Installation view of Helen Frankenthaler: A Grand Sweep on view at The Museum of Modern Art, New York, from November 18, 2025, through February 8, 2026. Photos by Robert Gerhardt.
NEW YORK, NY.- The Museum of Modern Art presents Helen Frankenthaler: A Grand Sweep, an installation of five paintings by the artist in the Museum’s Donald and Catherine Marron Family Atrium. On view from November 18, 2025, through February 8, 2026, this installation draws from MoMA’s extraordinary holdings of Frankenthaler’s paintings. Spanning over three decades, this presentation marks the artist’s first monographic moment at the Museum since her 1989 retrospective. Helen Frankenthaler: A Grand Sweep is organized by Samantha Friedman, Curator, Department of Drawings and Prints, with Elizabeth Wickham, Curatorial Assistant, Department of Painting and Sculpture. “The scale of the Marron Family Atrium allows us to foreground the ambition that defined Frankenthaler’s work,” says Friedman. “This focused group of key works from MoMA’s collection traces the arc of her painting practice, highlighting key moments within her continual innovation.” ... More
Anna Ancher, Interior. Brøndum_s Annex, 1916. Courtesy of Skagens Museum.
LONDON.- This winter, Dulwich Picture Gallery presents Anna Ancher: Painting Light (4 November 2025 – 8 March 2026), the first major UK exhibition dedicated to Anna Ancher (1859 – 1935), one the most important and innovative artists in Danish history, and one of the few women of her era to achieve widespread recognition for her work. Bringing together rarely seen studies discovered in Ancher’s home with a wide selection of works spanning her remarkable career, the exhibition features over 40 paintings – among them several of her most celebrated masterpieces, such as The Maid in the Kitchen (1883 – 1886), on loan from The Hirschsprung Collection, and Interior. Brøndum’s Annex (c. 1916), on special loan from Skagens Museum. Though widely regarded in Denmark as one of the country’s greatest artists, Ancher remains relatively unknown to British audiences. This exhibition offers a rare opportunity to experience her intimate paintings, revealing her ... More
MALAGA.- More than fifty years after they met, fell in love, and set out on parallel artistic paths, Annette Messager and the late Christian Boltanski are finally brought into direct conversation in a sweeping new exhibition at the Centre Pompidou. Open now, the show reexamines two of France’s most influential postwar artists through a lens rarely applied to their careers: the story of their shared lives. Although Messager and Boltanski lived together for decades and were deeply entwined emotionally and intellectually, they made an early and deliberate decision to keep their professional identities separate. The fear—especially on Messager’s side—was that a woman artist would be overshadowed by a man in the male-dominated art world of the 1970s. Their choice shaped the course of their careers: Boltanski rose to early fame, joining the prestigious Ileana Sonnabend Gallery by 1972, while Messager faced the slower, ... More
PARIS.- Magdalena Abakanowicz's work returns to Paris after more than 40 years. Although her radical and pioneering works have been regularly exhibited around the world, from the United States to Japan and Europe, and most recently at the Tate Modern in London and the Musée Cantonal des Beaux-Arts in Lausanne, the French public has only had the opportunity to admire them once, at the Musée d'Art Moderne in 1982. On November 20, 2025, the Musée Bourdelle in Paris opened the first major monographic exhibition of Magdalena Abakanowicz's work, La trame de l'existence / The thread of life, restoring the artist to her rightful place among the great sculptors of the 20th century. The Musée Bourdelle offers a look at the artist's work from the perspective of her biography and political engagement, presenting a broad overview of her work: over 70 monumental sculptures, textile works, drawings, and photographs. The exhibition will be ... More
BEIJING.- From November 22, 2025, to May 5, 2026, UCCA Center for Contemporary Art presents “Yang Fudong: Fragrant River,” the first institutional solo exhibition in Beijing by the celebrated Chinese contemporary artist. Marking Yang Fudong’s (b. 1971, Beijing) most comprehensive presentation to date, the exhibition features six newly created video works, a large-scale painting installation, a furniture-and-video installation, and a selection of early paintings, videos, and archival materials. Through the reconstruction of fragmented memory, the estrangement of lived reality, the re fictionalization of image-based narratives, and the symbolic construction of spatial environments, Yang transforms UCCA’s Great Hall into a stage set in temporal dislocation—an experience at once theatrical and uncannily remote, in which past and present, emotion and reality, intertwine and unfold in shifting configurations. This exhibition is co-curated by UCCA Director ... More
