Jessica Drenk, Agate 8, 2026 Junk mail and used paper, 44 1/2 x 48 x 2 inches.
GREENWICH, CT.-Heather Gaudio Fine Art is presenting Notions of Time a four-person exhibition featuring new works by Jessica Drenk, Yoona Hur, Amy Kirchner and Simona Prives. The artists featured in the exhibition possess distinct visual languages that are heavily influenced by the concept of time, permanence, impermanence, nature and the man-made. Their evocative investigations with the medium and materials will take visitors into contemplative visual journeys that allude to origins, life, stillness, and the cyclical nature of existence. Jessica Drenk’s works repurpose everyday materials to mimic structures and forms created by nature. In her exploration of materiality, Drenk’s process subverts the meaning and original function associated with it, cleverly referencing the life cycle of objects through time. Among the works featured in the exhibition, Drenk will present ... More
Lisbon, Sanctuary Lamp, 1740s, gold. Terra Sancta Museum, Jerusalem. Photo: Joseph Coscia Jr.
FORT WORTH, TX.- The Kimbell Art Museum will present the special exhibition The Holy Sepulcher: Treasures from the Terra Sancta Museum, Jerusalem from March 15 through June 28, 2026, in the Renzo Piano Pavilion. This extraordinary exhibition showcases more than sixty objects in silver, gold, enamel, and precious jewels, given by European monarchs and rulers to the Church of the Holy Sepulcher in Jerusalem, a site of Christian devotion and pilgrimage, where they have been used in religious ceremonies for centuries. Including dazzling reliquaries, crosses, candlesticks, chalices, and vestments representing the height of seventeenth- and eighteenth-century craftsmanship, many of these objects have no equivalent anywhere else in the world. Traveling to only two venues in North America, the exhibition represents the first—and possibly only—time these treasures will be seen in the US. The Wall ... More
Youngju Joung Four Seasons 100, 2025-2026. Korean paper on canvas, acrylic, 97 x 582 cm. 38 x 229 in.
NEW YORK, NY.- Almine Rech New York, Tribeca is presenting 'Pause and Flow,' Youngju Joung’s second solo exhibition with the gallery, on view from March 13 to April 25, 2026. From an elevation, the roof tops of Korean homes made of tiles, corrugated metal, tarp, or any makeshift material that dress the hills in the outskirts of Seoul appear enchanting. Perhaps that alone makes the dal dong nae, or “moon village,” denoting slums or shanty towns, deserving of depiction and memorialization – indeed, South Korean films and dramas frequently feature these panoramic views of the city. But to make these villages the fixation of one’s work feels fraught, due to the painful history of South Korea’s modernization. Artist Youngju Joung could not be indifferent to this, as she was born in Seoul’s dal dong nae in 1970. To be born in 1970 means Joung’s life began during a time where there was immense nationwide effort to modernize ... More
Willem Drost, Man with a Plumed Red Beret.
LONDON.- Agnews Gallery announced the sale of Willem Drost’s exceptional 1654 oil on canvas, Man with a Plumed Red Beret, to The Leiden Collection, the world’s foremost private assemblage of Rembrandt and Rembrandt School paintings. Willem Drost (1633–1659), who was not previously represented in The Collection, was among Rembrandt’s most gifted and enigmatic pupils, studying with the master in the early 1650s. Throughout his brief career, tragically cut short when he died of pneumonia in Venice at age 25, Drost created powerful and exquisitely executed portrayals of the human figure. The entry of this masterpiece into The Leiden Collection marks a momentous event from both a curatorial and educational standpoint. Rarely do artists capture the emotional energy that Drost achieves in this compelling image. The bearded man’s forceful pose commands the viewer’s attention. As he leans forward, gazing intently to the side, he gestures with an open hand ... More
Shirley Kaneda, Halcyon Distress, 2018, acrylic on canvas, 182.9 x 160 cm / 72 x 63 in.
