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Sa Bassa Blanca: where art, architecture and landscape meet in Mallorca



ALCUDIA, MALLORCA.- Some museums are defined by their collections. Others by the buildings that house them. Sa Bassa Blanca Museum belongs to a rarer category: a place where art, architecture and landscape form part of the same experience. Located in Es Mal Pas, in the north of Mallorca, the museum occupies a protected natural setting between the sea and the mountains. Created by the artists and collectors Yannick Vu and Ben Jakober, together with the philanthropist Georges Coulon Karlweis, the foundation was established in 1993 and opened to the public in 2001. Since then, it has developed into one of the island’s most distinctive cultural projects, far from the conventional image of a museum as a closed container for objects. ... More

The Best Photos of the Day







Prado Museum reimagines masterpieces under the shifting light of a solar eclipse   Sean Scully's Wall of Light series featured in new solo exhibition at Thaddaeus Ropac   Pace presents Nigel Cooke's first Tokyo solo exhibition Night Ruins


"El Prado in the light of the eclipse" Self-Portrait. Dürer.

MADRID.- The Museo Nacional del Prado has turned an astronomical event into an experiment in looking. In a new audiovisual project titled The Prado in the Light of the Eclipse, the museum explores how some of its best-known paintings might appear as the light gradually changes during a solar eclipse. Rather than treating the eclipse simply as a spectacle, the project uses it to examine something fundamental to painting: the way light shapes color, form, atmosphere and emotion. As the simulated eclipse advances across the scenes, familiar works take on altered tonalities and contrasts, inviting viewers to consider how even subtle changes in illumination can transform the experience of an image. The audiovisual piece was developed by AMB Piensa using a combination of artificial intelligence, digital creation and traditional graphic intervention. Video-generation models were used to recreate depth, camera movement and the progression of the eclipse across the ... More
 

Sean Scully, Wall of Light Vermillion, 2026. Oil on linen, 142.2 × 127 cm (56 × 50 in).

SALZBURG.- The exhibition To Feel brings together oil paintings and watercolours from Sean Scully’s formative Wall of Light series. Begun in 1998, this series features vertical and horizontal blocks of colour that form pictorial architectures reminiscent of brickwork. Dark tones, which evoke compact wooden beams, alternate with contrasting, brighter colours, coalescing to form rhythmic units within the compositions. The impetus for this series stems from a small watercolour that Scully painted in Mexico in 1984, in which he transcribed the interplay of warm sunlight and shadow on the stacked stones of ancient Mayan ruins and architectural formations on the Yucatán Peninsula. The artist was fascinated by their surfaces and how the stones seemed to reflect the passage of time. Over the years, Scully moved beyond Mexico, responding to other lights and latitudes, and his paintings reflect the places and seasons in which ... More
 

Nigel Cooke, The Island, 2026 © Nigel Cooke.

TOKYO.- Pace will present Night Ruins, an exhibition of new paintings by Nigel Cooke, at its gallery in Tokyo from August 28 through October 10. Cooke’s first solo presentation in Tokyo, Night Ruins will feature a selection of small-scale, atmospheric paintings he created during his tenure at the Fondazione Querini Stampalia’s first-ever artist residency in Venice, Italy. Deeply engaged with the history of art, Cooke holds a significant place in the development of contemporary British painting. With his residency at the Fondazione Querini Stampalia in spring of 2026, he joined a lineage of artists who have found creative inspiration in Venice. Conceived as a period of immersion in the floating city and its storied lagoon, canals, and singular conditions of light, the residency afforded Cooke the opportunity to create a series of nuanced, richly hued paintings that draw from the palazzo’s historic and cultural heritage, as well as the living fabric of the city.
Night Ruins build ... More


The Ringling announces 2026-2027 Eleanor Merritt Fellow: Skyler Dunbar   Andréhn-Schiptjenko presents vanitas by José León Cerrillo in Stockholm   Minneapolis Institute of Art announces new acquisitions


Skyler Dunbar.

SARASOTA, FLA.- The John and Mable Ringling Museum of Art announced the appointment of Skyler Dunbar as the 2026–2027 Eleanor Merritt Fellow. An emerging researcher, scholar, and arts administrator with a background rooted in public teaching, exhibition organizing, and community outreach, Dunbar brings an inquisitive and inclusivity-focused practice to The Ringling, where she will facilitate and help initiate cross-departmental projects and research initiatives that support the museum’s strategic commitments. The Eleanor Merritt Fellowship is a prestigious 9- to 12-month visiting appointment designed to cultivate future cultural heritage leaders. Fellows work across departments—including Archives, Audience Research, Collections, Conservation, Education, the Art Library, Marketing, Performing Arts, and Visitor Services—gaining hands-on experience in museum operations while pursuing individual research and career development projects. "Skyler is passionate about the intersection of p ... More
 

José León Cerrillo, Demonstration Rug 3, 2025. Glazed high temperature ceramic on metal stretcher, 236 x 164 x 10 cm (92 7/8 x 64 5/8 x 4 in.).

