NEW YORK, NY.-
Robert Rauschenberg (19252008) was a breaker of boundaries and a consummate collaborator. He used silk-screen prints to reflect on American promise and failure, melded sculpture and painting in works called combines, and collaborated with engineers and scientists to challenge our thinking about art. Through collaborations with John Cage, Merce Cunningham, and others, Rauschenberg bridged the music, dance, and visual-art worlds, inventing a new art for the last half of the twentieth century.
is a work of collaborative oral biography that tells the story of one of the twentieth centurys great artists through a series of interviews with key figures in his lifefamily, friends, former lovers, professional associates, studio assistants, and collaborators. The oral historian Sara Sinclair artfully puts the narrators reminiscences in conversation, with a focus on the relationship between Rauschenbergs intense social life and his art. The book opens with a prologue by Rauschenbergs sister and then shifts to New York Citys 1950s and 60s art scene, populated by the luminaries of abstract expressionism. It follows Rauschenbergs eventual move to Floridas Captiva Island and his trips across the globe, illuminating his inner life and its effect on his and others art.
The narrators share their views on Rauschenbergs work, explore the curatorial thinking behind exhibitions of his art, and reflect on the impact of the influx of money into the contemporary art market. Included are artists famous in the own right, such as Laurie Anderson and Brice Marden, as well as art-world insiders and lesser-known figures who were part of Rauschenbergs inner circle. Beyond considering Rauschenberg as an artist, this book reveals him as a man embedded in a series of art worlds over the course of a long and rich life, demonstrating the complex interaction of business and personal, public and private in the creation of great art.
Sara Sinclair was project manager and lead interviewer for the Robert Rauschenberg Oral History Project at the Columbia Center for Oral History Research.
Peter Bearman is the Cole Professor of the Social Sciences and director of the Interdisciplinary Center for Innovative Theories and Empirics at Columbia University. He is the author of Doormen (2005) and coauthor of Working for Respect: Community and Conflict at Walmart (Columbia, 2018).
Mary Marshall Clark is the director of the Columbia Center for Oral History Research and codirector of the Oral History Master of Arts Program at Columbia University. She is coeditor of After the Fall: New Yorkers Remember September 11, 2001, and the Years That Followed (2011).