BASEL.- For the first time in its history, the Fondation Beyeler is devoting a solo exhibition to Paul Cezanne (1839-1906) – a pioneer of modern art and a prominent artist in its collection. Bringing together around 80 works, the exhibition focusses on the French painter’s last and most significant phase, showcasing Cezanne at the height of his powers: enigmatic portraits, idyllic scenes of bathers, viscerally evocative landscapes of his native Provence, and endlessly renewed depictions of his favourite motif, the Montagne Sainte Victoire. Working in his studio in the South of France, Cezanne brought his masterful intuition to establishing complex and powerful tension between colour, light and form, constructing revolutionary images that have inspired generations of artists to this day. The exhibition illustrates how Cezanne transformed painting and, in the words of Pablo ... More
Predisent Jimmy Carter (1924-2024), Steeple, Price realized: $203,200, 34 times low estimate.
NEW YORK, NY.- This was a monumental Americana Week that commemorated the 250th anniversary of American independence by capturing the attention of collectors, connoisseurs, the media, and the general public. Christie's offered 678 lots, in nine sales, over two weeks, earning $149,128,688. From presidential ephemera, to foundational documents, folk art, to masterpieces of American painting, lots of all shapes, sizes, media, and levels of value soared past their estimates, driving the sales to a global 93 percent sold by lot, and 171 percent sold hammer and buyer's premium against low estimate. Perhaps no lot was more emblematic of the sales varied offerings than President Jimmy Carter's painting Steeple: offered online during The American Collector, the painting generated intense interest on a national scale, and sold for $203,200, which is 34 times its low estimate of $6,000. The two weeks of sales comprised four different auction ... More
Pair of John Henry Belter laminated rosewood side chairs, American, mid-19th century. Estimate $3,000-$5,000.
GLEN COVE, NY.- As part of their upcoming Multi-Estates auction on February 7th, 2026 at 10am, Roland Auctions NY will present an exclusive selection of items from the Long Island collection of Sonia and Philip Reine. Previews will be held on Thursday, February 5th & Friday, February 6th from 10am – 6pm. Sonia and Philip Reine were married for 67 years after meeting on a blind date in 1948 and were passionate antique collectors. The collection will feature John Henry Belter furniture ,Victorian carved marble top center tables, a truly amazing collection of art glass from Louis Comfort Tiffany, Stueben, Loetz, Fenton, Westmoreland, Galle, Daum Nancy, Cambridge Glass and others, bronzes, Art Pottery from Rookwood, McCoy, Roseville, Runrill, etc., American Brilliant Period Cut Glass, a whimsical collection of Salt & Peppers and toys. The auction also features hundreds of Roland’s always present lots of excellent Fine Art & Sculpture, ... More
Kelly McClain. Image Courtesy of Hake's Auctions.
YORK, PA.- Hake’s Auctions, the nation’s longest-operating pop culture auction house, today announces the promotion of Kelly McClain to the role of general manager. In this capacity, Kelly will lead the company into its next chapter, building on a proud legacy that spans more than half a century. Kelly McClain’s promotion follows the retirement of longtime employee Alex Winter, who announced his departure in December after many years of dedicated service. As of the start of the new year, Kelly officially steps into his new role, bringing with him a deep knowledge of the auction industry and a passion for the business that has been cultivated over his many years with the company. Since joining Hake’s Auctions in 2004, Kelly has been an integral part of the organization, most recently serving as consignment director. In that role, he was instrumental in securing high-profile collections and further strengthening Hake’s reputation in the action figure and vintage collectibles markets. His strong rel ... More
John Butler Yeats (1839–1922), Portrait of William Butler Yeats (1865–1939), Poet, 1900. Oil on canvas, 30 × 25″. National Gallery of Ireland; Presented, Mr. C. Sullivan, in memory of Mr. J. Quinn, 1926, NGI.872.
CHESTNUT HILL, MASS.- The McMullen Museum of Art at Boston College will present the exclusive exhibition Collaborating in Conflict: The Yeats Family and the Public Arts, which examines the extraordinary impact that three generations of the talented Yeats family had on cultural life and the public arts in twentieth-century Ireland, during a period of conflict crucial to Ireland’s history and independence. Organized by the McMullen in collaboration with the University’s John J. Burns Library, the exhibition is on display from February 1 through May 31, 2026 at the McMullen Museum, 2101 Commonwealth Avenue, Boston, on BC’s Brighton Campus. It is co-curated by Marjorie Howes, BC professor of English and Irish Studies; Christian Dupont, BC associate University Librarian for special collections and Burns Librarian; and Diana Larsen, McMullen assistant director. The exhibition ... More
Installation view "Sandra Mujinga. Skin to Skin", Belvedere 21. Photo: Kunst-Dokumentation.com, Manuel Carreon Lopez / Belvedere, Vienna.
