The First Art Newspaper on the Net   Established in 1996 United States Friday, November 17, 2017


Survey exhibition tracing the developments of post-war British sculpture from 1951-1991 on view in London
Kenneth Armitage, Model for a Large Work, Version B, 1963, Bronze Painted, Edition of 6, 83.9 x 35.5cm, Copyright Marlborough Fine Art, Courtesy Marlborough Fine Art.


LONDON.- Marlborough Fine Art is presenting a survey exhibition tracing the developments of post-war British sculpture from 1951-1991. From the likes of Henry Moore (1898-1986) and Victor Pasmore (1908-1998) to later artists Eduardo Paolozzi (1924-2005) and Anthony Caro (1924-2013), this exhibition traces the visual arts in Britain as they spawned an increasingly rapid succession of theories and styles.

This thriving and diversifying arts scene both reflected, and profited from, the expansion of public funding. Opportunities to study at art schools and to show at publicly-funded exhibitions along with an increased presence in the media raised the public profile of the visual arts. The international standing of British sculpture was increased by Moore at the first post-war Venice Biennale in 1948, subsequently sustained by Hepworth, and then with the 'Geometry of Fear' group of younger sculptors in 1952, a term coined by art historian Herbert Read, which included Lynn Chadwick (1914-2003), Kenneth Armitage (1916-2002) and Paolozzi. An angular, rough-edged aesthetic was prevalent amongst this group.

In the decades following the Second World War, artists investigated ways of expression and their ability to convey the realities of this new existence. With the revelation of the effects of the Holocaust and the atomic bomb, the morality of the artistic gesture and the language of humanism appeared to need reaffirming; Hepworth would follow a classicizing abstraction, while Moore concentrated on the figure. Paolozzi meanwhile spent time in war-ravaged Paris between 1947-1950, his junk-assembled figures reflecting Art Brut.

In the late 1940s, Pasmore began to assemble three-dimensional constructions on his own wall-hung works as seen in Abstract in White, Black and Ochre, 1963. In 1956 he devised a Bauhaus inspired course of Basic Design for Durham University using new unconventional materials which had originated abroad with Picasso and the Russian constructivists. In Britain this 'liberation' would also come through Caro's lectures at Central Saint Martin's which brought forth a new generation who used materials such as plastics and fibreglass and prefabricated units in their work. In stark contrast to Caro’s innovative use of industrial metals is John Davies' (b.1946) reconnection with figuration, exemplified in Little Egyptian Servant, 1991. During the 1960s, Allen Jones (b. 1937) developed a stylized visual language for painting the human figure which marked a departure from 19th century artistic precepts. As the artist’s renditions became more volumetric and pneumatic, he turned to sculpture, creating pieces such as Red Dancer, 1982.

In the work of the various sculptors included in the exhibition, it seems that towards the end of the last century, ‘sculpture’ had effectively transcended its traditional methods and materials. Scale had been denatured, and corporality penetrated and reconstructed into its constituent elements. This deconstruction would permit ‘artists-in-sculpture’ to build solid environments to illustrate the ephemerality of assembling and dissolving bodies.






Today's News

November 5, 2017

Rafael Soriano opens at Frost Art Museum FIU: Kicks off Miami's Art Basel season

Harvard Art Museums to receive transformative gift of Dutch, Flemish, and Netherlandish drawings

Galerie Templon reveals a previously unseen series of paintings by Jim Dine

The largest collection of Viking artifacts on display in North America comes to the Royal Ontario Museum

Matthew Marks opens exhibition featuring thirteen recent paintings by Gary Hume

First major exhibition of Korean fashion in U.S. opens in San Francisco

Gavin Brown's enterprise opens 5th solo exhibition by the painter Alex Katz

Museum-wide exhibition examines practice and role of drawing in late Edo - early Meiji Japan

Exhibition of new drawings by Paul Noble opens at Gagosian San Francisco

Exhibition draws together sixteen paintings created by Elizabeth Murray in the 1980s

Survey exhibition tracing the developments of post-war British sculpture from 1951-1991 on view in London

Milestone's auction features finest comic character toy collection to reach the marketplace in many years

First comprehensive retrospective of Mark Tobey's work in 20 years opens at the Addison Gallery

Exhibition at the Saint Louis Art Museum highlights a major new body of work by Thomas Struth

Landmark Hassan Sharif retrospective presented by Sharjah Art Foundation

Live online sale offers paintings, works on paper, photographs & sculpture from the 18th to 21st centuries

"The Time. The Place" focuses on acquisitions to the Henry's contemporary collection

Exhibition presents sculptural work spanning three decades by Swiss-born artist Françoise Grossen

New site-specific installation by Canadian artist Megan Rooney on view at Tramway

Perrotin New York opens an exhibition of works by Farhad Moshiri

Luhring Augustine exhibits a multi-part video and sculptural installation by Mike Kelley

Bouke de Vries puts the finishing touches to his epic, 8-metre ceramic sculpture 'War and Pieces'

Honor Fraser's first exhibition of paintings by pioneer Feminist artist Miriam Schapiro opens in Los Angeles

Option to the Death of Freedom: Casemore Kirkeby opens group exhibition

Most Popular Last Seven Days



1.- Grasshopper found embedded in van Gogh masterpiece at Nelson-Atkins

2.- Scientists discover a mysterious, plane-sized 'void' in Great Pyramid in Egypt

3.- The largest collection of Viking artifacts on display in North America comes to the Royal Ontario Museum

4.- Rafael Soriano opens at Frost Art Museum FIU: Kicks off Miami's Art Basel season

5.- Cleveland Museum of Art releases new strategic plan

6.- Exhibition tells the story of the artists who fled to Britain to escape war in France

7.- Zahi Hawass criticises pyramid void 'discovery'

8.- French court to rule on Nazi-looted Pissarro painting

9.- Clark Art Institute exhibition studies less-explored aspects of Impressionist works

10.- Exhibitions in Germany and Switzerland present works from the Gurlitt Estate



Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 

Founder:
Ignacio Villarreal
Editor & Publisher:Jose Villarreal - Consultant: Ignacio Villarreal Jr.
Art Director: Juan José Sepúlveda Ramírez


Royalville Communications, Inc
produces:

ignaciovillarreal.org avemariasound.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. The most varied versions
of this beautiful prayer.
Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful