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Cartier steps into the world of ancient gods at the Capitoline Museums

Mosaic of the Doves. From Villa Adriani, Tivoli (1737), end of the 1st century BC. Mosaic. Musei Capitolini, Palazzo Nuovo, Rome. Inv. S 402.

ROME.- The Capitoline Museums have entered a new chapter. For the first time in its long history, Palazzo Nuovo has opened its doors to a temporary exhibition—and it has done so with brilliance. “Cartier and Myth at the Capitoline Museums,” which opened on November 14, 2025, is now welcoming visitors into a world where ancient marbles and modern jewels speak the same timeless language. The exhibition runs through March 15, 2026, but early visitors are already calling it one of Rome’s most evocative cultural events of the season. This unprecedented show places some of Maison Cartier’s most iconic creations—many drawn from the historic Cartier Collection—alongside the legendary marble statues once collected by Cardinal Alessandro Albani. These sculptures, central to the museum since the 18th century, have shaped the visual imagination of Europe for centuries. Now, Cartier’s jewels enter the conversation, offering a modern interpretation of the ancient wor ... More

The Best Photos of the Day







LACMA debuts Deep Cuts, a global exploration of block printing across 1,200 years   National Gallery of Art, Washington, and National Gallery of Victoria collaborate on cultural exchange   Baltimore Museum of Art debuts major new film by John Akomfrah


Hashiguchi Goyō, Woman Combing Her Hair, 1920, Los Angeles County Museum of Art, gift of Carl Holmes, photo © Museum Associates/LACMA.

LOS ANGELES, CA.- The Los Angeles County Museum of Art presents Deep Cuts: Block Printing Across Cultures. Drawing primarily from LACMA’s permanent collection, the exhibition explores the repeated revival, reinvention, and refinement of block printing—the world’s oldest and most versatile method of making multiple images. Where traditional surveys have dissected the history of printing by geography, chronology, and typology, Deep Cuts bridges these silos to reveal more expansive, interconnected stories. Organized thematically, Deep Cuts invites visitors to consider the medium not only as a means of creative expression but also as a vehicle for mass production that enabled images and ideas to circulate widely. The works in this exhibition span centuries and cultures, dating back to the eighth century and originating in Asia, Europe, and North America. The selection includes more than 200 objects, ranging from textile designs to printed books, scrolls, devotional images, wallpaper, costumes ... More
 

Emily Kam Kngwarray (Anmatyerre), Anwerlarr Anganenty (Big Yam Dreaming), 1995. Synthetic polymer paint on canvas, overall: 291.1 x 801.8 cm (114 5/8 x 315 11/16 in.) National Gallery of Victoria, Melbourne, Presented through The Art Foundation of Victoria by Donald and Janet Holt and family, Governors, 1995 © Emily Kam Kngwarray/Copyright Agency, 2024. Photo: Christian Markel / NGV.

WASHINGTON, DC.- The National Gallery of Art, Washington, and the National Gallery of Victoria (NGV) in Melbourne, Australia, announced a cultural partnership that will facilitate the global exchange of key works from the permanent collections of both leading arts institutions. This collaborative effort creates new opportunities for global audiences to experience defining works of art that reflect these respective cultures. The exchange begins with one of the largest exhibitions of Aboriginal and Torres Strait Islander art ever presented internationally. The Stars We Do Not See: Australian Indigenous Art premiered on November 15, 2025, at the National Gallery of Art and subsequently travel to the Denver Art Museum in Colorado, the Portland Art Museum in Oregon, and the Peabody Essex ... More
 

Installation view of John Akomfrah The Hour Of The Dog at the Baltimore Museum of Art, November 2025. Photo by Mitro Hood.

