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Joan Danziger brings her magical art to the American University Museum in first career retrospective

Joan Danziger in her studio. Photo by Neil Greentree.

WASHINGTON, DC.- Experience 60 years of imaginative artistry that is both whimsical and unsettling in “The Magical World of Joan Danziger,” premiering Feb. 7, 2026 at American University Museum at the Katzen Arts Center in Washington, D.C. The exhibition is the first career retrospective for Danziger, who is actively producing art at the age of 91. Concurrent exhibition “Ravens: Spirits of the Sky” features her most recent works, 24 large glass and metal raven sculptures. Danziger has been a working artist since the 1960s. The retrospective traces her evolution from an abstract painter to a multimedia artist who transforms her creations into three-dimensional sculptures. More than 100 works, including 40 mixed media sculptures and 25 works on paper and canvas, show the breadth and depth of her artistic journey. “ ... More

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Morphy's Jan. 23 Old West & Native American Art Auction tallies over $1.5M   MAMbo - Museo d'Arte Moderna di Bologna presents John Giorno: The Performative Word   Emilio Steinberger joins Thaddaeus Ropac as Senior Director in New York


Circa-1902 framed poster for “Buffalo Bill’s Wild West and Congress and Rough Riders of the World,’ measuring 31¼in x 45¼in, $49,200.

LAS VEGAS.- Collectors came panning for gold at Morphy’s Old West & Native American Art Auction held January 23 in Las Vegas, as three of the four top-selling lots were solid gold items that brought a combined $204,180. The auction was held at the Westgate Casino & Resort, alongside the Las Vegas Old West & Native American Art Show and the Las Vegas Antique Arms Show held January 23 and 24. Gold certainly glittered, but the 569-lot auction was also filled with art, antiques, jewelry, home décor, cowboy paraphernalia, important and historical Western and Native-American art and antiques; apparel, saddles, spurs, bridles and other equine tack; Wild West Show items, and other early memorabilia. The emphasis was on quality and authenticity. By the time the final gavel fell, the sale had tallied over $1.5 million. All prices quoted include the buyer’s premium. The top-selling gold item, and ... More
 

John Giorno with Dial-A-Poem, 1970. Courtesy of Giorno Poetry Systems.

BOLOGNA.- John Giorno (New York, 1936–2019) was a magnetic poet and performer who knew how to transform words into art. From February 5 to May 3, 2026, MAMbo - Museo d'Arte Moderna di Bologna, a division of the Settore Musei Civici of Comune di Bologna, is presenting John Giorno: The Performative Word, curated by Lorenzo Balbi. Held in the Sala delle Ciminiere, this is the first major institutional retrospective celebrating one of the most radical and visionary figures in contemporary culture. John Giorno was a key figure in the avant-garde New York scene. A poet, artist and activist, he tore down the boundaries between disciplines, turning poetry into a living body capable of inhabiting unexpected places. His friendships and collaborations with major figures of that era, including Andy Warhol, Robert Rauschenberg, William Burroughs, John Cage, and Patti Smith, as well as his establishment of ... More
 

Emilio Steinberger. Photo: Christina Arza.

NEW YORK, NY.- Thaddaeus Ropac shared the news that Emilio Steinberger has joined the gallery as a Senior Director in the United States. He brings to this new role his extensive experience gained in the industry over more than 35 years in New York, working with artists – including a number who are represented by the gallery – and institutions and collectors alike. Emilio has expertise in both post-war and contemporary art, a background in curating, and has been instrumental in initiating exhibitions, commissions and acquisitions for both private and institutional collections. Emilio will take a key role, both in supporting and developing our projects and enabling us to further our efforts across the US, including working with our global secondary market sales team. Many of the artists, estates and foundations we work with are in New York, and our work with American institutions and collectors has always been integral to the gallery’s evolution. Emilio is a consummate gallerist with an ... More


National Gallery acquires Artemisia Gentileschi masterwork   Digital art commission by Memo Akten & Katie Hofstadter launches on whitney.org   INAH locates Pre-Hispanic vestiges in Xiutetelco, Puebla


Artemisia Gentileschi, Mary Magdalene in Ecstasy, c. 1625. Oil on canvas. Overall: 81 x 105 cm (31 7/8 x 41 5/16 in.) National Gallery of Art, Gift of Funds from Nina J. Cohen in honor of her father Emanuel Cohen and Patrons' Permanent Fund 2025.88.1

