SANTA FE, NM.-Zane Bennett Contemporary Art is pleased to present Print Focus: Gemini G.E.L., the second iteration of the gallery exhibition series highlighting publishers with groundbreaking programs for fine art printmaking. Co-founded by Sidney Felsen, Stanley Grinstein, and master printer Kenneth Tyler in 1966, Gemini G.E.L. is an artist's workshop and publisher of limited-edition prints and sculptures. It is known as the workshop where artists are never told "no"—a fitting mantra for an exhibition hosted at Zane Bennett, a gallery with a legacy of boundary-pushing exhibitions. Print Focus: Gemini G.E.L., featuring work by John Baldessari, Jasper Johns, Robert Rauschenberg, Susan Rothenberg, and Richard Serra, celebrates the workshop's "pursuit of creative exploration" and inspects the relationship between collaboration and experimentation. ... More
Museums adapt operations and membership models to engage Gen X and Millennials.
DALLAS, TX.- The transition from a Baby Boomer-centric model to one focused on Gen X and Millennials represents a fundamental evolution in how cultural institutions operate, fundraise, and justify their existence. For decades, the standard museum playbook was built around the Baby Boomer profile: quiet contemplation, passive educational consumption, lifetime loyalty to a single institution, and large, traditional estate gifts or annual legacy donations. As younger cohorts step into their prime economic and leadership years, museums are shifting their strategic direction across four major pillars: The Boomer Model: Valued quiet authority, linear gallery layouts, heavy text panels, and the museum as an academic sanctuary. The Gen X & Millennial Shift: Prioritizes active, experiential engagement. Institutions are designing exhibitions that blend high-tech projections, participatory installations, and social spaces. The goal is no longer just to teach, but to provide a memorable, shareable ... More
COLOGNE.- The Museum Ludwig photography collection holds around 70,000 works, from the medium's early days in the early nineteenth century up to the present day. In our Photography Rooms we regularly exhibit the work of individual photographers and selections of works on specific themes. This presentation centers on Man Ray's photograph Le Violon d'Ingres (1924), a nude showing the singer, actress, and painter Alice Prin – known as Kiki de Montparnasse (1901–1953) – from the back. Inspired by works of the neoclassical painter Jean-Auguste-Dominique Ingres, Man Ray transposes the motif into the twentieth century: in the darkroom, he used a stencil to add the f-holes of a violin to Kiki's back so that her body becomes the resonator of a string instrument – an allusion to Ingres' passion for playing the violin. The print on display at the Museum Ludwig is from the collection ... More
Joseph Bishop Pratt after Consuelo Fould, Rosa Bonheur, 1896, 101.2 × 68.2 cm, Steel engraving, aquatint. The ALBERTIA Museum, Vienna.
VIENNA.- To mark its 250th anniversary, the ALBERTINA is, for the first time, devoting an exhibition to the history of the women artists represented in its collection, thereby retelling the history of art. Spanning the period from the 16th century to the 1970s, the exhibition demonstrates the decisive role women have played in shaping the development of art, even though their contributions long remained invisible or were forgotten. Women artists have always been a part of art history – but their work has seldom received the recognition it deserves. This epoch-spanning exhibition takes stock for the first time of the women artists in the Albertina’s collection, presenting works from five centuries: from drawings and prints by early engravers and publishers, which were collected by Duke Albert of Saxe-Teschen and Archduchess Maria Christina of Habsburg-Lorraine themselves, to modern artists and pioneering feminist artists of the 1970s. Through their biographies, Her Story ... More
Laura Lilja: Cargo Dusk, 2026. WAM City of Turku Art Collection. Photo: Raakkel Närhi.
