VERO BEACH, FLA.- Beginning July 25, more than 20 recent works by artist Jill Nathanson will be on view in the original exhibition Jill Nathanson: Chromatic Phrases, exclusively at the Vero Beach Museum of Art (VBMA) through February 7, 2027. Nathanson, whose abstract paintings are informed by her early immersion in Color Field painting of the 1960s and 1970s, extends this lineage through a sustained exploration of color as an experiential phenomenon. In her work, color does not remain fixed or purely descriptive; it suggests movement as it is shaped by the interaction of light and perception. “The exhibition title Chromatic Phrases draws on a musical analogy to evoke the unfolding of visual experience across the surface of each painting,” explains VBMA Chief Curator Caitlin Swindell. “Like a musical phrase, understood as a complete and expressive unit, each composition develops through relationships between colors as they are perceive ... More
YEREVAN, ARMENIA.- The second edition brings together 110 Armenian and international artists and curators for a twelve-day laboratory on the theme of Rituals, ahead of a two-day public festival. On 20 July 2026 Notations Lab & Festival returned to Yerevan for its second edition. The twelve-day laboratory opened on 20 July with 89 artists selected from an international open call, joined by 21 curators. The lab segues into a two-day public festival on 1–2 August where newly produced works will be showcased. Notations is created and curated by hosq (հոսք, Armenian for “flow”), the Yerevan-based not-for-profit creative hub dedicated to building infrastructure for interdisciplinary artistic practice; recent member of the European Creative Hubs Network. The 2026 edition is called Rituals and considers them as a practical tool for making something new: structured, repeatable actions that shape our perception of time, space, an ... More
“Made To Appear” explores themes of identity, human connection, and authenticity within an increasingly performative social landscape.
NEW YORK, NY.-GR gallery is pleased to announce “Made To Appear” a two person exhibition featuring artists Viraj Khanna and Brian Robertson, whose works merge traditional textile techniques, contemporary imagery and cultural commentary to examine emotionally residual forms and the performative nature of today’s social media-driven world. Pushing beyond the rules of craft and fine arts, the exhibition presents mixed media threaded works that challenge perceptions of materiality, identity, and community by offering a timely exploration of modern life through texture and form. What the viewer encounters is not immediate or neutral, but constructed to produce a specific visual and emotional impression; on a perceptible level in fact the works resist instant recognition: embroidered surfaces initially register as ... More
Marlo Pascual, Untitled, 2013; Digital C-print, 50 1/8 x 40 1/8 in.; National Museum of Women in the Arts, Gift of Heather and Tony Podesta Collection; Image courtesy of the artist and Casey Kaplan, New York.
WASHINGTON, DC.- The work of Marlo Pascual, a prescient and thought-provoking American artist who stretched the boundaries of photography, will be on view at the National Museum of Women in the Arts (NMWA) from July 24, 2026, through February 28, 2027. Marlo Pascual: Making Something Out of Something, the first solo museum exhibition of Pascual's work in 15 years, introduces viewers to an artist who developed a practice of manipulating found images, creating works that blur the line between photography and sculpture. Pascual worked in the tradition of the “Pictures” generation of artists, such as Barbara Kruger and Cindy Sherman, and recognition of her work was just gaining momentum when she died of cancer at the age of 48 in 2020. Marlo Pascual (1972–2020) created ... More
David Drake stoneware jar at the Georgia Museum of Art.
