The First Art Newspaper on the Net   Established in 1996 United States Monday, September 16, 2019

Takashi Murakami brings to Shanghai new and recent creations
View of Takashi Murakami’s solo exhibition "Takashi Murakami in Wonderland" at Perrotin, Shanghai, 2018. Photo: Yan Tao 2018 Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved. Courtesy Perrotin.

SHANGHAI.- Perrotin Shanghai is presenting an exhibition by Japanese artist Takashi Murakami. The show is the artist’s first solo show in mainland China and features several new works created for the exhibition that encompass many of the themes and characters that have come to define his career. This presentation of work also marks the artist’s largest gallery show to date in Asia.

Murakami’s exhibition, which is the culmination of a collaboration spanning a quarter of a century between the artist and Emmanuel Perrotin, brings to Shanghai new and recent creations that are of a wide range of dimensions, from single-panel canvases to a monumental, ambitious, 15-meter-long acrylic painting mounted on an aluminum frame, as well as a towering 250 cm sculpture. The material, platinum leaf, is applied to several works in the exhibition.

Even before competing his initial artistic training in ink painting, Murakami made it his purpose to unsettle the status quo in Japan’s art world, primarily by referencing contemporary Japanese conditions and sensibilities. As the artist once said, “On one side, I am trying to show my compatriots what ‘art’ means on a global scale. And on the other, to the foreigners, I am trying to show the essence of our current culture.” 1 During a brief stint in New York in the 1990s, Murakami grappled with his place—and the position of Japanese or East Asian artists—among the contemporary art system, particularly New York’s art world. This led to a creative decision to blur the line between fine art and subculture, and to mold a new identity as a Japanese artist. This ideal and Murakami’s spirit of artistic rebellion are best embodied by Mr. DOB, a whimsical character that has been appearing in the artist’s work for over two decades and one that plays a significant role throughout the exhibition. Through several different manifestations of Mr. DOB, the exhibition is a visual journey through the evolution of the character. Mr. DOB’s name is lifted from the Japanese slang expression dobojite, which means “why?” The icon’s sharp teeth, cartoon eyes, and murine ears are inspired by many sources and together, these features exemplify Murakami’s inspiration drawn from youth culture, specifically anime and manga. Though Mr. DOB’s appearance constantly changes in the artist’s many works—at times playful and innocent, at times menacing with fangs bared—he remains instantly recognizable, often with the letters of his name emblazoned across his face and ears. More recently, Murakami has said that Mr. DOB is the artist’s self-portrait after 20 years of “working together,” 2 with the figure acting as a vessel through which Murakami can channel his artistic struggles.

Other familiar patterns in the artist’s oeuvre are included in the exhibition. Though Murakami has said in the past that he initially “didn’t like flowers” and that their smell and shape made him “almost physically sick,” 3 they eventually became an integral part of his work. He embraced the beaming, overjoyed flora and adopted it as one of his emblems when preparing for entrance exams for the Tokyo National University of Fine Arts and Music 4 and after spending nearly a decade teaching prep-school students how to draw flowers. Now, the iconic candy-colored petals surrounding smiling faces are one of his most often employed motifs. This can be seen in several works throughout the exhibition, showcasing the progression of this concept from canvas to 3D sculpture.

Also included in the extensive showcase of Murakami’s work are several museum-quality paintings, including artistically complex and post-apocalyptic themed canvas works which command an audience based on the philosophical subject matter if not due to their scale and microscopic details alone. The gallery is also featuring a special Takashi Murakami merchandise room – the first of its kind in China – full of exclusive goodies, plush flowers and other accessories. Born in 1962 and raised in Tokyo, Takashi Murakami graduated from the Tokyo National University of the Fine Arts and Music in 1993 with a PhD in nihonga (literally, “Japanese painting”), and then proceeded to explore more contemporary visual styles. He coined the term Superflat to describe the postwar aesthetics and culture in his home country, including its impact on consumerism and sexual fetishism—a flattened 20th- and 21st-century Japanese society complementing a visual perspective in traditional Japanese art, melding high and low culture, or even shattering the distinction between the two.

In 2001, Murakami set up the art production company and artist management agency Kaikai Kiki, employing many younger artists to assist him in making his wide-ranging projects come to life. This act transformed his art into merchandise and a brand, in response to his own frustration regarding the lack of an art market in Japan during the early stages of his career. Murakami’s direction also allows for incredible detail to be inserted into large-scale works that would otherwise be impossible to create by a single artist, expanding the possibilities of his creative endeavors and output. He also continues to act as a curator and mentor to several Japanese artists, whom he has been known to discover on social media.