BALTIMORE, MD.- On November 16, the Baltimore Museum of Art will open John Akomfrah: The Hour Of The Dog, a new immersive installation by the acclaimed artist and filmmaker that creates a dynamic dialogue between the powerful history of the Civil Rights Movement and contemporary experience. Co-commissioned by the BMA and the Menil Collection in Houston, and formally added to the BMA’s collection in 2021, the work engages viewers through moving images across six screens and a multi-channel soundscape. Drawing on archival materials as well as newly filmed footage, The Hour Of The Dog radiates the palpable energy of activist movements and invites reflection on memory, cultural authorship, and the fluidity between past and present. The installation will remain on view at the BMA through February 1, 2026, and then travel to the Menil Collection later in 2026. At the BMA, the presentation will be accompanied by interpretation and programs that highlight Civil Rights activists and campaigns ... More


Museum Voorlinden opens new collection exhibition Stillness in the storm   Louis Stern Fine Arts unites historic and contemporary voices in 'Perspective and Plane'   Hong Kong Palace Museum opens exhibition showcasing 3,000 years of textile mastery


Philip Vermeulen, 10 Meters of Sound, 2014-2025, Collection museum Voorlinden

WASSENAAR.- To brave the storm, one must step into its eye – returning to the core, the place where silence reigns and clarity emerges. This is precisely what the new Voorlinden collection exhibition Stillness in the storm offers: a moment of reflection in a whirling world. In the exhibition, artists such as Anish Kapoor, Marina Abramović, Massimo Bartolini, and Arturo Hernández Alcázar demonstrate that silence can be a source of strength – a gentle, steadfast response to the storms that surround us. The exhibition is on display from 15 November 2025. ‘ ‘In a world of constant distraction, taking the time to connect to ourselves and to others is becoming a challenge’, says Marina Abramović. The performance artist has therefore created Counting the Rice, a work included in Voorlinden’s new collection exhibition. Visitors are invited to spend an hour counting grains of rice and lentils while wearing noise-cancelling headphones. According to ... More
 

Mokha Laget (b. 1959), Red Square, 2022. Vinyl emulsion on shaped canvas, 28 x 33 inches; 71.1 x 83.8 centimeters.

WEST HOLLYWOOD CA.- Louis Stern Fine Arts is presenting Perspective and Plane, a group exhibition featuring pairs of works by the gallery’s estate and contemporary artists. Known for its championing of historical artists like Lorser Feitelson, Helen Lundeberg, Karl Benjamin, and Alfredo Ramos Martínez, Louis Stern Fine Arts has also fostered the careers of contemporary living artists, including James Little, Mark Leonard, Mokha Laget, and Cecilia Z. Miguez. Perspective and Plane merges these two aspects of the gallery’s program. Works by estate artists are presented in tandem with works by contemporary artists affiliated with Louis Stern Fine Arts. Each work dialogues with its counterpart from a different era, taking disparate approaches to similar subject matter or kindred aesthetic concerns; new themes and interpretations emerge through the juxtaposition of past and present. Paintings by ... More
 

Mr Chris Hall (centre) and representatives of the Hong Kong Palace Museum attended the media preview of the “A History of China in Silk: The Chris Hall Collection at the Hong Kong Palace Museum” thematic exhibition.

HONG KONG.- The Hong Kong Palace Museum is presenting a new thematic exhibition, “A History of China in Silk: The Chris Hall Collection at the Hong Kong Palace Museum” in Gallery 6 from 1 October 2025 to 6 April 2026. Drawing on the Chris Hall Collection at the Hong Kong Palace Museum, a promised gift to the Museum, this major exhibition features over 100 spectacular Chinese textile treasures dating from the Warring States period (475–221 BCE) to the early 20th century. Placing the development of silk within the broader context of Chinese history, the exhibition celebrates China’s technological and artistic achievements as well as its interactions with the rest of the world over the past three millennia. In December 2024, the renowned Hong Kong-based art collector, Mr Chris Hall, offered a promised gift to the ... More


Rio Kobayashi transforms reclaimed London materials into playful new sculptures at Kate MacGarry   Kati Heck serves up a surreal blend of humor and humanity at Tim Van Laere Gallery   Art Institute of Chicago debuts Jane Alexander's haunting 'Infantry with beast' in rare U.S. appearance


Rio Kobayashi, Bosa Bosa Chair 2, 2025, wooden chair, brushes, 100 x 55 x 48 cm.

LONDON.- Kate MacGarry is presenting a solo exhibition by Rio Kobayashi. Continuing his exploration of repair and reinvention, the exhibition features a new body of furniture and sculptural works crafted from reclaimed materials salvaged from across London. A crooked pencil symbolises an unconventional creative and irregular process, one that embraces irregularity and finds beauty in imperfection. The title’s double meaning, alluding to manipulation and deceit, echoes Kobayashi’s first solo exhibition at Cromwell Place (2023), One Hand Washes the Other – an ambiguous phrase suggesting both collaboration and corruption. Works in the show have been made from a walnut wardrobe, a mahogany folding screen and reclaimed doors, shelving and fireplaces from a Victorian townhouse. Kobayashi combines wood, metal and glass in functional yet playful compositions, with varied references to science fiction, motorsport and Buddhist iconography. “I use colour to create more of an emotional ... More
 

Kati Heck, Bindemittel I, 2025. Horse apples, eggs, cardboard paper, wooden board, air-dry clay, 30 x 45 x 32 cm.

ROME.- Tim Van Laere Gallery is presenting The brodo, the new solo show of Kati Heck. This is the sixth solo show of Heck since joining Tim Van Laere Gallery in 2011 and her first show in our Roman space. In The brodo, Heck continues her long-standing exploration of the transformative processes that bind human, social, and emotional life. Known for her virtuosic handling of paint and her ability to merge realism with absurdity, Heck constructs a world in which tenderness and grotesque humor coexist, constantly dissolving into one another. Her practice has always moved between the theatrical and the intimate, between the instinctive gesture and the meticulously staged tableau. Here, that dynamic takes the form of a metaphorical soup, a social and spiritual broth in which everything is connected and nothing remains stable. A drawing/collage functions as the exhibition’s abstract recipe, pairing a simple ladle with a written formula. Part instruction, part incantation, it distills Heck’ ... More
 

Infantry with beast (detail), 2012. Artworkers Retirement Society. © Jane Alexander and DALRO. Photo by Mario Todeschini.

CHICAGO, IL.- The Art Institute of Chicago announces Jane Alexander: Infantry with beast on view November 15, 2025 through January 12, 2026. This powerful installation has never been seen in Chicago and is making its first appearance in the United States in more than a dozen years. Infantry (2008-10) consists of 27 dog-headed human-like figures, diminutively sized at under five feet tall. The fearsome figures form a mottled grey phalanx marching with placid menace along a parade carpet of military red. In a feature unique to the Art Institute presentation, this carpet stretches 90 feet long and suggests an immense show of force. The formation advances toward beast (2003), a smaller creature crouched at the far end of the carpet and hunched in an expectant snarl. The dog-headed Infantry figures all gaze blankly upward and to the right, appearing to be awaiting orders. Visitors will encounter the piece from behind and then walk past the marching Infantry on the right-hand side, ... More


Norton Museum of Art presents solo exhibitions by Anastasia Samoylova and Shara Hughes   'Teatime' exhibition explores Qing Dynasty craft and the rise of tea traditions worldwide   Exhibition features a dynamic selection of paintings and celebrates newly acquired works


You’re Highly Evolved and Beautiful, 2019. Oil and acrylic on canvas, 68 x 60 in. (172.7 x 152.4 cm) Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Erika and John Toussaint, 2019.129 © Shara Hughes.

WEST PALM BEACH, FLA.- The Norton Museum of Art presents Anastasia Samoylova: Atlantic Coast and Shara Hughes: Inside Outside, two solo exhibitions on view concurrently this fall that reframe and reimagine the landscape of the United States. They will be on view from November 15, 2025, through March 1, 2026. “The exhibitions by Anastasia Samoylova and Shara Hughes exemplify the Norton’s commitment to presenting artists who challenge how we see and understand the world around us. Both artists are pushing the boundaries of their mediums to engage with identity, place, and belonging. These powerful new bodies of work will resonate deeply with our Collection and our community,” said Ghislain d’Humières, the Norton’s Kenneth C. Griffin Director and CEO. Both Samoylova and Hughes are among the Norton’s 2025 Artists-in-Residence. The program, which features two to four artists annually, emphasizes ... More
 

Teapot with the Flowers of the Four Seasons, about 1740–1795. 7 x 6 1/2 x 3 1/2 in. (17.78 x 16.51 x 8.89 cm). China. Enamel on copper. Bequest of Compton Allyn. Accession Number: 2014.1.26a-b.