HONG KONG.- Kiang Malingue will present at Art Basel Hong Kong 2026 paintings, sculptures, installations and videos by 32 artists. Highlights include Yuan Yuan’s Nourishment of the Mortal Realm (2026), a painting that is inspired by the writing of French author André Gide. This large-scale painting of a lively urban scene derives its title from Gide’s Les nourritures terrestres (The Fruits of the Earth), its setting from a photograph of a street corner in Shanghai, and the main architecture from a run-down building on Avenida Malecón the artist encountered when he was travelling in Cuba—the building was poorly maintained, missing windows and doors, but people still lived there, where their daily lives were visible from the outside. Yuan Yuan based the composition on Pieter Bruegel the Elder’s masterpiece The Fall of the Rebel Angels, allowing multiple references to function at once in this vigorously eclectic composition. For the artist, the painting delineates that Bruegel and ... More
Installation view. Image courtesy of Nino Mier Gallery. Photo: Elisabeth Bernstein.
NEW YORK, NY.- At 4:37am on August 12th, 2024, Zak Kitnick became a father. The baby was “healthy and cute,” according to the birth announcement, and remains so today. She was also the original intended audience for Kitnick’s Paintings for Children, a series that is as much a testament to his new identity as a father as it is to his longstanding preoccupation with seriality, appropriation, and the relationship between the commercial, the industrial, and the decorative. Paintings for Children is composed of one hundred small paintings of trucks, buses, vans, and automobiles. Each painting is different, but the figures are not. Nine vehicles repeat in a seemingly endless variety of color combinations fit for a nursery school. These vehicles, though hand-painted, appear stamp-like with thick, firm edges. They seem to hover before their backgrounds—framed but not really grounded, separated from the world behind them like vivid cartoon characters layered over a hazy desert landscape. T ... More
PARIS.- Zander Galerie Paris is presenting an exhibition of six unique oversized dye-transfer prints by William Eggleston, taken between 1968 and 1973 and printed in 2008. Shown for the first time, these rare works occupy a singular position within the artist’s oeuvre, distinguished by their scale, chromatic intensity, and material presence. William Eggleston (b. 1939, Memphis, Tennessee) is widely regarded as one of the most influential figures in modern photography and a pioneer in the recognition of colour photographs as a legitimate form of art. His work focuses on the everyday landscapes of the American South, captured with a heightened attention to colour, structure, and visual balance. Rather than seeking dramatic or narrative moments, he developed a practice rooted in observation, where ordinary scenes become sites of formal and perceptual intensity. Central to his approach is the concept he described as ‘democratic photography’, the idea that all subjects merit equal at ... More
Laurent Proux, Shipwrecker, 2025, oil on canvas, 220 x 170 cm.
ANTWERP.- Tired dreams There is something deeply unsettling in the work of Laurent Proux. His works are not in this world to comfort, reassure, or entertain; they are not a “comfortable armchair”, quite the opposite. This uneasy feeling is perceptible, though in different ways, in both series of works presented in the artist’s newest exhibition “Out of The Blue” at GNYP Gallery in Antwerp. The artist is in fact accustomed, both in his studio practice and in his exhibitions, to pursuing two distinct paths: paths that on the one hand engage in a subtle dialogue with one another, and on the other produce a friction, an extremely fertile short circuit generated precisely by their evident differences. One trajectory brings together paintings whose subjects revolve around factory interiors where people are engaged in manual work. The images are derived from photographs taken by the artist in real factories and, in some respects, recall an aesthetic close to that of Socialist R ... More
Since the museum’s opening in 2016, the object has been on view in the “Slavery and Freedom” exhibition, thanks to a collaborative partnership and loan from the Iziko Museums of South Africa.
WASHINGTON, DC.- Following the conclusion of a 10-year loan to the Smithsonian’s National Museum of African American History and Culture (NMAAHC), wooden artifacts, including ship timber, from the São José slave shipwreck will return home to South Africa for long-term conservation and continued stewardship. Since the museum’s opening in 2016, the object has been on view in the “Slavery and Freedom” exhibition, thanks to a collaborative partnership and loan from the Iziko Museums of South Africa. Completing this loan is part of the museum’s broader collaboration with partners in South Africa, including the upcoming opening of the traveling exhibition “In Slavery’s Wake” at the Iziko South African National Gallery in May 2026. “The millions of visitors who have learned more about the Middle Passage through this loan from Iziko Museums have benefited in ... More
Almost all of the works are images of women, reflecting the conventions of the genre, as well as the preferences of male artists and their audience.
