WELLESLEY, MASS.-The Worlds of Ilse Bing spotlights the prominent photographer’s career from her early days in Frankfurt, Germany to Paris and then onto New York City. For almost 100 years, Bing (1899-1998) distinguished herself in a world where photography was mostly male-dominated and coming into its own as an art form ideally suited to represent modern, urban life. The exhibition of her remarkable career at the Davis Museum at Wellesley College opens September 19 and runs through December 14, 2025 and again from February 6, 2026 through May 24, 2026. Featuring a recent gift of vintage photographs by Bing from acclaimed musician and Wellesley College alumna Suzanne Ciani (Class of 1968), the exhibition explores the development of the photographic medium in the mid-twentieth century. The era in which Bing came to prominence saw th ... More
The eagerly awaited new Broadway musical — inspired by the world’s most expensive work of art — takes a major step toward the stage.
NEW YORK, NY.- Salvator Mundi!, The Musical — now carrying the working title Salvator Mundi – The Greatest Story Ever Sold — has taken a bold step toward reality with the addition of Anita Waxman, principal of Alexis Productions and a Tony-winning Broadway producer known for her pioneering collaborations and achievements. Waxman has joined the project as an executive producer, where she will help guide and position the property as it moves into its next phase of development. Waxman’s extraordinary Broadway career spans decades, with more than 70 Tony Award nominations and 16 wins. As co-founder of Waxman-Williams Entertainment with Elizabeth Williams, she brought to Broadway productions including Noises Off, Topdog/Underdog, The Elephant Man, Flower Drum Song, and Bombay Dreams. She also forged a pioneering ... More
Sissi Farassat, Djune, 2025.
NEW YORK, NY.- Edwynn Houk Gallery is presenting Revelation, a new body of work by Vienna-based artist Sissi Farassat, on view from 2 September through 18 October 2025. In Revelation, Farassat reframes the past. Working from anonymous vintage photographs — often touched by the glamour of Hollywood’s Golden Era — she reveals only a carefully selected fragment of each image. The rest is concealed behind a precisely cut overmat, a process art historian Michel Poivert has described as anti-collage. He writes: “For those familiar with Sissi Farassat's work, Revelation is above all a surprise… The desired object reveals itself only through concealment… What we don't see takes center stage. What is primarily addressed here is the off-screen as a space that is both real and imaginary.” Where collage builds through accumulation, Farassat works by subtraction. What remains visible becomes charged with the tension of the unseen. The gesture resists the ... More
VIENNA.- In its major autumn exhibition, the ALBERTINA Museum has set out to stage a highly charged encounter between modernism and Gothic art. The spotlight here is on masterpieces ranging from symbolism to expressionism that take inspiration from medieval art’s emotional power. "Modernism is usually understood as a radical new beginning and a break with tradition. What is surprising, however, is that modernist artists also looked to historical models, albeit ones that predate the academic tradition, namely works from the Middle Ages and the Gothic period. It is precisely this unusual perspective on modernism that is at the heart of Gothic Modern, an exhibition created in a joint research project with the Ateneum Art Museum in Helsinki and the National Museum in Oslo. It brings modern and Gothic works into direct dialogue with each other and also ... More
DRESDEN.- Without mining, the treasure chambers and art collections of the Renaissance and Baroque periods would be inconceivable, because precious metals and gemstones are an integral part of them. The mineral resources of the Saxon-Bohemian Ore Mountains formed an essential basis for Dresden’s art collections. Further east, the Slovak Ore Mountains likewise provided coveted raw materials. Products of nature, combined with human craftsmanship, resulted in ornate vessels made of processed metals and minerals. In the special exhibition ‘Red Gold. The Miracle of Herrengrund’ (29 August 2025 – 4 January 2026), the Grünes Gewölbe (Green Vault) of the Staatliche Kunstsammlungen Dresden (Dresden State Art Collections, SKD) draws attention to some extraordinary treasures that owe their existence to the mining industry in early modern Central Europe: so-called Handsteine (handstones) and Herrengrund vessels. More than 70 unique exhibits in the Sponsel Room tell of the miners’ pr ... More
william cordova, 2 tienes santo pero no eres Babalawo, 2023. Mixed media. Collection of El Museo del Barrio, New York. Gift in memory of Rudy Perez.