HAMBURG.- To mark the 100th anniversary of the Griffelkunst-Vereinigung Hamburg e.V., the Hamburger Kunsthalle is showing a broad selection of lithographs, screenprints, etchings and woodcuts as well as photographs, C-prints and objects from the 100 years of the programme, alongside archival documents. The exhibition, on the 3rd floor of the Galerie der Gegenwart, features more than 400 works by national and international artists spanning several generations that reflect griffelkunst’s engagement over the past 100 years with both contemporary art and avant-garde photography. The association has been publishing original graphic editions since 1925 and making these print series by selected artists available to its members. The works are chosen ... More
PARIS.- Obsessed with drawing, Giacometti never ceased, throughout his life, to engage hand and gaze in his attempt at capturing the elusive reality of beings and things. From his training years to the mature works, drawing occupied a central and daily place: whether he worked with a model, copied the old masters or drew from memory, he constantly went back to that fundamental practice. “What needs to be said, what I believe is that, whether it concerns sculpture or painting, only drawing counts,” he wrote. Trained at a young age in the studio of his father Giovanni Giacometti, a post-impressionist painter, Alberto Giacometti learned to observe and convey reality with a stroke. In his sketchbooks dating from his student days in Geneva, at La Grande Chaumière with Antoine Bourdelle, then, after the Second World War, in the cafés of Montparnasse or in the studio ... More
RICHMOND, VA.- The Virginia Museum of Fine Arts (VMFA) named the winners of the first annual VMFA Aaron Siskind Award for Photography today. Two artists, Qiana Mestrich and Shikeith, each received an unrestricted prize of $25,000 in support of their ongoing creative work. “Supporting artists is a core part of our mission, and the Virginia Museum of Fine Arts is proud to support the practice of photography as an important means of creative expression,” said museum Director and CEO Alex Nyerges. “The Aaron Siskind Awards are purposeful and transformative –– enabling recipients to pursue major artistic projects.” The goal of the award is to provide material support that enables photographers to complete a meaningful body of work — whether the continuation or finalization of a photographic series, the development of an exhibition, monograph or book project, or another major creative endeavor. A panel of distinguished professionals in the field of ... More
BERLIN.- The sculptures of Paul Wallach follow a stringent, constructive logic. We do not perceive them as static objects, but as movements engaging in a reciprocal exchange with the surrounding space. The wall becomes both a point of departure and a resonant surface: the works detach from it and unfold into space, manifesting themselves in a state of fragile equilibrium. Wallach’s works are primarily composed of simple, heterogeneously connected materials – wood, plaster, glass, or canvas – that enter into dialogue with one another. The artist is interested not in the stable equilibrium of things, but in the delicate balance they find. His sculptures address the relationship between gravity and material, presence and absence, weight and emptiness. The space between the individual structures, the interstitial space or void, becomes a constitutive moment here: an active force that co-shapes the work. Through this ... More
LJUBLJANA.- Walid Raad’s exhibition at Moderna galerija emerges at a moment of increasing violence—not only in the most visible form, the genocidal war that we follow in real time, but also in the growing violence against our histories and subjectivities. The exhibition takes place in Ljubljana, in a space that may seem far removed from the Lebanese context from which Raad originates, as well as from the broader Arab world, with its perpetual wars, social and religious conflicts. However, like the Middle East, Slovenia, and the entire Balkan region, can be described as a place of interrupted histories—unresolved geopolitical, nationalistic, and ideological conflicts that constantly recur. In Ljubljana, Walid Raad presents works from his three ongoing projects: The Atlas Group (1989–2004), based on his creation of documents related to ... More
No title (black witch hat), 2018 Carved Delrin plastic. Courtesy of Robert Therrien Estate. Photo by Joshua White/JWPictures.com.
