SAN JUAN, PR.- Renowned Puerto Rican artist Gisela Colón presents her highly anticipated exhibition, The Salt of My Body Turns Into Light, on November 5 at the prestigious Walter Otero Contemporary Art gallery. After an extended and successful period abroad, Gisela is finally returning home at a pivotal moment in her career. And there is no better way to celebrate her return than alongside her longtime gallerist and dear friend, Walter Otero. "Having a solo exhibition by Gisela in my gallery is very meaningful to me. She is already part of my family, and I feel this is the right moment. In fact, this may be the last opportunity to see her work here for some time, as there are very ambitious international plans underway for her. Visitors will get a glimpse into her unique universe, and I can assure you it is beautiful and unlike anything else. To give you an idea, more ... More
Ilan Averbuch, Red Moon, 2026. Steel, granite, and cement foundation, 50 x 50 x 36 inches.
NEW YORK, NY.- After the Fire is a new body of sculpture and works on paper by Ilan Averbuch, his first exhibition at Nancy Hoffman Gallery since 2017. The exhibition continues a defining thread in Averbuch’s practice: the transformation of materials recovered from built environments – stone pulled from old bridges, curbstone salvaged from city streets, steel drawn from industrial sites – into vessels for memory, history, and interpretation. The exhibition brings together sculptures in granite and steel with an extensive body of drawings, including large-format works on paper and smaller drawings framed and installed together in a single, mosaic-like composition. The accumulation of drawings creates a field of shifting scale, gesture, and mark-making, placing the intimacy of the drawn line in dialogue with the physical weight and monumentality of Averbuch’s sculpture. Central to Averbuc ... More
NEW YORK, NY.- David Zwirner is presenting an exhibition by Japanese artist Yoshitomo Nara, featuring new paintings and drawings, recent sculptures, and earlier works selected by the artist. Spanning the gallery’s 537 West 20th Street and 533 West 19th Street locations in New York, this exhibition is the artist’s first solo presentation with David Zwirner and his first major solo exhibition in New York in nearly a decade. The nearly one hundred works on view explore Nara’s multidisciplinary approach and his multifaceted worldview. Behind his artistic creativity and his exceptional technical mastery of materials and methods lies an expansive imagination and a deeply personal sensibility originating from his solitary childhood growing up in Aomori in rural northern Japan, at a time when the nation’s rapid economic growth had yet to reach the region—being physically remote and culturally separate from the big cities, it had its own unhurried pace. Memories ... More
In 2027, Zeng will have two forthcoming solo institutional exhibitions, in Europe and Asia respectively.
NEW YORK, NY.- For his first New York City exhibition in over a decade, Zeng Fanzhi will present a new sculpture and a suite of resplendent new paintings that conjure imagined celestial landscapes and topographies. The works advance the celebrated Beijing-based artist’s ongoing investigation of color, perception and the material possibilities of paint. The exhibition introduces the latest chapter in Zeng’s practice, following on from his critically admired presentation "Zeng Fanzhi: Near and Far/Now and Then" on view during the 2024 Venice Biennale, organized by the Los Angeles County Museum of Art (LACMA). Informed by many years of research into color theory and the paint-layering techniques pioneered by the Impressionists and Post-Impressionists, Zeng’s latest paintings employ the principle of "mélange optique," or "optical mixing," in which hues are layered and placed alongside ... More
Jacqueline Marval, La Danseuse de Notre-Dame, 1921. Comité Jacqueline Marval – Nicolas Roux dit Buisson.
LONDON.- Dulwich Picture Gallery will present the first UK museum exhibition devoted to pioneering French artist Jacqueline Marval (1866-1932), a leading figure of the Parisian avant-garde. Driven by bold creative freedom and ambition, Marval carved out her own identity as an artist. She developed an original style through her innovative treatment of the female figure and reappropriation of her own image. As the artist of one of the earliest female nude self-portraits, Marval’s works challenged convention and reshaped representations of women in early 20th-century painting. Bringing together more than 40 artworks from public and private collections across France and the UK, including seminal masterpieces, the exhibition will trace the artist's remarkable career from her arrival in Paris in 1895 to the ambitious works of her later years. It reveals how Marval established herself within the city's avant-garde, alongside contemporaries including Henri Matisse, Pablo Picasso and ... More
Claes Oldenburg, Model for a Mahogany Plug, Scale B, 1969. Plywood and Masonite, painted with latex, 59 x 39 x 28 1/2 in. (149.9 x 99.1 x 72.4 cm).