NEW YORK, NY.- El Museo del Barrio is presenting Jangueando: Recent Acquisitions, 2021–2025, a dynamic exhibition showcasing 39 newly acquired works by 36 artists that reflect the Museum’s ongoing commitment to representing the cultural vibrancy and complexity of Latinx and Latin American communities. On view beginning August 28, this exhibition marks a bold and celebratory moment for El Museo’s evolving Permanent Collection. “Jangueando embodies El Museo del Barrio’s unwavering commitment to artists whose work captures the complexities, resilience, and brilliance of our Latine culture. In this moment of heightened threats, this exhibition becomes more than a celebration—it asserts the power of gathering—of hanging out—as a form of resistance, healing, and transformation.” —Patrick Charpenel, Executive Director, El Museo del Barrio The title is a play on words. It looks to janguear, Puerto Rican slang for socializing with friends. From hanging out to ... More
LONDON.- In September 2025, the Royal Academy of Arts will present the largest survey of celebrated American artist and Honorary Royal Academician Kerry James Marshall ever to be shown in Europe. Marking the artist’s 70th birthday, this major solo exhibition will explore Marshall’s expansive career to date. Kerry James Marshall: The Histories will feature over 70 works, bringing together primarily paintings, as well as examples of the artist’s prints, drawings and sculpture, from museums and private collections across North America and Europe. The exhibition will be the first institutional presentation of the artist’s work in the UK since 2006 and will include a dramatic new series of paintings made especially for the show. Revered as one of the most influential contemporary history painters working today, Marshall’s powerful, large-scale ... More
CAMBRIDGE, MASS.- Today, the MIT Museum announced the opening of Remembering the Future, a large-scale installation by the 2022-2024 MIT Distinguished Visiting Artist Janet Echelman, developed during her residency at the MIT Center for Art, Science & Technology (CAST). Architect, engineer and MIT Associate Professor Caitlin Mueller collaborated with Echelman on its development, creating a new technology which expands the possibility for geometric complexity of the form. The installation is on view from September 18, 2025, through Fall 2027, in the Museum’s lobby, which is free and open to the public. Visitors to the MIT Museum are greeted by Echelman’s draped, vibrant monumental sculpture inspired by climate data from the last ice age and into multiple potential futures, suspended from the ceiling and cascading above the grand staircase of the MIT Museum’s lobby. Constructed from multi-colored fi ber which is braided, knotted and ... More
Cameron Martin, Untitled, 2024. Mixed media on paper, 24 x 18 inches. 61 x 45.7 cm.
NEW YORK, NY.- Sikkema Malloy Jenkins is presenting Baseline, a solo exhibition of new paintings and collages by Cameron Martin, on view from September 2 through October 11, 2025. How do we read a line? An inexhaustive list of answers could include: 〰 As the outline of a figure 〰 As a figure in and of itself 〰 As a pathway; a trail; a route 〰 As a glyphic mark 〰 As writing or signature 〰 As a stand-in for another gesture More precisely, we could then ask, how does one locate the significance of a line between—or perhaps beyond— our preconceived understandings of representation and abstraction? These questions animate Cameron Martin’s recent body of acrylic paintings and collages, which embrace the disjunctive gap between what one sees and what one assumes to know about an image. As viewers’ perceptions overlap and adjoin, paradoxical notions of handmade mechanization, dimensional flatness, and illustrative abstraction offer ... More
Tsukioka Kōgyo / National Museum of Asian Art, Smithsonian Institution, Robert O. Muller Collection, S2003.8.2898, Photo by Colleen J. Dugan.
WASHINGTON, DC.- The Smithsonian’s National Museum of Asian Art has named Naoko Adachi its Japan Foundation Assistant Curator of Japanese Art. Adachi, who started in July, is the fourth curator to work at the National Museum of Asian Art under the Japan Foundation program, the largest Japan-centered program in the United States. With three curators, two painting conservators and one curatorial assistant, the program focuses on Japanese arts and culture and stewards the museum’s collection of over 15,000 Japanese objects. Sponsorship of this position began in 2017 following a pledge by former Prime Minister Abe Shinzo. In this role, Adachi collaborates in the stewardship of the museum’s significant collection of Japanese pre-modern, modern and contemporary prints, photographs and books. As an emerging scholar in the field of Japanese art, Adachi works with the museum’s curatorial department ... More
Installation view of Rigg Design Prize 2025, on display 19 September 2025 to 1 February 2026 at The Ian Potter Centre: NGV Australia. Photo: Madeleine Burke.
