SANTA FE, NM.- An exhibition of paintings by David Simpson, DAVID SIMPSON: Paintings, is on view at Charlotte Jackson Fine Art from January 10th through February 7th. The gallery is located in the Railyard Arts District at 554 South Guadalupe Street. In winter the sun seems far away. The days are shorter, the nights colder, the days darkened by clouds and storms. In that darkness, we humans often seek light: the flicker of candle flame, the sparkle of slanting sun on snow, the glow of a hearth fire. Something in our nature turns us toward light like flowers tracking the sun from east to west. We have our own phototrophic natures. Artists, too, follow the light. So much of the artistic exploration of the later 20th century was about paring back – striping work down to essential factors like color, space, and light. Particularly, light. Some used actual bulbs to paint with colored light. Some sought to att ... More
Ali Cherri, Les (Sur)Vivants, 2025. Glass neon tube, white steel structure, transformers, dimmer switches, 153 x 24.1 x 55.9 cm. 60 1/4 x 9 1/2 x 22 in. Edition 1/3 + 2 AP.
NEW YORK, NY.- Almine Rech New York, Tribeca is presenting 'Last Watch Before Dawn,' Ali Cherri’s first solo exhibition with the gallery, on view from January 16 to February 28, 2026. I am obsessed with Ali Cherri’s watercolors. More recently, the artist has described his practice as having “two main branches”: sculptural objects and moving-image works. Yet I would gently quibble and propose that—intentional or not—his intimate watercolors, which emerged during the COVID-19 lockdown, constitute a third and crucial branch. Whether understood as studies or private reflection, they serve as an essential entry point into the broader cosmology of Cherri’s concerns: death, violence, occupation, imperialism, and the objects and artifacts through which these histories are sedimented, mediated and retold. Rendered with controlled yet fluid brushwork, Cherri’s ... More
El Museo del Barrio launched a new visual identity that underscores its commitment to elevate Puerto Rican, Latine, and Latin American voices.
NEW YORK, NY.- El Museo del Barrio announced the launch of its Spring 2026 season, along with extended museum hours, new performing arts series, and the debut of a bold new visual identity created in collaboration with Pentagram—initiatives that reflect El Museo’s enduring mission to champion Puerto Rican, Latine, and Latin American voices. The Spring 2026 season brings together groundbreaking exhibitions and programs that celebrate the richness and diversity of the Latine diaspora while inviting broader audiences to experience El Museo’s dynamic role in shaping the cultural landscape of the country and beyond. “El Museo is the product of Puerto Rican and Latine New Yorkers who built it, demanded it, and keep it alive,” said Patrick Charpenel, Executive Director of El Museo del Barrio. “This spring, that commitment continues to take tangible form. From Sophie ... More
Caroline Culp, Ph.D., the Chrysler Museum of Art’s new Brock curator of American art.
NORFOLK, VA.- Following an extensive nationwide search, the Chrysler Museum of Art appointed Caroline Culp, Ph.D., as the new Brock curator of American art. Culp will join the Chrysler Museum in February 2026. This role oversees the collection of American art created before 1945, one of the Museum’s key areas of focus with substantial holdings of early American portraiture, Hudson River School landscape painting and an extensive collection of neoclassical marble sculpture. “Caroline Culp has wide-ranging expertise and a strong commitment to compelling storytelling, which will offer our visitors exciting new perspectives on American art,” said Mark A. Castro, Ph.D., director of curatorial affairs at the Chrysler Museum. “Culp’s curatorial practice draws on the historical depth of works of art to emphasize their contemporary relevance, foregrounding the voices of women, artists working outside academic traditions and the ma ... More
Installation view, Dan Flavin: Grids, David Zwirner, New York, 2026.