STOCKHOLM.- Andréhn-Schiptjenko will be presenting vanitas, José León Cerrillo's fourth solo exhibition in Stockholm. The second iteration of the exhibition, first presented at Andréhn-Schiptjenko Paris, opens in the presence of the artist on Thursday the 20th of August, between 17:00 - 20:00. Cerrillo's artistic practice interrogates the potential of pure abstraction across a diverse range of media, including printed posters, drawings, diagrams, sculptures, installations, and performance. His work conceptualises abstraction as a process of materialisation that inevitably encounters failure – manifesting as voids, absences, or paradoxes that challenge conventional perceptions of abstract form. vanitas, featuring sculptures, prints, and large-scale ceramic works, extends Cerrillo's ongoing exploration of the void as a generative space for abstraction. It presents one instance in a sequence of variations – one ceramic piece, a torso, and ... More
 

Dirck Dircksz. van Santvoort, Dutch, 1609–1680 Netherlands, Amsterdam 17th century, Portrait of Dirck Frederiksz. Alewijn (1644–1687), c. 1646. Oil on panel (cradled), 40 9/16 × 29 in. (103 × 73.7 cm) (sight) 49 11/16 × 38 × 2 3/4 in. (126.2 × 96.5 × 7 cm) (outer frame)

MINNEAPOLIS, MN.- The Minneapolis Institute of Art has acquired eight works and collections that deepen the museum’s holdings across European painting, American and contemporary sculpture, Latin American kinetic art, and Japanese textiles. The acquisitions reflect Mia’s ongoing commitment to growing its collection in ways that engage both art-historically significant works and is global in its reach. Among the highlights are Francesco Francia’s Madonna and Child with Saint Francis (1503), a rare and beautifully preserved example of the Italian High Renaissance; the reunion of two 17th-century Amsterdam portraits of father and son, by Nicolaes Pickenoy and Dirck van Santvoort, separated since 1885; Alison Saar’s Citizen Cane (2025), a larger-than-life allegory of resistance ... More


Major long-term exhibition: Blue Loves You - The Magic of Delftware   Deutsche Börse Photography Foundation presents Jamel Shabazz and 2026 Prize exhibitions   Chen Fei explores identity, fiction, and surface in solo exhibition at Perrotin


Natasja Sadi (1975) Sugar Flowers, 2024 Sugar paste, metal wire, thread Collection Kunstmuseum Den Haag. Photo: Studio Roodenburch.

THE HAGUE.- Photogenic craftwork, global influence, iconically (un-)Dutch Thousand objects in major Delftware exhibition at Kunstmuseum Den Haag. Janny van der Heijden is co-curating a new long-term exhibition marking four centuries of craftsmanship. From household goods to haute couture: Delft Blue has never gone out of style. “We admire Chinese porcelain for its perfection, while there’s something human about Delftware precisely because of its imperfections. The firing errors, cracks and chips in the glaze show that it was made by hand. And perhaps that is why it suits the present era so well. You can still sense the maker in the material, even hundreds of years later.” Suzanne Lambooy, curator of decorative arts, Kunstmuseum Den Haag Kunstmuseum Den Haag has one of the world’s largest collections of Delftware, which will be displayed in a new exhibit for the next few years. Visually opulent, versatile and surprising, Blue Loves You will not onl ... More
 

Jamel Shabazz, Time of Innocence, Brooklyn, NYC 1980 © Jamel Shabazz. Courtesy Galerie Bene Taschen, Cologne.

ESCHBORN.- Deutsche Börse Photography Foundation presents the exhibitions “Jamel Shabazz. New York Vibes” and “Deutsche Börse Photography Foundation Prize 2026”. Since the early 1980s, American photographer Jamel Shabazz (b. 1960) has been using his camera to document scenes of everyday life in the predominantly African-American neighbourhood in his hometown New York. On his walks through Manhattan, the Bronx and Brooklyn he has taken countless portraits that are now icons of their era. Shabazz made the streets his studio, capturing the exuberant creativity of the young generation in vibrant images. The fact that he was perceived not as a distant observer but as someone from the same social reality as his subjects is apparent in the intimate atmosphere of his individual and group portraits: Full of self-confidence, Black women, men, and children gaze into the camera and boldly present their stylish outfits and cool moves. As a child, Shabazz ... More
 

Chen Fei, Homesickness, 2024. Acrylic on linen, 120 x 100 cm | 47 1/4 x 39 3/8 inches. Unique.