LOS ANGELES, CA.- This fall, The Broad presents Robert Therrien: This is a Story, the largest museum exhibition of the late artist’s widely-adored work to date, on view November 22, 2025 to April 5, 2026. Therrien’s meditations on scale and material are a deeply influential and well-known approach within the field of contemporary sculpture, significant to The Broad’s own identity as a museum, and long admired by visitors of all ages. The installation showcase Therrien’s personal vocabulary of images and symbols—from enormous tables, chairs, and dishes, to intimate drawings of snowmen, birds, and chapels—as they become a language of continuous creation and transformation for the artist over time. Featuring more than 120 works spanning five decades, the exhibition offers unprecedented access to the artist’s exploration of scale, memory, and perception, just miles from the downtown Los Angeles home and studio space ... More
Afi Nayo, Flower Garden, 2016. Mixed media on panel, 12x9.5 inches.
NEW YORK, NY.- Skoto Gallery is presenting “Radiant Rays and Shifting Sands”, a group exhibition that brings together works in various media including drawings, paintings, sculpture, photography and works on paper by an international group of established and emerging artists. The exhibition, titled "Radiant Rays and Shifting Sands," reflects the diverse backgrounds, experiences, and styles of the participating artists, while simultaneously alluding to the vitality and creative energy that runs through their work in a time of changing circumstances. Despite their varied traditions and personal cultural backgrounds, each of these artists responds to the notion of a classical or canonic Western modernism. They either embrace it or find individual ways to critique it. What makes this collection particularly compelling is the evident struggle, the process of seeking and discovery, as each artist strives to find a personal and essential relationship to this pervasive, ... More
Marc Desgrandchamps, Souvenir d'éléphant, 2025. Oil on canvas, 200 x 150 cm (78 13/16 x 59 1/8 in).
PARIS.- Several paintings present mirrored figures, facing one another with a left–right inversion. These are double figures, confronting and at times merging with each other, like parallel universes that intersect or fall apart. As often in Marc Desgrandchamps’ canvases, the situations offered to the viewer reveal a kind of porosity of space—one that opens onto other dimensions and other realities. For the artist, the sensation of time is enveloping rather than linear, producing temporal harmonies and dissonances that gently unsettle the gaze. Places and times mingle, much like the blending of colors. A sense of fragility and disappearance emerges from certain canvases, like the day after an invisible catastrophe. Something has taken place, though no one can describe it. What remain are mirrored figures, confronting themselves and their solitude—survivors standing against the horizon, or even towering above it with their full presence (“Souvenir d’éléphant”) ... More
Quote The greatest enemy of art is the absence of Limitation. Orson Welles
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Julien's "Played, Worn, & Torn" concludes in Nashville with over 800 lots sold NASHVILLE, TENN.- Julien’s Auctions presented the final day of the annual “Played, Worn, & Torn” event in Nashville, TN. Taking place over two days at the Musicians Hall of Fame & Museum, today's conclusion showcased nearly half of the over 800 pieces of music history from the biggest names in entertainment. The final day of the highly anticipated auction presented an array of treasures; from stage-played guitars and assorted gear to handwritten lyrics, iconic fashions to artwork, home decor to sports memorabilia and assorted personal artifacts. Fans and collectors came out in huge support for Metallica’s lead guitarist, Kirk Hammett. The enthusiasm drove the collection to a complete sell-out, raising much-needed funds for MusiCares. Additionally, several of the lots sold benefit philanthropic causes including: Gibson Gives, St. Jude’s Children’s ... More
Erica Baum's first solo museum exhibition inspires close looking and reading ROCHESTER, NY.- The George Eastman Museum is presenting the bite in the ribbon—a paper show, artist Erica Baum’s first solo museum exhibition, on view November 22, 2025 through June 7, 2026. Through the selection, manipulation, and reproduction of existing printed materials, Erica Baum creates a poetry of word and image that inspires close looking and close reading. In the bite in the ribbon—a paper show, several series will be juxtaposed, revealing the interrelated explorations of her practice. The exhibition will feature early, ongoing projects and the artist’s most recent turns, with never-before-seen work throughout. “Erica Baum has long been an influential figure in contemporary art and poetry,” said Daniel Peacock, assistant curator, Department of Photography, George Eastman Museum. “By bringing together several of her ongoing series, the exhibition ... More
