THE HAGUE.- The Mauritshuis
has for many years had an engaging and high-quality painting by Pieter Lastman (1583-1633), Rembrandts most influential teacher, on its wish list. This dream has now been fulfilled with the acquisition of St John the Baptist Preaching of 1627. The painting was purchased from an American owner by the Friends of the Mauritshuis Foundation with the support of a private donor.
Emilie Gordenker, Director Mauritshuis: The timing of the acquisition of this painting by Lastman, at the beginning of a national Rembrandt Year, is ideal. We have been on the lookout for an outstanding example of Lastmans work, due to the impact he had on the young Rembrandt. We are extremely grateful to everyone who made our wish come true, especially the private donor and the Friends of the Mauritshuis.
In his day the Amsterdam artist Pieter Lastman was one of the leading painters of history paintings (works that depict stories from the Bible, classical mythology and antiquity). History paintings were then considered the pinnacle of what a painter could achieve, and to acquire this skill Rembrandt became Pieter Lastmans pupil in 1625-1626. Although Lastman who was Rembrandts teacher for only six months, had a great influence on his pupils development. This acquisition fills a gap in the Mauritshuis collection: although history paintings from the Dutch Golden Age are well represented, the same could not be said for the work of Lastman and the painters in his circle (the so-called pre-Rembrandtists).
By the book
St John the Baptist Preaching from 1627 is an excellent example of the history paintings that Lastman created during the period when Rembrandt was his pupil: a full composition, brightly lit, with a vivid colour palette. The composition was carefully built up, and entirely by the book or to be more precise, according to Karel van Manders Schilder-Boeck of 1604. This publication explains how to put together a good composition tricks that were childs play for an experienced history painter like Lastman. As well as playing with composition, he also created depth in the scene by means of clever lighting: the crowd has gathered around John the Baptist, who is bathed in bright light, while many of the figures in his audience are in the shade. John the Baptist announcing the coming of Christ was a popular subject in painting.
Friends of the Mauritshuis Foundation
The Mauritshuis depends for a large part on private support, to which the Friends of the Mauritshuis make a significant contribution. In 1957, the Johan Maurits van Nassau Foundation was established, with the aim of supporting the museum with the expansion of the collection and the realisation of exhibitions and publications. The foundation itself also acquired paintings and placed them on long-term loan to the museum. In 1982 a second foundation was set up: the Friends of the Mauritshuis Foundation, intended to raise funds. In 1986 both foundations merged and a major campaign was held to recruit volunteers, friends and donors. One of the main objectives was still to support the museum with the purchase of paintings. In addition, the Friends make a very important contribution to temporary exhibitions in the museum.