TOKYO.- Since the cycle of paintings centered on intimate relationships with his daughter and those around him, presented in the 2025 solo exhibition Father and Child at The Watari Museum of Contemporary Art, Chen Fei has continued to revisit themes that have long animated his practice: family, intimacy, identity, social roles, taste, and the unstable boundary between private experience and public image. The works brought together in Sometimes, however, move beyond a simple extension of autobiographical narrative. They mark a transitional moment in which Chen renews his painterly vocabulary, testing genre, surface, composition, and narrative structure through a more fluid and materially charged approach. Working in figuration for more than two decades, Chen has often used acrylic paint for its speed, clarity, and capacity to generate an almost frictionless image. In his recent works, he pushes the medium beyond its familiar flatness, introducing tactile effects that complicate the smooth surfa ... More


National Portrait Gallery announces the shortlist for the Winston Taylor Photo Portrait Prize 2026   Lincoln Center's 26/27 season celebrates groundbreaking connections   LAUNCH Gallery presents solo exhibitions by Danielle Eubank and Beth Davila Waldman


Neisser, Pinar del Río, Cuba by James Clifford Kent from the series Yuma, 2025 © James Clifford Kent.

LONDON.- Today, the National Portrait Gallery has announced the four photographers shortlisted for the Winston Taylor Photo Portrait Prize 2026. The Winston Taylor Photo Portrait Prize (formerly Taylor Wessing) showcases the work of talented young photographers, gifted amateurs and established professionals in the very best of contemporary photography. The shortlisted photographs will be displayed from 5 November 2026 to 17 February 2027 in the Winston Taylor Photo Portrait Prize 2026 exhibition. The 2026 judging panel included award winning broadcaster and Sunday Times best-selling author Emma Dabiri FRSL; photographer Nadine Ijewere; photographer and documentary filmmaker Mary McCartney; and Senior Curator, Photographs at the National Portrait Gallery Brandei Estes. Selected from 3,977 entries from 1,338 photographers, the shortlisted photographers are: • James Clifford Kent for Neisser, Pinar del Río, Cuba – from the series Yuma • Marcie Docherty ... More
 

Jad Abumrad.

NEW YORK, NY.- Lincoln Center for the Performing Arts announced its upcoming Fall/Spring season. As the institution continues its next chapter opening the campus more fully to the city through the Stavros Niarchos Foundation (SNF) Lincoln Center West Initiative, the season reflects this same spirit artistically: offering groundbreaking connections—between artists and audiences, tradition and innovation, and local and global perspectives—for all New Yorkers. Programming is offered for free or Choose-What-You-Pay. Complementing the artistry of the ten world-class resident organizations with whom LCPA shares the Lincoln Center campus, the season is anchored by a number of major initiatives drawing connections across genres and generations, including the Lincoln Center Visionary Artist series, Lincoln Center Contemporary Dance Festival, and Legacies of San Juan Hill Festival. Longstanding series return, including American Songbook, Big Umbrella Festival, ¡VAYA!, Lincoln Center Moments, and more ... More
 

Danielle Eubank Santa Cruz Island VII Oil on linen 42 x 66 in.

LOS ANGELES, CA.- LAUNCH Gallery is presenting solo exhibitions by Danielle Eubank and Beth Davila Waldman, whose work reflects on the passage of time through the changing conditions of our natural world and the societies we inhabit. As artists and humanitarians, they have devoted their practices to observing the beauty and fragility of the land, oceans, and communities that sustain us. Their paintings and mixed media works bear witness to a world in transition, documenting the recent past and the present while inviting viewers to consider an increasingly uncertain future. Danielle Eubank presents Shape of Water a new series of paintings that continues her personal relationship to the world’s waterways. In this series, her long-standing, nuanced relationship offers the Pacific Ocean as both the subject and collaborator. This body of work reflects Danielle’s increasing use of the texture of paint to evoke wateriness, collaborating with the ocean and the oil paint to ... More



Quote
Art is limitation. The essence of every picture is the frame. G.K.Chesterton