LAUNCH LA presents Matriarchs, a powerful exhibition celebrating feminine regeneration and resistance LOS ANGELES, CA.- LAUNCH LA is presenting Matriarchs, a group exhibition featuring six women artists whose practices reflect on the intertwined relationships between nature, culture, and regeneration. Bringing together works by, Sophia Gasparian, Adrienne Kinsella, Rosalyn Myles, Constanza Roldán, Amy Smith, and Melly Trochez, the exhibition explores the creative and philosophical power of the matriarchal lens as a means of renewal and resistance. This exhibition is curated by Steve Galindo. Through a diverse range of materials - including painting, installation, street art, and assemblage - Matriarchs reimagines creation as an act of reclamation. Each artist engages with earthly elements and lived experience to question systems of commodification, displacement, and environmental imbalance, offering in their place visions of care, equality, and regeneration. "Matriarchs ... More
Ayumu Yamamoto returns to MAKI Gallery with new paintings and a dramatic atrium installation TOKYO.- MAKI Gallery is presenting Year-End Light, its second solo exhibition with Ayumu Yamamoto, at Maebashi Galleria Gallery 2. The show features new paintings by the Tokyo-based artist alongside a site- specific installation extending through the venue’s eight-meter-high atrium. Yamamoto sees her work as a reflection of reality with its infinite dualities, moving between opposing currents like light and shadow, composure and passion, order and chaos, and figuration and abstraction. Her paintings embody the tension and harmony among these contrasting forces, in doing so embracing rather than denying life’s inherent contradictions. While engaging with such broad themes, they are also deeply personal reflections on the artist’s own fluid and ambiguous relationship to her surroundings. The exhibition title, Year-End Light, draws inspiration ... More
Derek Eller Gallery presents Bus Stop, Nancy Shaver's monumental mixed-media installation four years in the making NEW YORK, NY.- Derek Eller Gallery is presenting Bus Stop, a solo exhibition of mixed-media works by Nancy Shaver which she has been developing for nearly four years. The centerpiece of the show is a massive 49-foot wall covered in a quilt-like fashion by a concentration of Shaver’s signature Blockers, sculptures comprised of wood blocks wrapped in an array of fabrics and configured into colorful grids. Shaver describes Bus Stop as a gathering of disparate people united in the activity of waiting for a bus. It’s “a grouping of unlikely partners. Cheek by jowl in many cases, a few inches apart in others. All trying to relate, find common ground, respect differences. Enjoy difference. Speaking to and with others. The individual is consumed by the group”. ... More
Copenhagen Contemporary extends Soft Robots to 2026 COPENHAGEN.- Copenhagen Contemporary announced that Soft Robots, one of the institution’s most visited exhibitions, has been extended until April 19, 2026. The enthusiasm surrounding the show reflects a growing global interest in how technology shapes our emotional and cultural lives, and the strong public response arrives as CC approaches its ten-year anniversary in early 2026. “The exhibition is overwhelming in many ways, but it’s one you simply have to see” Kulturinformation “… fortunately, here in the city we have an art center like Copenhagen Contemporary, which is always willing to provide an exhibition space for experimental work. This is also true this year, where Soft Robots is one of the most fascinating exhibitions of the year.” Berlingske Soft Robots brings together fifteen international artists and duos who explore life inside a rapidly shifting ... More
Kunié Sugiura: 2025 Anonymous Was A Woman (AWAW) Grant Recipient NEW YORK, NY.- Alison Bradley Projects announced that Kunié Sugiura is a 2025 Anonymous Was A Woman (AWAW) Grant Recipient. AWAW is a grant-making organization that provides funding to woman-identifying artists over the age of forty who have made outstanding contributions in their respective fields and who continue to make meaningful work. The New York–based organization announced fifteen recipients who will receive $50,000 grants. The 2025 cohort—whose members were nominated and selected by an anonymous panel of art historians, curators, artists, and writers—ranging in age from forty-one to eighty-three, works across media, including painting, collage, sculpture, installation, performance, photography, film, and video. Sugiura's peers include: Candida Alvarez, a painter who was recently the subject of an El Museo del Barrio retrospective in New ... More