TURKU.- WAM Museum of Contemporary Art (WAM) in Turku, Finland opens to the public following an extensive renovation. The museum’s opening exhibitions include a major solo exhibition by Canadian artist Sabrina Ratté and highlights from the Turku City Art Collection. In addition, the renewed WAMx platform introduces a new space for experimentation and encounters. WAM opens to the public on October 31, 2026. Web of Wyrd, the first solo exhibition in the Nordic countries by Canadian artist Sabrina Ratté (b. 1982), will inaugurate a completely new exhibition space on the museum’s lower level. Based in Montreal, Ratté is known for her visually rich works that combine 3D animation, analog video, print, and installation. At WAM, she will create a mystical, immersive environment where the boundaries between the exhibition space and the artwork are deliberately blurred. The exhibition presents eight ... More
Phil Collins Live Aid Stage Worn Ensemble.
LOS ANGELES, CA.- Julien’s Auctions today opens online bidding for The King’s Trust 50th Anniversary Auction Featuring the Phil Collins Archive ahead of the live sale in Los Angeles on November 19. Music legends including Sir Paul McCartney, Sir Elton John, Sir Mick Jagger, Annie Lennox, Robert Plant, Sir Brian May, The Who and Muse have joined Phil and Jill Collins in supporting the landmark charity auction, alongside stars of screen and stage including Amal and George Clooney, Daniel Craig, Al Pacino, Pierce and Keeley Brosnan. Presented in partnership with Julien's Auctions, The King's Trust 50th Anniversary Auction Featuring the Phil Collins Archive forms part of the charity's milestone anniversary celebrations and will raise vital funds to help young people facing adversity build confidence, develop skills and move into work, education or training. At a time when young people around the world are facing growing barriers to employment, education and training, this support has never been mo ... More
The plaque handover ceremony. Photo: Uwa Usiosefe.
BENIN CITY.- A centuries-old bronze plaque that spent nearly nine decades in a Dutch museum collection has returned to the royal palace of Benin, bringing a significant chapter in its long and troubled history to a close. The object, believed to have been looted during the British invasion of the Kingdom of Benin in 1897, was formally presented to Oba Ewuare II on October 20, 2026, during celebrations marking the tenth anniversary of his coronation. The restitution was carried out by Museum de Fundatie in Zwolle, the Netherlands, which had held the bronze since 1937. Museum director Beatrice von Bormann personally handed the plaque to the Oba at the royal palace in Benin City, in the presence of Nigerian officials, traditional leaders, and international representatives. For the museum, the occasion marked the culmination of years of provenance research and discussions with Nigerian authorities. For the royal palace, it meant the return of an object whose ... More
Idelle Weber with her work. Photo courtesy Estate of Idelle Weber.
NEW YORK, NY.- Rago Wright will present Pop Insider: The Collection of the Artist Idelle Weber, celebrating a pioneering artist whose contributions to Pop Art were overshadowed by sexism and whose imagery inspired one of television’s most recognizable opening sequences. Long before the silhouetted businessmen of Mad Men became an iconic image of American popular culture, artist Idelle Weber (1932–2020) was capturing the anonymous figures and corporate environments of midcentury Manhattan. A pioneering figure in Pop Art, Weber developed a distinctive visual language of faceless businessmen and office interiors that would later inform the opening credits of the acclaimed television series—yet she has never been credited. As writer and curator Sid Sachs noted, “The importance of Weber’s innovative use of the silhouette in a Pop context cannot be overstated.” The visual parallels are striking, raising intriguing questions about artistic influence and the contributions of wom ... More
A 1963 mobile by Alexander Calder. Estimate: $3 – 5 million.
NEW YORK, NY.- Christie's will present The Collection of Agnes Gund: Sold to Benefit the Gund Art Foundation, an extraordinary offering that embodies the remarkable generosity of one of the art world's most influential collectors and philanthropists. Renowned for her lifelong commitment to artists, cultural institutions, and equality, Gund leaves a legacy in which collecting has always been inseparable from giving. This series of live and online auctions reflects that spirit of generosity, directing the proceeds of the collection towards her many charitable purposes. Spanning the breadth of the post-war and contemporary era, the selection brings together works by an exceptional range of artistic voices, including Cecily Brown, Alexander Calder, Vija Celmins, Ellsworth Kelly, Roy Lichtenstein, Glenn Ligon, Jim Nutt, Robert Rauschenberg, Robert Ryman, Cindy Sherman, Sarah Sze, and Cy Twombly, among others. The works will be offered in the 21st Century Evening Sale on November 19, the Post-War and Conte ... More
Left to right, Rose Lord, Junette Teng, and Ebony L. Haynes. Photo: Maria Baranova.