VIENNA.- Skin to Skin is Sandra Mujinga’s first museum presentation in Austria. The Norwegian-Congolese artist is occupying Belvedere 21’s central exhibition space with an expansive installation that comprises sculptures, sounds, and reflections. Here, repetition becomes an artistic strategy for plumbing the depths of (in)visibility, community, and transformation. Sandra Mujinga (b. 1989 in Goma, Democratic Republic of Congo) lives and works in Oslo. Her multidisciplinary practice spans installation, sculpture, photography, performance, video, and music. The central themes in her work revolve around the visibility of Black bodies in public space as well as the way in which opacity and ambiguity harbor the possibility of agency and self-protection. Stella Rollig, Director General of Belvedere: Sandra Mujinga negotiates questions of visibility, identity, and technologically determined power relations with impressive artistic ... More
Installation view Chalisée Naamani: Octogone, Love and Ornament, 2025, Kunsthalle Wien 2026
VIENNA.- Kunsthalle Wien presents the first solo exhibition outside France by the French-Iranian artist Chalisée Naamani (b. 1995, Paris). Entitled Octogone, the exhibition at the Museumsquartier includes a series of new commissions alongside recent sculpture, print and textile works. Naamani describes her sculpture as “image-garments”, produced via a process of layering and collaging images, fabrics and text from diverse sources. While her objects often resemble items of clothing or refer to the history of fashion, they are never intended to be worn. Instead, her sculpture positions fashion as inherently political, drawing upon the applied arts to reveal how questions of form, function and aesthetics are bound to power and cultural meaning. Informed by a wide range of sources, Naamani’s works bring together ornamental traditions from the decorative and fine arts, Persian and Christian iconographies, quotations from popular culture and the internet as well as personal photographs ... More
LONDON.- Gazelli Art House presents Tales from the Caucasus, featuring four artists from Azerbaijan and the surrounding region working across painting and moving image. Reflecting on personal and societal transformation, they depict contemporary life through a figurative language rich in storytelling. The artists navigate everyday scenes, often infusing them with the fantastical elements of folk tales and myths. The emotional and psychological charge of specific moments and places forms the core of the exhibition — whether a domestic living room, a city park at night, or the shoreline of the Caspian Sea. Tales from the Caucasus places regional traditions and histories within a contemporary, globalised context, creating connections between past and present. While many of the artists are based in Europe, their works draw on stylistic roots from the Caucasus, engaging contemporary perspectives shaped by migration, cultural exchange, and autobiography. Agil Abdullayev’s ... More
NEW YORK, NY.- Pace Gallery announced a presentation of work by David Lynch at its gallery in Berlin from January 29 to March 29, 2026. The exhibition will highlight his vision across media, bringing together a select group of paintings, sculptures, watercolors, and early short films. It will also include a series of photographs taken in Berlin, touching on Lynch’s history with the German capital and Europe at large. The show precedes a major exhibition of Lynch’s work slated for fall 2026 at Pace’s gallery in the artist’s hometown of Los Angeles. Lynch, one of the foremost creative thinkers of our time, considered himself a visual artist first, studying painting at the Pennsylvania Academy of the Fine Arts, Philadelphia, in the late 1960s. During this period, he conceived his first “moving painting,” Six Men Getting Sick (Six Times) (1967), a multimedia work that fused painting and projection. This ... More
Exhibition view of “ Over, under and in between ” by Mona Hatoum. Photo: Roberto Marossi. Courtesy Fondazione Prada.
MILAN.- The exhibition “Over, under and in between” by Mona Hatoum, opens to the public today, 29 January 2026. The site-specific project conceived for the Milan premises of Fondazione Prada, will be on view until 9 February 2026. Actively reacting to the exhibition context, Hatoum develops a three-part project, in which each segment gravitates around thought-provoking themes that reflect on the turmoil of our times and the precariousness of our existence. The three installations comprising this solo presentation explore three archetypal elements of Hatoum’s artistic vocabulary: the web, the map, and the grid. Their presence reactivates the space of the Cisterna building, which housed the silos and tanks of the former alcohol distillery, once located on the Fondazione Prada’s compound, by taking advantage of the height, volume, and shape of its three rooms. The three ... More
Berthe Morisot (French, 1841–1895). Madame Boursier and Her Daughter, circa 1873. Oil on canvas, 29 5/16 x 22 3/8 in. (74.5 x 56.8 cm). Brooklyn Museum, Museum Collection Fund, 29.30. (Photo: Sarah DeSantis, Brooklyn Museum).