SARASOTA, FLA.- The John and Mable Ringling Museum of Art announced the exhibition In the Flesh: The Nude in Modern Japan, on view from February 21 to August 23, in the recently dedicated Charles and Robyn Citrin Gallery, named after long-time generous museum patrons. Spanning from the 1920s to the 1980s, the exhibition features prints and a magnificent painting by Ishikawa Toraji, exploring how Japanese artists reimagined the nude over the twentieth century. “This group of artworks, drawn principally from the superb Citrin Collection, highlights the ebb and flow of ideas between Japan and the West, and suggests how Japanese artists engaged with Western themes and gave them new meaning,” says Dr. Rhiannon Paget, The Ringling’s Curator of Asian Art. Almost all of the works are images of women, reflecting the conventions of the genre, as well as the preferences of male artists and their audience. The ... More
View of Paola Pivi's exhibition 'Live again' at Perrotin Paris, 2026. Photo: Claire Dorn. Courtesy of the artist and Perrotin.
PARIS.- Perrotin is presenting Live again, an exhibition exploring Paola Pivi's unique ability to transform wonder into a potent tool for political and spiritual reflection. Pivi debuts a new series of work, New life, which includes an installation of fifty stars of tree branches, composed from lemon trees alongside one bronze composition. For the exhibition, the artist used lemon trees used to create the artworks, which have been cut with care and attention so that the roots can regrow into new plants. This exhibition marks Pivi's sixth solo exhibition in Paris and her twelfth exhibition with the gallery. Paola Pivi is currently presenting the solo exhibition I don’t like it, I love it at the Art Gallery of Western Australia in Perth, on view until April 26. From April 2, several of her works will also be included in Tragicomica, a group exhibition at the MAXXI – National Museum of 21st Century Arts in Rome. In spring 2026, the artist will be the subject of a major ... More
Andreas Kocks, Same, same, but different (#2513st), 2025, Steel, oxidized, 32 x 29 x 1 inches.
NEW YORK, NY.- Winston Wächter Fine Art, New York is presenting Keep Your Eyes Open, an exhibition featuring a series of new sculptural works by Andreas Kocks. In his sixth solo exhibition with the gallery, Kocks carefully chooses materials and forms that reflect a balance of elements and activate space in relation to the viewer. Kocks’ practice involves cutting, layering and shaping metals and paper to form structured lines that activate light and shadow. Fascinated by the intersection of drawing and sculpture, the line is a crucial part of Kocks’ work. More than a mere mark, Kocks wields his materials to turn a drawn line into a physical gesture, transforming the solid form to create cutouts, hollowed spaces, and warped three dimensional structures. This equality of positive and negative, convex and concave, is essential to Kocks’ practice, reflecting the tension that is inherent to creating works of metal and paper structures. Through this use of metal, Kocks’ expands the ... More
Nell Blaine, Rooftops, 94th Street, 1967. Oil on canvas, 17 x 21 inches (43.2 x 53.3 cm).