NEW YORK, NY.- Marian Goodman Gallery welcomes Ebony L. Haynes as its first Senior Director, Global Head of Curatorial Affairs. In this newly created role, Haynes will work closely with Gallery leadership on exhibitions and special initiatives that deepen and expand its international program. A critic, curator, and experienced gallery director, Haynes currently serves as Global Head of Curatorial Projects at David Zwirner and was responsible for establishing its Tribeca exhibition space, 52 Walker, in 2021. She starts with Marian Goodman Gallery in late November. Haynes’ appointment coincides with a new alignment in the Gallery’s leadership team, with Rose Lord and Junette Teng named as Co-Presidents. In their new roles, Lord and Teng share responsibility for the Gallery’s strategic direction and lead its management team, which includes Alison Cuzzolino, COO/CFO; Leslie Nolen, Partner; Linda Pellegrini, Global Head of Communications & Events; Eleanor Royer, Managing Director, Paris; an ... More
Leonora Carrington (1917-2011), Fil d'Or, 1953. Grattage and oil on gessoed canvas, 13 x 8-1/2 in. Estimate: $250,000 - $350,000.
DALLAS, TX.- A mysterious figure emerges where two golden lines intersect in Leonora Carrington’s Fil d’Or, a newly rediscovered 1953 painting coming to Heritage’s Nov. 10 Modern & Contemporary Art Signature® Auction. Authenticated by Heritage, the work was acquired from Mexico City’s Galeria de Arte Mexicano the year it was painted and has remained in the same family ever since. Carrington created the intimate canvas using grattage, scraping through layers of paint to reveal underlying patterns. From that textured surface emerges an enigmatic, long-tailed personage confronting the viewer. Its title, French for “gold thread,” offers an entry into Carrington’s private language of transformation and hidden meanings. Few examples of her work employing this Surrealist technique have appeared at auction. “Discoveries like this allow us to encounter a familiar artist from a fresh perspective,” says Frank Hettig, ... More
NEW YORK, NY.- Sikkema Malloy Jenkins presents Erin Shirreff: New Work, a solo exhibition of new photographic works in the back galleries, on view from October 30-December 19, 2026. Erin Shirreff’s new body of work continues her thinking through object-image translation and how a sense of materiality—our experience of an object—is lost or gained through image. These new cyanotypes and print collages both inspire and rework Shirreff’s sculptural practice. Her collaged prints reimagine her previous sculpture as intangible forms—dissecting and rebuilding them anew—while her cyanotypes inspire new Corten steel sculptures. Included in the exhibition is a series of collaged archival pigment prints titled Ctlg. Constructed of layered photographs of cast components of her own earlier sculptural work, Shirreff creates new, imagined sculptures. Each photograph acts as a building block, simultaneously adding a component to the image and obfuscating the ... More
Berlant with Navajo textiles from his collection, 1979. Photo: Dan Budnik.