ATHENS, GA.- Today, the Georgia Museum of Art and the descendants of renowned enslaved ceramicist David Drake announced an agreement recognizing Mr. Drake’s heirs as the rightful beneficiaries of his artwork, while creating a path for the museum to own and display the artwork so that visitors from around the world may continue to learn about Mr. Drake's history and enduring legacy. David Drake, or “Dave the Potter,” was a highly skilled enslaved African American ceramicist living in the pottery center in Edgefield, South Carolina, in the mid-19th century. According to his descendants, Mr. Drake was forced to create tens of thousands of ceramic vessels, of which an estimated 250 identifiable pieces remain in museums and private collections. During a period when it was against the law to teach enslaved persons to read or write, Mr. Drake inscribed his jars with his name, the date and original verses of poetry. ... More
NEW YORK, NY.-Handwork: Handcrafted Objects that Made America is a visually stunning, deeply inspiring celebration of America’s spirit through ordinary, surprising, and overlooked handcrafted objects spanning more than 250 years. The official book of Handwork: Celebrating American Craft 2026—Craft in America’s yearlong, nationwide initiative marking 250 years since the Declaration of Independence featuring hundreds of museum exhibitions and events, a four-part PBS docuseries, and specially designed educational components—Handwork is essential reading for anyone curious about American history, design, material culture, or craft. Edited by Emily Zaiden, director and lead curator of the Craft in America Center, with a foreword by Carol Sauvion, the visionary behind the Peabody Award–winning PBS series Craft in America, Handwork takes readers on a journey through time and across the multiplicity of cultures that have made Amer ... More
Installation view, From Persia to Paisley: Global Luxury and the Kashmir Shawl at the MFAH. Photo: Will Michels.
HOUSTON, TX.- Coveted in courtly circles in India, Iran, Africa and Europe, and worn by both men and women, Kashmir shawls were the ultimate transregional luxury good for hundreds of years, sparking artistic exchange and catalyzing the formation of global textile industries between the 16th and 19th centuries. On view through November 29, From Persia to Paisley: Global Luxury and the Kashmir Shawl is a special installation of 20 of these remarkable shawls, sashes, and fragments in the Hossein Afshar Art of the Islamic Worlds Galleries at the MFAH. The Kashmir shawls and paintings on display show how a single textile transformed global fashion, fueled industrial innovation, and shaped collecting tastes across Asia, Africa, Europe, and America. Handwoven from pashm, the extraordinarily fine and resilient underhair of Himalayan goats, a single shawl required months of coordinated ... More
LONDON.- White Cube announced representation of Suleman Aqeel Khilji, coinciding with his first exhibition with the gallery currently on view at White Cube Paris (11 June – 25 July 2026). A new painting by Khilji will feature on the gallery’s booth at the 2026 edition of Art Basel Miami Beach in December. Khilji was born in 1985 in Quetta, Pakistan, and now lives and works in London, where he completed a three-year artist programme at the Royal Academy of Arts in 2025. He is currently a permanent member of faculty at the National College of Arts in Lahore, Pakistan. Characterised by a logic of accumulation and inheritance, Khilji’s paintings contend with the indeterminate nature of memory and the passing of time. Working on linen, found book covers and used cigarette packets, he treats recollection as provisional and composite, always subject to interference. ... More
Todd Caissie (Osage), Executive Director, Montclair Art Museum.
MONTCLAIR, NJ.- The Montclair Art Museum has announced the appointment of Todd Caissie (Osage) as its Executive Director. Dr. Caissie, who was named Deputy Director on July 1, 2025, and Interim Director on Jan. 1, 2026, officially assumes the leadership role this month and follows the retirement of Ira Wagner, who led the Museum as Executive Director since 2020. Former Executive Director Ira Wagner began his tenure at the onset of the COVID-19 pandemic and successfully guided the Museum through one of the most challenging periods in its history. Beyond ensuring institutional stability, he strengthened exhibitions, expanded educational access, advanced major collection installations, and deepened community ties. He noted, “I am enthusiastic about Todd’s vision for the future of MAM and look forward to seeing the Museum build on its many strengths as it continues to grow as a thriving and vital cultural institution under his leadership.” The ... More
Paulina Peavy, Untitled, c. 1930–89. Oil and acrylic on canvas, 30⅛ × 24⅛ in. Courtesy Andrew Edlin Gallery and the Paulina Peavy Estate.