NEW YORK, NY.- Tibor de Nagy Gallery presents Nell Blaine: Gloucester Harbor and Other Works, an exhibition of paintings and watercolors. The exhibition focuses on one of Blaine’s most cherished subjects—Gloucester Harbor—captured from various vantage points near her home, alongside her signature floral still lifes and interiors. Nell Blaine first visited Gloucester in the summer of 1943 at the suggestion of Judith Rothschild. Recalling that period as “magic and productive,” Blaine was so charmed by the maritime life that she eventually purchased a home there. She maintained a dual residence, spending summers and autumns in Gloucester while remaining a fixture of the New York City art world. The works in this exhibition range from the mid-1950s—when Blaine’s signature style of complex, color-driven painting first emerged—through the 1990s. This survey is particularly notable for spanning the pivotal year of 1959, when Blaine contracted polio during a trip to Gr ... More
Quote Everything is miraculous. It is a miracle that one does not melt in one's bath. Pablo Picasso
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National Air and Space Museum welcomes James Webb Space Telescope's Pathfinder and Parker Solar Probe to collection WASHINGTON, DC.- The Smithsonian’s National Air and Space Museum welcomes two new acquisitions to the collection—the James Webb Space Telescope (Webb) Pathfinder and Parker Solar Probe model. The Pathfinder is a full-scale engineering model used as the primary test article for the flown Webb spacecraft, which launched Dec. 25, 2021. The Parker Solar Probe is a full-scale model of the flown spacecraft whose mission is to study solar wind. Both acquisitions were transferred by NASA and are on display at the James S. McDonnell Space Hangar at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. “Both the Webb and Parker Solar Probe are expanding our understanding of space,” said Samantha Thompson, space history curator ... More
Exhibition at Bluerider ART explores the fluidity of organic time and space TAIPEI.- Wolfgang Flad (Germany, b. 1974) graduated from the State Academy of Fine Arts Stuttgart and currently lives and works in Berlin. Renowned for his distinctive sculptural language, Flad departs from the weight and monumentality traditionally associated with sculpture. Employing wood, metal, glass, and recycled materials, he creates sinuous, irregular forms that embody organic vitality and tension. His solo exhibition at Tampa Museum of Art，his works by permanent collected the Staatsgalerie Stuttgart, Kunsthaus Zürich, Centraal Museum Utrecht. The exhibition title 《Wolfgang Flad: FORMA FUTURA 》directly articulates Flad’s renewed inquiry into the relationship between sculpture, time, and space. “Forma Futura” (Latin for “future form”) does not gesture toward a cold technological prophecy; rather, it addresses the sustainability and regeneration of organic ... More
Castlefield Gallery opens an exhibition about power, protest, memory and survival MANCHESTER.- Through large-scale print works, film and sculpture, this exhibition reflects on power, protest, memory, and survival. Exhibiting together for the first time, Ismail and Lake’s works weave together narratives that are at once personal, political and historical. Their work is as vibrant as it is fragile, with layers of texture and imagery inviting us to consider how histories of erasure and survival continue to shape the present - especially in a moment marked by war, censorship, and the criminalisation of protest. The artists say: “Against a backdrop of climate crisis, social inequality, political unrest, and the erosion of human rights, the proposed exhibition asks: what is the role of the artist in times of crisis?” Printmaking frequently acts as the starting point in Ismail’s work, which explores speculative ecology, memory, and the repetition of erased or hidden histories. ... More
TEFAF Maastricht opening day: David Aaron sells stele to US museum MAASTRICHT.- On the opening preview day of TEFAF Maastricht David Aaron sold the Stele of Medeia to a major US museum. A remarkable example of a rare Greek stele from the historic Attic region, dated circa 375-350 B.C., the stele is one of very few surviving examples dedicated to a Parthenos, a young Athenian woman of marriageable age who has not yet wed. The Stele of Medeia had a list price of £450,000. Of the sale Salomon Aaron, Director, David Aaron, said: “We’ve had a strong start to the fair with the sale of the Stele of Medeia to a major American museum. We’re pleased to see one of the standout pieces from our TEFAF presentation attract such early enthusiasm at the fair. The stele represents an interesting story of a young Parthenos woman in Greek society and the rarity of this subject matter accompanied by impeccable provenance makes it a desirable museum quality piece. We look forward to the next week at TEFAF and meeting with museums and collectors from around the world. ... More