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Gladstone presents Ed Atkins exhibition 1 day in space at new Seoul gallery
SEOUL.- Gladstone will present 1 day in space, an exhibition by acclaimed British artist Ed Atkins in the gallery’s new Seoul location. Known for a multi-disciplinary practice in which the technological surrogate is posited as a mitigating tool with which we might address issues of time, loss, and the tension between the permanent and the ephemeral, Atkins here pivots to analog strategies that both reiterate and reframe the questions that have long circulated throughout his oeuvre. Presenting a major new moving image piece alongside a series of expanded photographic works, sculptures, and frottages, 1 day in space offers not only a visual allegory of the family, but a series of questions that ponder what it means to excavate and reconstitute the real. Examining how images of domestic life tacitly endeavor to capture the melancholic banality stirred by the passage ... More

Final Weeks! Whitney Biennial 2026 closing soon
NEW YORK, NY.- The Whitney Museum of American Art marks the final weeks of the 82nd edition of the Museum’s landmark exhibition series, Whitney Biennial 2026. A showcase of the evolving notions of American art, the 2026 Biennial features the work of 56 artists, duos, and collectives working across painting, sculpture, performance, digital art, and more. The exhibition, presented across most of the Museum’s gallery spaces, will be on view in its entirety through August 23. Select artworks displayed throughout the building and on the Museum’s 6th floor will remain on view through October 12. Whitney Biennial 2026 offers a vivid, atmospheric survey shaped by a moment of profound complexity. The work on view examines varied forms of relationality, from interspecies and familial kinships to geopolitical entanglements, technological affinities, shared ... More

artisan's inaugural symposium elevates makers to shape the future of contemporary craft and design
BRISBANE.- Australia's makers have long shaped the nation's cultural identity, and their creative sector now has a dedicated forum to chart its future. This September, artisan launches MADE 2026 – a new symposium bringing together the people, organisations and ideas driving contemporary craft and design across the country. Held on Thursday 10 September at artisan's new home within the State Library of Queensland, MADE 2026 is conceived as a state-of-the-nation gathering for the maker sector. MADE 2026 puts makers first. The forum gives industry leaders, practitioners, curators, educators and students the chance to identify the priorities, partnerships and actions needed to strengthen the sector for the decade ahead. The timing is significant. Australia's contemporary craft and design sector is navigating a period of profound change. Institutions ... More

Ora-Ora presents The Pleasure-Dome of Hills, a group exhibition curated by Zoie Yung
HONG KONG.- Ora-Ora announced a major new multi-disciplinary group show for August, and its first collaboration with independent Hong Kong-based curator Zoie Yung. “The Pleasure-Dome of Hills: A Curated Hallucination of a Modern Literati” pays tribute to Ora-Ora’s location in Tai Kwun and Hollywood Road, including the fine rosewood furniture trade with which the street is synonymous. It opens on August 27, 2026. The line-up of 13 artists, many of whom are from Hong Kong, is as follows: Chan Cho Kiu Bunchi, Emily Cheng, Dave Chow Yui Wang, Huang Dan, Ashlee Ip, Vann Kwok, Lam Duen Shan Ming, Lau Hiu Tung, Mindy Lui, Gerald Mak, Tse Chun Sing, Wengio Wong, and Zhang Zhihui. Curated around the fictional layout of a scholar’s studio, the presentation juxtaposes Ming Dynasty huanghuali, Qing Dynasty zitan and Republican ... More

Brisbane welcomes Indonesian artists Gilang Fradika & Indra Dodi
BRISBANE.- Mitchell Fine Art is strengthening Brisbane's connection with Indonesia's contemporary art scene through a new exhibition featuring Yogyakarta-based artists Gilang Fradika and Indra Dodi from 18 August. Following the debut exhibition of Indonesian artist Arwin Hidayat in 2025 and the Gallery Director Mike Mitchell’s visits to Indonesian art studios, the gallery is pleased to present a showcase of two Yogyakarta based artists – Gilang Fradika and Indra Dodi. "Indonesia has one of Southeast Asia's most exciting contemporary art scenes, yet Australian audiences rarely have the opportunity to experience these artists firsthand," says Gallery Director Mike Mitchell. “Yogyakarta is widely regarded as Indonesia's contemporary art capital, and after visiting studios we wanted to build a stronger cultural dialogue by introducing these remarkable artists to Brisbane ... More