LOS ANGELES, CA.- Dictation from the Other Side brings together artists who, across a range of media, techniques, and generations, worked in and extended the Surrealist tradition. This includes those the Surrealists considered “channelers”—figures who gave form to signals from beyond this world—and the following generations, whose practices built on their legacies. The artists in this exhibition turned away from the notion of singular subjectivity or artistic voice, instead exploring authorship as shared, displaced, or subordinated to a force or intelligence external to their own will—dictation, this exhibition asserts, is a missing term in the history of modernist art. Building on Surrealism’s investment in mediums and receivers—above all Spiritualist medium and the Surrealists’ “muse of automatic writing” Hélène Smith—the exhibition follows dictation across mediumship, automatism, poetic composition, hermetic research, theosophically ... More
SALZBURG.- Ryan Gander’s One Hundred Things Twice unfolds as an inventory of possible realities: things that can be thought multiple times. Developed for the annual program CAPTCHA Realism at Salzburger Kunstverein, the exhibition unfolds through pairs, echoes, near-matches, and slight misalignments. Classical logic tells us that everything must either be or not be. A body is here, or it is there. A statement is true, or it is false. Yet Gander’s practice has long been invested in precisely those situations in which such certainty begins to fail. His works often operate in the brief delay before meaning settles. They ask what happens when the thing refuses to be exhausted by one description. The title of the show suggests enumeration, perhaps even the logic of a database: one hundred things ordered and counted. But a hundred things are never just a hundred things. Each object enters into relation with all the others; meaning does not belong to the object alone, nor to the artist, nor to ... More
Felicity Powell, Pear, c. 2005. Bronze and acrylic paint, 18 x 9 x 9 cm.
LONDON.- Richard Saltoun Gallery presents a major survey of British artist Felicity Powell, the first exhibition dedicated to her work since her untimely death in 2015. Curated in close collaboration with Powell’s widower, artist Ansel Krut, the show brings together key pieces from three decades, including previously unseen material, and offers a comprehensive overview of her practice across sculpture, drawing, photography and video. Building on significant institutional presentations including Drawn from the Well at the Victoria and Albert Museum (2002–04), Medals of Dishonour at the British Museum (2009), co-curated with Philip Attwood, and Charmed Life: The Solace of Objects at the Wellcome Collection (2011), curated by Powell, the exhibition brings into focus the potency and enduring resonance of Powell’s creative vision across her career. Powell’s works invite intimate acts of encounter. Embedded within her exploration of material are deeply personal reflections on self ... More
The Steiff animals are far more than recurring motifs within Emde’s work. Over decades, the artist has amassed an extensive collection and arranged them throughout his studios.
SALZBURG.- In . Corri .. and Door ..., Philip Emde resists the epilogue of a classical retrospective. The term feels too definitive for an oeuvre in which past, present, and possibility do not unfold sequentially, but exist simultaneously. Instead of looking backward, the exhibition bets on simultaneity. Memories, familial origins, artistic developments, and new experiences enter into dialogue with one another, forming a continuous present. Thus far, this present draws from two epicentres in Emde’s life: First, the . Emdiland .. located in his late father’s former antique shop in Neustadt an der Weinstraße—a place where memories, past spatial installations, left-behind objects, and a former theater stage overlap, now serving as both workshop and studio. Second, there is the . Emdiland .. in his studio in the southern district of Cologne. Emde works in both places; he lives and does not live in both. He is ... More
Quote Indifferent pictures, like dull people, must absolutely be moral. William Hazlitt
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Museo Picasso Málaga and "la Caixa" Foundation renew partnership to expand access and social inclusion through art MALAGA.- Museo Picasso Málaga and the “la Caixa” Foundation have renewed their long-running partnership, reinforcing a shared commitment to making art and culture more accessible to people with disabilities and communities facing social vulnerability. Under the new agreement, the foundation will contribute €50,000 to support the museum’s Social Participation Program, along with a range of educational, cultural and inclusion-focused initiatives connected to its exhibitions and public programming. The renewed collaboration was presented by Bernard Ruiz-Picasso, president of the museum’s Executive Council and second vice president of the Board of Trustees of the Fundación Museo Picasso Málaga; Miguel López-Remiro, artistic ... More
