The First Art Newspaper on the Net   Established in 1996 United States Sunday, October 21, 2018

How a Commanding Officer found his place as a contemporary artist
Clinton Hill (American, 1922–2003), untitled, 1981. Handmade paper construction. Georgia Museum of Art, University of Georgia; Gift from the Clinton Hill / Allen Tran Foundation. GMOA 2012.366.

ATHENS, GA.- Many of us have dreamed of far-flung adventures or pursuing a career as an artist, but few of us actually do it. Clinton Hill managed to do both as well as serving as a commanding officer in the US Navy and helping to build the art scene in New York’s SoHo. Now the Georgia Museum of Art at the University of Georgia is presenting an innovatively installed exhibition of his work from throughout his career. The museum’s director, William U. Eiland, is its curator and the author of its acompanying exhibition catalogue.

Born in Payette, Idaho, and raised on a ranch near several American Indian settlements, Hill grew to appreciate nature and vast spaces. He also learned to admire Native American culture— his first exposure to any culture outside of his own. He craved exploration and a greater understanding of the world, which led him to travel abroad in the hope of furthering his arts education.

When Hill’s family moved to La Grande, Oregon, he began working with watercolor and eventually found his vocation as an artist. When World War II broke out, he volunteered for the US Navy and soon became a commanding officer of a minesweeper stationed in the Pacific. The military gave Hill a sense of confidence and the drive to pursue art as a career. It also introduced him to Allen Tran, his life partner and traveling companion. After the war, Hill studied art at the University of Oregon, on the GI Bill, before moving to New York with Tran at an exciting time for abstraction. New York was becoming the capital of the art world, and abstraction — which Hill would pursue for the rest of his life — was the movement of the day.

Hill continued to travel, studying in Paris, France, in 1951 at the Académie de la Grande Chaumière, then in Florence, Italy, at the Istituto d’Arte Statale. When he and Tran returned to New York, Hill had a series of high-profile solo shows and established himself more firmly in the art scene. The famed abstract expressionist Mark Rothko even helped name one of Hill’s most significant works, “Ladders and Windows”.

Hill pushed his work beyond paint, using wood, paper and vinyl as well as other materials. Paper was especially recurrent, and he crafted subtle, complex, layered works from paper pulp and torn pieces of paper in the 1960s. Minimalist, with evocative colors, they look forward to the abstract yet imagistic art of the 1980s. Hill never stopped exploring different cultures and incorporating what he learned into his art. In 1956, he traveled to India on a Fulbright Fellowship, where he learned ancient methods of weaving and papermaking. When he returned home, he began to integrate a variety of different materials into his art. From fiberglass to discarded construction debris, Hill was able to make structured works that reflected his skills as both a sculptor and abstract artist.

Eiland and the museums preparators designed an exhibition that would make connections among works from throughout Hill’s career. Paintings hang at unusual heights to suggest musical notes on a staff (music was another theme that recurred in Hill’s work) or to make the viewer connect visual elements in different works. Lightboxes on the floor show the layered nature of Hill’s works with paper, and jewelry he made from radio resistors is included alongside more traditional fine art.

“The exhibition of Clinton Hill’s works presents to our audiences an artist, relatively unknown in our region, who is in some ways emblematic of the various ‘isms’ of the mid-to-late 20th century,” says Eiland. “A colorist and formalist, he becomes in mid-career one of the pulp-paper pioneers, an artist who re-imagined the very material of his art. Second, the installation itself is an homage to Hill’s marriage of plane and solid geometry; the arrangement of the works in the galleries delivers a series of visual puns arising from the artist’s abiding themes of music, harmonics and the movement of forms in space.”

Today's News

January 12, 2018

Japanese tycoon Yusaku Maezawa loans Basquiat masterpiece to Brooklyn Museum

Isabella Stewart Gardner Museum extends $10 million art theft reward

Playwright Arthur Miller's archive comes to Harry Ransom Center

Albert Einstein archives go on display in Taiwan

Israel honours its fallen with understated architectural gem

Sotheby's Paris to offer drawings from the Christian and Adrien Collection

Celebrated Modernist architect Neave Brown dies at age 88

Kim Dingle's fifth solo exhibition at Sperone Westwater opens in New York

Steven Kasher Gallery opens first ever solo exhibition of founding Kamoinge Workshop member Shawn Walker

Exhibition at Nahmad Contemporary surveys Hans Hartung's prolific career

How a Commanding Officer found his place as a contemporary artist

Heidi Davis-Soylu named new Director of Education at the IU Eskenazi Museum of Art

RM Sotheby's adds 1953 Ferrari 166 MM Spider to Paris sale

Nailya Alexander Gallery exhibits works by master of Russian Avant-Garde photography Boris Ignatovich

Elvis fans all shook up on Australia party train to annual fest

Gallery Wendi Norris opens exhibition of works by María Magdalena Campos-Pons

Exhibition at Nohra Haime Gallery brings together works by Julie Hedrick and Anna Paola Protasio

'Jazz Messengers' signed photo sells for $20,000 at auction

Freeman's presents The Collector's Sale, aimed primarily at emerging, young collectors

Block board of advisors donates $1M to set up endowment

Mead Art Museum receives $3 million gift from John and Sue Wieland

Extensive two-part series will include 30 classic films from Republic Pictures, curated by Martin Scorsese

Sworders prepare for the most eye-popping auction of the year as they launch Out of the Ordinary

VCU Institute for Contemporary Art Director steps down

Most Popular Last Seven Days

1.- The Mummy poised to reclaim its title as the world's most expensive film poster

2.- Money museum showcases 1943 Cent valued at $1 million

3.- Is Robin Cunningham the Mysterious and Unknown Grafitti Artist Banksy?

4.- Freeman's autumn jewelry auction set to dazzle

5.- Phoenix Art Museum presents never-before-seen artifacts from Teotihuacan

6.- Sotheby's breaks auction record for any bottle of wine twice in one sale

7.- Buyer of shredded Banksy work goes through with deal

8.- The Frick Pittsburgh opens a major exhibition of works by Isabelle de Borchgrave

9.- Prime Minister Mark Rutte gives a history lesson in the Rijksmuseum

10.- Paris finds spot for controversial Jeff Koons tribute

Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .


Ignacio Villarreal
Editor & Publisher:Jose Villarreal - Consultant: Ignacio Villarreal Jr.
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
Founder's Site. The most varied versions
of this beautiful prayer.
to a Mexican poet.

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful