A 254-page, fully illustrated, limited-edition catalog, "Adorning the Horse, Equestrian Textiles for Power and Prestige, 6th-20th Centuries," was published for the exhibition by Hali Publications.
WASHINGTON, DC.- An exhibition of sixty magnificent equestrian textiles made over the past 1,300 years and treasured by civilizations from Türkiye to Japan celebrates the Year of the Horse at The George Washington University Museum and The Textile Museum in Washington, DC, through June 20, 2026. Adorning the Horse: Equestrian Textiles for Power and Prestige highlights the historical significance of horses in human society, as well as the lifestyles, artistic and cultural traditions, and beliefs of the people who dressed their horses with these exquisitely crafted textiles. Support for this exhibition and its accompanying publication and programs is provided by Allen R. and Judy Brick Freedman and the Brick Freedman Endowment for Equestrian Textiles. The exhibition celebrates their 2021 donation to The Textile Museum Collection of one-hundred equestrian ... More
EDINBURGH.- One of the rarest scientific instruments in the collections of National Museums Scotland marks a major milestone this year as it turns 1000 years old. The object is an astrolabe, an intricate brass instrument made in 11th century Spain, which was used for charting the position of the stars. One of Europe’s oldest surviving signed and dated astrolabes, the object was made in Cordoba by Muhammad ibn al-Saffâr, and is dated 417 AH (the Islamic calendar), which equates to 1026-1027 AD. The two-dimensional model, representing the apparent motions of celestial bodies, is used to observe, calculate and predict the position of the Sun and the stars; and can be applied to purposes such as time keeping, wayfinding, and astrology. Principal Curator of Science, Dr Rebekah Higgitt, says of the anniversary, “As this incredible object turns 1,000 ... More
SAN FRANCISCO, CA.- Sculptor Kristine Mays’ work has entered the permanent collection of the Smithsonian National Museum of African American History & Culture (NMAAHC), marking a significant institutional recognition of her powerful explorations of history, spirituality, and contemporary political life. The acquisition coincides with Kristine MAYS: State of the Union, now on view at Modernism, which presents a focused selection of twelve politically charged sculptures addressing the current social and ideological climate in the United States. The Smithsonian has acquired Mays’ Hush Harbor, a work described by Dr. Teddy Reeves, Curator of Religion at NMAAHC, as “profoundly important” for making visible “the sacred invisible—those clandestine spaces where enslaved people forged a revolutionary religious ... More
First edition copy of Joseph Smith, Jr.’s “The Book of Mormon…..” (Palmyra: Printed by E.B. Grandin, 1830), with ownership signatures on the free front endpaper. ($250,000)
WILTON, CONN.- University Archives realized nearly $1.2 million in its February 18, 2026 auction, highlighted by a record-breaking $250,000 sale of a first edition of The Book of Mormon (1830). All prices include a 25 percent buyer’s premium. The result surpassed the prior auction record of $240,000 for the title, firmly establishing a new benchmark for this foundational work of American religious history.
The buyer, Adam Fleischer of Fleischer's Auctions, disclosed that he purchased the volume for his personal collection, not for resale at present. “While we are mostly known as the top auctioneer of rare manuscripts, we have increasingly risen in the rare book space as evidenced by the sale of The Book of Mormon and other items,” said John Reznikoff, President of University Archives. ... More
Dorothea Rockburne, Musician Angel: Parallelogram, Diamond, 1979-81. Watercolor on vellum, 56 1/8 x 48 1/8 in (142.6 x 122.2 cm).
NEW YORK, NY.- David Nolan Gallery will present Time Measures Itself, a solo exhibition of new and historical works by Dorothea Rockburne (b. 1929). This is Rockburne’s second solo show at David Nolan Gallery. One of America’s great artists, Rockburne first exhibited at 24 East 81st Street in the early 1970s with Klaus Kertess and his Bykert Gallery. Over half a century later, some of Rockburne’s most seminal pieces return to the same gallery space where they debuted, accompanied by new and recent works. This exhibition offers a unique insight into the development of Rockburne’s practice with industrial materials, underlined by her unwavering dedication to the expansion of artistic thinking. While attending Black Mountain College in the early 1950s, Rockburne studied with mathematician Max Dehn ... More
LOS ANGELES, CA.- Renowned for her generosity to artists and institutions, Eileen Harris Norton has built a collection and philanthropy actively focused upon the work of women, artists of color and her native California. Marking fifty years since Harris Norton’s first acquisition—a print purchased directly from Los Angeles artist Ruth Waddy in 1976—‘Destiny Is a Rose’ presents more than 80 works that together reflect Harris Norton’s prescient vision and commitment to social justice and learning. Titled after a painting by Kerry James Marshall, ‘Destiny Is a Rose’ includes work by such artists as Mark Bradford, Felix Gonzalez-Torres, David Hammons, Glenn Ligon, Marshall, Lorraine O’Grady, Adrian Piper, Betye Saar, Lorna Simpson, Kara Walker, Carrie ... More
Installation view.