BIRMINGHAM, AL.- On January 30, 2026, the Birmingham Museum of Art (BMA) opens Monet to Matisse: French Moderns, 1850–1950, an exhibition of over 100 masterworks with more than half from the Brooklyn Museum’s esteemed European collection. The exhibition, presented by PNC Bank, highlights France's role as the epicenter of modernism during a time of profound social, intellectual, and political change. Featuring a range of paintings, sculptures, and works on paper, visitors will encounter the iconic art of Paul Cézanne, Mary Cassatt, Edgar Degas, Henri Matisse, Claude Monet, Camille Pissarro, Pierre-Auguste Renoir, and many others. Drawing from its own distinguished collection, the Birmingham Museum of Art has nearly doubled the size of the exhibition, offering a broader and more comprehensive exploration of this transformative period in art history. ... More
PARIS.- Over the course of two years, Astrid and Pierre openly placed their lives before the panoramic gaze of photographer Michael von Graffenried, moving from love to addiction. This long-term series unfolds an intimate approach to their story, attentive to gestures, bonds, and fragilities. By giving a human face to a reality often marginalized, the work questions its place within the public sphere. In 1987, while photographing the world’s first supervised drug consumption room in Bern for the harm-reduction association Réseau Contact, Michael von Graffenried began building the relationships of trust that would later anchor "COCAINELOVE" at the heart of a public-health crisis marked by HIV, overdoses, and the open drug scenes of the Platzspitz ('Needle Park') in Zurich. It was in this context that Graffenried met Astrid and Pierre: a young couple bound together by love as much as by addiction. For eighteen months, he followed them through tenderness and violence, ... More
FRANKFURT.- From January 29 to April 26, 2026, the Schirn Kunsthalle Frankfurt will be presenting the first major solo exhibition in Germany by Bárbara Wagner (b. 1980) & Benjamin de Burca (b. 1975). For over a decade, the artist duo who live in Brazil have been creating video works and installations in dialogue with other artists and collectives. In their collaborative films, Wagner & de Burca focus primarily on cultural movements and collective practices that take place outside the established spheres of contemporary art. The show combines three audiovisual pieces created in different contexts: Future of Yesterday (Germany, 2026), RISE (Canada, 2018), and Estás vendo coisas / You are seeing things (Brazil, 2016). It portrays local, multigenerational music scenes that emerged in the early 1980s as youth movements outside the mainstream. These scenes developed independent cultural or musical ... More
Quote Photography imitates everything and expresses nothing. Paul Gauguin
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Nagas presents a selection of paintings by Marie-Lucie Nessi NEW YORK, NY.- Marie Lucie Nessi (1910 – 1992) was born into a cosmopolitan family: her father, André Nessi, was a Swiss national, and her mother, Hélène Koehne, was born in Seesen, Germany. After completing her secondary education, Nessi entered a drawing school in 1926, at the age of sixteen, following two years of preparatory study focused on plaster casts of antique sculpture. Around 1928, she continued her training in the ateliers of Louis-François Biloul and André Lhote, enrolling at both the Académie de la Grande Chaumière and the École nationale supérieure des beaux-arts. Her period of study under André Lhote was particularly formative. Lhote’s teaching, grounded in compositional structure, measured color relationships, and a rational approach to pictorial construction, provided Nessi with a framework that would remain evident throughout her work. ... More
Sean Kelly returns to Zona Maco with a masterclass in material and identity MEXICO CITY.- Sean Kelly Gallery returns to Zona Maco and present a curated booth that brings together a diverse range of artistic practices from the gallery’s artists. Featuring work by Marina Abramović, Anthony Olubunmi Akinbola, James Casebere, Julian Charrière, Jose Dávila, Ana González, Laurent Grasso, Harminder Judge, Mariko Mori, Hilda Palafox, Brian Rochefort, Frank Thiel, Janaina Tschäpe, Kehinde Wiley and Wu Chi-Tsung, the presentation addresses identity, material transformation, and interpretations of landscape, reflecting the distinctive voices of individual artists while tracing resonant dialogues across generations, geographies, and media. Marina Abramović’s self-portrait with flowers is an exploration of identity and self-expression, foregrounding the body as both subject and site of transformation. This focus on personal and cultural ... More
Torkwase Dyson brings "Memory Horizon" to inaugural Art Basel Qatar DOHA.- GRAY will participate in the inaugural edition of Art Basel Qatar with a monumental sculpture by Torkwase Dyson. Titled Nia, the sculpture is made of two identical components in steel and wood, which have been painted and hand-coated with graphite. Balancing curved forms and arcing cantilevers with sharply defined vertical passages, the sculpture forms a charged, architectural environment. The second work in Dyson’s Memory Horizon series, Nia (the Swahili word for “purpose”), is described by the artist as “a deep meditation on the stillness of thresholds—the liminal space between the architecture of dispossession and the creative act of place-making for liberation.” Throughout her work, Dyson confronts histories of enslavement and the geography, geometry, and architecture of dispossession. Dyson deploys shapes from stories of liberation and her own vocabulary ... More
