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Exhibition at McMullen Museum of Art celebrates collecting Japanese art in Gilded Age America
Cecilia Beaux (1855–1942), Mrs. Larz Anderson, 1900–01. Oil on canvas, 82 x 39.8 in., the Society of the Cincinnati, Washington, DC, Gift of Isabel Anderson, M.1938.156a.

BOSTON, MASS.- Eaglemania: Collecting Japanese Art in Gilded Age America celebrates and contextualizes Boston College’s monumental bronze eagle, a replica of which now appears atop a column on the University’s Linden Lane. Revealed during its recent conservation to be a Japanese masterpiece from the Meiji period (1868–1912), the original eagle was donated to Boston College in the 1950s by the estate of diplomat and collector Larz Anderson (1866–1937) and his wife, Isabel (1876–1948). Conservation has drawn attention to the eagle’s significant fine detail, careful modeling of form, and excellence of material construction, inspiring scholars’ desire to understand its origins.

In the exhibition, bronze, silver, and ivory sculptures of birds of prey, folding screens, scroll paintings, netsuke, lacquerware, ceramics, and textiles join to bring the history of the stunning Boston College eagle to life. Subjects explored include: the cultural and thematic roots for images of hawks and eagles in the Edo period (1615–1868); Japanese commoner appropriation and adaptation of raptor imagery in prints, netsuke, and folding screens; the practice of the elite samurai sport of hawking; the Andersons as American collectors of Meiji-era art; international world’s fairs as venues for foreigners to buy Japanese art and Japanese artists’ adaptation to that market; and the role of the monumental eagles, executed at the highest level of Japanese artistry, as a dialogue on nationhood between Japan and America.

Featuring nearly one hundred objects, Eaglemania includes works from the Larz Anderson Auto Museum; John J. Burns Library and McMullen Museum of Art, Boston College; Mead Art Museum, Amherst College; the Metropolitan Museum of Art; Mount Holyoke College Art Museum; Museum of Fine Arts, Boston; Smith College Museum of Art; the Society of the Cincinnati; and the Billingsley Company and other private collections.

The exhibition is accompanied by a scholarly catalogue, edited by Victoria Weston, with essays featuring new research by Weston, Rory Browne, Joe Earle, Yuiko Hotta, Hae Yeun Kim, Diana Larsen, and Tomoko Nagakura, as well as an analysis of the eagle’s conservation by Rika Smith McNally & Associates.

Organized by the McMullen Museum of Art, Eaglemania has been curated by Victoria Weston and Diana Larsen and underwritten by Boston College with major support from the Patrons of the McMullen Museum and Peter and Leslie Ciampi.

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