NEW YORK, NY.- David Zwirner opened an exhibition of works by Dan Flavin featuring the artist’s grids, a key body of work that he began in 1976. The first focused examination of this form, this presentation will include several re-creations of the way Flavin installed the grids in significant exhibitions during his lifetime, and will feature loans from important public collections as well as the Estate of Dan Flavin. From 1963, when he conceived the diagonal of May 25, 1963 (to Constantin Brancusi), a single gold fluorescent lamp installed diagonally on a wall, until his death in 1996, Flavin produced a singularly consistent and prodigious body of work that utilized commercially available fluorescent lamps to create installations (or “situations,” as he preferred to call them) of light and color. Through these light constructions, Flavin was able to literally establish and redefine space. As curator Michael Govan observes, the grids count “among the most ... More
Geneviève Claisse, Composition, 1963.
PARIS.- Recognized as one of the leading voices in French geometric abstraction, Geneviève Claisse explores the subtle balances between form, color, and pictorial plane. Galerie A&R Fleury has joined forces with Maison Longchamp for a double exhibition, inviting the public to discover a collection of previously unseen works presented in two iconic locations: Rue Saint-Honoré, at the Longchamp’s flagship, and Avenue Matignon, in the gallery’s artistic setting. From the start, Claisse has developed a geometric yet deeply sensitive body of work, in which form, colour and the pictorial plane enter into dialogue. Faithful to a constant search for visual balance, Claisse established her personal approach very early on. Claisse’s painting seeks neither narrative nor demonstration, but rather a visual experience in which the gaze is constantly set in motion. Geneviève Claisse asserts an intuitive geometric abstraction, where formal precision is combined with profound freedom. She thereb ... More
Jacqueline de Jong, Serendipity, 2003 . Lithograph. Edition of 100. 64 x 47,5 cm (25 3/16 x 18 11/16 in).
PARIS.- From January 15th to March 7th, 2026, Galerie Lelong is presenting an exhibition of prints by Pierre Alechinsky, Jacqueline De Jong and Asger Jorn, three major figures of the 1950s and 1960s European avant-garde. Their works are characterised by a shared rejection of fixed forms and a conception of art as a living experience, where gesture, text, chance and irony combine in the creative process. These artists were brought together by a deeply committed vision of creation: art as an act of disrupting reality, as the construction of unprecedented situations capable of thwarting cultural and social automatisms. All three took part in the movement initiated by the CoBrA group, while Asger Jorn and Jacqueline De Jong continued this movement with the Situationist International, which closely intertwined imagination, play, spontaneity and political critique. Their prints reflect this subversive energy, combining ... More
Henni Alftan, A, 2025. Colored pencil on paper, 9 7⁄8 × 7 7⁄8 in. (25 × 20 cm), 18 × 16 in. (45.72 × 40.64cm) framed.
LOS ANGELES, CA.- Corresponding to the letters of the Roman alphabet, the twenty-six drawings by Henni Alftan in ABC depict common objects floating against monochromatic grounds. Each composition contains an object or array of items whose English names begin with the titular letter—A (all works 2025) is for aspirin and ants, B is for Band-Aids, buttons, and buckles, and so on. The artist chose only objects small enough, in reality, to fit within the bounds of her approximately ten-by-eight-inch sheets of paper. Working with these constraints, Alftan’s visual alphabet engages questions of illusory and pictorial space, classification and hierarchy, and the relationship between image and language. Without environments to orient them, the subjects of Alftan’s colored-pencil drawings invite morphological and conceptual connections, both within each frame and across her alphabet. In D, the dots on a die echo those on a pair of dominoes, the tines on the forks in F rhyme with the fingers on the ... More
Robert Rauschenberg, Hybrid (Stoned Moon), 1970. Lithograph, 54 1/4 x 36 inches. Ed. 8/52, published by Gemini G.E.L., Los Angeles.
