Van Gogh The Parsonage Garden at Nuenen in Spring Groninger Museum 2026. Photo: Niels Knelis.
GRONINGEN.- Vincent van Gogh’s painting The Parsonage Garden at Nuenen in Spring (1884) went back on view at the Groninger Museum on Tuesday 31 March following an intensive restoration process. The conservator Marjan de Visser worked on the painting for about three months and made several new discoveries. She determined that parts of the composition had been changed in a previous restoration in 1903. For more than a century afterward, the work contained details Van Gogh had never intended it to. Since Van Gogh painted The Parsonage Garden at Nuenen in Spring in 1884 on the grounds of his parents’ parsonage in the Dutch town of Nuenen, the work has moved around. It accompanied the artist from house to house and was eventually sold. It was bequeathed to the Groninger Museum’s collection in 1962. The Parsonage Garden at Nuenen in Spring was on loan to the Singer Laren museum when it was stolen on 30 March 2020. Thanks to the efforts of the art detective Arthur Brand, the painting resur ... More
ROCHESTER, NY.- Visitors to the George Eastman Museum have the opportunity to experience Edward Steichen and the Garden, on view from March 27 to September 6, 2026. The exhibition explores how Edward Steichen’s (1879–1973) immersive relationship with gardening and nature shaped his photographic vision, revealing a creative evolution central to his enduring legacy. Over a professional life spanning seven decades, Steichen established himself as one of the most important figures in the history of photography. What is less known is that for much of that time he also devoted himself to the nurturing of plants and gardens. Horticulture was an activity that sustained him, and through which he developed ardently held beliefs regarding the interrelationship of creativity, nature, and art. Steichen’s ... More
BASEL.- Focusing on the 20th-century Swiss artist Niklaus Stoecklin (1896–1982), Hauser & Wirth Basel presents a group of his paintings and drawings from the 1920s to the 1970s, including several works that have rarely been shown in public before. This exhibition, curated by Martin Schwander, traces Stoecklin’s artistic development from the coolly detached figuration of the interwar period to the diaphanous luminosity of his late work. It follows on from group exhibitions on New Objectivity painting in Mannheim and Chemnitz last year, which highlighted Stoecklin’s contribution to this important modernist artistic movement. Niklaus Stoecklin, born into a Basel merchant family, showed exceptional talent for drawing from an early age. At the beginning of 1914, he enrolled at the School of Applied Arts in Munich. When World War I broke out, he returned ... More
Katya as Alice. Photo by Alexander Yip.
LONDON.- 'Down the Rabbit Hole’ is a group exhibition presented by Katya’s Space CIC, displayed throughout the vaulted underground chambers and labyrinthine tunnels of The Crypt Gallery in London. Bringing together over 30 artists from London and around the world, the exhibition investigates the psychological and emotional landscapes shaped by the COVID-19 era, exploring solitude, dislocation, and transformation. At the exhibition’s centre is the work of Katya Kan (1987–2023), with the watercolour ‘Spacetime’, an image of Iceland’s Diamond Cave pierced by her recurring bunny alter ego. Both whimsical and unsettling, the rabbit figure gazes from a crystalline tunnel stretching toward infinity – an allegory of confinement where the light at its end signals not a release, but the stillness of suspended time. Katya’s Space honours the legacy of the late Katya Kan by fostering the next generation of artists and filmmakers. Down The Rabbit Hole brings toge ... More
Albrecht Dürer, The Babylonian Whore. Woodcut. Image: 15 5/16 x 11 1/16 in. (38.9 x 28.1 cm), sheet: 15 1/2 x 11 3/8 in. (39.4 x 28.9 cm). UCLA Grunwald Center for the Graphic Arts, Hammer Museum. Gift of the UCLA Art Council, 1966
LOS ANGELES, CA.- The Hammer Museum at UCLA announced its Spring 2026 exhibitions lineup, featuring four diverse and interdisciplinary shows: Arthur Jafa: The White Album, an experimental film about the power of visual media to influence Black music and the American culture; SPACE IS THE PLACE: Selections from the Hammer Contemporary Collection, an exploration of afro- futurism, belonging, and placemaking through works by 30 artists; Hammer Projects: Mike Cloud, mixed- media assemblages that highlight contemporary social and political issues; and Several Eternities in a Day: Form in the Age of Living Materials, an ambitious exhibition revealing the intertwined relationship between living materials and contemporary art. Assembled from found and produced footage, Arthur Jafa’s The White Album is a 30 minute experimental film that examines ... More
MUNSTER.- The Kunstmuseum Pablo Picasso Münster presents Christo and Jeanne- Claude: un|realized, the first exhibition in Germany to focus on the unrealized projects of the artists, who achieved fame primarily through their spectacular interventions in urban and rural spaces. “The Picasso Museum took on the bold challenge of showcasing Christo and Jeanne-Claude from their lesser-known side. The audience should anticipate an exhibition that defies expectations and surprises on many levels,” says curator Matthias Koddenberg. The Münster-based art historian was a close friend of Christo and Jeanne-Claude, belonging to their “working family” for over 20 years. The exhibition, which he conceived specifically for Münster, presents 25 unrealized projects and includes over 100 works spanning 60 years. Unrealized projects play a particularly important role in Christo and Jeanne-Claude’s editioned work. The exhibition takes this ... More
LONDON.- The National Gallery announced the second painting which will be the focus of the National Gallery Masterpiece Tour 2025–27. The Marquise de Seignelay (1691) by Pierre Mignard will travel to our four partners between 2026 and 2027: South Shields Museum and Art Gallery (29 August 2026 – 8 November 2026); The Cooper Gallery, Barnsley (13 November 2026 – 20 February 2027); Grundy Art Gallery, Blackpool (27 February 2027 – 5 June 2027), and Ferens Art Gallery, Hull (11 June 2027 – 5 September 2027). In this striking portrait, Mignard depicts the recently widowed Catherine-Thérèse de Goyon de Matignon-Thorigny, Marquise de Seignelay (1662–99), as a woman of cultural and international importance. She is portrayed as the sea-goddess Thetis, while her eldest son Marie-Jean Baptiste (1683–1712) is dressed as the Greek hero Achilles – Thetis’ son by the mortal Peleus. Her sumptuous robe is painted using ultramarine, a highly expensive ... More
peter campus, what dreams may come, 2025. 4k UHD videograph. 9:25 minutes. Edition of 3 plus 1 artist's proof.
NEW YORK, NY.- Cristin Tierney Gallery is presenting what dreams may come, a solo exhibition of recent video works by peter campus. This marks the artist’s eighth solo show with the gallery, and will be on view from Saturday, April 4th, through Saturday, May 9th. This exhibition will run concurrently with campus's solo museum exhibition, there somewhere, on view at The Phillips Collection in Washington, DC, through May 3rd. For more than two decades, campus has recorded the light and changing landscapes on the South Shore of Long Island. The works in what dreams may come continue this intimate inquiry, concentrating on surface and tonal variations within a tightly bounded field of view. Called videographs, they merge the fixed frame of photography with video’s unfolding duration. What initially appears still gradually reveals movement. Working in high resolution, campus composes each frame with ... More
Julian Lucas, Exodus series, 2026. Digital photography.
CLAREMONT, CA.- In his first solo museum exhibition, Claremont-based photographer Julian Lucas explores the concept of home in relation to the American Dream. As the United States celebrates its 250th anniversary, this exhibition asserts that home is a state of mind, and the pursuit of the American Dream is stratified according to race and access to power. Julian Lucas: Happiness Pursued. Paradise Lost. opened on Saturday, April. and will remain on view through July 12, 2026. The exhibition focuses on multiple photographic series center around the concept of home as a powerful source of cultural and psychological centering, and the contrasting forces of displacement and loss. The Declaration of Independence states that “all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness.” This American Dream of equality and opportunity is tied to home, not just the dream of home ownership, but the ... More
Samuel de Saboia, All Leads To This / Self-Transformation, 2026.