MELBOURNE.- Opening 19 September 2025 at the Ian Potter Centre: NGV Australia, the tenth Rigg Design Prize exhibition highlights the achievements of Australian designers under the age of 35 working across ceramics, glass, furniture, woodwork, metalwork, textiles, lighting, and contemporary jewellery. With participants debuting new and ambitious works, the exhibition offers a window into the ideas, creative processes, and motivations of young designers, and presents a compelling survey of the most accomplished design being produced in Australia today. The winner of the $40,000 prize, Australia’s most prestigious accolade for contemporary design, is Adelaide based Aranda artist, Alfred Lowe. His ambitious ceramic vessels, You and me, us never part, 2025, were unanimously selected by the Prize Jury. The work comprises two large-scale figurative ceramics combining rigid and roughly textured clay with soft raffia adornments, exploring beauty, community and Country. The ceramics stand side by side, ... More
Co-produced by Salzburg Museum and Salzburger Kunstverein, this project brings together three new commissions by Thomas Geiger, Tatiana Lecomte, and Sophie Thun, along with restitution objects, to offer a confrontation with what restitution can and cannot repair.
SALZBURG.- From September 20 to November 16, Salzburger Kunstverein presents the final exhibition of its 2025 program Picturing Justice. The “non” in The Museum of (Non)Restitution signals the show’s central concern: restitution as an unfinished process. In Salzburg—a city long practiced in staging cultural history—the exhibition presents restitution as a conflicted subject matter, as much about concealment as revelation, as much about stories withheld as those retold. Here, non-restitution is not refusal, but a reminder that remembrance remains partial—shaped as much by what society chooses to forget as by what it recalls. Co-produced by Salzburg Museum and Salzburger Kunstverein, this project brings together three new commissions by Thomas Geiger, Tatiana Lecomte, and Sophie Thun, along with restitution objects, to offer a confrontation with what restitution can and cannot ... More
The exhibition “The Muck, the Weeds, the Seeds, the Blossoming: The Journals of Karen Blessen” opened Sept. 18 on Love Library’s second-floor link. The exhibition runs through February 2026.
LINCOLN, NE .- The thoughts, life and creative process of artist Karen Blessen are revealed in a new exhibition at the University of Nebraska–Lincoln Libraries. “The Muck, the Seeds, the Weeds, the Blossoming: The Journals of Karen Blessen” features 24 of her personal journals recently donated to the libraries’ Archives and Special Collections. “We are deeply honored and grateful to receive this generous donation from a Pulitzer Prize–winning artist and UNL alumna,” said Richard Graham, chair of teaching partnerships in UNL Libraries. “Karen’s materials are more than a gift — they are a gateway for students, scholars and readers to engage with journaling, the visual process, and art and memoir at its highest level. This unique collection offers insight into the creative process and spirit and will inspire creativity and meaningful dialogue for generations to come.” Born and raised in Columbus, Nebraska, Blessen graduated from the University of Ne ... More
Quote An Original may be said to be of a vegetable nature. Edward Young
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Sculpture Milwaukee announces: Joel Otterson: On view on Wisconsin Avenue MILWAUKEE, WI.- Sculpture Milwaukee is presenting Voluptuous Desire, a cast-iron sculpture produced in Wisconsin in 2018 by the celebrated American sculptor Joel Otterson (b. 1959). The latest addition to Actual Fractals, our current exhibition series, the work will be installed on Sept. 19 in the Ellen & Joe Checota Atrium at the Bradley Symphony Center in downtown Milwaukee, where it will remain on view until June 1, 2026. A large-scale work in the shape of an ancient Greek amphora, Voluptuous Desire depicts the ormolu—the intricate golden filigree that decorates the ceramic vessels—without the bulk of clay behind it. The piece is gorgeous, ethereal—like skywriting, but done in heavy metal—and a prime reflection of Otterson’s mission, now more than three decades underway, to remake, as he has put it, “every single thing in the house.” Drawing inspiration ... More