LOS ANGELES, CA.- L.A. Louver announced the passing of our dear friend and artist Tony Berlant, after an extended battle with Alzheimer’s disease. He was 85 years old, and is survived by his wife Helen Berlant, daughter Kate Berlant, and brother Jeff Berlant. Berlant was born in New York in 1941 and moved to Los Angeles with his family at a young age. As a senior in high school, Berlant would traverse Los Angeles and Pasadena, visiting art galleries and museums, a time he revered as the last heyday of Abstract Expressionism. “I would see every show twice. Look at everybody’s picture and read everybody’s bio. I was very focused and I had a terrific time,” he recalled in a 1988 interview. In 1959, Berlant attended the University of Southern California, and after one year, transferred to University of California Los Angeles, where he studied under famed painter Richard Diebenkorn and earned three degrees in three years: a Bachelor’s Degree, a Master of Arts in Painting, and a ... More
Quote I would like, in my arbitrary way, to bring one nearer to the actual human being. FrancisBacon
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Christie's London to auction £6M Meissonnier Rococo tureen from Blaquier-Arrieta Collection LONDON.- The finest group of museum-quality silver remaining in private hands leads the exceptional Blaquier-Arrieta Collection, which will be a highlight of Classic Week at Christie's London in December. Offered across two live auctions on 1 and 2 December, the centrepiece of the collection and a tour de force of French 18th-century silver is a magnificent Louis XV silver soup tureen, a celebrated masterpiece and one of the few surviving works by the revered goldsmith-sculptor Juste-Aurèle Meissonnier (1695-1750). Commissioned by The Duke of Kingston in the 1730s, it epitomises the revolutionary Rococo style, with its asymmetric, naturalistic form and fluidity of movement, depicting exquisite animals, marine and organic motifs cast directly from life (estimate: £4,000,000-6,000,000). The breadth and depth of the works of art presented (50 ... More
Trent Parke's haunting black-and-white photographs explore life and mortality in German exhibition ISERLOHN.- In the crowded streets of Sydney, Australian photographer Trent Parke found something that would stay with him for decades. Every morning and evening, thousands of commuters moved through the city, following familiar routes, seemingly unaware of one another. At night, he watched moths circle the lights of Sydney's Harbour Bridge, endlessly drawn toward a brightness that could ultimately destroy them. The resemblance between those two scenes became a powerful metaphor for the human condition. It also helped inspire "Monument," an ambitious photographic project that asks questions about existence, mortality, and humanity's place in the universe. Opening on October 30, 2026, at Städtische Galerie Iserlohn in Germany, "Monument" brings together photographs spanning nearly three decades of Parke's career. Organized in cooperation ... More
NGV celebrates the work of Atong Atem in the artist's first ever major solo exhibition MELBOURNE.- The NGV presents the first-ever major solo exhibition of South Sudanese, Melbourne-based contemporary artist Atong Atem, who is celebrated for her dynamic and vibrant photographic self-portraits that explore identity, mythmaking and intergenerational storytelling. Opening 30 October 2026 at The Ian Potter Centre: NGV Australia, Passage: The Art of Atong Atem is a world-premiere exhibition surveying the past decade of the artist's practice. Bringing together more than 65 works, it is the most comprehensive presentation of Atem's work to date. In her vivid self-portraits, Atem is both subject and storyteller, embodying generations of memory and tradition. Transforming herself through textiles, paint, costume and symbolic objects, Atem uses her own body as a vessel to explore themes of race, gender and colonialism, as well as the beauty ... More
Steve Locke explores sexuality, race, and portraiture at Alexander Gray Associates NEW YORK, NY.- Alexander Gray Associates presents Steve Locke: I said what I said, an exhibition of recent paintings, sculptures, and neon. Returning to questions of sexuality and desire, racial violence, the politics of looking, and the conventions of portraiture and modernism, the exhibition brings together lines of inquiry Locke has sustained and reworked for decades. Such longevity is notable; rather than settling into fixed styles or closed chapters, these bodies of work remain active, registering shifting formal and political conditions. Their evolution spans the AIDS crisis, the culture wars of the 1990s, and the renewed attacks on Black and Queer lives unfolding today. Less a response to the present than a declaration of persistence, I said what I said affirms both what has endured and what painting can still make newly visible. In his latest paintings, ... More
