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Brett Littman curates group exhibition at the Austrian Cultural Forum New York
James Siena, Manifold VI, 2015. Black-and-blue ink on paper, 11 5/8 x 9 1/4 inches (29.5 x 23.5 cm). Courtesy of the artist and Pace Gallery. Photograph by Kerry Ryan McFate.


NEW YORK, NY.- The Austrian Cultural Forum New York is presenting the group exhibition The Projective Drawing, curated by Brett Littman, Executive Director of The Drawing Center, New York.

The exhibition is based on The Projective Cast, a book published in 1995 by architectural historian Robin Evans that defines a new way to explain how we “see” architecture by incorporating all sensations that underpin the human experience of built structures (mental, physical, and emotional). In The Projective Drawing, the curator Brett Littman applies Evans’s theory, which is skeptical of drawing at its core, to challenge our understanding of how the medium of drawing operates in contemporary culture by highlighting both Austrian and international artists whose drawings require viewers to activate a matrix of complex and nontraditional ideas in order to interpret the works on view. Within the striking architecture of the Austrian Cultural Forum New York, designed by Raimund Abraham in 1992, the exhibition will unfold in a “projective” architectural space which reveals its non-linear structure and emotional impact as one perambulates through the building.

For example, Judith Saupper and Lionel Favre have created site-specific installations that redefine the art of drawing, requiring the viewer to walk around, into, and even crawl under the works to fully experience them. James Siena, Brigitte Mahlknecht, and Seher Shah, likewise, transcend classic geometry to build contemporary visual spaces that can only exist suspended in our imagination. Leopold Strobl, who works with Galerie Gugging in Vienna, creates miniature landscapes on old newspapers. Strobl’s signature dark voids, which partially occlude the drawn landscape, prompt viewers to contemplate the essentially incomplete and partial nature of drawing. Katrín Sigurdardóttir’s drawings for sculptural projects follow the artist’s practice from conception to execution. Each work articulates drawing’s inherent potential to impact the built world.

The Projective Drawing foregrounds artists who use drawing to visualize organic systems and abstract structures. Drawings created using plant extracts by the shaman Sara Flores from the Shipibo Conibo tribe in Peru are deeply tied to her relationship to the natural world and the healing ayahuasca ceremonies she performs. In a similar manner, collages and drawings by William Cordova amalgamate images to represent the body’s relationship to vernacular architecture, sound, pop culture, and politics. Lastly, Simona Koch’s large-scale genealogical maps highlight how drawing can visualize research, history, and networks.

Featured artists: William Cordova, Lionel Favre, Sara Flores and the Shipibo Conibo Center, New York, Simona Koch, Brigitte Mahlknecht, Judith Saupper, Seher Shah, James Siena, Katrín Sigurdardóttir, and Leopold Strobl and Galerie Gugging, Vienna.





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February 6, 2018

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Installation exhibition of new sculptures by Australian artist Anna-Wili Highfield opens at Olsen Gruin

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Boston College McMullen Museum of Art opens Chinese artist's first exhibition in the United States

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