Final weeks to visit The Tank Museum's Warhorse to Horsepower exhibition
DORSET.- Visitors have just weeks left to experience The Tank Museum's popular Warhorse to Horsepower exhibition before it closes on 31 August 2026. The exhibition explores the vital role horses played during the First World War and the transition to mechanised warfare. Warhorse to Horsepower first opened in 2014 to mark the anniversary of the start of the First World War. Since opening, over a million visitors have explored the essential role horses played during the war, with stories brought to life through a series of horse sculptures that guide visitors through the exhibition. Highlights include the Hornsby Tractor, the Museum's oldest vehicle. This pioneering steam-powered tracked vehicle from the early 1900s was trialled by the War Office and helped demonstrate the potential of tracked technology for military use. Exhibitions Manager, Luke Clark, said: ... More

New Britain Museum announces funding for upcoming John Hitchcock and Louise Nevelson shows
NEW BRITAIN, CONN.- The New Britain Museum of American Art announced it is the recipient of an FY 2026 Grants for Arts Projects award of $65,000 from the National Endowment for the Arts. This funding will support two exhibitions: John Hitchcock: We are Defined by the Beat and Architects of Being: Louise Nevelson and Esphyr Slobodkina. “The National Endowment for the Arts is proud to support opportunities across the country for Americans to experience and participate in the arts while celebrating our nation’s history,” said Mary Anne Carter, chairman of the National Endowment for the Arts. “As we approach our country’s 250th anniversary, this is a moment to recognize the important role the arts continue to play in our lives, communities, and heritage.” On the occasion of America’s 250th anniversary, the New Britain Museum of American ... More

Annette Kelm nominated for 2026 Pauli Preis at Kunsthalle Bremen
BREMEN.- In 2026, the Pauli Preis will be awarded for the 50th time at Kunsthalle Bremen. Established in 1955, the prize is supported by a dedicated group of private patrons who fund not only the €30,000 award, but also the exhibition, catalogue, and acquisition of a work of art. It is among the most generously endowed art prizes in Germany. This year’s Pauli Preis exhibition, on view from August 8 to October 4, 2026, brings together works by eight nominated artists, with the winner to be announced on September 15, 2026. Annette Kelm is among this year’s participating artists and has been nominated for the prize. Formerly known as the Böttcherstraße Art Prize, the Pauli Preis recognizes artists living in German-speaking countries for outstanding contributions to contemporary art. It is considered one of Germany’s most prestigious awards in the field. ... More

"Mystery of Couples" explores love, distance, humor and chance encounters through photography in Monschau
MONSCHAU.- What really brings two people together? Love, habit, coincidence, attraction—or something harder to name? Those questions sit at the heart of Mystery of Couples, a new photography exhibition that opened August 9 at the Fotografie-Forum der StädteRegion Aachen in Monschau. Bringing together more than 140 photographs by around 50 artists, the exhibition looks at human relationships in all their complexity. Some images capture intimacy and tenderness, others reveal boredom, irritation, distance or misunderstanding. Many depend on the kind of fleeting moment that photographers spend a lifetime learning to recognize: a glance between strangers, a gesture that lasts only seconds, or an accidental ... More

The Wadsworth presents Ocean Vuong's photography exhibition I'm Sorry I Love You
HARTFORD, CONN.- An exhibition of 44 works of photography by award-winning author, professor, and poet, Ocean Vuong, opened this summer at The Wadsworth in downtown Hartford. I’m Sorry I Love You features portraits, landscapes, and snapshots documenting queer and immigrant life in the Connecticut River Valley over two decades. Born in Vietnam and raised in the Hartford area, Vuong’s photographic work captures intimate flashes of life with tender awareness that fans of his writing will recognize. “With this series, I want to enact a communal autobiography, not just of immigrant life in the Connecticut River Valley, but also of queer experience around rurality and the working class. What happens when we no longer measure success by one's ability to escape? What kind of life; that is, what kind of joys, triumphs, and sorrows might be inhabited for those ... More



Rare Chinese Ceramics from the Art Institute of Chicago




 



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Flashback
On a day like today, Italian painter Lavinia Fontana died
August 11, 1614. Lavinia Fontana (24 August 1552 - 11 August 1614) was an Italian Mannerist painter active in Bologna and Rome. She is best known for her successful portraiture, but also worked in the genres of mythology and religious painting. She was trained by her father, Prospero Fontana. She is regarded as the first female career artist in Western Europe, as she relied on commissions for her income. Her family relied on her career as a painter, and her husband served as her agent and raised their 11 children. She was perhaps the first female artist to paint female nudes, but this is a topic of controversy among art historians. In this image: Portrait of Antonietta Gonsalvus, daughter of Petrus Gonsalvus, 1595, Musée des Beaux-Arts de Blois.



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