National Gallery announces first-ever monographic Piero della Francesca survey LONDON.- The National Gallery will stage the first ever fully monographic exhibition of the Italian Renaissance painter Piero della Francesca (about 1407/11–1492) next autumn. Piero della Francesca (2 October 2027 – 30 January 2028) will celebrate this rare polymath who changed the course of European art history through his luminosity and pioneering use of perspective, and who became a cult artist in the 20th century influencing many painters. A favourite of Paul Cezanne (1839–1906), David Hockney (1937–2026), Paula Rego (1935– 2022) and the writer and filmmaker Pier Paolo Pasolini (1922–75), this artist has inspired the ‘Piero Trail’ with people flocking to see his work in his Tuscan homeland. His paintings there have held modern audiences spell-bound ever since authors such as Roger Fry, Roberto Longhi, Aldous Huxley, Albert Camus, Kenneth ... More
Elodie Blanchard transforms discarded textiles into sculpture at Jane Lombard Gallery NEW YORK, NY.- Jane Lombard Gallery is presenting In Fragments, a solo exhibition of work by Elodie Blanchard. Bringing together three ongoing series, Trees, Mending Joy, and Vessels, the exhibition explores Blanchard’s longstanding engagement with textiles as a medium for transformation. Drawing from collected fabrics, clothing, Mylar balloons, and remnants gathered throughout her years as a textile designer, Blanchard transforms familiar materials through processes of layering, sewing, and assemblage. Her process is guided as much by what a textile can become as what it once was – allowing texture, pattern, and structure to shape new forms. Suspended between plant, figure, and sculpture, Blanchard’s Trees take the form of individual figures. Each work is shaped from large pieces of collected fabric and named after someone from the artist’s life. Their ... More
High Line Art presents its 2026 commissions NEW YORK, NY.- Mumbai- and Amsterdam-based artist Amol K. Patil’s The Voices Cast in Dust is a towering bronze sculpture depicting a melee of human figures merging into a single mass, a monument to the labor that underpins urban life and a reminder of the precarity that defines it. The Voices Cast in Dust is presented in collaboration with Kiran Nadar Museum of Art (KNMA), New Delhi. Nicolas Party reimagines familiar subjects—such as landscapes, portraits, and still lifes—as highly stylized, often distorting perspective toward the uncanny. A monumental mural of a fantastical forest, Landscape brings the artist's vibrant, hyper-saturated palette and phantasmagorical imagery into the public realm at an unprecedented scale. Resembling a rugged steel industrial billboard, Alvaro Barrington's new work swaps traditional commercial vinyl for colored ... More
The George Economou Collection presents two new publications MAROUSI.- The George Economou Collection is pleased to announce two new publications: The Way We Live Now, accompanying its first contemporary group exhibition featuring works from the collection’s holdings, and Conversations, Vol. II, the second volume in its ongoing Conversations series. As part of its commitment to advancing discourse in contemporary art, the collection marks its exhibitions and public programs through publications that extend and deepen the ideas explored within them. Bringing together essays, conversations, and contributions by artists, writers, curators, and scholars, these publications offer a lasting record of the perspectives and exchanges generated through the program. Published in conjunction with The Way We Live Now, the collection’s first contemporary group exhibition with works culled from its holdings ... More
Klaus von Nichtssagend Gallery opens a solo exhibition by Tamara Gonzales NEW YORK, NY.- Tamara Gonzales continues to experiment with the power of the drawn line and painted mark. Following her 2024 exhibition, Amplifiers, which focused on images of frames, mirrors, and portals, Brujas examines the recurrent linear grids that are formed from looping lines and scribbles. Evoking ideas of language, letter-writing, or spell-casting, these new works are rigorous in their formalist compositional structure, while exuding a lightness of touch and meandering pleasure in their making. This series of paintings grew in part from Gonzales’s walks through the fields surrounding her home in Upstate New York. Although she returned to the same paths again and again, the landscape was never quite the same due to the natural growth and constant movement of plants and animals living there. Gonzales translates this experience into pattern. Through ... More
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On a day like today, American painter William Harnett died
October 29, 1892. William Michael Harnett (August 10, 1848 - October 29, 1892) was an American painter known for his trompe-l'œil still lifes of ordinary objects. Although his works sold well to a clientele of merchants and industrialists, and were on display in many business offices, department stores, and taverns, they did not conform to contemporary notions of high art. On the rare occasions when they were included in exhibitions in museums or at the National Academy of Design they were criticized as mere novelties. In this image: William Michael Harnett, Still Life with the Toledo Blade.
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