MILWAUKEE, WI.- The Haggerty Museum of Art at Marquette University announced exhibition information about their four Spring 2026 exhibitions commemorating 250 years of America, Robert Rauschenberg’s 100th birthday, and an artist’s 10th anniversary project with local community members. All four exhibitions, with ties to history and social issues, open to the public on January 23, 2026. This Side of the Stars: Rauschenberg’s Stoned Moon in the Company of Kite, Paglen, & Yi explores the intersection of art, technology, and environment. Defying Empire: Revolutionary Prints from Britain and America challenges traditional, nationalistic narratives of the American Revolution. Contemporary prints and zines in Declaration of draw parallels between the circulation of print media during the American revolutionary period and today’s creative resistance. Let the Real World In imagines different scenarios for building a more just world through the lens of young ... More
PARIS.- Galleria Continua is presenting, for the first time at its Paris Marais venue, the solo show Vibraciones by Cuban artist José Yaque. Vibraciones offers a journey through a collection of works created in different formats and media, conceived as an expanded, multisensory experience. It brings together pieces from different stages of the artist’s creative process and, at the same time, signals a transition towards new formal experiments. The exhibition is divided into three distinct spaces. The visit begins with works with darker and more mysterious atmospheres, where there are no defined forms, but rather density, evocation, and flavor. In the second space, light and color begin to unfold progressively. Finally, the third space opens up to an explosion of luminosity and movement. The contrast between these atmospheres creates a dynamic and immersive experience for the viewer. The exhibition is located on the first floor of the gallery. To reach it, the viewer must ascend the stair ... More
Dan Flavin, Untitled (to V. Mayakovsky) 1, 1987, red fluorescent light, 40 1/4 x 41 3/4 x 3 1/2 inches (102.2 x 106 x 8.9 cm).
LONDON.- For CONDO London, Emalin hosts Peter Freeman, Inc., New York, presenting a duo exhibition of works by Anna Clegg (b. 1998, London) and Dan Flavin (1933–1996). The presentation stages a dialogue between two practices that, despite their differing media, contexts and generations, converge on how technology and conditions of circulation shape perception. Anna Clegg lives and works in London, UK. She graduated with a BFA from Chelsea College of Arts, London, UK in 2020. Recent exhibitions have been held at Soft Opening, London (2025); Madame Leniou, Athens (2025); Clarissa (Soft Commodity x Émergent), London (2025), Schiefe Zähne, Berlin (2025, 2024); Painters Painting Paintings, Online (2024); Triangolo, Cremona (2024); Soup Gallery, London (2024); Gnossienne Gallery, London (2024); greengrassi, London, (2022); and Nicoletti, London ... More
Atelier Van Lieshout, Burgher of Calais II, 2023. Bronze.
PARIS.- Through continuous experimentation, Atelier Van Lieshout creates sculptures that move between the organic and the industrial. These works dissect systems, rituals and societies alike, reflecting humanity’s enduring quest for survival into a better world. Featuring an ensemble of bronze sculptures from his ongoing bodies of works, Sculptures of Humanity intends to reveal a deeply humanitarian streak, dealing with the essence of life. The exhibition depicts a series of figures held within cage-like frames. These frames represent the limits, laws, and social rules that shape our societies, standing in tension with the individual longing of the figures for autonomy, growth, and a simpler way of being. At once protective and restrictive, the paradox of these frames lies in humanity’s urge to improve and control life, while making it increasingly complex to navigate the experiences that define existence: togetherness, freedom and love. Burgher of Calais II is the atelier’s int ... More
Backstage image from Claudia Bitrán's Titanic, A Deep Emotion, 2013-24. Photograph Rebekah Modrak.