WASHINGTON, DC.- The National Gallery of Art today announced the acquisition of Mary Magdalene in Ecstasy, a rare painting from circa 1625 by renowned Italian painter Artemisia Gentileschi (1593–circa 1654). This is the first singular work by Gentileschi to enter the National Gallery’s collection. Its acquisition meaningfully expands the museum’s holdings of Italian Baroque paintings by adding a defining artwork by one of the 17th century’s most celebrated artists. The painting will be on view beginning late February in gallery 29 on the main floor of the West Building. This acquisition is made possible by a gift of funds from Nina J. Cohen in honor of her father Emanuel Cohen and Patrons' Permanent Fund. “It is a momentous occasion to bring Mary Magdalene in Ecstasy into the National Gallery’s collection as our first notable example of Artemisia Gentileschi’s remarkable work ... More
 

Memo Akten & Katie Hofstadter, still from The Thinking Ocean, 2026.

NEW YORK, NY.- The Whitney Museum of American Art launches The Thinking Ocean, a digital art project by Memo Akten and Katie Hofstadter commissioned for artport, the Museum’s online gallery space for Internet art. Part of the artists’ Cosmosapience series, this project simulates a natural body of water that shifts between fluid dynamics and computational code. With The Thinking Ocean, Akten and Hofstadter explore the ways society grants agency to machines that mimic humanlike behavioral patterns, while overlooking the complex computations that similarly unfold in nature. The Thinking Ocean situates viewers in an environment procedurally constructed with rule-based algorithms. The environment is fluid, dissolving into abstraction, and morphing into patterns that evoke biological cell structures, circuitry, and code. The shift between fluid behavior and computation uncovers that oceans and computers are governed by the same underlying logic, each serving as systems that carry, store, and tran ... More
 

Among the recovered materials, a globular pot—approximately 30 centimeters in diameter—stands out. Photo: courtesy of Alberto Diez, INAH.

PUEBLA.- Archaeologists working in the mountains of northeastern Puebla are literally uncovering the past beneath the streets of a modern town. Since December 2025, specialists from Mexico’s Ministry of Culture, through the Instituto Nacional de Antropología e Historia (INAH), have been carrying out an archaeological salvage project in Xiutetelco, where public works unexpectedly revealed the remains of a large pre-Hispanic city hidden for centuries below the current urban center. What today appears to be a quiet municipality once covered nearly 28 hectares and played a far more prominent role in regional history. The architectural platforms recently identified suggest the presence of an extensive ceremonial precinct that also served as a strategic node for long-distance trade, linking Xiutetelco to powerful Mesoamerican centers such as Teotihuacan and Tula. The archaeological intervention began as a preventive measure during ... More


Visualizing jazz: New book "WAIL" unearths the radical graphic history of Prestige Records   Record-Breaking Ferrari 288 GTO and FXX K Evo surpass expectations at Gooding Christie's landmark Paris sale   Lucid dreams and digital phantoms: Japanese artist ob returns to Perrotin New York


WAIL ISBN: 9781939125910
360 Pages, 9.50 × 11.50 in.


NEW YORK, NY.- WAIL is the first book devoted exclusively to the creators of the pioneering album cover design of Prestige Records, home to such musical giants as Miles Davis, Sonny Rollins, Thelonious Monk, and John Coltrane. Unprecedented in detail, WAIL documents a vital decade of creative brilliance and is a crucial contribution to graphic design history. An independent New York City label founded by Bob Weinstock in 1949, Prestige chronicled the vibrant modern jazz scene of the 1950s. At Prestige, the alliance of postwar jazz and modern art found its deepest and most enduring expression. Inspired by some of the most significant music ever recorded, Prestige album covers are a compelling panorama of midcentury graphic design, and WAIL tracks the evolution of Prestige’s visual identity through the personal stories of the people who shaped it. The new medium of record packaging provided the opportunity to create a ... More
 

The auction house staked out its territory in continental Europe with €50+ million in total sales and an exceptional 80% sell-through rate, surpassing results from other top houses that week.

PARIS.- International automotive powerhouse Gooding Christie's concluded its inaugural European auction on the continent as the official auction house of Rétromobile, the foremost European motoring event, realizing over €50 million in total sales with a leading sell-through rate of 80%, with 66 lots sold. The top lot of the sale was the record-shattering 1984 Ferrari 288 GTO, sold for €9,117,500, nearly €2 million more than the existing world record established earlier in January. The 2018 Ferrari FXX K Evo, offered without reserve, also astounded the crowd with its record-setting final figure of €6,980,000. Additional top sales throughout the day included the French classic 1938 Talbot-Lago T150-C-SS Teardrop Coupe, sold for €6,755,000, the Giallo Fly 1971 Lamborghini Miura P400 SV, sold for €3,380,000, and the 1938 Bugatti Type 57C Atalante, ... More
 

ob, Eat and Become One, 2025. Colored pencil, oil pastel, and oil on canvas. 39 1/2 x 28 11/16 x 2 3/8 inches. ©︎2025 ob/Kaikai Kiki Co., Ltd. All Rights Reserved. Courtesy Perrotin.