Index-The Swedish Contemporary Art Foundation seeks new Director STOCKHOLM.- The board of Index—The Swedish Contemporary Art Foundation is seeking to appoint a new director to lead the organization. Index is a center for contemporary art based in Stockholm and offers an ambitious program of exhibitions, events and learning activities for a wide range of audiences. Index has a history of presenting a diverse program with a contemporary perspective and presents solo exhibitions and thematic projects with newly commissioned work by contemporary artists alongside retrospective or archival presentations. Larger projects are accompanied by an extensive cross-disciplinary public program, often produced in collaboration with other organizations in Stockholm and abroad. Index was registered as a foundation in 1998 and is one of the most important and longest-standing independent platforms at the forefront of contemporary ... More
Gropius Bau presents its 2026 programme BERLIN.- Gropius Bau announced the 2026 programme, featuring a multifaceted live programme and exhibitions by Marina Abramović, Peter Hujar and Liz Deschenes, Christoph Schlingensief, Gabriele Stötzer and many other artists who cast an uncompromising gaze on society. How does the bourgeois longing for revolt take shape, when the faith in progress and reason is unsettled? And how tightly entwined are self-interest and radical dissent? Berlin-based artist and director Leila Hekmat explores these questions in her newly commissioned performance Roses Rising—The Movement. Moving between concert and ballet, the piece transforms the space into a landscape hovering between bunker, rehearsal room and dreamscape and invites the audience to witness a dinner party unravel into a happening. Bringing together the works of Peter Hujar ... More
Centro Pecci debuts Italy's first major exhibition of Luigi Ghirri's rare Polaroids PRATO.- From November 22, 2025–May 10, 2026, Centro per l’arte contemporanea Luigi Pecci di Prato presents "Luigi Ghirri. Polaroid ’79–’83", curated by Chiara Agradi and Stefano Collicelli Cagol. Organised in collaboration with the Luigi Ghirri Foundation, this is the first institutional exhibition in Italy entirely dedicated to the rarely-seen Polaroids taken by Italy’s most internationally celebrated postwar photographer. Luigi Ghirri’s artistic research lies between a conceptual inquiry of the medium and images that elicit empathy. His photographs are inhabited by objects imbued with memories and by the complex stratification of the Italian landscape and its daily life. These elements create a sense of familiarity, drawing viewers into a world in which they can recognize themselves, while coexisting with the analytical stance adopted by the artist. The questions and themes ... More
Bridget Riley returns to Margate: Turner Contemporary explores six decades of vision and visual sensation MARGATE.- Turner Contemporary opened Learning to See, an exhibition by Bridget Riley, conceived in close collaboration with the artist. The exhibition title chosen by Riley comes from one of Monet’s letters to Eugène Boudin, written late in life, thanking Boudin for being the first to teach him ‘to see and understand’. Surveying Riley’s enduring connection with the natural world and her career-long study of the sensory experience of sight, Learning to See includes works from the late 60s, her most recent canvases, and wall paintings from the last decade. The exhibition also brings together preparatory works on paper showing how the practice of drawing has underpinned her working life. For over sixty years, Riley has developed a distinctive visual language rooted in colour, form and rhythm, subjects inspired by her experience of living on the Cornish coast as a child. Affirming ... More
Danish architect Søren Pihlmann says architecture’s future lies in its past
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On a day like today, Mexican artist José Clemente Orozco was born
November 23, 1883. José Clemente Orozco (November 23, 1883 - September 7, 1949) was a Mexican caricaturist and painter, who specialized in political murals that established the Mexican Mural Renaissance together with murals by Diego Rivera, David Alfaro Siqueiros, and others. Orozco was the most complex of the Mexican muralists, fond of the theme of human suffering, but less realistic and more fascinated by machines than Rivera. Mostly influenced by Symbolism, he was also a genre painter and lithographer. In this image: Jose Clemente Orozco’s The Epic of American Civilization, created between 1932 and 1934.
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