KNOKKE.- Maruani Mercier presents The Aesthetics of Possibility, the second solo exhibition of Samuel de Saboia with the gallery, opening on April 4, 2026 in Knokke. In the new body of work, dynamic arcing lines interweave and dance across each composition, configuring into a gathering of multitudinous faces and bodies in space. Gaining renewed intensity and rhythm, the gestural outlines evince both harmony and tension, freedom and restraint. For de Saboia, they embody the multiplicity of identities and histories that shape his personal background, embracing complexity without losing their sensorial generosity. Executed in deeper palette, the works in The Aesthetics of Possibility mark a shift in de Saboia’s practice towards an unbridled gesture and deliberate layering of distinct narratives, reinforcing the paintings’ explorations of identity, collectivity, and transformation. De Saboia’s practice as a musician and performer transpires in the improvisational quality of his mark- ... More
Albert Uderzo Astérix Les Lauriers de César #18 Cover Original Art (Dargaud, 1972).
DALLAS, TX.- The legendary series Astérix and Obélix, created by artist Albert Uderzo and writer René Goscinny in 1959 and continued as a solo venture by Uderzo after Goscinny’s 1977 death, is consistently ranked among the five best-selling comics of all time with over 380 million copies sold worldwide, a pillar of global popular culture. Despite the comic’s long run and massive popularity, though, few of Uderzo’s cover paintings have ever hit the open market, as most remain in institutional collections or the artist’s estate. Now, among the other outstanding lots in the April 18–19 International Comic Art Signature® Auction, Heritage Auctions is offering for the first time an opportunity to purchase an original Uderzo Astérix and Obélix cover painting, from the instantly recognizable Les Lauriers de César. “As is its tradition, this Signature ... More
Eve Biddle, When in doubt, go to the river, Wassaic, 2024, 2025, Screenprint on oval panel, 33 x 25 in.
NEW YORK, NY.- Sargent’s Daughters is presenting Stay With Me, Eve Biddle’s first solo exhibition with the gallery. In this intimate presentation, Biddle’s silk-screened photographs of local plants, rocks, and flowers become an growing archive of her way of seeing, capturing snapshots of place and intimate relationships with nature and landscape. Each is printed in saturated monochrome on an elliptical wooden panel, like windows or portals to particular moments in time. Defined by their labor intensive production, Biddle’s ellipses are silk-screen printed by hand, not machine. The process requires two people pulling ink repeatedly across a lifted, tautly pulled screen, achieving the rich color saturation characteristic of Biddle’s work. Subtle bleed-throughs and moire patterns emerge naturally during printing, creating an ... More
LONDON.- Over four million people saw a National Gallery painting in person in 2025 - wherever they were on display. 4,213,845 visits were made in person in 2025 to the National Gallery, London, and to its exhibitions, displays and other creative programmes on tour. * 4,147,544 visits were made to the National Gallery’s Trafalgar Square site in London during 2025 (that is an increase of 29% on the 2024 figure of 3,203,451). Following its Bicentenary in 2024, the Gallery benefitted from the opening of the newly transformed Sainsbury Wing – restoring the 30% visitor capacity that had been lost during its temporary closure for renovation – and the opening of CC Land: The Wonder of Art, the biggest ever rehang of the Gallery’s collection (both from 10 May 2025). The Bicentenary activities also ended in summer 2025 with the 'Art Road Trip' around Britain and Northern Ireland and Jeremy Deller ... More
Quote The artist's morality lies in the force and truth of his description. Jules Barbey D'Aurevilly
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The hidden universe of Franne Davids' decades-long obsession on view at Sebastian Gladstone LOS ANGELES, CA.- A painting’s outermost layer is typically what offers itself to the eye. More than likely, there are foundational layers—a ground, perhaps some gesso, a substrate of some kind or another—to secure the image and give it a structure, but we can be sure that any given painting has within it layers that are not accessible to us. The so-called ground of the image is very often comprised of hues and textures that give a painting its dimensionality and what is often characterized as presence. The hope is often that a painting contains imperceptible layers of labor that provoke, in the sensitive viewer, the idea that an image has been constructed over time. A failure to account for this accretion and accumulation is to succumb to the deceit of pictorial representation, to believe that a picture lends itself fully to what can be seen and that it withholds no secrets from ... More
