The First Art Newspaper on the Net   Established in 1996 United States Thursday, December 14, 2017


Carnegie International commits to fair artist pay
Ingrid Schaffner. Photo: Bryan Conley.


PITTSBURGH, PA.- Carnegie Museum of Art announced that the Carnegie Int’l, 57th ed.,2018, has been certified by W.A.G.E. (Working Artists and the Greater Economy) as meeting its standards for paying artist fees. The International is the first biennial-style exhibition to become W.A.G.E. Certified. Accordingly, every participating artist or collective will be paid a standard minimum fee, set by W.A.G.E., for providing content to the exhibition.

As curator Ingrid Schaffner says, “Perhaps the most entrenched barrier to greater equity is the idea that art is a privilege. W.A.G.E.’s activism brings recognition to the work artists do—on top of actually making art!—when they provide content for museums and exhibitions.”

W.A.G.E. is a New York-based activist organization which works to draw attention to economic inequalities that exist in the arts, and to resolve them. W.A.G.E. Certification is a national program that publicly recognizes those nonprofit arts organizations demonstrating a history of, and commitment to, voluntarily paying artist fees that meet minimum payment standards. W.A.G.E. launched its certification program in October of 2014 and has since certified fifty organizations across the U.S.

The Carnegie International’s certification marks an important exception to W.A.G.E.’s own rules. In a statement from W.A.G.E., “One of W.A.G.E. Certification’s cardinal rules is that we don’t certify single exhibitions…However, because museums have demonstrated the greatest resistance…we have chosen to bend this rule and approach the reform of large art institutions brick by brick.” W.A.G.E. sees this certification as an important step forward for the cultural field at large: “While this may sound relatively inconsequential, it isn’t. The Carnegie Int’l, 57th ed., 2018’s decision to guarantee evenly distributed remuneration is a rebuke of speculation as a form of payment in the nonprofit sector. It is also an affirmation of art’s value as a common good – one to which both the labor of artists and institutions contribute, and which both must collectively work to maintain.”





Today's News

December 6, 2017

Lubaina Himid becomes oldest winner of United Kingdom's Turner Prize

A petition decries 'suggestive' painting at New York's Met

Thornton Triceratops gets new identity

Murillo masterpiece returns to the Walker Art Gallery following revealing conservation work

Sotheby's New York to offer the earliest known illuminated Hebrew Bible from Spain

Save Venice Inc. restores Titian's Madonna di Ca' Pesaro

Harvard Art Museums acquire Kara Walker drawing

Jean d'Ormesson, France's 'prince of letters', dies aged 92

Sierra Leone's huge 'peace diamond' fetches $6.5 mn

Trio to replace disgraced Levine at Met for much-awaited 'Tosca'

Ferdinand Hodler's "Thunersee" soars to CHF 4.3 million as winter landscapes triumph at Sotheby's Zurich

Toledo Museum of Art adds three Native American works of art to its collections

The Redwood Library & Athenaeum opens Paris Salon exhibition

Christiane Paul named Director + Chief Curator of Galleries at Parsons School of Design

Mona Lisa: The world-renowned portrait that still affects world's culture

Site-specific sculpture unveiled in Sydney CBD's Wynyard Station suspended above a bank of escalators

Turner Auctions + Appraisals to offer the Anita Hellman Collection of Costume & Fine Jewelry

Jonathan Wong appointed to head Sotheby's S/2 Gallery in Hong Kong

The couture fashion jewellery of Shaun Leane achieves $2.6 million at Sotheby's

Ansel Adams Museum set to highlight photographs auction at Doyle

The Warhol appoints Clark Crowley-Bunyard Advancement Director

Galerie Max Hetzler opens exhibition of recent works by Toby Ziegler

Sotheby's Department of Scientific Research celebrates first anniversary

Carnegie International commits to fair artist pay

Supercars and timeless classics triumph at multi-million pound Bond Street sale

Most Popular Last Seven Days



1.- A petition decries 'suggestive' painting at New York's Met

2.- Leonardo Da Vinci sold for $450 million is headed to Louvre Abu Dhabi: Official

3.- Desperately seeking this Frida Kahlo painting. Last seen in Poland

4.- Lubaina Himid becomes oldest winner of United Kingdom's Turner Prize

5.- Two Gustav Klimt masterpieces on loan to the National Gallery of Canada

6.- Frick makes its most significant painting purchase in nearly 30 years

7.- Met Opera suspends Levine after sex abuse allegations

8.- Louvre launches appeal to acquire King François I's Book of Hours

9.- Smart-Guard, a new way to pack, ship and store fine art

10.- Save Venice Inc. restores Titian's Madonna di Ca' Pesaro



Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 

Founder:
Ignacio Villarreal
Editor & Publisher:Jose Villarreal - Consultant: Ignacio Villarreal Jr.
Art Director: Juan José Sepúlveda Ramírez


Royalville Communications, Inc
produces:

ignaciovillarreal.org avemariasound.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. The most varied versions
of this beautiful prayer.
Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful