More than 35 years ago, prominent artists Robert Frank, Dave Heath, Robert Heinecken and John Wood agreed to participate in a project exploring creativity in photography. Led by art historians Susan E. Cohen and William S. Johnson, the three-year collaborative project examined the artists creative process. Until now, no comprehensive record of those efforts has been accessible.
The Harry Ransom Center
at The University of Texas at Austin has acquired the Susan E. Cohen and William S. Johnson Creativity Project archive.
Conceived in the early 1980s by Cohen and Johnson, the project included the participation of photographers Frank, Heath, Heinecken and Wood. Years later, Cohen and Johnson reflected that the artists agreed to collaborate with each other and with us to make an exhibition that presented not only their finished work, but also the decisions and actions they made during the creative process.
Starting in January 1983, the historians conducted interviews with each of the artists, facilitated meetings among them and observed them in the studio.
Cohen and Johnson worked with each artist to select work for the touring exhibition Four Photographers: Robert Frank, David Heath, Robert Heinecken, John Wood, organized at the Visual Studies Workshop in Rochester, New York. Artist Joan Lyons, director of the Visual Studies Workshop Press, designed an illustrated catalog to include a 16-page signature created by each participating artist and essays by Cohen and Johnson.
The planned exhibition and catalog were never completed, and the project came to a halt when a corporate sponsor redirected additional funding. Cohen and Johnsons catalog essays were published in Horses, Sea Lions, and Other Creatures: Robert Frank, Dave Heath, Robert Heinecken, and John Wood (Joshua Press, 1986), a privately printed book. An edition of 15 copies was produced for participants and supporters.
The archive includes more than 50 hours of audio and video interviews and conversations, research notes and essay drafts, letters and postcards, layouts and revisions and photographs of meetings and studio sessions. Among the materials are the artists maquettes that Frank, Heath and Wood designed for their signatures in the Four Photographers catalog. Also included is a copy of Heineckens artists book 1984: A Case Study in Determining an Appropriate Newswoman (A CBS Docudrama in Words and Pictures), printed from his maquette for the project in 1985.
The archive is an important time capsule, said Jessica S. McDonald, the Ransom Centers Nancy Inman and Marlene Nathan Meyerson Curator of Photography. It represents a remarkable coming together of people and ideas at a pivotal moment in photographys history.
Rare monographs and artists books such as first editions of Franks Les Américains (Delpire, 1958) and Heaths A Dialogue With Solitude (Community Press, 1965) are included, as well as Heineckens MANSMAG: Homage to Werkman and Cavalcade (published by the artist, 1969) and Woods Lap DissolveJoan Lyons (published by the artist, 1973).
Throughout the project and after, the artists wrote letters and inscribed photographs to Cohen and Johnson. Photographs in the archive include Franks U.S. 90, en route to Del Rio, Texas, 1955, inscribed to Cohen and Johnson and their children; a triptych by Heath, with a printed poem titled For Susie (and Bill), 1984; a 20- by 24-inch photogram by Heinecken titled Iconographic Art Lunches #3, , made as Johnson observed in the studio; and Woods Eagle Pelt, 1985, the photograph that became the first image in Woods maquette for his signature in the planned exhibition catalog.
The archive also contains Cohen and Johnsons research materials on each artist, including periodicals, exhibition catalogs, tear sheets, exhibition notices, press releases and other ephemeral publications, many now scarce.
The archive is an especially fitting addition to the Ransom Centers internationally renowned photography collection, which traces the advancement of photography as a creative art from the earliest days of the medium.
Once processed and cataloged, the materials will be available for research.