NEW YORK, NY.- The Estate of Claes Oldenburg & Coosje van Bruggen and Paula Cooper Gallery, New York, present a major exhibition of sculpture, drawings and prints by Claes Oldenburg. The exhibition revisits Six Themes, the landmark survey show organized by Martin Friedman for the Walker Art Center in 1975 and which travelled to the Denver Art Museum; Seattle Art Museum; New Orleans Museum of Art; and the Art Gallery of Ontario, Toronto, in 1975–1976. Six Themes gathered artwork in various media that investigated six “themes” or subjects: Geometric Mouse; Three-Way Plug; Fagends; Clothespin; Typewriter Eraser; and Standing Mitt with Ball. As adopted by Oldenburg, each subject proved endlessly inspiring, and the six “themes” are among the artist’s most celebrated works. Prominent public examples include Typewriter Eraser, Scale X, on view in the Sculpture Garden at the National Gallery of Art, Washington ... More
NEW YORK, NY.- Sean Kelly Gallery announces, What the Light Becomes, Kehinde Wiley’s fourth exhibition at the gallery. The exhibition focuses specifically on contemporary New Yorkers and, more broadly, on how New York represents a portrait of America at this moment, not as a single cohesive identity, but as something diverse, shifting and continually being remade. The exhibition is conceived of as a love letter to New York and a return to the subject of the city that launched Wiley’s career, after a number of years in which his practice has taken him around the world. For this new body of work Wiley draws inspiration from Vivaldi’s The Four Seasons, a longstanding motif in art and literature, employed as a metaphor for the passage of time and the cyclical nature of change. Against the backdrop of a city defined by continual transformation, the changing seasons become ... More
OSLO.- Ane Mette Hol and Fredrik Værslev is a double exhibition taking place at Allé Allé and OSL contemporary simultaneously, connecting for the first time in duo form the work of two of the most consistently relentless Norwegian artists of the last two decades. Hol and Værslev graduated and entered the art world around the same time and have exhibited widely across many of the same institutions, and their work is to be found in many of the same institutional and private collections. Furthermore, the artists have followed each other’s careers with mutual admiration over the last decade, occasionally as part of the same exhibitions. Ane Mette Hol and Fredrik Værslev are two artists whose work deals with the conceptual and material minutiae found in the legacy modernism has left on contemporary art. Both artists tend to begin with an observation of form. Their works spring from similarities in logic and process more than visual or material likeness. Both artists deal with questions relati ... More
VIENNA.- The ALBERTINA is honoring Franz West (1947–2012) with a major retrospective for the artist's upcoming 80th birthday. West counts among those pioneers who revolutionized the very concept of sculpture by fundamentally redefining it. Already in the 1970s, he shifts the focus from the autonomy of the art object to the complex interrelations of material, body, perception, language, and social space. The radicalism of his work lies in how he dissolves the categories that have defined sculpture ever since classical Modernism: "Art would then no longer be […] something to be viewed, but something to be handled," says West to describe this redefinition of the relationship between artwork and the public. A central point of reference in West's work ... More
TextielMuseum presents 'Smart hands', a major exhibition celebrating designer Hella Jongerius.
TILBURG.- Since 31 October, the exhibition Hella Jongerius – Smart hands has been on view at TextielMuseum in Tilburg. An enormous cross-shapedcabinet forms the central spatial gesture of the exhibition and cuts through the exhibition space. With its bold colours, large volumes and passageways, the design divides the space into different thematic worlds and draws visitors directly into Jongerius’ design practice. Among dozens of partially opened archive boxes, material experiments and realised works, visitors discover how she thinks, experiments and ultimately arrives at a design. In this way, Smart hands reveals what normally remains hidden behind the work of one of the Netherlands’ most influential designers. The exhibition is centred around Hella Jongerius’ generous donation of her textile design archive to TextielMuseum. The textile archive comprises more than 4,000 sketches, models ... More
Sixten Sandra Österberg, Smältpunkt, 2026. Oil on canvas, 160 x 125 cm (63 x 49 1/4 in.).
STOCKHOLM.- Andréhn-Schiptjenko is presenting Shifts, Sixten Sandra Österberg's second solo exhibition with the gallery in Stockholm. The changing seasons have always anchored humankind in time, and have been associated with both transience and rebirth. In a Nordic context, the contrasts between winter and summer are striking - even in a contemporary, urban setting - and affect those who live there on both a practical and a mental level. In her new works, Sixten Sandra Österberg reflects on this subject, and for her the seasons have become a way of exploring questions about time: how it passes, how it changes us and how we age. Rather than depicting specific landscapes, or the body as a motif within them, she has sought, on a more introspective level, to portray humanity in interaction with the seasons. The works in the exhibition often focus on fine details or bring the viewer close to the people and objects they depict: a glance down at ... More
Lucy + Jorge Orta surrounded by their works.
NEW YORK, NY.- Mouraux Durand-Ruel Gallery is presenting The World We Keep Afloat, an exhibition featuring fifteen works by Lucy and Jorge Orta, on view November 5, 2026 – January 9, 2027, at 555 West 25th Street in Chelsea, New York. Bringing together unique works on paper in pencil, pigment ink and watercolor alongside limited-edition prints, the exhibition traces three interconnected bodies of work: Antarctica, Amazonia and Connector Mobile Village. These bodies of work examine how shelter, biodiversity and survival depend upon cooperation. Living and working in Paris, Lucy Orta, born in the United Kingdom (1966), and Jorge Orta, born in Argentina (1953), have collaborated since the early 1990s, developing an interdisciplinary practice. The key questions driving their work reflect on, how we inhabit the world equitably, equitable access to resources, the mobility and displacement of communities, social bonds, climate change and the accelerating loss of biodiversity. Internationally recognized ... More
Exhibition view of “Atlas” Torre – Fondazione Prada, Milano. Photo Delfino Sisto Legnani – DSL Studio. Courtesy Fondazione Prada.