SEOUL.- Distancing brings together new works by four artists – Kei Imazu, Juree Kim, Nosik Lim and Maria Taniguchi – whose practices explore how images and matter come into focus over time. The exhibition proposes a mode of looking that privileges distance and duration. Here, observing from afar and dwelling in stillness does not obscure perception, but recalibrates focus. Rather than resisting instantaneity, the exhibition traces the point at which sensation catches up with us: when that which escapes immediate grasp begins to settle through distance and time. Across painting and sculpture, the featured artists approach this recalibration through distinct formal and material strategies – repetition, the slow transformation of clay, layered opacity and the juxtaposition of disparate image-worlds. Encountered at the threshold of the exhibition, Maria Taniguchi’s paintings capture this attitude in its most distilled form. Composed of repeated ... More
BRAUNSCHWEIG.- The Museum für Photographie Braunschweig has opened a dialog-driven double exhibition bringing together the work of two major figures in contemporary photography: German portrait photographer Angelika Platen and Finnish artist Elina Brotherus. Presented across the museum’s Gatehouse 1 and Gatehouse 2 spaces, the show explores how portraiture can reveal the complex relationships between artists, identity, and the social role of art. Although separated by generation and artistic approach, both photographers examine what it means to represent artists and artistic practice. Platen, born in 1942, is widely regarded as one of the key visual chroniclers of the international art scene since the late 1960s. Brotherus, born in 1972, approaches portraiture from a more conceptual and introspective angle, often using self-staged imagery and symbolic references to reflect on artistic identity. In Gatehouse 1, the exhibition highlights Platen’s portraits and documentary photographs from the ... More
HONG KONG.- Flowers Gallery Hong Kong is presenting Domestic Setting: Part I, the first edition of a new exhibition series that examines artistic production through a domestic lens. Conceived as a sequence of smaller-format group exhibitions, the series features works aligned with the physical dimensions, temporal rhythms, and emotional landscapes of the home. Across painting, drawing, sculpture, and mixed media, the domestic interior is framed as a critical structure through which care, labour, gender, and space are continuously negotiated. With the home a historically gendered space, the exhibition also considers how acts of making mirror or interrupt patterns and expectations of maintenance, repetition, and quiet endurance. Within this framework, the domestic emerges as both a site of containment and a potential space of resistance, where marginal gestures and minor forms accrue meaning through intimate, sustained presence rather than spectacle. Labour and the body emerge explicitly in the work ... More
Natia Lemay, Provisional, 2026. Oil on canvas, 60 x 48 inches, 152.4 x 121.9 cm.
LOS ANGELES, CA.- Wilding Cran Gallery presents Just Short of Contact, an exhibition of new paintings by Toronto based artist, Natia Lemay, that explore domestic space as a complex of interiority, intrusion, and recovery. Throughout the exhibition, the domestic emerges as a site of memory and quiet tension, where intimacy and absence coexist in a state of unresolved proximity. Domestic objects act as vessels and placeholders, capable of holding emotional charge. An empty chair stands in for what is no longer present; a collapsed or broken window blurs interior and exterior. In the work Saturation, a figure sits in a vacant room overgrown with dandelions seeping up through the floorboards. The intrusion of the natural world feels like a breach, an infiltration of overgrowth within a space of refuge. Throughout the work, the omnipresence of black absorbs and obscures, slowing perception and holding the viewer's gaze in suspension. The primary use of black as both material and concept is an ongoing investi ... More
Launching 12 March, Hauser & Wirth partners with Robert Gordon University and Gray’s School of Art to deliver free creative workshops to communities across Scotland with the Mobile Art School.
BRAEMAR.- Hauser & Wirth announced a three-year partnership with Robert Gordon University and Gray’s School of Art to support free Mobile Art School workshops in rural communities across northeast Scotland. Commencing 12 March, the Mobile Art School will join forces with Hauser & Wirth artist Thomas J Price to visit Braemar Primary School at St. Margaret’s Church and Braemar Kirk to launch the 2026 program. The Mobile Art School is an outreach project aimed at connecting and empowering communities across Aberdeen and beyond to improve awareness and understanding of the creative industries. This new partnership will allow the team at Gray’s School of Art to extend their reach and incorporate practicing artists into high impact workshops alongside the university faculty, students and recent graduates. Participants will be given the ... More
Casey Bolding, Soft sun, 2026. Oil, acrylic and plaster on canvas in artist frame, 66 × 50⅞ in. (167.64 × 129.24 cm); 66¾ × 51⅝ in. (169.55 × 131.14 cm) framed.