NEW YORK, NY.- Perrotin New York is presenting Phantom Tales, an exhibition of new paintings and drawings by Japanese artist ob. Belonging to a generation that grew up immersed in online worlds, ob’s work explores how imagination can blur and merge with reality.
In ob’s paintings, familiar objects become tangible representations of intangible ideas—time, emotion, and memory. Her hazy atmospheres are in contrast with rigid forms, such as smartphones or toys, creating a feeling akin to a lucid dream. Inspired by nui-dori, a Japanese hobby of taking photos of stuffed toys in everyday life, the objects in her paintings carry their own stories. Globally recognizable icons that have transcended cultural and generational boundaries—Pikachu, Hello Kitty, Kirby—become symbols of the emotional nourishment that can be drawn ... More


Shaping time and power: Ho Tzu Nyen makes his Belgian debut at Bozar   Kaufmann Repetto celebrates Bruno Munari's self-propelled mobiles   Philippe Garner's vibrant New York and French still lifes at Hamiltons


Ho Tzu Nyen_Portrait 2024 © Courtesy of Singapore Art Museum.

BRUSSELS.- From 6 February to 14 June 2026, Bozar presents the first exhibition in Belgium of the Singaporean artist Ho Tzu Nyen. The internationally renowned artist explores big questions in his ambitious artworks that bring together deep research, popular visual culture, and new technology. From documentary research to fantasy, his work combines archival images, animation and film in installations that are often immersive and theatrical. For Bozar, Ho Tzu Nyen is creating a new work titled P for Power, which builds upon his earlier work The Critical Dictionnary of Southeast Asia. At a moment in which the notion of power is being challenged and reconsidered, not least in the light of worldwide challenges to democracy but also in relation to developments in AI, his work dares to face pressing political and philosophical issues head-on. Two other large-scale installations are presented at Bozar and map out the artist’s vision. T for Time (2023) is a one-h ... More
 

Bruno Munari, Machina Inutile, 1956.

NEW YORK, NY.- kaufmann repetto is presenting Macchine Inutili (Useless Machines) 1934-1987, a solo exhibition dedicated to Bruno Munari’s transdisciplinary and unconventional practice, with a focus on his iconic, self-propelled mobiles. Bruno Munari (1907-1998) was a visionary pioneer who traversed freely art, design, graphic, education, always in tune with the major artistic movements of the 20th century. Since the outset he was interested in new processes of production and the exploration of innovative artistic media and languages. Stimulated by the experimentation of the avant-gardes — from Futurism to the Bauhaus and Neoplasticism — he started to challenge the static character of painting and sculpture. Since the early 1930s, he tackled the concept of abstractionism in space with his Useless Machines. Designed with minimal forms and a limited use of color, these devices employ light and shadow to produce abstract shapes on the walls of the environment. The dynamic encounter betwee ... More
 

This is the second solo show of photographs by Philippe Garner at Hamiltons.

LONDON.- The exhibition comprises vibrant colour images taken between 2000 and 2018 in New York – ‘the American city that has proved my most frequent and insistent subject’, says Garner – and Summer Still Lifes taken in the south of France in the summers of 1983 and 1984, presented for the first time in the gallery. Garner took his first US pictures in October 1973 in Richmond, Virginia. In 1976, he made his first pictures in Miami, then in 1977 in Los Angeles and Las Vegas. ‘Like others of my generation,’ he explains, ‘I was inspired by an idea of this vast country, an idea fuelled by the movies, music, magazines, TV, radical art, and certain strands of literature. I nurtured my version of the American Dream and have endeavoured through half a century to fix traces of that fiction in my open-ended portfolio of pictures. Countless trips later, I have accumulated an extensive memory-bank of images that distil all that has delighted my eye in this crazy land. Mi ... More



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The greatest enemy of art is the absence of Limitation. Orson Welles

