Mary Bauermeister, In Memory of Your Feelings, or Homage Jasper Johns, 1964-1965, glass lenses, wood, ink, and paint, 30 24 3/16 7 7/8 in. (76.2 61.4 20 cm). Hirshhorn Museum and Sculpture Garden, Gift of Joseph H. Hirshhorn, 1966. 2026 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn.
CHICAGO, IL.- Two very different and equally stimulating exhibitions open at Wrightwood 659 in Chicago on Friday, September 25, 2026. Each fulfills Wrightwood 659’s commitment to present socially engaged and compelling art which resonates with our time. Inner Worlds: Visions from the Hirshhorn Collection features the work of three trailblazing women artists who rose to international acclaim for their distinct approaches to perception and embodiment: Yayoi Kusama (b. 1929), Niki de Saint Phalle (1930–2002), and Mary Bauermeister (1934–2023). Born in Japan, France, and Germany, respectively, within five years from 1929 to 1934, all three artists rejected cultural archetypes traditionally imposed on women and made their way to New York by the early 1960s. These artists came of age in a period defined by economic instability and the rise of fascism. They lived through the devastation of the Second World War in their respective count ... More
The San Francisco nonprofit announced that it will cease operations in August 2026.
SAN FRANCISCO, CA.- SF Camerawork, one of the longest-running independent organizations in the United States devoted to contemporary photography, will close after more than five decades of exhibitions, artist support and experimentation with the photographic medium. Founded in 1974 by a collective of artists, the San Francisco nonprofit announced that it will cease operations in August 2026, citing years of rising operating costs, declining public funding and changes in the philanthropic landscape. The organization described the decision as a painful one, reached despite sustained efforts by its staff, board, artists, donors and supporters to find a financially sustainable path forward. “SF Camerawork is not alone in facing these pressures,” the organization said in its announcement, noting that arts organizations across the country are confronting similar financial challenges. For more than 50 years, SF Camerawork provided a platform for photographers ... More
George Rodrigue, A14 OS, 2009.
BATON ROUGE, LA.- The Louisiana Art & Science Museum will present Reflections: The Art of George Rodrigue, a landmark exhibition celebrating the life, artistry, and enduring legacy of one of Louisiana's most influential artists. Opening Saturday, August 15, the exhibition invites visitors to explore the remarkable evolution of George Rodrigue's career, from his early Cajun-inspired paintings to the internationally acclaimed Blue Dog series that captivated audiences around the world. Organized by the George Rodrigue Life & Legacy Foundation, Reflections showcases a diverse selection of Rodrigue's work, including paintings from his celebrated swamp dog series, portraits of Hollywood icons, and distinctive works on metal and chrome. Together, these pieces reveal Rodrigue's lifelong commitment to storytelling and his deep connection to Louisiana's landscapes, culture, and traditions. “George Rodrigue's art invites us to slow down and look more closely, not only at the Blue Dog, but at ourselves," said ... More
Tatyana Fazlalizadeh, (b.1985), Trae and Dynasty, 2017, oil on canvas, Gilcrease Museum, 01.2611
TULSA, OK.- Between 2021 and 2026, Gilcrease has purchased 20 new acquisitions. These pieces have played an important role in shaping the museum’s new narrative, while connecting with Gilcrease’s history and sense of tradition. Every acquisition made in the past two years has been by a living artist of color, a testament to Gilcrease’s investment in diverse and authentic perspectives. As the museum prepares to open in 2027, visitors can expect to see themselves and the stories of their ancestors reflected in the galleries’ narratives. The new acquisitions demonstrate Gilcrease’s investment in community. After closing for construction of the new building in 2021, the museum’s first purchase was a mixed-media painting by Crystal Z Campbell, who spent much of their life in Oklahoma. Commemorating the centennial of the Tulsa Race Massacre, “Notes from Black Wall Street: Infinity Doesn’t Interest Me” is part of a series in which Campbell blends archival imag ... More
CHARLOTTENLUND.- Ordrupgaard announced its new name Museum Ordrupgaard – coinciding with the launch of a new visual identity and website developed in partnership with the strategic design office Urgent.Agency. The rebranding is designed to elevate the museum’s profile and strengthen its position on both a national and international scale. The changes occur in response to Museum Ordrupgaard’s transformation into a modern museum complex, offering an increasingly diverse range of cultural experiences tailored to a broad audience. ‘We have eagerly anticipated unveiling our idea for a new visual identity, website, and name. In line with the museum’s strategic vision, our name has been upgraded to Museum Ordrupgaard. This allows us to more clearly communicate the experiences that await our visitors, ensuring that we are more identifiable to our partners. The new website and visual identity support our ambition to bring our diverse activities together into one cohesive whole, highligh ... More
Unlock new perspectives on the mind-altering power of psychedelics through better understanding their past and present.
TORONTO.- From sacred traditions stewarded over millennia to cutting-edge contemporary mental-health research, psychedelics have had a profound influence on societies throughout history. How we understand these age-old substances has significant implications – an issue expansively examined in a kaleidoscopic new exhibition opening this summer at the Royal Ontario Museum (ROM). Running until December 6, 2026, Psychedelics: Art. Culture. Science. explores the cross-cultural and scientific importance of altered states of consciousness. Deeply rooted in Indigenous, cultural, and scientific knowledge, the exhibition – featuring artworks, objects, specimens, and interactives – makes sense of a topic which has often been too contentious to tackle. The initial concept for this ROM-original exhibition was developed collaboratively by Dr. Justin Jennings, ROM Senior Curator, Archaeology of the Americas, and Colin ... More
A Highly Important Imperial Early Ming Cinnabar Lacquer ‘Phoenix’ Bowlstand Yongle Six-Character Mark and of the Period (1403–1425), With an Inscription by Emperor Qianlong Dated 1781, 6 7/8 in. (17.5 cm.) wide, box.
HONG KONG.- Following the announcement of 'The Royal Academy International Exhibition of Chinese Art 1935–36: A Commemorative Tribute', presented in collaboration with Daniel Eskenazi at Christie's Asia Pacific headquarters at The Henderson in Hong Kong, Christie's unveils further details of the exhibition and a major new six-volume scholarly publication, '1935 The International Exhibition of Chinese Art', published by Daniel Eskenazi and authored by Regina Krahl and Sarah Wong. Open to the public from 22 October to 6 November 2026 during Hong Kong Asian Art Week, the exhibition brings together an exceptional group of nearly 15 masterpieces across a wide range of collecting categories, all of which were showcased in the original landmark 1935–36 Royal Academy exhibition in London. This commemorative tribute exhibition, ... More
Joe Feddersen (b. 1953, Confederated Tribes of the Colville Reservation), Stripes, 2021, blown glass, 11 x 9 x 9 in. (29.2 x 24.1 x 24.1 cm). Collection of the artist; courtesy studio e gallery, Seattle, Washington. Photograph by Dean Davis. Joe Feddersen
MISSOULA, MT.- The Missoula Art Museum will present Joe Feddersen: Earth, Water, Sky, a career retrospective of nationally renowned artist Joe Feddersen (b. 1953, Confederated Tribes of the Colville Reservation). Gathering four decades of the prolific artist's prints, glass, weaving, and ceramics, this is the largest and most comprehensive exhibition of Feddersen's career to date, featuring more than 120 works ranging from miniatures to wall-sized installations. Moving fluidly between media, Feddersen cultivates a visual language that draws upon recognizable signs, symbols, and forms. With poignancy and humor, he transforms the familiar into a world of juxtapositions that confront how we see, use, and treat the natural world. In everything he creates, Feddersen promotes his belief in the power of the landscape and our interconnected relationship with it. This travelling ... More
Justin Caguiat, Untitled 7 (Alphabet of Dots), 2025, Aquatint and soft-ground etching, gampi paper chine coll over monotype on paper, 35.2 x 26.5 cm. Courtesy the artist; Greene Naftali, New York; Modern Art, London; and Serpentine, London.