Daniel Buren to create site-specific installations at Musée des Impressionnismes Giverny GIVERNY.- For summer 2026, Daniel Buren has been invited to take over the spaces of the musée des impressionnismes Giverny. Born in 1938, Buren is an internationally renowned French contemporary artist. His in situ works feature his characteristic visual tool – alternating white and coloured vertical bands 8.7 cm thick – which enables him to reveal and highlight places and their contexts. From his affichages sauvages (unauthorised posters) of the late 1960s to large public commissions, his works have occupied public spaces all over the world, as well as art venues (museums and galleries), playing with viewpoints, colour, space, light and movement. With his Plantations, travaux in situ, Buren presents a new site-specific creation, which extends from the gardens outside to the museum’s interior, thereby creating a dialogue between the environment of Giverny and ... More
Mitchell-Innes & Nash to present survey of Canadian art collective General Idea NEW YORK, NY.- Mitchell-Innes & Nash will present a survey of work by the collective General Idea (active 1969–1994), founded by AA Bronson (b. 1946, Vancouver), Felix Partz (b. 1945, Winnipeg; d. June 5, 1994, Toronto), and Jorge Zontal (b. 1944, Parma, Italy; d. February 3, 1994, Toronto). The group championed their identity as a triumvirate, a trouple, a "ménage à trois," as a normative family unit, whether through ziggurats and their ancient magical symbolism, cuddling triplet babies, or the three primary colors: red, blue, and green. They equally celebrated their queer identity and the stereotypes associated with poodles—the perfectly groomed and trained companions who always "aimed to please." The sense of fun and humor evaporates from the work by 1990 with the advent of the AIDS crisis, a disease whose scale and toll within their own community ... More
Swann to offer trove of Art Nouveau, propaganda from the world wars and food & beverage ads NEW YORK, NY.- Swann’s annual summer poster auction is set for Thursday, July 30. The sale presents a carefully curated and exceptional selection of works, including both scarce and iconic war posters, beach and international travel, Art Nouveau and advertising posters, and showcases an impressive breadth and quality of material that is sure to appeal to collectors, enthusiasts, and seasoned connoisseurs alike. Art Nouveau leads the auction with a run of works by Henri de Toulouse-Lautrec. Highlights include, Confetti, 1894, one of five of Lautrec’s posters featured in the first exhibition at the Royal Aquarium in London, organized by the British brothers who owned the confetti company ($30,000-40,000); L’Aube Revue Illustrée, 1896, printed for the then-new left-wing periodical L’Aube (The Dawn) ($10,000-15,000); Troupe de Mlle Églantine, 1896, created , ... More
Archival doc on pioneering lesbian filmmaker Barbara Hammer opens Sept 4 at Film Forum NEW YORK, NY.- Film Forum will present the U.S. theatrical premiere of Brydie O’Connor’s Barbara Forever on Friday, September 4. Pioneering queer avant-garde filmmaker Barbara Hammer (1939–2019) broke barriers by centering frank lesbian sexuality and pleasure in an expansive body of beautiful, poetic, personal work. In Barbara Forever—constructed largely from Hammer’s own archive spanning five decades, alongside audio diaries and present-day conversations with her longtime partner, Florrie Burke—director Brydie O’Connor crafts a loving portrait of a force of nature while accompanying her through her final years and creative processes. Barbara Forever had its world premiere at the 2026 Sundance Film Festival, where it won the Jonathan Oppenheim Editing Award, before going on to screen at the Berlinale (Teddy Award for Best ... More
Annely Juda Fine Art presents 'Vestiges' featuring five contemporary painters LONDON.- Annely Juda Fine Art announces Vestiges, an exhibition bringing together five contemporary painters concerned with memory, inheritance and traces of the past. Vestiges, from the Latin vestigium, refers to a footprint or visible sign of something that once existed but appears no more. The works in this exhibition touch upon myriad concepts such as myth, the subconscious, history, spirituality, the self and dreams, reinterpreting and transforming ideas through painting, so that the intangible becomes tangible. Each work shares an impression of something ephemeral and transitory or existing in a liminal space and time. Much of Jess Allen's work explores the theme of 'Presence through Absence'. Subjects such as empty chairs and sofas, books left behind by an absent reader, and empty theatres and cinemas, suggest the past presence of a person or people. The works shown here mark a new direction for Allen: self-portraits that turn the focus towards the face and the inner self of the painter ... More