CINCINNATI, OH.- The Taft Museum of Art presents Teatime: Chinese Enamels from the Taft Collection (November 15, 2025–March 22, 2026), the museum’s first exhibition dedicated to the history of tea and its cultural legacy. Adorned with colorful designs, the works of art included in the show are part of a bequest of 89 enamels from the late Reverend Compton Allyn. His gift forms one of the world’s largest known public collections of Chinese painted enamels. Featuring 24 rarely seen works from the museum’s collection—most of which are typically in storage—Teatime offers a unique opportunity to explore the beauty, symbolism, and craftsmanship of enamelware in the context of tea culture in China and beyond. From intricately decorated teapots and cups to saucers and tea caddies, the objects on view reflect the skill of Qing dynasty artisans. The exhibition also tells the broader story of the cross-cultural exchange of tea’s roots in China and how it became all the rage in 1 ... More
 

Wole Lagunju (Nigerian, b. 1966), The Adoration of Benjamin, 2023, oil on canvas, 75 × 57-1/4 × 1-1/4 in. Indianapolis Museum of Art at Newfields, purchased with funds provided by David Phillips, 2024.6. © Wole Lagunju.

INDIANAPOLIS, IN.- In Newfields’ newest exhibition, Bold: New Voices in Contemporary Art, discover thirteen compelling works from the Indianapolis Museum of Art’s expanding contemporary art collection. This exhibition reflects the IMA’s commitment to embracing powerful, diverse voices shaping the future of contemporary art around the world. Bold features newly acquired works by global artists, including Wole Lagunju, Esther Mahlangu, Wangari Mathenge, Manuel Mendive and Khalif Thompson, alongside emerging artists such as Turiya Magadlela, Katlego Tlabela and Kimathi Mafafo. The artists in the exhibition push the boundaries of traditional painting, moving beyond oil and acrylic into dynamic compositions that incorporate textiles, found objects, digital media and handmade materials. The result is a collection of electrifying, unconventional works of art. “This exhibition marks a bold step forward for ... More



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The content of art is never its subject. Leo van Puyvelde

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Christie's to offer the Historic Cellar of Jürgen Schwarz: Five Decades of Collecting
NEW YORK, NY.- Christie's will present The Historic Cellar of Jürgen Schwarz: Five Decades of Collecting one of the most comprehensive and meticulously curated private wine collections ever assembled. This extraordinary trove of fine and rare wines will be offered across a series of landmark auctions, beginning with Day I and Day II in New York on December 5 and 6, followed by sales in Hong Kong in Spring 2026. Spanning more than two centuries of winemaking, the collection reflects over fifty years of passion, scholarship, and global discovery by Jürgen Schwarz, a German collector whose life in wine has taken him from the shores of Lake Constance to the world's most storied vineyards. His journey began in the early 1970s, when a single bottle of 1940s Sauternes ignited a lifelong fascination with aged wines. While building a distinguished international consulting ... More

RM Sotheby's announces UK summer auction
LONDON.- RM Sotheby’s announced that it will host the UK summer auction in partnership with the Royal Automobile Club. The news coincides with the Club announcing its spectacular Concours at Woodcote Park will be returning next year on 8 July, building on the phenomenal success of its debut in 2025. Club Chairman Duncan Wiltshire said: “We are delighted to build on our relationship with RM Sotheby’s to present a unique motoring event at the height of the British summer. The inaugural event established a permanent place in ‘Summer Motor Week’, falling in between the British Grand Prix and the Goodwood Festival of Speed. The unique Woodcote Park estate will make a superb backdrop for the Concours and Sale, offering a cornucopia of automotive excellence with some of the world’s most exciting cars.” RM Sotheby’s is a key partner ... More