Aside from fine arts, Murakami also engages commercial media, such as fashion, animation and movies. He has collaborated with French couture brand Louis Vuitton and Virgil Abloh, as well as musical artists Kanye West, Kid Cudi and Drake, and directed the Japanese fantasy film, Jellyfish Eyes (2013). With a prolific body of work that consists of paintings, sculptures, screen prints, drawings, video, popular merchandise and more, the artist’s many contributions to the contemporary art scene have established him as one of the world’s most recognizable cultural figures.

Born in 1962 in Tokyo, Takashi Murakami lives and works in Tokyo, Japan. The artist holds a BFA (1986), MFA (1988) and Ph.D. (1993) from the Tokyo National University of Fine Arts and Music, Tokyo, Japan (now called Tokyo University of the Arts). In 2018, Takashi Murakami was exhibited at the Fondation Louis Vuitton and at the Modern Art Museum of Fort Worth. In 2019, Murakami will have solo shows at Tai Kwun in Hong Kong and Instituto Tomie Ohtake in Sao Paulo, Brazil. Since 2015, seven high-profile international museums have hosted major Takashi Murakami personal exhibitions: Mori Art Museum of Tokyo, Yokohama Museum of Art, Astrup Fearnley Museet of Oslo, Museum of Contemporary Art Chicago, Museum of Fine Arts Boston, Albright-Knox Gallery, Buffalo and Garage Museum of Contemporary Art, Moscow. The exhibitions all brought a record number of visitors to the museums in which they were held.

Today's News

November 26, 2018

Egypt unveils ancient tomb and sarcophagi in Luxor

Hsia Yan's contemporary opus "After George Seurat's Sunday Afternoon" goes on the podium at Gianguan Auctions

Joseph Beuys's 'Boxing Match for Direct Democracy' acquired by the Museum fr Moderne Kunst

Richard Serra's "Bilbao" donated to the Bilbao Fine Arts Museum

Metro Pictures opens Belavia, an exhibition by Paulina Olowska in the upstairs gallery

Laws of Motion: Gagosian Hong Kong opens a group exhibition

Exhibition examines eroticism in paintings and drawings of the male and female nude

Investors eye Revolutionary War-era stone farmhouse near Philadelphia to be auctioned Dec. 5

Sotheby's announces an auction dedicated to the history of science & technology

Nohra Haime Gallery exhibits Hugo Bastidas' recent series of large black and white paintings

Nine Madrid museums loan a selection of 28 works from their collections for exhibition

Some exceptional highlights of Chiswick Auctions' first Photographica sale next week

Queensland Art Gallery's flagship Asia Pacific Triennial opens

Australian Museum treasures come to life in a captivating new light and sound show

Exhibition offers a photographic study of the daily life of Indonesian domestic workers in Hong Kong

Kunstverein Hannover opens an exhibition of works by art collective Slavs and Tatars

'Cats on the Page' opens at the British Library

Hand in hand, Koreas seek to end UNESCO wrestling

Weltmuseum Wien exhibits works by American artist Rajkamal Kahlon

Photographer Rafael Rios turned the lens on his family in new book published by Baque Creative Press

Takashi Murakami brings to Shanghai new and recent creations

First solo exhibition in the UK by South Korean artist Hun Kyu Kim on view at The Approach

Cuban artist returns from a 40-year hiatus from making art with an exhibition

Most Popular Last Seven Days

1.- Holocaust 'masterpiece' causes uproar at Venice film festival

2.- To be unveiled at Sotheby's: One of the greatest collections of Orientalist paintings ever assembled

3.- Bender Gallery features paintings by up and coming Chicago artist Michael Hedges

4.- Lvy Gorvy exhibits new and historic works by French master in his centenary year

5.- Artificial Intelligence as good as Mahler? Austrian orchestra performs symphony with twist

6.- Fascinating new exhibition explores enduring artistic bond between Scotland and Italy

7.- Exhibition explores the process of Japanese-style woodblock production

8.- Robert Frank, photographer of America's underbelly, dead at 94

9.- The truth behind the legend of patriot Paul Revere revealed in a new exhibition at New-York Historical Society

10.- Hitler bust found in cellar of French Senate

Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .


Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
Founder's Site. The most varied versions
of this beautiful prayer.
to a Mexican poet.

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful