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The Ackland Art Museum opens an exhibition of drawings by Santiago Ramón y Cajal
Santiago Ramón y Cajal, glial cells of the mouse spinal cord, 1899, ink and pencil on paper. Courtesy of Instituto Cajal (CSIC).

CHAPEL HILL, NC.- The Ackland Art Museum at the University of North Carolina at Chapel Hill presents the new exhibition "The Beautiful Brain: The Drawings of Santiago Ramón y Cajal," on view from Friday, Jan. 25 through Sunday, April 7, 2019.

Santiago Ramón y Cajal's drawings of the brain are both aesthetically astonishing and scientifically significant, and "The Beautiful Brain" is the first museum exhibition to present these extraordinary works in their historical context. Cajal, (1852-1934), was an artist from rural Spain who became the Nobel Prize-winning father of modern neuroscience. He made the path-breaking discovery that the brain is composed of individual neurons that communicate across minute gaps, or synapses. Cajal saw the brain with an artist's eye; his drawings of the microanatomy of the brain have never been equaled in clarity or beauty, and they continue to be used as teaching tools to this day.

As important to neurology as Einstein is to the study of physics, Cajal upends the prevalent cultural assumption that art and science are always and entirely separate. Katie Ziglar, director of the Ackland, said of "The Beautiful Brain," "This exhibition is an exceptional opportunity for cross-disciplinary collaboration between the Ackland Art Museum and the UNC Neuroscience Center. The Ackland will exhibit images made by UNC-Chapel Hill neuroscientists alongside Cajal's iconic drawings, and we'll host an ongoing dialogue between Museum curators and UNC-Chapel Hill scientists. 'The Beautiful Brain' will give our entire community a chance to take a new look at the striking complementarity of art and science."

"The Beautiful Brain" has gathered critical acclaim across North America; most of the drawings of Santiago Ramón y Cajal in the exhibit have never before been on view outside of Spain. "Looking like complex crisscrossings, fracturing thickets and lines, [Cajal's drawings] can resemble animal architecture, nests, hives, canal or root systems, weather patterns, contour drawings, wind vectors, seed structures, riverbeds, ravines, and galaxies," declared Jerry Saltz of Vulture. Cajal "drew with such delicacy and vivacity that his drawings stand on their own as wonders of graphic expression, both mysterious and familiar," proclaimed Roberta Smith of The New York Times. "Together they describe a fantastic netherworld of floating forms, linear networks, bristling nodes, and torrential energies."

Eighty of the more than 3,000 drawings Cajal made in his lifetime are being exhibited at the Ackland--the show's only venue in the South--together with historical anatomy books illustrating the brain, including a treasure from UNC's Wilson Library, the rare first edition of Andreas Vesalius' foundational publication "On the fabric of the human body" (1543); contemporary images of the brain, several created by UNC-Chapel Hill neuroscientists; and two of Cajal's own microscope slides lent by the family of Professor Edward Perl, the visionary founder of neuroscience at UNC. Cajal's drawings continue to cast new light on the connections between art and science in ways that surprise and delight.

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