Building a better MAM: New entrance prioritizes comfort and conservation MISSOULA, MT.- The Missoula Art Museum (MAM) has officially broken ground on a redesigned vestibule aimed at enhancing art safety, visitor comfort, and overall energy efficiency. Construction began on September 15 and is expected to continue through the end of the year. The project focuses on replacing MAM’s aging and inefficient entrance doors, which are drafty, difficult to operate, and unable to maintain proper temperature control, making them unsuitable for year-round use, particularly during extreme summer heat and winter cold. These conditions not only create discomfort for visitors and staff but also make it challenging to maintain the stable temperature and humidity levels required to protect artwork. The redesign reflects MAM’s broader commitment to sustainability. In 2020, the museum became part of a city-led Energy Savings Performance Contract ... More
Hermès Himalaya Kelly, rare Louis Vuitton collection dazzle in Heritage's auction DALLAS, TX.- There’s plenty to fall for in Heritage’s sweeping Autumn Luxury Accessories Signature® Auction, including extraordinarily rare and coveted pieces from Hermès, Chanel and Louis Vuitton. Leading the Oct. 9 event is one of the rarest handbags ever created: the Hermès 25cm Matte White Himalaya Niloticus Crocodile Kelly. “This is the crème de la crème of luxury accessories,” says Diane D’Amato, Heritage Auctions’ Director of Luxury Accessories, Private Sales & The Boutique. “It is one of the most beautiful and sought-after bags ever made, and its flawless design and perfect size make it the ideal get.” A masterwork of craftsmanship and exquisite artisanry, the legendary creation is fashioned from the hide of the Niloticus crocodile, whose scales are large and symmetrical, ensuring meticulous uniformity. The hide is hand-dyed and painstakingly bleached ... More
The Ackland presents Color Triumphant: Modern Art from the Collection of Julian and Josie Robertson CHAPEL HILL. NC.- The Ackland Art Museum announced the exhibition Color Triumphant: Modern Art from the Collection of Julian and Josie Robertson, on view from September 19, 2025 through January 4, 2026. The story of modern art can be told as a series of moments in the liberation of color, from the atmospheric vividness of Impressionism through the subjective intensity of Expressionism to the autonomy of abstraction. Encompassing fifty-four works by thirty-three artists from the distinguished collection of Julian and Josie Robertson, Color Triumphant showcases outstanding works from that trajectory. It includes paintings, sculpture, and works on paper by artists from Claude Monet and Camille Pissarro to Gerhard Richter and Frank Stella. Born in Salisbury, North Carolina, Julian H. Robertson, Jr. (1932-2022) graduated from the University of North Carolina at Chapel ... More
Monumental Emily Carr survey to open at the Vancouver Art Gallery in 2026 VANCOUVER, BC.- In February 2026, the Vancouver Art Gallery will open That Green Ideal: Emily Carr and the Idea of Nature, its largest presentation of the work of Emily Carr (1871–1945, Victoria, B.C.) in more than two decades. Overlooked in her own time, Carr is now recognized as one of Canada’s most important artists, whose distinctive modernist vision has profoundly shaped how British Columbia’s landscape is perceived, understood and represented. That Green Ideal features work primarily from the Gallery’s extensive Emily Carr Collection—the most comprehensive holdings of her work in the world. "We are uniquely positioned to share the depth and significance of Carr’s legacy with our diverse publics,” says Eva Respini, Interim Co-CEO and Curator at Large. “This landmark exhibition—the most comprehensive in two decades—invites everyone, from school groups ... More
New exhibitions at the IAIA Museum of Contemporary Native Arts SANTA FE, NM.- This fall, the IAIA Museum of Contemporary Native Arts (MoCNA) presents bold new exhibitions from Indigenous artists across the globe. On view are new works by Douglas Miles (White Mountain Apache, San Carlos Apache, and Akimel O’odham) A-i-R ’25, textile-based works exploring healing and identity by Maggie Thompson (Fond du Lac Ojibwe), and multimedia installations and paintings focusing on self-representation and resilience in Breaking Ground: Art & Activism in Indigenous Taiwan, which also features a performance by the Bulareyaung Dance Company. Douglas Miles (White Mountain Apache, San Carlos Apache, and Akimel O’odham) A-i-R ’25 is a painter, printmaker, and photographer from Arizona, who founded Apache Skateboards and Apache Skate Team. Miles draws connections between skateboarding ... More