Important nationally touring exhibition at Monterey Museum of Art closes April 19 MONTEREY, CA.- As part of a national tour organized by the Japanese American National Museum (JANM), Pictures of Belonging: Miki Hayakawa, Hisako Hibi, and Miné Okubo will be on view at Monterey Museum of Art (MMA) until April 19, 2026. The exhibition introduces the public to three trailblazing Japanese American women, whose artwork and life stories expand our understanding of both California Art and the American experience. Curated by Dr. ShiPu Wang, Coats Family Chair in the Arts and Professor of Art History, University of California, Merced, the exhibition spans eight decades and reveals the range and depth of these artists' bodies of work, connections that have been previously unexplored, and includes many pieces on view to the public for the first time. MMA is the fourth and final traveling venue for Pictures of Belonging before its final stop ... More
Unresolved histories: Renee Royale and Binh Danh examine colonial power at ROSEGALLERY SANTA MONICA, CA.- ROSEGALLERY is presenting a two-person exhibition featuring works by Renee Royale and Binh Danh, bringing together practices that examine colonial legacies, systems of extraction, and the enduring questions of identity, belonging, and being. Through materially driven processes and historically grounded imagery, both artists contend with how bodies, land, and memory are shaped by power. Binh Danh’s series All I Asking for Is My Body (2024) consists of daguerreotypes made on antique colonial-style silver platters. Drawing its title from Milton Murayama’s 1975 novel, the project examines the histories of Japanese, Chinese, Filipino, Korean, Portuguese, and African laborers exploited by American plantation systems in the late 19th and early 20th centuries. Danh sources vernacular photographs and stereographs depicting plantation labor and oversight, ... More
Donatella Spaziani bridges Italian and Chinese traditions at Sichuan Fine Arts Institute CHONGQING.- Poetic Space–Unscathed Among Things is the first solo exhibition in China by Donatella Spaziani, hosted by the Sichuan Fine Arts Institute Art Museum, one of the country’s most prestigious Fine Arts academies, which has maintained a longstanding partnership with the Fine Academy of Arts of Florence. The project, promoted by Zerynthia–Association for Contemporary Art OdV, is presented under the patronage of the Italian Embassy in China and with the support of the Consolato Generale d’Italia in Chongqing. The exhibition also benefits from the patronage of the Fine Academy of Fine Arts of Frosinone, further strengthening academic and cultural dialogue between Italy and China. Poetic Space emerges as a place of encounter and listening. The exhibition invites viewers to reconsider art as a shared space, capable of transcending ... More
Kunsthalle Friart Fribourg presents a study of material instability FRIBOURG.- Passages is an exhibition about the mutability of matter and form. While questions of form often concern how material is endowed with, or given form, the exhibition likewise attends to the existential dimension embedded within a larger notion of form. The moment in which something takes form is often also the moment in which an existence or presence is suggested, while conversely the dissolution of form often involves disappearance, loss, or even destruction. Moments of making and unmaking form alternate in this exhibition, presenting works that resist being captured as either fully “stable form” or as formless, existing somewhere in between. They create form while simultaneously suggesting the possibility of its dissolution, as if reflecting a fundamental instability. Even if we encounter objects in this exhibition, its focus lies less on a fixed shape, ... More
Compton Verney exhibits exceptional works by Dutch and Flemish Old Masters COMPTON VERNEY.- Bruegel to Rembrandt: Drawing Life, Sketching Wonder features works by 50 different artists including exceptional – yet little known – works by the two giants of the Northern Renaissance and Dutch Golden Age, Pieter Bruegel the Elder (c.1527-1569) and Rembrandt van Rijn (1606-1669). Many of the works in the show are rarely ever on public display, due to light restrictions. The exhibition includes 64 remarkable drawings from the 16th and 17th centuries travelling to the UK from Brussels, including those by world-renowned masters such as Jacob Jordaens (1593-1678), Hendrick Avercamp (1585-1634), Jacob van Ruisdael (1628/9-1682) and Peter Paul Rubens (1577-1640). 50 drawings have never been displayed in the UK before and 5 have never previously left Belgium. The show includes the full range of types of drawings - from fully worked up watercolours and detailed ink studies, to more immediate sketches from life or from the studio that give a sense of the artist's mind at work. It d ... More
Marina Abramovic on her legendary Rhythm series – 'I was ready to go to the end'
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On a day like today, Russian-German painter Alexej von Jawlensky died
March 15, 1941. Alexej Georgewitsch von Jawlensky (13 March 1864 - 15 March 1941), surname also spelt as Yavlensky, was a Russian expressionist painter active in Germany. He was a key member of the New Munich Artist's Association (Neue Künstlervereinigung München), Der Blaue Reiter ("The Blue Rider") group, and later Die Blaue Vier ("The Blue Four"). In this image: Alexej von Jawlensky, Kopf in Bronzefarben – Bildnis Sacharoff. 1913. Oil on paper, laminated on cardboard. Signed and dated in the upper right. 55.5 x 51 cm. Estimate: € 1.5 to 2.5 million.
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