted to the surfboard as both a sculptural object and a vessel of personal history, the exhibition is on view from June 27 through August 29, 2026. Using the 19th-century photographic process, Sternbach portrays surfboards as singular artifacts shaped by craftsmanship, use, history, and the ocean itself. Her images bridge centuries of photographic tradition and the enduring culture of surfing, creating works that feel both timeless and distinctly contemporary. Known internationally for her use of the 19th-century tintype process to create compelling portraits of surfers, Sternbach applies similar working methods to the surfboard itself. The artist writes: "I document historic surfboards by making large-format, collodion-coated glass negatives. I use this process concep ... More
Triangolo gallery presents new underglazed stoneware works by Sam Linguist CREMONA.- The artist Sam Linguist was raised in the small town of Waxahachie, Texas, where he spent his teenage years working at Webb Gallery, a space dedicated to the cosmic explosions and Surrealist fantasies of visionary artists, often self-taught or excluded from the mainstream—the gallery itself far-removed from prevailing American art centers. There, he encountered figures like Sanford Darling, Royal Robertson, and Burgess Dulaney whose works in clay, paint, marker, and glitter, revealed new hallucinatory worlds. This idiosyncratic personal mythology plays itself out in an art practice that affirms a devotion to handmade objects, enigmatic private dreamscapes, and exuberant traces of the everyday, which Linguist conveys on wobbly slip cast surfaces made by hand or formed from found items spanning domino tiles and turtle shells to Styrofoam and hardcover books. Poised between sculpture and painting, Linguist transfigures the ordinary material of clay into poetic and improvisational ent ... More
Bellini's famed Frari Triptych undergoes major conservation treatment in Venice VENICE.- Acclaimed by 19th-century art critic John Ruskin as one of “the best pictures in the world,” the Frari Triptych reveals Giovanni Bellini’s extremely refined brushwork and his ability in depicting the psychological depth of the figures. Bellini was commissioned to paint the Frari Triptych in 1488 to honor Franceschina Tron who had died in 1478. The altarpiece was part of a broader project that included the erection and decoration of the sacristy’s chapel where Franceschina was buried. Her tomb slab still lies today in the center of its original architectural setting, right before the altar, and carries an inscription with the names of the patrons—Franceschina’s sons Nicolò, Benedetto, and Marco Pesaro. The Pesaro patronage is considered among the most remarkable commissions of the time, as it honors a woman rather than a man. Indeed, evidence suggests that Franceschina was the only woman to have been commemorated in such a magnificent way in the Basilica de ... More
Mo.C.A. opens exhibition tracing urban art from prehistoric marks to Banksy MONTECATINI TERME.- Leaving a mark on a wall may seem like a rebellious modern gesture, but a new exhibition at Mo.C.A. (Montecatini Terme Contemporary Art) argues that the impulse is as old as humanity itself. Opening today, Giotto Was Banksy’s Grandfather. We Are in the World to Leave a Mark traces the long history of public expression, from prehistoric cave paintings and the rock engravings of Val Camonica to the graffiti of Pompeii, the subway writing of New York, and the global rise of street art. Curated by Bruno Ialuna, the exhibition will remain on view through May 2, 2027, presenting an immersive journey across more than 60,000 years of visual culture. The project, organized by Mare Laboratorio di innovazione sociale, is presented with the patronage of the Province of Pistoia and the Region of Tuscany. At the heart of the exhibition is a simple but powerful idea: public art did not begin in the 20th century. Long before graffiti writers marked trains and buildings, humans were already using ... More
Beneath the Venetian Moon: Nigel Cooke's “Bad Habits”
PhotoGalleries
Flashback
On a day like today, Swiss painter and illustrator Paul Klee died
June 29, 1940. Paul Klee (18 December 1879 - 29 June 1940) was a Swiss-born German artist. His highly individual style was influenced by movements in art that included expressionism, cubism, and surrealism. Klee was a natural draftsman who experimented with and eventually deeply explored color theory, writing about it extensively. His lectures Writings on Form and Design Theory (Schriften zur Form und Gestaltungslehre), published in English as the Paul Klee Notebooks, are held to be as important for modern art as Leonardo da Vinci's A Treatise on Painting was for the Renaissance. In this image: Paul Klee, Bahnwärter-Garten, 1934, 31. Pastell auf Damast auf Papier. 29,5 x 55 cm. Kazumasa KATSUTA, Gallery K. AG, Schweiz.
The OnlineCasinosSpelen editors have years of experience with everything related to online gambling providers and reliable online casinos Nederland. If you have any questions about casino bonuses and, please contact the team directly.
The OnlineCasinosSpelen zonder CRUKS editors have years of experience with online gambling providers and reliable online casinos Nederland. If you have any questions about casino bonuses and, please contact the team directly.