Bay Area art world mourns the passing of Violet Fields, a seminal artist and teacher SAN FRANCISCO, CA.- Jenkins Johnson Gallery announced the passing of Violet Fields earlier this week (1940–2025), a seminal figure in the Bay Area art world whose influence resonates across generations. Fields emerged in the late 1960s amid the ferment of the Bay Area art boom, aligning with the radical experimentation of Funk Art and the Bay Area Figurative Movement while charting her own path that fused abstraction, figuration, and cultural critique. Her work contributed to the pluralistic energy that defined the region, where artists were breaking down boundaries between high and low culture, politics and aesthetics. Field’s practice bridged abstraction and representation, always foregrounding questions of identity, resilience, and cultural belonging. As a longtime faculty member at the San Francisco Art Institute, Fields shaped the trajectory of countless artists who would go on to define contemporary practice. Alongside other notable artists ... More
'As Above, So Below' at The FLAG Art Foundation explores art, faith, and the sacred in the everyday NEW YORK, NY.- The FLAG Art Foundation is presenting As Above, So Below, a group exhibition amassing artworks and ritual objects to explore frameworks of faith, uncertainty, death, remembrance, and transcendence. Looking at the physical structure of religious forms such as altar pieces, icons, and reliquaries, the exhibition asks—in the broadest sense—how and to what end we ascribe meaning to both everyday and extraordinary objects. By considering the myriad ways artists seek to invoke the transcendental through their materials, As Above, So Below considers whether by believing in certain objects, symbols, or rituals, we can bridge the astral and the divine, influence outcomes, and circumvent chance. Artists include Charles Avery, Stephan Balkenhol, Amy Bravo, Sophie Calle, Greg Carideo, CARO, James Casebere, Anne Collier, Ben Cowan, Charlotte ... More
Centraal Museum Utrecht presents Willem de Rooij: Valkenburg UTRECHT.- Centraal Museum Utrecht presents Valkenburg, the first institutional solo exhibition in the Netherlands by renowned artist Willem de Rooij in nearly a decade. Conceived specifically for the museum, the project reframes thirty paintings and drawings by Amsterdam artist Dirk Valkenburg (1675–1721). Through carefully staged juxtapositions on a bespoke display system, de Rooij invites visitors to consider how eighteenth-century Dutch elites shaped visual culture to reinforce and legitimise colonial ideology. Valkenburg produced some of the earliest depictions of Indigenous and enslaved people on Surinamese sugar plantations—idealised scenes that obscure the violence of colonialism. He also painted elaborate hunting still lifes and portraits of patrons whose fortunes derived from imperial trade and slavery. Seen together, these diverse genres expose the operations ... More
Smith College Museum of Art presents Michel Kameni's portraits NORTHAMPTON, MASS.- The Smith College Museum of Art presents Michel Kameni: Portraits of an Independent Africa, an exhibition featuring 55 black-and-white studio portraits made in the 1960s and 1970s by Cameroonian photographer Michel Kameni (c. 1935–2020). On view August 29, 2025, through January 4, 2026, the exhibition offers a rare glimpse into the daily lives, aspirations, and identities of people living in post-Independence Cameroon. The exhibition was organized by Curatorial Exhibitions, Pasadena, California, in association with the Solander Collection, and co-curated by SCMA curator Aprile Gallant and Phillip Prodger, Executive Director of Curatorial Exhibitions and former Head of Photographs at the National Portrait Gallery, London. SCMA is the opening venue for this exhibition, the first display focused on Michel Kameni’s work in North ... More
Borusan Contemporary presents Edward Burtynsky: Shifting Topography ISTANBUL.- Borusan Contemporary presents Edward Burtynsky: Shifting Topography, the Canadian artist’s first major solo exhibition in Türkiye, curated by Marcus Schubert. The exhibition is the result of a long-term collaboration between the artist and the Borusan Contemporary Art Collection. Spanning all floors of the historic Perili Köşk (Haunted Mansion), it brings together a comprehensive selection of Burtynsky’s oeuvre from the past thirty years with new works exploring the subject of erosion across the diverse landscapes of Türkiye. Renowned for his large-format industrial landscape photographs that capture the complex intersections between nature and human industry, Burtynsky has examined the reshaping of our natural world for more than four decades. Distinguished by informed research, sweeping compositions, and extraordinary technical ... More
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On a day like today, Danish painter Michael Peter Ancher died
September 19, 1849. Michael Peter Ancher (9 June 1849 - 19 September 1927) was a Danish impressionist artist. He is most associated with his paintings of fishermen and other scenes from the Danish port of Skagen. His paintings are classics and he is probably one of Denmark's most popular artists. In this image: A Christening, Michael Ancher (1888).
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