LOS ANGELES, CA.- Casey Bolding’s paintings make memory material. Using plaster and industrial paint in concert with oil, acrylic, and Flashe, the artist builds up densely layered surfaces which he then scrapes and reworks, excavating embedded imagery drawn from mementos, photographs, and art history. As personal as they are process-based, Bolding’s paintings of landscapes and interiors are particularly informed by his childhood in the plains of Colorado, his longtime practice of graffiti writing in abandoned buildings and trains, and commercial faux-finishing techniques learned from his uncle. For Bloodstream, Bolding has created a suite of works that he describes as “mirages or scenes captured from the perspective of someone floating down the Colorado River,” from the Rocky Mountains to the Mexico-California border. This traveler encounters the West in what Bolding calls a “post-historic haze” that ... More
Alexandre Estrela (Fondation Vasarely, Aix en Provence, 2015).
VENICE.- RedSkyFalls by Alexandre Estrela will represent Portugal at the 61st International Art Exhibition – La Biennale di Venezia. Curated by Ana Baliza and Ricardo Nicolau, it will be held from May 9 to November 22, 2026. The artist presents a new installation that expands the logic of a homonymous 2019 work, now working as an operating system that integrates new digital beings. The project was selected for the Biennale Arte 2026, structured “In Minor Keys,” as it resonates with the piece’s quieter registers. When the red sky falls, paradigms shift between divine providence, science as credo, data as oracle, and new obscurantist myths. Seismographs register these sideways movements, as humanity inscribes environmental and social fracture lines into the Earth’s crust. Tectonic manifestations open fissures, not only in the ground but also in thought. RedSkyFalls proposes another way of reading—and responding to—these ruptures, grounded in the observation of a ... More
Quote Art is the incomprehensible density of cosmic forces compressed into a small space. D. Bomber
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Temple Bar Gallery + Studios presents its 2026 exhibition programme DUBLIN.- In 2026, Temple Bar Gallery + Studios (TBG+S) presents five solo exhibitions including new commissions by Irish and international artists, alongside the sixteenth edition of Dublin Art Book Fair. The Gallery and Studios programmes focus on international collaborations, co-productions and partnerships. Lucy Stein’s paintings draw on feminine iconography from sources including ancient mythology, medieval and ecclesiastical illuminations, esoteric mysticism, and folkloric imagery. Incorporated into expressive, emotionally and psychologically charged compositions, Stein describes her work as coming from a “cosmic symbolic feminist headspace.” Rebecca Moccia’s new multidisciplinary project explores nostalgia as a characteristic of contemporary anxiety, and its instrumentalisation through neoliberal socio-economic systems. Drawing from personal experience of her own familial and geographic background in Naples, Moccia investigates the construction of cultural identity as ... More
Revealed Aboriginal Art Market returns to Boorloo/Perth for 2026 PERTH.- Revealed – Western Australia’s largest Aboriginal art market and exhibition – returns to Boorloo/Perth in April 2026, presented by the Aboriginal Art Centre Hub Western Australia (AACHWA) in partnership with the Perth Institute of Contemporary Arts and WA Museum Boola Bardip. Now in its 18th year, WA’s premier Aboriginal art showcase returns to the heart of Boorloo/Perth, with a vibrant open-air market on Saturday 18 April at WA Museum Boola Bardip, alongside an expansive exhibition at the nearby Perth Institute of Contemporary Arts (PICA) from 18 April to 14 June 2026. The centrepiece event, the Revealed Aboriginal Art Market, is a welcoming entry point for anyone interested in acquiring Aboriginal art, offering a rare opportunity to meet artists face-to-face, hear their stories, learn about culture and purchase authentically made art directly from artists. Supported by a family-friendly program of dance, music, talks and activities, the market invites th ... More
Cynthia Daignault challenges frontier nythology at Olney Gleason NEW YORK, NY.- Olney Gleason is presenting Denali, an exhibition of new works by Cynthia Daignault (b. 1978) on view from February 19 to March 28, 2026, at 509 West 27th Street, New York. Daignault is an artist celebrated for using painting to explore the contemporary condition. With emotive brushwork and radiant color, she explores a range of topics spanning history, culture, politics, and art. Denali sees Daignault return to the theme of landscape, for which she is perhaps best known, expanding on ideas from earlier series, including Light Atlas (2014), Elegy (2019), and As I Lay Dying (2021). This exhibition anticipates several upcoming institutional presentations: Daignault’s iconic landscape work Light Atlas will go on view at Thomas Cole National Historic Site in Catskill, NY, from June 20 to November 1, 2026, and ICA Boston will present a major solo museum exhibition, debuting a new monumental work on the Valley of Yosemite, from August 27, 2026, to January 18, 2027. For her latest exhibi ... More