LONDON.- Serpentine announced the first UK institutional exhibition of new and recent works by Justin Caguiat, on view at Serpentine South from 8 October 2026 to 10 January 2027. Change Ringing will bring together painting, sculpture, printmaking, sound and film. Justin Caguiat engages with the gallery beyond its interiority, using the architecture and infrastructure of the Serpentine South building to frame and display his artworks. Through a use of heat-responsive pigment, works on view at Serpentine will constantly change in colour and reveal different shapes as they react to environmental factors such as temperature and light. Though they resist fixed narratives, the paintings are reminiscent of fresco painting. Alongside canvases, sculptures and prints, Caguiat will also show a series of bronze bells cast in the shapes of various flowers and plant seeds varying in size. A score ... More
Bernardo Paz. Photo: Niin Content / Debora Guimares Divulgao.
BRUMADINHO.- Art collector and philanthropist Bernardo Paz today announced the creation of Museu Bernardo Paz, a project that will transform 126 hectares (311 acres) of the Minas Gerais countryside into an expansive new landscape dedicated to contemporary art, nature and community. The project is being built in phases, with a preview unveiling of the first pavilions and installations expected in September 2027. Continuing its founder's commitment to the development of the Brumadinho region, Museu Bernardo Paz will present exceptional works by renowned international figures and by a compelling new generation of artists from Brazil and South America. The project involves the creation of more than 20 galleries and pavilions as well as commissioned outdoor installations and sculptures, all organically integrated into a striking landscape that combines a lush botanical park with the museum's forest. Other elements will include a community center at the entrance with a library and art ... More
Installation view, Home, A Fire, at Cheng-Lan's Corner. 10 July-10 September, 2026. Image courtesy Cheng-Lan Foundation, Hong Kong. Photo: Felix Wong SC. Work on view: Laila Tara H., Takht (Backgammon), 2023.
HONG KONG.- Cheng-Lan's Corner is presenting Home, A Fire, the first of a two-part exhibition curated by Hong Kong-based curator Junni Chen. Echoing the appearance of a home, the artists each reference furniture and other household items; others refer to the architecture of homes themselves. Although seemingly innocuous on first glance, the works on view are the result of the artists’ internalisation of various agitations and pressures. From Laila Tara H’s Takht (Backgammon)—which references her act of viewing revolutionary protests in Iran from a distance, in her own bedroom— to Sofia Salazar Rosales’ They Ask to Stay—which points to objects extracted from commodification and forced mobility— what is revealed through this exhibition is how our living spaces can bear the emotional weight, ambivalence, and accumulated stress of dealing ... More
Mariana Rocha, O primeiro espao I, 2026. Acrylic and oil pastel on canvas, 80 x 60 x 3 cm [31 1/2 x 23 5/8 x 1 1/8 in] 1.8 kg. Copyright The Artist.
SAO PAULO.- A Gentil Carioca will present Espao Profundo (Deep Space), Mariana Rocha’s new solo exhibition at its So Paulo gallery. The text accompanying the exhibition is written by Andr Pitol — adjunct curator of the 36th So Paulo Biennial, professor, curator, and researcher. In this exhibition, Rocha presents a body of paintings that expands her investigation into bodies of water, bringing together the corporeal and the cosmic dimensions. In her works, movements, tides, and invisible forces reveal connections between interior and exterior, matter and the universe. In Espao Profundo (Deep Space), the artist explores painting as a field of transformation, where gesture, color, and line articulate themselves between control and intuition. “The body as a mobile space is present in Mariana Rocha’s painting, which transforms the equivalences between the body’s internal and external spaces into movements of the tides,” writes Andr Pitol. Mariana Rocha (b. 1988) is a ... More
Mie Olise Kjrgaard, Double net fighters, 2026. Acrylic on canvas, 40 x 30 cm / 15 3/4 x 11 3/4 in.
