NEW YORK, NY.- Sothebys
will offer works by some of the most celebrated names in European art history in the Master Paintings Evening Sale on 30 January 2019. Headlined by an impressive group of 17th-century Dutch masterpieces from a distinguished private collection, the auction also features standout works by masters including Orazio Gentileschi, Pieter Brueghel the Younger and Ambrosius Bosschaert the Elder.
Open to the public on 25 January, the sale will be presented alongside Sothebys Masters Week exhibitions of Master Paintings & Sculpture Day Sale, Old Master Drawings, 19th-Century European Art and The Gilded Age Revisited: Property of a Distinguished American Collection.
MAGNIFICENT DUTCH PICTURES FROM A DISTINGUISHED PRIVATE COLLECTION
Joachim Anthonisz. Wtewael
A Banquet of the Gods
Estimate $5/7 million
At the core of this Januarys sale is a group of seven paintings of impressive quality from a distinguished private collection. Leading this group is a remarkably well-preserved Banquet of the Gods by Joachim Anthonisz. Wtewael. Its elegant forms, classical subject, and refined technique exemplify the Dutch Mannerist movement, which included the most important artists in the Netherlands from 1580 to 1620. Praised by his contemporaries for his versatility and prowess, Wtewael was capable of working across mediums on any scale, though it is his small paintings, such as the present work, that are his most prized. The fine brushstrokes and the glittering colors in this copper exploit the smooth, reflective surface of the metal support, and fully reveal Wtewaels extraordinary skill. This painting further shines a light on this artists imaginative and inventive storytelling, for within this small composition, nearly 50 elegantly posed figures painted in a kaleidoscope of color have been cleverly assembled for a heavenly banquet set within a glade and upon an elaborate arrangement of clouds.
Jan van de Cappelle
A shipping scene on a calm sea, with a number of vessels and figures, and a jetty on the left
Estimate $4/6 million
This luminous scene is a particularly evocative and successful example of the calm, expansive seascapes that distinguished Jan van de Cappelle as one of the leading marine painters of the Dutch Golden Age. Bathed in a soft, warm light, this remarkably well-preserved large panel, which likely dates to the 1650s, radiates a mesmerizing effect that transports viewers to the peaceful waters of the Netherlandish coast.
Street Scene with Two Figures Walking Away
Estimate $1.5/2 million
Street Scene with Figures In Conversation
Estimate $1/1.5 million
An enigmatic and mysterious master, Jacobus Vrel painted quiet street scenes that speak across the centuries in a way that is strangely affecting. Vrels works are incredibly rare around thirty eight are known, consisting mostly of interior scenes, street views and one church interior, of which nearly half are signed while dated examples range only from 1654 to 1662. The artists painting technique a straightforward manner without glazes or other refinements complements his unpretentious subject matter and suggests that he was quite possibly self-taught. Though many locations from Friesland to the Rhineland have been sought for his street scenes, they are, in fact, likely to be imaginary.
RENAISSANCE PAINTING IN EUROPE
The Fall of the Rebel Angels
Estimate $2.5/3.5 million
Painted on a large piece of alabaster, this dynamic and dramatic Fall of the Rebel Angels is a relatively early work of Orazio Gentileschi. It was unknown until its reappearance in 2009, when it was quickly recognized by scholars as an important addition to the artists corpus. It is dateable to circa 1601/2, at the moment when Gentileschi begins to shift away from his mannerist beginnings to a more naturalistic style, due in part to his burgeoning friendship with Caravaggio.
Saint Anthony Abbot
Estimate $800,000/1.2 million
This finely rendered gold ground panel of Saint Anthony Abbot is by Taddeo Gaddi, Giottos favorite and most successful pupil. A mature work of high quality and confidence, it dates to circa 1345-1350 and presumably once formed part of a polyptych in the Florentine Church of Santa Maria Vergine della Croce al Tempio, along with other panels found today in the Metropolitan Museum of Art and the Museo Bandini in Fiesole. In this panel, Saint Anthony Abbot (circa 251-356), a hermit saint and the founder of monasticism, is visible in three-quarter length as an aged man wearing a plain monks cloak and cowl with remnants of his staff and its tau-shaped handle, he faces to the viewers left, with a downward gaze. He is expressively rendered with exquisite detail and sophistication so as to wholly capture the noble simplicity that defines his character.
Jan Sanders van Hemessen
Christ as Triumphant Redeemer
This intensely striking Christ as Triumphant Redeemer is an important rediscovery from the corpus of the Flemish master Jan Sanders van Hemessen. Until only recently, the picture had been nearly completely over-painted, thus masking the incredibly well preserved original composition lying underneath. The powerful rendition of the painted figure, its monumentality and idiosyncratic color scheme, along with the technical prowess of Christs portrayal all point to Hemessens work from the mid 1540s, thus making this a mature and significant picture of the High Renaissance of Flemish painting.