Jyll Bradley revisits her 1980s teenage bedroom in 'Hot Frame'
ISTANBUL.- In Hot Frame, British artist Jyll Bradley takes us back to her 1980s teenage bedroom, exploring queer identity and her relationship to nature through photography and sculpture. Her work in the exhibition deals with the physical and philosophical nature of thresholds. Hot Frame takes us through windows, hovers in doorways, and evokes open portals to move through or float within. As a teenager, Bradley spent a lot of time sitting in her childhood greenhouse observing the play between sunlight and glass, a visual language that became integral to her work. In Self-Portrait in Greenhouse Doorway (1987), she is captured perpetually moving between the permeable structure of the greenhouse and the lush garden that surrounds it. ‘Standing in the threshold of the greenhouse,’ she notes, ‘I remember the feeling of being inside and outside at the same time. Lately, ... More

Open Group confronts war, memory, and loss in poignant new exhibition Years at Dello Scompiglio
LUCCA.- The Associazione Culturale Dello Scompiglio presents Years, an exhibition by the Ukrainian collective Open Group, curated by Angel Moya Garcia. Following their acclaimed participation in the 60th Venice Biennale (2024) with the project Repeat after me II in the Polish Pavilion, Yuriy Biley, Pavlo Kovach, and Anton Varga return to Italy with a site-specific project conceived for the spaces of the Tenuta. In 2014, Russia annexed Crimea and supported the armed uprising in the Donbas, initiating a period of low-intensity conflict and eight years of mounting tension with Ukraine and the West. In February 2022, Moscow launched a full-scale invasion, initially aiming to capture Kyiv. The attack was repelled, forcing the Russian army to concentrate its operations mainly in the east and south of the country. Over the course of 2022, Ukraine regained significant territories, ... More

Hassan Khan's Little Castles exposes the shadows of power and social disintegration at Portikus
FRANKFURT.- Portikus opened Hassan Khan’s exhibition Little Castles, which takes place from November 14, 2025, to February 8, 2026. Around 10am on July 8, 2025 I took bus 170 from Insulaner bus stop in Berlin. Mornings on that stretch meant white German pensioners, ethnically mixed kids, and mothers with their babies. I noticed him straight-away. His large longish face, thick lensed glasses, slight wisps of hair and wiry body gave him a fragile yet volatile air. The next stop he stood up, shuffled to the door, pushing through the throng. Irritated, he suddenly unleashed a torrent of abuse at the woman in front of him who quickly jumped to the side to let him pass. Invigorated he stepped off the bus screaming at a louder more unhinged volume. The depth of his embodied disaffect directed at everyone. The doors shut, he stopped, narrowed his eyes and began ... More

Ali Kaaf illuminates presence and absence in The Fire's Edge
DUBAI.- Ayyam Gallery presents The Fire’s Edge, Ali Kaaf’s first solo exhibition at the gallery. This exhibition features the artist’s seminal body of work, including his Rift series, alongside selected works from his Helmet and Ras Ras series. These bodies of work highlight Kaaf’s interdisciplinary approach and exploration of medium and form. The Fire’s Edge evokes the fragile threshold where ancestral practices meet modern erasure. In many pre-industrial societies, fire was a tool of care and renewal, now recast as danger or waste. This edge marks not only the line between scorched earth and fertile soil, but also the vanishing space where knowledge, ritual, and ecology once intertwined. Through this lens, the title of the exhibition suggests a meditation on disappearance and persistence, on how destruction, drought, and extraction cast a shadow over the possibility of renewal. ... More