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The Contemporary Dayton presents Gretchen Durst Jacobs: What the Body Carries
DAYTON, OH.- The Contemporary Dayton is presenting Gretchen Durst Jacobs: What the Body Carries, our latest Member’s Spotlight Exhibition that celebrates the vibrant creativity of our local and regional artist community. The exhibition features new work by Dayton-based artist Gretchen Durst Jacobs, presenting a body of encaustic monotypes that merge painting and printmaking to explore how experience is physically and emotionally held. Emanating from the body, the works use gesture, scale, and repetition to translate sensation, memory, and movement into abstract form. Throughout the exhibition, intuition and structure exist in dynamic balance, with grids often functioning as quiet frameworks that hold tension, rhythm, and emotional weight. Each encaustic monotype is created through a process that uses hot wax and pigment transferred onto a surface, resulting in a singular, ... More

Pitseolak Qimirpik's Pop-Inuit fusion debuts at Fort Gansevoort
NEW YORK, NY.- Beginning February 5, 2026, Fort Gansevoort will present Shapeshifter, its first exhibition with Pitseolak Qimirpik highlighting the Canadian Inuk artist’s vibrant graphic art and quirky tabletop sculptures. Characterized by energetic combinations of color and patterns, Qimirpik’s expressive drawings of Arctic wildlife and composite animal and human figures embody a playful and irreverent spirit. His complementary small stone carvings marry Western pop culture with traditional Inuit visual motifs. Fort Gansevoort’s exhibition marks the gallery’s third collaboration with the West Baffin Cooperative in Kinngait (formerly Cape Dorset), Nunavut—an artist collective renowned for its exceptional drawings, carvings, and printmaking. Founded in 1959 to support artmaking as an economic engine for the region, the cooperative is a vital creative hub for acclaimed ... More

Thaddeus Mosley's rare glass sculptures debut at Karma
NEW YORK, NY.- Between 2010 and 2013, sculptor Thaddeus Mosley, who has worked almost exclusively with wood since the 1950s, began experimenting with glass. Using fragments he collected forty years earlier from an abandoned bottle factory, the artist combined pieces of varying textures, colors, and shapes into an array of small-scale sculptures that are at once foils and companions to his often-monumental carved-wood sculptures. In both media, Mosley works with the inherent properties of the material rather than against them. Polished and molded by the elements and time, the fragments Mosley joined together each have their own unique character. The artist’s fusion of weather-buffed rounds into rhizomatic forms lends the sculptures an organic quality: one section branches out from the next as if its growth were inevitable; smaller clusters evoke barnacles ... More

Walters Art Museum appoints new Chief Collections and Curatorial Affairs Officer
BALTIMORE, MD.- The Walters Art Museum announced today that it has hired Dr. Katherine Larson as its Chief Collections and Curatorial Affairs Officer and Senior Curator of Ancient Art, overseeing curatorial, collections, conservation, and research at the museum, following a national search process. Larson, a museum professional with a decade of curatorial and leadership experience, will shape and advance the artistic vision of the museum. “We are thrilled to welcome Katherine Larson into this role. Katherine’s deep expertise and commitment to community engagement, scholarly excellence, and collections stewardship reflect the museum’s own commitment to access, research, and creating engaging, meaningful experiences for all visitors. I look forward to working alongside her as we continue to bring innovative exhibitions and installations to Baltimore ... More

New group show explores stillness as a collective condition
NEW YORK, NY.- Peter Blum Gallery is presenting in relation to stillness, a group exhibition curated by Auttrianna Ward of new and recent works by Abigail Lucien, Manuel Mathieu, Malcolm Peacock, Tadáskía, and Sarah Zapata. The exhibition is on view through March 27, 2026. The exhibition, in relation to stillness, is a presentation of works that do not ask us to define stillness, but to consider our relation to it. Here, stillness is felt in the labor of the work itself—through repetition, boundary, refusal, and intention. It is a way of working that resists immediacy without retreating from meaning. While the artists in this exhibition move across different materials and lineages, their practices share a commitment to duration, material patience, and time taken rather than time granted. Across sculpture, textile, painting, and drawing, the works center processes that unfold slowly and deliberately. ... More

New commissions by Mel O'Callaghan and Frances Barrett turn Sydney Opera House into a living work of art
SYDNEY.- The Sydney Opera House today announced Art on the Steps, two major new commissions by leading Australian artists Mel O'Callaghan and Frances Barrett. Their creations will be unveiled on Friday 10 and Saturday 11 April, when the Opera House’s Monumental Steps will be transformed offering audiences a rare opportunity to experience the power of the human voice. For Mel O'Callaghan’s Live Echo, four large tuning forks stand tall on the Monumental Steps as 300 singers from Sydney Philharmonia Choirs perform a composition based on the harmonic frequencies of the Opera House itself. For Frances Barrett’s Celia, seven vocalist-improvisors gather below the steps for an intimate meditation on extinction and loss. Both works, free for visitors, reimagine the possibilities of this celebrated civic space. Sydney Opera House Director of Programming, Brenna ... More