Eleven artists disrupt the 'Eurocentric lens' of Dutch colonial film archives AMSTERDAM.- In the exhibition Eye(s) Open – New Perspectives on Colonial Film Heritage, eleven artists respond to the Eye Filmmuseum’s collection of some 2,000 colonial-era films from formerly occupied regions in Indonesia and Suriname. The artists have created ten new works based on these films. In doing so, they expose colonial structures and practices and question the role of the camera in perpetuating power. Anyone who looks around can still see the traces of the Dutch colonial past. That past manifests itself in everyday things such as the rubber of our car tyres and the chocolate sprinkles on our bread. But our visual memory, too, is saturated with it. Eye’s archive contains films from the colonial period that bear witness to this history. These are images of regions as they were seen and recorded by the occupying power: historical documents that, from a Eurocentric ... More
Ilmin Museum launches 'Gi.Gi.Gi' to map the fissures of contemporary reality SEOUL.- Ilmin Museum of Art presents Gi.Gi.Gi: Trials and Errors (hereinafter Gi.Gi.Gi), a group exhibition on view from April 1 to May 31, 2026. Marking the centenary of the building’s architecture, the exhibition inaugurates a sequence of relay programs extending through the end of 2026. The museum traces its origins to the Dong-A Ilbo headquarters, completed in 1926. Since then, the site has weathered the turbulence of modern and contemporary Korean history. Here, chance and causation have accumulated, resonating with the conditions of our times, where nothing remains entirely the same or is entirely new. Gi.Gi.Gi understands this sensation as a way in which the contemporary persists, proposing it as a starting point for imagining a space “outside” unyielding systems. Each “Gi” in Gi.Gi.Gi represents different Chinese characters that are pronounced ... More
Bo Bartlett returns to Miles McEnery with masterful new figurative works NEW YORK, NY.- Miles McEnery Gallery is presenting a new collection of works by Bo Bartlett, on view 2 April through 9 May 2026 at 515 West 22nd Street. This marks the artist’s sixth solo exhibition with the gallery and continues his investigation of the American experience through figurative realism. The exhibition is accompanied by a fully illustrated publication featuring an essay by Craig Drennen. The exhibition gathers new paintings and works on paper that depict sun‑soaked beach scenes, outdoor tableaux, and charged moments of stillness—spaces where light, atmosphere, and human presence are palpable. Bartlett’s figures engage the viewer with compelling intensity: some face us directly, demanding attention, while others turn away, inviting reflection. As Drennen writes, “Bartlett’s figures are eternally positioned and waiting for us, presenting themselves ... More
Threads of memory and rainbows of resilience: Crow Museum unveils 2026 spring season DALLAS, TX.- From ceramic works and contemporary performance art to a graffiti artist-led experience and summer of soccer-inspired tasting experience, the Crow Museum of Asian Art unveils a season of exhibitions and community events at its Dallas Arts District location this spring. Key exhibitions include Du Chau (April 4–Sept. 27, 2026), part of the museum’s Texas Ties series featuring a Dallas-based ceramist whose interactive porcelain works explore memory, heritage and the poetic possibilities of clay, and The Rainbow My Mother Shows Me: Echo Morgan (May 16–Oct. 11, 2026) showcasing a boundary-pushing performance artist whose multifaceted practice channels personal and cultural memory through immersive, body-based works of art. In this solo exhibition, Du Chau captures the ephemeral nature of memory with the delicate mediums of piano ... More
New exhibition explores how the sense of touch is inherent in Japanese art TORONTO.- This spring, the Royal Ontario Museum (ROM) presents a groundbreaking original exhibition that reveals unique insights into Japanese art and culture – and offers visitors a new perspective on artwork and objects that have far more depth than their surface beauty might otherwise suggest. Shokkan: Material Encounters in Japanese Art, running from April 4 to September 7, 2026, is the first exhibition focused on the Japanese concept of shokkan – or the sense of touch – highlighting the tactile experience of handling objects as an integral way to appreciate the material culture of Japan. Beyond the physical sensation of texture or surface, shokkan refers to a personal impression made by the combination of multiple senses, language, and memory. Shokkan is deeply embedded in all aspects of Japanese art, and understanding the concept allows for a more ... More