National Museums Liverpool's 40-year history celebrated in new exhibition LIVERPOOL.- Forty years since the Merseyside Museums and Galleries Order was laid before Parliament (13 February 1986), National Museums Liverpool is inviting visitors to dig, dive and delve into their vast collections, to celebrate four decades of Liverpool’s national museum network. With seven museums and galleries in its portfolio, England’s only national museum group outside of London will for the first time display items from each venue as one exhibition. National Museums Liverpool at 40 opens to the public from 3 April and celebrates the diverse, powerful and important collection that the organisation is responsible for. From objects as simple as a front door, to artistic masterpieces, the free exhibition highlights the range of objects cared for by National Museums Liverpool and the stories that accompany them. The 40 objects in the exhibition also include some never before showcased objects from National Museums Liverpool’s collection. ... More
NADA New York announces 2026 exhibitors NEW YORK, NY.- The New Art Dealers Alliance announced the exhibitor list for the 12th edition of NADA New York, the organization’s annual art fair championing galleries at the forefront of contemporary art. The fair will be held May 13–17, 2026 at The Starrett-Lehigh Building, located in West Chelsea’s gallery district at 601 West 26th Street. The 12th edition will bring together over 110 galleries, art spaces, and nonprofit organizations spanning 15 countries and 46 cities—from Tbilisi and Tokyo to Mexico City and Philadelphia—with 45 NADA Members and 51 first-time exhibitors including Brigitte Mulholland (Paris), The Address (Brescia), FORGOTTEN LANDS (Christiansted), Central Server Works (Los Angeles), and Post Times (New York). Returning this year is the TD Bank Curated Spotlight, a flagship initiative expanding access for participating galleries and artists, organized by Anthony Elms, Artistic Director at the Mattress Factory in Pittsburgh. The fair will ... More
World Museum's beloved dinosaur gallery returns LIVERPOOL.- World Museum’s beloved Dinosaurs and Natural World gallery reopened to the public on Saturday 14 February following a refresh, under the new name of Wild World: Dinosaurs and Natural History. The gallery, which houses the museum’s dinosaur, animal and habitat displays, closed to the public in November 2025. When it closed, parts of the gallery dated back over 60 years, making it the oldest gallery space in the museum. As a result, the well-known space with its dinosaur and wildlife dioramas has become a beloved part of visiting World Museum, which turns 175 years old in 2026, for many generations of visitors and Liverpool locals. With objects from World Museum’s botany, geology, entomology and zoology collections, the gallery has been refreshed with new showcases that offer a richer visitor experience and bring the natural world to life. Visitors can experience a glimpse into life in thick rainforests with hanging canopies, the lions and lionesses that prowl the savannahs of Africa, an ... More
The New York Historical to receive works by Indigenous artists NEW YORK, NY.- In celebration of the nation’s approaching semiquincentennial, The New York Historical announced today that the 222-year-old institution has received a landmark collection of promised gifts of modern and contemporary Indigenous works from Chair Dr. Agnes Hsu-Tang and her husband Oscar Tang. As the first beneficiary of a portion of the Hsu-Tang Collection of modern and contemporary art, The New York Historical will showcase the promised gifts in an exhibition, House Made of Dawn: Art by Native Americans 1880 to Now, Selections from the Hsu-Tang Collection, from April 22 – August 2, 2026. The promised gifts include works by more than 100 artists of diverse Indigenous heritage, such as Nampeyo of Hano (Tewa), Maria Martinez (San Ildefonso), Angel De Cora (Ho-Chunk), Zitkala-Ša (Yankton Dakota), Awa Tsireh (San Ildefonso), Gerónima Montoya (Ohkay Owingeh), The Kiowa Six, Acee Blue Eagle (Muscogee), Helen Hardin (Santa Clara), Lee Marmon (Laguna), Fritz Scholder (Luiseño), Al ... More
MOCA opens a focused survey of a key figure of conceptual and site-specific art LOS ANGELES, CA.- The Museum of Contemporary Art (MOCA) presents Michael Asher at MOCA Grand Avenue from February 24–August 2, 2026. Over a career spanning six decades, Michael Asher (1943–2012) played a pivotal role in developing conceptual art through site-specific interventions that made their surrounding context the active content of his work. This focused survey, organized by Artists Space, New York, presents twenty works via their material elements, documentation, and an accompanying exhibition guide. In conjunction with the exhibition, MOCA will also present Gifts of Michael Asher, a selection of works from the permanent collection gifted to the museum by Asher, underscoring his enduring impact on the institution’s history. Asher’s interrogations of sites reveal the many ways art can critique and make visible the often unseen social, economic, and institutional structures that underpin the subjects it addresses. While many of Asher’s projects left no trace, “fragment ... More
Making Tracey Emin's My Bed
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On a day like today, American artist Tom Wesselmann was born
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