CHINCHINART and A&B Lab present Losing Ghosts: A spectral journey through contemporary image and identity NEW YORK, NY.- CHINCHINART and A&B Lab are pleased to present Losing Ghosts, a group exhibition examining how memory, perception, and temporality become unstable, deferred, and spectral in contemporary experience. As part of CHINCHINART’s ongoing overseas exhibition initiative, the project explores the lingering presence of images, sensations, and afterimages that resist disappearance. On view from January 28 through January 31, 2026, with an opening reception on Wednesday, January 28, from 6–8 PM, the exhibition is curated by Luman Jiang, Xinying Wang, Shuhan Zhang, and Yvonne Yitian Xu, and features artists Hongyu Zhang, Jiwon Rhie, Sona Lee, Xuemeng Li, and Ziqi (Tree) Xu. Rooted in the untranslatable ambiguity ... More
Kunstmuseum Ravensburg presents its 2026 program RAVENSBURG.- Kunstmuseum Ravensburg's 2026 program invites you on a journey through the "dimensions of being," bridging a century of artistic vision from the radical beginnings of German Expressionism to the immersive experiments of the present. Whether through the rediscovered early photography of Gabriele Münter, the grueling time-stamping rituals of Tehching Hsieh, or the profound, multi-layered "Singespiel" of Charlotte Salomon, this year’s exhibitions examine how we navigate history, identity, and the relentless passage of time. From the intimate, forty-part choral experience of Janet Cardiff to a collection-wide dialogue on social transformation, the Kunstmuseum Ravensburg remains a site for playful discovery and critical reflection on the "Questions of Time" that shape our world. The exhibition “Kathrin Sonntag and Gabriele Münter. The Travelling Eye” presents ... More
William Kentridge, Ai Weiwei, and a Cattelan-curated tribute headline the 2026 season at MAXXI ROME.- MAXXI’s 2026 opens under the banner of contemporary Italian creativity, before expanding its focus to embrace global perspectives and change. National Museum of 21st Century Arts is preparing for a dynamic year filled with exhibitions and surprises, promising both challenges and transformation. A diverse and multifaceted programme begins at the end of January with two special projects, gathers pace in the spring, and continues through to early 2027. In the year marking the 80th anniversary of the Italian Constitution, two major group exhibitions will take center stage: one tracing the evolution of Italian art from the post-war era to the present day and the other exploring the current landscape and future of Italian architecture. The Museum entrance will once again be transformed with visionary furnishings, while the concrete expanse of the Piazza will make way ... More
Geometry in Motion: Stephen Friedman Gallery explores seriality, order, and chaos LONDON.- Stephen Friedman Gallery presents Geometry in Motion, a group exhibition bringing together paintings, sculptures and large-scale installations which explore concepts of geometry, seriality, and order by a selection of the gallery’s longstanding artists: Tonico Lemos Auad, Jonathan Baldock, Claire Barclay, Tom Friedman, Kendell Geers, Pam Glick, Channing Hansen, Ilona Keserü, Yinka Shonibare, Clare Woods and Luiz Zerbini. Juxtaposing geometric and organic forms, Luiz Zerbini's paintings explore the relationship between colour, light, and movement. Structured by a quadrangular grid, Zerbini’s monumental painting Crazy horse (2023) captures the sights and sounds of Rio de Janeiro; architectural forms, tropical flora, and vibrant patterns converge with kaleidoscopic effect. This sense of dynamism can be found in Pam Glick’s Box of Rain (2022) series, ... More
Luxembourg Pavilion at the Venice Biennale presents Aline Bouvy: La Merde VENICE.- What if shit could talk? Well, it does. And it speaks in floods out of the sewers of shame. Aline Bouvy presents La Merde, an immersive audiovisual installation commissioned for the Luxembourg Pavilion at the Biennale Arte 2026. The work brings together a film, a spatialized sound composition, and a mirror-glassed steel architecture that reorganizes the viewer’s position in space, both physically and socially. At its core is a cinematographic essay, structured as a manifesto. La Merde addresses shame as a social mechanism and traces the thresholds through which bodies are classified, tolerated, disciplined, or pushed out of view. It proposes a reflection on the systemic violence that shapes social lives and behaviors. Through the figure of an anthropomorphic excrement, appearing as a puppet, an animation, a trace, and an embodied presence, the film moves ... More
A New Home for the Tiffany "Garden Landscape" Window
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