CARBON 12 marks its 100th exhibition with Gil Heitor Cortesão's All That Is Solid
DUBAI.- CARBON 12 presents their 100th exhibition, All That is Solid, Gil Heitor Cortesão sixth solo exhibition at the gallery. For ‘All That Is Solid’, his fifth exhibition at CARBON 12, Portuguese painter Gil Heitor Cortesão (b. 1967, Lisbon; lives and works in Lisbon) presents a suite of large and small works extending his investigation into the fragile perceptive systems and architectures of modernity. Working with oil on plexiglass, Cortesão constructs images that hover between coherence and dissolution, framing painting as a system at once striving for and resisting cohesion. The plexiglass surface, with its luminous depth, becomes both an unstable ground where image and reflection, clarity and opacity, continually slipper. At the heart of this new body of work lies the artist’s ongoing archival process: photographs of modernist interiors and glass structures, reconfigured ... More

Green Art Gallery opens Kamrooz Aram: Domestic Compositions
DUBAI.- Kamrooz Aram’s holistic approach to artmaking integrates sculpture, painting, and architecture, creating a context for viewing cultural artifacts anew that brings them back into the circulation of our vibrating, living present. In his collage series, Variations on Turquoise Bowl, 2025, for example, a photographic reproduction depicts a turquoise ceramic bowl, on which a painted central figure plays a lute, while, fringing the figure, an audience of figures appears in cloud-like vignettes composed of freehand lines. The photo is in turn framed by a painted square which is rimmed with a thin red pencil line, drawn with alacrity. Beyond the red line appears an open linen surface. Aram systematically isolates a color from within the photo reproductions, and in each instance, paints the square border to match it. The color of the photograph will be survived by the painted square ... More

William Turner Gallery debuts Guillermo Bert's powerful cross-cultural works spanning two decades
SANTA MONICA, CA.- William Turner Gallery is presenting Longing & Belonging, the gallery’s first solo exhibition by Los Angeles–based artist Guillermo Bert. This landmark exhibition brings together three major series spanning two decades of Bert’s practice—Warriors, Encoded Textiles, and Jacquard Punch Cards—each exploring the intersections of tradition, technology, and migration in the 21st century. Born in Santiago, Chile, and based in Los Angeles, Bert transforms materials and digital media into cross-cultural artifacts that preserve stories often silenced by systems of displacement. His works fuse ancient craft traditions with augmented reality, QR codes, and 3D modeling, creating a poetic dialogue between the handmade and the high-tech. In Warriors, Bert reimagines the ancient terracotta army of the Qin Dynasty as honor guard for today’s society, ... More

The Broad unveils Joseph Beuys retrospective
LOS ANGELES, CA.- This fall, in a multifaceted effort, The Broad will present a free collection exhibition, offsite public reforestation project, and series of programs connected with the legacy of Joseph Beuys’s art and environmental advocacy. The exhibition Joseph Beuys: In Defense of Nature is organized by The Broad’s curator Sarah Loyer with Beuys scholar Andrea Gyorody, director of the Frederick R. Weisman Museum of Art at Pepperdine University. It will coincide with a major reforestation initiative, Social Forest: Oaks of Tovaangar, as part of Getty’s landmark arts event PST ART: Art & Science Collide. These dual projects present Beuys’s work and practice as more urgent than ever before, as the planet’s climate continues to warm. Opening on November 16, 2024, the exhibition will present over 400 artworks that illuminate Beuys’s practice ... More



Medieval Cats, Dead Dad Pots and the Ceramics of Vicky Lindo & Bill Brookes




 



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Flashback
On a day like today, American artist Georgia O'Keeffe was born
November 15, 1887. Georgia Totto O'Keeffe (November 15, 1887 - March 6, 1986) was an American modernist painter and draftswoman whose career spanned seven decades and whose work remained largely independent of major art movements. Called the "Mother of American modernism", O'Keeffe gained international recognition for her paintings of natural forms, particularly flowers and desert-inspired landscapes, which were often drawn from and related to places and environments in which she lived. In this image: Alfred Stieglitz (1864-1946), Georgia O’Keeffe, 1918. Photograph, palladium print on paper, 243 x 192 mm. The J. Paul Getty Museum, Los Angeles © The J. Paul Getty Trust.



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