HELSINKI.- Mie Olise Kjrgaard paints women in motion – skiing, riding horses, playing tennis, and swimming, often carrying children as they go. They move with purpose, energy, and joy. In her work, Kjrgaard explores what happens when women act on their own terms and step beyond expectation. Her figures are active and powerful – taking risks, having fun, and asserting their freedom. Her vigorous, expressive style underscores the strength and independence of the women she depicts. These are not narratives of perfection, but of persistence, invention, and the courage to act. In her recent work, Kjrgaard extends this world into an underwater realm that defies gravity. Here, women swim through deep waters alongside fish and hammerhead sharks, in a space governed by its own laws. Freed from the rules of land, their bodies shift and transform on their own terms. Across these environments, her work asks a compelling question: what happens when we dare to surrender to play, risk falling, or ... More
Quote It takes a very long time to become young. Pablo Picasso
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Galerie Springer Berlin opens group photography exhibition Animals BERLIN.- Galerie Springer Berlin announced the group exhibition Animals. The show presents photographic works by Edward Burtynsky, Maria Jauregui Ponte, Ute Mahler, Werner Mahler, Loredana Nemes, Arnold Odermatt, Aitor Ortiz, and Stefanie Seufert, with guest artists Ursula Bhmer and Mirjana Vrbaški, complemented by works from a private collection. Several of the participating artists will be present at the opening. The exhibition does not aim for a documentary depiction of the animal world, but for a reflection on the artistic gaze itself: what moves each photographer to choose a particular subject, and how does the image take shape in the creative process? Many of the works are marked by a remarkable intimacy and familiarity in the relationship between the image-maker and the depicted creature — the works of Ursula Bhmer, Stefanie Seufert, Maria ... More
MOCAD presents Anyspace? Whatever. exhibition by artist duo rootoftwo DETROIT, MICH.- In Anyspace? Whatever. rootoftwo, the collaborative practice of Czanne Charles and John Marshall, transforms MOCAD’s galleries into a site for civic imagination, collective play, and technologically mediated dialogue. At its center is The Rotunda—an architectural installation designed to engage visitors in dialogue around privacy, governance, and technological rights. Visitors are invited to participate in guided conversations with an AI system to share their views on the future of cities. These exchanges are re-interpreted and broadcast outward, creating a dynamic interplay between private reflection and public discourse. By foregrounding both visible and hidden infrastructures, the work asks how data, access, and power shape everyday urban experience. The exhibition also features 463NCY, a tabletop game that casts players as agents ... More
Last chance to see: Oli Epp's Dirty Laundry at Perrotin SHANGHAI.- Perrotin is presenting Dirty Laundry with gallery artist, Oli Epp. Showcasing a new body of Unrealist paintings, Epp turns inward, ruminating on the last twelve months: fantasy, desire, shame, joy, seduction, deceit, and the small, absurd rituals we invent in order to move on. Oli Epp’s paintings have always delighted in contradiction: the glossy surface and the anxious undercurrent, childlike honesty and adult wounds. Deliciously unstable. In Dirty Laundry, Epp continues his exploration of ‘Unrealism’: a contemporary surrealism shaped by deception, misdirection, and the instability of images in an age when reality itself feels staged. He has described these works as a confrontation with the inner confessions and turmoils of the past year. A year of mixed messages, ticklish revelations and triumphs. Like any good soap opera, there are call backs, ... More
Australian Centre for Contemporary Art announces artists for NEW26 ABBOTSFORD.- The Australian Centre for Contemporary Art has announced the seven emerging artists selected for NEW26, reviving one of its most significant commissioning platforms a decade after its last presentation. Opening at ACCA from Friday 18 September to Sunday 22 November 2026, the exhibition brings together Amanda Bell, Amanda Bennetts, Nicholas Currie, Naveed Farro, Caesar Florence-Howard, Diego Ramrez and EJ Son, selected from across Victoria, New South Wales, Queensland and Western Australia for the strength and ambition of their early-career practices. Curated by Dr Shelley McSpedden and Sophie Prince, NEW26 will premiere seven major site-specific commissions by the selected artists, developed with ACCA to support the extension of their practices through ambitious experimentation within a major public institution. ... More