DISCOVERIES & REDISCOVERIES
Madonna and Child
This charming painting of the Madonna and Child by the great Venetian narrative painter Vittore Carpaccio has been largely unseen for most of the last century, known to scholars almost exclusively through old black and white photographs. The painting was seen firsthand prior to 1928, but otherwise, all art historians who have published the painting have done so based on rudimentary images. Consequently, the picture has remained much discussed in the literature, and only with its reappearance has it been possible to assess this panel as an autograph work by Carpaccio, datable to the 1490s, the decade during which Carpaccio had begun to establish himself as one of the greatest and most original painters of Renaissance Venice.
Saint John the Baptist
This exquisite roundel depicting Saint John the Baptist, despite being a recent discovery, is unmistakably the work of Ambrogio Lorenzetti, one of the most influential painters of the early 14th-century. While the paintings of the artists brother, Pietro, adhered to a more traditional style, Ambrogio continually strove for innovation, looking beyond his native Siena for inspiration. In the wake of Duccio di Buoninsegna, Ambrogio built upon the invention of the older artist, absorbing the advancements of his Florentine contemporaries in naturalism and spatial awareness and incorporate them into Sienese painting.
Wings of a triptych: interior: Saints Peter, John the Baptist, Paul and a Bishop Saint; exterior: Saint Christopher and the Christ Child, and Saint Anthony Abbot
These small panels constitute a highly important discovery and addition to the oeuvre of Paolo Veneziano, the dominant artistic personality of 14th-century Venice, who was almost solely responsible for the transition of Venetian art from its Byzantine roots to its own distinctive Gothic style. Until recently over-painted, over-gilded and joined as one to form a kind of icon, these works have now been returned insofar as possible to their original appearance as part of the wings of a portable triptych. Both sides of the panels exhibit the finesse and intensity of expression - exemplified here in Saint Christophers gaze towards the Christ Child - for which Paolo Veneziano is most prized, and defines him as the most important artist in Venice at this time.
Still life of lemons and olives, pewter plates, a roemer and a façon-de-Venise wine glass on a ledge
The works that Pieter Claesz painted between 1628 and 1630, of which this is an outstanding example, came to define the classical Haarlem ontbijtje (breakfast piece). Their elements are not only very limited, but also biased towards objects such as glassware and silver plates rather than foodstuffs, and their purpose is to balance the composition, rather than to represent a meal.
Ambrosius Bosschaert the Elder
A Still Life Of Flowers In A Glass Flask On A Marble Ledge, Flanked By A Red Admiral Butterfly And A Lizard
Estimate $2.5/3.5 million
The sale will also feature a magnificent flower painting by another pioneer in the genre, Ambrosius Bosschaert the Elder. Bosschaert was wholly responsible for the sudden outburst of flower painting in the Netherlands at the start of the 17th century and this beautifully preserved oil on copper is a very fine example of his early works. Signed and dated to 1607, this work is little known, having never been publicly exhibited, and only resurfacing to the market in 1965.
Still life with a plate of azaroles, fruit, mushrooms, cheese and receptacles
Estimate $1.5/2 million
This outstanding work by one of the greatest still-life painters of the eighteenth century, Luis Meléndez, is a variant of a picture today in the Museo del Prado, Madrid, that formed part of the celebrated series of some 44 still lifes commissioned by the Prince of Asturias, the future Charles IV, for his History Cabinet in the Escorial. The painting continues the rich still-life tradition of the Spanish Golden Age developed by the likes of Juan Sánchez Cotán and Francisco de Zurbarán, yet at the same time is imbued with a sense of modernity through the highly realistic treatment of the objects themselves that reflects the prevailing spirit of the Age of Enlightenment.
HUMAN RELFECTIONS: PROPERTY FROM A DISTINGUISHED PRIVATE COLLECTION
Sothebys announced the sale of Human Reflections: Property from a Distinguished Private Collection. Spanning Old Master paintings and drawings, to Impressionist, Modern and Contemporary art, and exquisite prints, the collection will be offered across multiple sales in London, Paris and New York in 2019. Featuring works by Italian, Spanish, and Dutch masters, the collection is led by a small and intimate portrait of the famous 18th-century Spanish actress, Rita Luna by Francisco José de Goya (estimate $1/1.5 million). Dated to 1814-1818, it was discovered in a cupboard in the artists home by his grandson. Due to its small scale an unusual characteristic of the other portraits Goya was producing at the time the portrait is said to have been created for the artists own personal use.
Additional highlights include a rare easel-sized painting of The Annunciation by the great Lombard 17th century painter, Daniele Crespi (estimate $300/500,000) and a devotional picture depicting The Madonna and Child with St. John the Baptist by Genovese artist, Bernardo Strozzi, painted circa 1620 (estimate $300/500,000).