Manif d'art-Quebec City Biennial presents its twelfth edition Briser la glace / Splitting Ice
QUEBEC.- For seven weeks, from February 28 to April 19, 2026, the Québec City Biennial will transform the city into a veritable constellation of artworks presented in 41 venues across Québec City, Lévis, and beyond. This 12th edition highlights the work of artists from Québec, Canada, and around the world, including Cozic, Jessie Kleemann, Jota Mombaça, Françoise Sullivan, Anouk Verviers, and Giorgia Volpe, along with many major and emerging talents from 18 countries, for a total of over 60 artists. “With Briser la glace / Splitting Ice, I wanted to offer a poetic and political journey through winter. For me, splitting ice is a physical, sensitive, and engaging act: a way of exploring the tension between our body and the frozen landscape in a world that has been shaken by climate change. Snow, ice, thaw, blizzards, dormant or turbulent waters... water in all of its states becomes ... More

Sydney Cinémathèque launches at the Art Gallery of New South Wales
SYDNEY.- Marking 25 years of cinema programming excellence, the Art Gallery of New South Wales launches Sydney Cinémathèque this March, revitalising its much-loved film program and designating a space especially for the celebration of curated cinema in Sydney. Launching on Saturday 7 and Sunday 8 March, Sydney Cinémathèque will debut an expanded program of weekly film screenings, including director retrospectives, family and children’s sessions, silent film with live music performances, talks and workshops, honouring Sydney’s proud filmmaking tradition as a UNESCO City of Film. Art Gallery of New South Wales director Maud Page said: ‘We are thrilled to announce Sydney Cinémathèque and to be establishing a permanent home for cinema within the Art Gallery of New South Wales. For a quarter of a century, film lovers have gathered ... More

Beyond monochrome: Davide Balliano debuts first works in color at Tina Kim Gallery
NEW YORK, NY.- Tina Kim Gallery announced Abacus, an exhibition featuring new paintings and works on paper by New York-based artist Davide Balliano (b. 1983, Turin, Italy). On view from February 5 through March 7, 2026, the exhibition marks Balliano’s fifth solo presentation with the gallery and a significant moment in the evolution of his practice, with the debut of works in color and new series of gouaches on paper. Long defined by his monochrome palette, Balliano has for the first time introduced shades of red and ochre into his signature geometric paintings, reflecting his ongoing exploration of the tension between order and organic flux. The arches and curves that anchor his compositions, as well as the newly introduced earthy hues, explore the idea of entropic decay and the passage of time while also drawing parallels with the architectural landscape of the artist’s native ... More

Public Art Fund presents On the Flip Side, debuting new personal works by six viral photographers
NEW YORK, NY.- Public Art Fund debut On the Flip Side, a new photography exhibition that reflects the personal perspectives of six photographers – Kennedi Carter, Lougè Delcy, Camila Falquez, Ruby Okoro, Dana Scruggs and Juan Veloz – who each move fluidly between commercial and fine art practices. Each artist has produced widely circulated images for major publications and brands, from Vogue to Louis Vuitton. Their commercial work often features striking celebrity portraits that harness widespread attention, while their fine art practices – seen in museums and galleries – reveal more intimate narratives, capturing loved ones and envisioning aspirational worlds. On the Flip Side presents one new work from each of the six artists on 300 JCDecaux bus shelters across New York City, Chicago, and Boston – transforming a platform typically used for advertising ... More



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Flashback
On a day like today, Swiss artist H. R. Giger was born
February 05, 1940. Hans Ruedi Giger (5 February 1940 - 12 May 2014) was a Swiss artist best known for his airbrushed images that blended human physiques with machines, an art style known as "biomechanical". He was part of the special effects team that won an Academy Award for the visual design of Ridley Scott's 1979 sci-fi horror film Alien, and was responsible for creating the xenomorph alien itself. In this image: H. R. Giger, Birth Machine Baby, 1998 (detail of two from an edition of 23). Aluminum. Each: 20 7/8 x 8 3/4 x 8 3/4 in. 53 x 22 x 22 cm © H. R. Giger Museum, Gruyères, Switzerland. Photo: Matthias Belz. Courtesy Gagosian.



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