Galleria Continua presents major Antony Gormley exhibition What Holds Us SAN GIMIGNANO.- GALLERIA CONTINUA presents What Holds Us, an exhibition by celebrated British sculptor Antony Gormley that explores our condition as urban animals through the resonance of different materials, from primordial stone and clay to industrial concrete and iron, culminating in the most universal and insubstantial medium: cardboard. The gallery’s main theatre space is entirely occupied by a site-specific installation, Innercity (2026). Fifteen giant body buildings constructed from cardboard create an urban labyrinth that invites us to move between and through their open and closed spaces, which either deny us access or suggest that we crawl inside them. These works reinvent the body’s anatomy in the language of architecture. This playful recreation of our present state as city dwellers acts as a re-enchantment of environments that have, since ... More
Glass artist Ernests Vītiņš selected for GLASSTRESS 2026 in Venice VENICE.- The environmental object Nefertiti by Latvian glass artist Ernests Vītiņš has been selected for GLASSTRESS 2026, the prestigious international exhibition organised by Berengo Studio in Venice. The work was first presented in 2025 at the Museum of Decorative Arts and Design (MDAD) in Riga as part of the major Baltic contemporary glass art exhibition Layers, which brought together 24 professional artists from Latvia, Lithuania and Estonia. The exhibition received significant public attention and recognition from experts, while Ernests Vītiņš’s Nefertiti (2025) won the Visitors’ Choice Award as the exhibition’s best work. With the support of the State Culture Capital Foundation of Latvia (VKKF), the exhibition catalogue Layers was published in the spring of 2026 and distributed to leading glass art museums and institutions around the world. On ... More
Kemper Museum of Contemporary Art announces the exhibition Lie. Sit. Stand. Be still. KANSAS CITY, MO.- Kemper Museum of Contemporary Art presents the exhibition Lie. Sit. Stand. Be Still. on view August 28, 2026, through July 25, 2027. The exhibition will be presented in two parts, with a second rotation of artworks going on view February 5, 2027. The works featured in the exhibition suggest slowness, contemplation, silence, and rest. Referencing a 1995 portfolio in the Kemper Museum’s collection, which includes poetry by Michael McClure (b. 1932, Marysville, KS – d. 2020, Oakland, CA) and lithographs by Robert Graham (b. 1938, Mexico City – d. Santa Monica, CA), Lie. Sit. Stand. Be Still. offers an invitation to the viewer. States of rest and pause are referenced and/or encouraged throughout the exhibition, which posits reflection and free time as key to the human experience, both necessary and sublime. Lie. Sit. Stand. Be Still. Is composed ... More
Zak Ove's remarkable The Invisible Man and the Masque of Blackness installation comes to The Sherborne this autumn DORSET.- An extraordinary assembly of imposing, monumental and identical figures by British Trinidadian artist, Zak Ov, will transform the historic gardens of The Sherborne this autumn. Thirteen monumental figures – each over two metres high - The Invisible Man and the Masque of Blackness (2016) will create a powerful encounter for visitors to the historic Georgian house. Ov’s immediately impactful installation explores the strength and resilience of the African diaspora, with its title referring to Ralph Ellison’s landmark novel Invisible Man and Ben Jonson’s Jacobean court entertainment The Masque of Blackness, first performed in 1605. The Sherborne presentation brings the figures together in a new formation, created specifically ... More
Rare Chinese Ceramics from the Art Institute of Chicago
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On a day like today, Italian painter Lavinia Fontana died
August 11, 1614. Lavinia Fontana (24 August 1552 - 11 August 1614) was an Italian Mannerist painter active in Bologna and Rome. She is best known for her successful portraiture, but also worked in the genres of mythology and religious painting. She was trained by her father, Prospero Fontana. She is regarded as the first female career artist in Western Europe, as she relied on commissions for her income. Her family relied on her career as a painter, and her husband served as her agent and raised their 11 children. She was perhaps the first female artist to paint female nudes, but this is a topic of controversy among art historians. In this image: Portrait of Antonietta Gonsalvus, daughter of Petrus Gonsalvus, 1595, Muse des Beaux-Arts de Blois.
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