Sachiko Akiyama's dreamlike wood carvings debut in new solo survey at Center for Maine Contemporary Art ROCKLAND, ME.- Sachiko Akiyama lives surrounded by water at the juncture of three rivers and the Atlantic Ocean. In her work, the ocean functions like a dream stage, a space rich with metaphor and symbolism. Mimicking this oceanic surround, the exhibition’s darkened walls help us leave the everyday and enter a world where invented allegories play out, both deeply personal and universally resonant. Akiyama juxtaposes simplified landscape elements with human and animal forms in carved wood and cast resin supplemented by welded metal and golden threads. A female form reappears in each of five sculptures, her body shifting position to interact with clouds, waves, trees, and mountains. This movement, along with scale shifts and the presence of a boat-like form, suggests that the figure is passing through stages of a journey. A central floor sculpture features ... More
Oliver Lee Jackson makes Asia debut at Lisson Gallery SHANGHAI.- American artist Oliver Lee Jackson presents his first solo exhibition in Asia and his second with Lisson Gallery, showcasing new and recent paintings that challenge the viewer's intrinsic urge to delineate between figuration and abstraction. The presentation brings together a series of paintings from the past three decades along with a never before exhibited, multi-panel screen. Every work presents a self-contained spatial universe, opening avenues for contemplation and multiple interpretation. Jackson's artistic signature lies in constructing intricate, stratified compositions where figurative forms, often termed ‘paint people’, emerge within dynamic fields of paint. Though based in figuration, his works are not narrative, but instead they hold the possibility for a profound experience in looking. At 90 years of age, his creative approach draws from comprehensive, ... More
Olney Gleason unveils a century of myth, eroticism, and stage design NEW YORK, NY.- Olney Gleason is presenting an exhibition of paintings and works on paper by Leonor Fini (1907–1996). On view from April 2 through May 2, 2026, Leonor Fini: Menagerie brings together a selection of work spanning the genres of portraiture, literary and erotic drawings, and original set and costume designs. The exhibition anticipates a major retrospective organized by the Schirn Kunsthalle Frankfurt in October 2026 that will travel to the Musée d’Art Moderne de Paris in 2027. Fini approached the figure through sustained observation, moving between commissioned portraiture, literary illustration, and her own mythological and erotic compositions. Several of the paintings on view date to the 1930s and 1940s, a period in which Fini’s handling of oil paint drew from the Old Masters she had studied in her youth in Trieste. The earliest ... More
ICA/Boston unveils major facade installation by Derrick Adams BOSTON, MASS.- In April 2026, the Institute of Contemporary Art/Boston (ICA) opens Derrick Adams: View Master, the first survey of New York-based multidisciplinary artist Derrick Adams (b. 1970, Baltimore). The exhibition presents over 100 works spanning 25 years of the artist’s practice, including never-before-seen works from Adams’s personal archive, immersive exhibition design created by the artist, and new works debuting at the ICA. Adams’s paintings, sculptures, collages, performances, videos, and public projects celebrate the richness and complexity of everyday Black American life, and over the past two decades, have transformed these moments into a distinct iconography. The exhibition is organized by Dexter Wimberly, Independent Curator, and Tessa Bachi Haas, Assistant Curator, ICA/Boston. Derrick Adams: View Master opens at the ICA, ... More
Bulgaria unveils 'The Federation of Minor Practices' at the 61st Venice Biennale VENICE.- The Federation of Minor Practices is conceived as the headquarters of a fictional research lab operating within a care oriented political imagination. Positioned ahead of the present, the Pavilion looks back at the early 21st century as the moment when the conditions for this future first became visible. The near past of this formation is presented through four films which have been newly commissioned and reworked for the occasion: Gery Georgieva’s UWU Channel Radiance which mobilises digital myth and prophecy to question regimes of identity, pleasure, and mediated truth; Veneta Androva’s Spray and Pray, a work that examines infrastructures of disinformation through the ecology of mushroom websites and algorithmic systems; Rayna Teneva’s Geography Is Destiny is a new film which traces the entanglement of labour, care, and violence in the Rose Valley ... More
Chinese architect Xu Tiantian: Beauty in Itself Is Dangerous
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Flashback
On a day like today, American painter Eastman Johnson died
April 05, 1906. Jonathan Eastman Johnson (July 29, 1824 - April 5, 1906)[1] was an American painter and co-founder of the Metropolitan Museum of Art, New York City, with his name inscribed at its entrance. He was best known for his genre paintings, paintings of scenes from everyday life, and his portraits both of everyday people and prominent Americans such as Abraham Lincoln, Nathaniel Hawthorne, Ralph Waldo Emerson, and Henry Wadsworth Longfellow. Self-portrait of Eastman Johnson, 1863.
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