NEW YORK, NY.- Cristin Tierney Gallery will present Titanic, A Deep Emotion, a solo exhibition, installation, and film by Claudia Bitrán. This marks the highly anticipated New York City premiere of her remake of Titanic (1997) and the artist's second solo show with the gallery. The exhibition opens Friday, February 20th, and will be on view through March 28th. The artist will be present at the opening reception. For more than a decade, Claudia Bitrán has been remaking James Cameron’s Titanic through an extensive collaborative process that spans film, painting, sculpture, drawing, animation, performance, and scenography. Using lo-fi materials, deliberately visible methods of production, DIY processes, and spontaneous casting, Bitrán meticulously reconstructs the original film scene-by-scene at an intimate scale. The project has involved more than 1,400 participants across the United States, Chile, and Mexico, who ... More
Quote Art is nothing more than the shadow of humanity. Henry James
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Desert X AlUla 2026 transforms Saudi canyons into a global canvas ALULA.- Returning for its fourth edition, Desert X AlUla 2026 explores Space Without Measure, inspired by Kahlil Gibran’s meditations on possibility, perception and the boundless nature of the human spirit. Large-scale, site-specific installations by Saudi and international artists respond to AlUla’s unique landscape, history, and culture. A vibrant programme of talks, tours, and workshops invites deeper engagement, while the exhibition continues building AlUla’s legacy as a global destination for art in the landscape. Desert X can be enjoyed in a variety of ways, including on foot - self-guided, or as part of a public or private guided tour - or in the comfort of an open-top car. Tarek Atoui creates a land art installation, The Water Song, for Desert X AlUla 2026, inspired by the mysterious desert kites of northern Saudi Arabia—ancient geometric formations whose purpose ... More
Mitchell Fine Art announces 'Director's Choice' exhibition BRISBANE.- Mitchell Fine Art in Fortitude Valley kicks off the 2026 exhibition calendar year with its annual show ‘Director's Choice’. The exhibition highlights the gallery’s diverse stockroom and includes artists who will be exhibited in 2026. Director Mike Mitchell has selected artworks from the Gallery’s collection showcasing a mix of contemporary and Aboriginal art. A dynamic mix of works by contemporary artists Arwin Hidayat, Carlos Barrios, Franck Gohier, Idris Murphy, Jorge Mariño Brito, Matthew Cheyne, Min-Woo Bang and Mirra Whale feature in this year’s selection. Impressively scaled paintings by Bombatu Napangardi, Dorothy Napangardi and Eva Nelson Napaltjarri drawn from the Gallery’s collection also feature. 2025 Hadley’s Art Prize winner Sophie Cape features artworks that ... More
Contemporary floral art takes root at Forest Lawn Museum GLENDALE, CA.- Forest Lawn Museum presents “In Bloom: Flowers in Contemporary Art,” an exhibition exploring contemporary approaches to the timeless floral theme. The media and artworks in the exhibition vary dramatically, with paintings, sculptures, installation, and video that range from naturalistic to abstract, and from playful to contemplative. “In Bloom” features the work of David Flores, DABSMYLA, Francesca Gabbiani and Eddie Ruscha, Simonette David Jackson, Jasmyn Marie, Analia Saban, Kim Schoen, and Tiffanie Turner, with new works by most artists. The exhibition is on view from until February 15, 2026. David Flores is a best known for his large-scale murals as well as his segmented style, which contrasts bright swaths of color with dark outlines. He skillfully manipulates positive and negative space, while incorporating his street-art style into delicate ... More
The Sweet Appreciation of Freedom: A Black History Month tribute at Jenkins Johnson SAN FRANCISCO, CA.- Jenkins Johnson San Francisco presents The Sweet Appreciation of Freedom, an exhibition featuring contemporary artists of the diaspora who address pressing social, political, and cultural issues of today. Taking its title from a famous quote by Malcolm X, “It’s only after slavery and prison that the sweetest appreciation of freedom can come,” the exhibition takes place during Black History Month and coincides with the anniversary of Malcolm X’s assassination. Sixty-one years later, these words remain relevant as these artists confront contemporary struggles. Through painting, sculpture, photography, installation, and writing, Patrick Alston, Genevieve Gaignard, Alex Jackson, Rindon Johnson, and Tariku Shiferaw explore ideas of liberation, identity, and resilience, challenging systemic racism while celebrating Black empowerment, creativity, and agency. ... More