Dawoud Bey returns to Toronto with installation exploring landscapes of Black Diasporic history TORONTO.- Acclaimed American artist Dawoud Bey (b. 1953) returns to the Art Gallery of Ontario (AGO) this summer, with an installation considering the tenuous relationships between North American landscapes and Black diasporic experiences. Presented in partnership with the 2026 Toronto Biennial of Art, Dawoud Bey: Material Histories, Living Landscapes brings together 23 photographs and a film, in dialogue with four African sculptures from the AGO Collection. Curated by Allison Glenn, Curator of the 2026 Toronto Biennial of Art, this site-specific installation opens July 24, 2026, in the Murray Frum Gallery on Level 2. A native of Queens, New York, Dawoud Bey grew up in Civil Rights-era America, and his works continue to bring the past into the present. “How can one reimagine and visualize African American history and make that history resonate ... More
Ragnar Axelsson captures Greenland's changing landscape and communities at Kunstfoyer MUNICH.- "Never has it been more important than now to document, in words and images, the lives of the people of the Arctic and the changes they are undergoing, so that the world can see what is happening.” (Ragnar Axelsson, *1958 in Reykjavik) Eight states, a multitude of Indigenous peoples, rival great powers: the Arctic is at once a homeland, a climate indicator, geopolitical terrain, and a reservoir of resources. In the Arctic, what global heating is causing becomes drastically apparent: permafrost is thawing, coastlines are eroding, ecosystems are being thrown off their centuries-old courses. The retreat of the ice is increasingly making itself felt globally as well: sea levels are rising and weather systems are falling out of balance. At the same time, power-political and economic appetites are growing. New shipping routes, more easily accessible raw materials, and geopolitical ... More
Crystal Bridges announces art fair on October 3-4 BENTONVILLE, ARK.- Crystal Bridges has announced the artists who will participate in the 2026 Art Fair, taking place on October 3 and October 4, 2026, at Heartland Whole Health Institute on the Crystal Bridges Campus. More than 80 artists from across the country have been selected, with seven teen artists and seven collegiate artists for the new collegiate artist showcase. Participating artists in this year's Art Fair include Peter Crane, Abigail Henthorne, Richard Ryan of Vitreous Matter Glass Studio, Laura Fortune, John Dyas of John Dyas Pottery, and James LaCasse of LaCasse Studios. 80 additional artists showcasing ceramics, painting, jewelry, glass, sculpture, textiles, wood, photography, mixed media, and more. A full list of participating artists can be found here. In addition to showcasing artists from across the country, the 2026 Art Fair ... More
Philippe Van Cauteren appointed curator of the Art Encounters Biennial 2027 TIMIșOARA.- The Art Encounters Foundation in Timișoara announces its collaboration with Philippe Van Cauteren, Artistic Director of the S.M.A.K. Museum in Ghent (Belgium), as appointed curator of the 7th edition of the Art Encounters Biennial, to be held in Timișoara (Romania). The Biennial will run from May 21 to July 4 2027, opening with a three-day program from May 21–23. The appointment also marks the beginning of a long-term strategic partnership between Art Encounters and S.M.A.K., opening a new chapter in the Biennial's development. Bringing together one of Europe's leading institutions dedicated to contemporary art and one of the region's most important biennials, the collaboration is structured around artistic co-production and professional exchange, with the aim of developing a sustainable model for conceiving and delivering a contemporary ... More
Cloe Piccoli appointed Artistic Director of miart for the 2027-2029 term MILAN.- Fiera Milano announces the appointment of Cloe Piccoli as Artistic Director of miart for the 2027–2029 term. Cloe Piccoli is a contemporary art critic, curator and lecturer. Over the course of her career, she has worked with leading public and private cultural organisations in Italy and internationally, conceiving exhibitions, commissioning artistic productions and developing cultural programmes. Her practice operates across the contemporary art landscape, engaging with institutions, businesses, the media, and the fields of criticism and academia. Her curatorial approach is informed by a critical methodology that brings together art, architecture and design, combining intellectual rigour with proven expertise in project development, management and communication. The appointment forms part of Fiera Milano’s path of development for miart, ... More
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On a day like today, German painter and illustrator Philipp Otto Runge was born
July 23, 1777. Philipp Otto Runge (1777-1810) was a German artist, draftsman, painter, and color theorist. Runge and Caspar David Friedrich are often regarded as the leading painters of the German Romantic movement.? He is frequently compared with William Blake by art historians, although Runge's short ten-year career is not easy to equate to Blake's career.
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