California Art Club unveils Nature's Bounty at its gallery at The Old Mill SAN MARINO, CA.- The historic California Art Club (CAC) continues its exhibition series commemorating the Golden State’s 175th anniversary of statehood with Nature’s Bounty, opening Thursday, January 22, at the California Art Club Gallery at The Old Mill in San Marino. Nature’s Bounty celebrates the richness of California’s incomparable natural resources and abundant farmland, highlighting their ability to provide nourishment, beauty, and inspiration. Featuring imagery spanning from the Sonoma Coast to San Diego, the exhibition presents a curated selection of nearly 30 contemporary-traditional paintings, including bountiful agricultural scenes, awe-inspiring landscapes, unexpected still lifes, and figurative works depicting people in dialogue with their environments. Two free public events will mark the opening of the exhibition. CAC will host an opening reception ... More
Nicoletta Fiorucci Foundation presents its 2026 programme LONDON.- The Nicoletta Fiorucci Foundation presents its 2026 programme, which includes new commissions in both its London and Venice spaces, and the second iteration of the Nicoletta Fiorucci Foundation Prize at Frieze London. Known for challenging traditional approaches to sculpture, Nancy Lupo (1983, Flagstaff, USA) engages with material culture and language, exploring how collective fantasies and emotion become embedded in form. She tests ambiguity and confusion as conditions that are both unsettling and full of potential. Lupo’s first solo exhibition in the UK presents a new body of work conceived specifically for the Nicoletta Fiorucci Foundation’s London space. The exhibition includes a work co-produced with Spike Island, which will be presented at the Nicoletta Fiorucci Foundation and subsequently at Spike Island, Bristol. Jenna Sutela ... More
Edward Zutrau's transpacific abstraction debuts at Lincoln Glenn NEW YORK, NY.- Lincoln Glenn Gallery is presenting Edward Zutrau: Thirty Years, Two Worlds, a solo exhibition of works that encapsulate the artist’s evolution through his work created between 1958 and 1980. Shaping his artistic identity through his time abroad, Zutrau arrival in Japan in 1958 undoubtedly impacted his philosophical approach to art. At a time of reconstruction following the devastating toll of World War II, artists and creatives were a critical part of the conversation, with some believing a return to traditional arts and craftsmanship, often referred to as kōgei, would strengthen a sense of identity rooted in history and precedence. In the 1950s and 60s, Edward Zutrau inhabited two worlds on opposite sides of the globe: Tokyo and New York. The experience of straddling different cultures and residing in a foreign country during a time of great transformation ... More
Feiyi Wen and Xiaochi Dong bridge ancient tradition and modern ecology at Albion Jeune LONDON.- Albion Jeune is presenting Feiyi Wen (b. 1990, Beijing) and Xiaochi Dong (b. 1993, Shanghai) in The Garden and The Gaze. This exhibition is a dialogue between two artists whose practices use established Chinese materials, approaches, and ideas to navigate the intersections of nature, perception, and cultural tradition. Wen’s worktranslates the approach of East Asian landscape painting and early 20th-century mechanised aesthetics into photography, evoking a quiet, painterly softness that bridges analogue and digital realms. Similarly, Dong’s richly layered paintings and mixed media works draw on classical Chinese techniques and ecological practices to immerse viewers in evolving, tactile natural words. Together, their work unfolds as an exploration of the organic and the constructed, inviting reflection on the fluid boundaries between cosmic order and the ... More
The Jewish Museum announces the 2026 exhibition lineup NEW YORK, NY.- This year, the Jewish Museum in New York City presents a slate of timely new exhibitions that highlight works by significant historic and contemporary artists—from Paul Klee to Ruth Patir—and showcase the rich diversity of the Jewish diaspora. The presentations reflect the Museum’s reinvigorated commitment to centering cultural exchange and global ideas, following the opening of its newly transformed collection galleries and learning center this past fall. Paul Klee: Other Possible Worlds marks the first American museum show to focus on the artist’s late work, produced during his last, unsettling decade of life until his death in 1940. Having established his esteemed reputation during a decade-long tenure at the Bauhaus, Klee resigned his position in Dessau in 1931 and was offered another at the academy in Düsseldorf, where he sought to free himself ... More
Visions of the West: The William I. Koch Collection
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On a day like today, English architect John Nash was born
January 18, 1752. John Nash (18 January 1752 - 13 May 1835) was an English architect of the Georgian and Regency eras. He was responsible for the design, in the neoclassical and picturesque styles, of many important areas of London. His designs were financed by the Prince Regent and by the era's most successful property developer, James Burton. Nash also collaborated extensively with Burton's son, Decimus Burton. In this image: John Nash RA ‘Buckinghamshire Woodland’, Watercolour. 28 x 34cm. c1919.
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