MILAN.- Alex Da Corte’s installation Housepainter II (2025) is being presented as part of “Atlas,” the permanent project of Fondazione Prada in Milan. The is on view from Wednesday 28 October 2026 on the eighth floor of the Torre, alongside the artist’s Mouse Museum (Van Gogh Ear) (2022), which, from September 2025 for one year, was in dialogue with Claes Oldenburg’s Mouse Museum (1965–1977), on loan from mumok – Museum moderner Kunst Stiftung Ludwig Wien. Following the comparison with Oldenburg, Da Corte’s two installations can be seen side by side for the first time. Through solo presentations or unexpected comparisons between works created by international artists between 1960 and 2025, “Atlas” embodies a possible mapping of the ideas and visions that have contributed to the development of Fondazione Prada’s activities from 1993 to the present day. The project was ... More
Quote Painting is not merely the gratification of sight. Sir Joshua Reynolds
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New exhibition explores global connectivity and Nam June Paik's visionary satellite projects GYEONGGI-DO.- The Nam June Paik Art Center’s home city of Yongin is on the opposite side of the world from the location of Pinacoteca de São Paulo, and the two cities are separated by a time difference of exactly twelve hours. Thanks to today’s telecommunications technology, however, these two distant locales are able to link up with each other in real time. Beginning in 1984, Nam June Paik staged three satellite projects to connect different cities around the world, including Paris, New York, Seoul, and Tokyo. Those projects were about more than simply overcoming physical distance through technology—they offered settings for people from different times and cultural backgrounds to meet and form new relationships and possibilities. Going beyond a world uniting art and technology, his endeavors relate to the concept of the “translocal”: the idea o ... More
Galería Elvira González presents the European solo debut of American painter Dana Powell MADRID.- Galería Elvira González is presenting Natural, the first solo exhibition in Europe by the painter Dana Powell (b. Milwaukee, 1989). Powell’s small-scale paintings, created between 2024 and 2026, depict seemingly unrelated subjects. Roads lit by a car’s headlights, landscapes covered in an almost spectral fog, fruit still lifes, or lift doors that remain closed. No human figure ever appears, yet traces of human activity can be sensed in each of these works. Each scene resembles a still from a psychological thriller, frozen a moment before something happens. With barely any detail or embellishment, the artist relies on tight shots and slightly blurred shapes to create a constant sense of ambiguity. The result is a series of scenes of suburban America in which the sense of unease stems not from the supernatural, but from the everyday turned hostile. Beneath ... More
Hannah Levy explores the uneasy relationship between the body and design in third solo show at Casey Kaplan NEW YORK, NY.- Hannah Levy (b. 1991, New York, NY) presents Boiled, her third exhibition at Casey Kaplan. Seven new sculptures examine the uneasy relationship between the body and the designed world through visceral material interactions. Combining blown glass with hand-carved and polished stainless steel, Levy draws on the anatomies of arthropods and serpents alongside references to furniture, Art Nouveau ornamentation, and mobility aids. Bubbling glass in warm, organic hues is blown through, encased, and compressed by jointed limbs, pointed extremities, and sinuous supports. Her creature-object hybrids hover between defense and vulnerability, playing with the inherent tensions of the structures and systems ... More
Silverlens presents mixed-media assemblages and ancestral tapestries by artist Jakkai Siributr NEW YORK, NY.- Jakkai Siributr creates unique forms. His assemblages of fabrics, tchotchkes, beads, and personal memorabilia immediately prompt questions about the reasons for a play with both the experiential and iconic. The artist grew up on what have been described as the ‘spirit-filled’ streets of Bangkok. There is an everyday animism to be found in the Thai capital: all the spirit-houses and shrines, the devotional offerings of coke bottles as well as ornate garlands, the glittering temples, and saffron-robed trees. A superstitious use of magical talismans, from amulets to tattoos, is widespread in his home country. This is one context with which to consider Siributr’s exceptional methods within contemporary art. Such an environment allows for a range of materials and forms to be understood as touched by the otherworldly. A resource for an artist, if you will. ... More
Tate announces 2026-27 programme for Hyundai Tate Research Centre: Transnational LONDON.- Tate today announces the Hyundai Tate Research Centre: Transnational's programme for the year ahead. Launched in 2019, the Centre enables Tate to grow and develop art historical knowledge with individuals and organisations around the world, presenting a programme encompassing the Annual Symposium, seminars, performances and workshops. Its research will continue to inform activities across Tate’s four galleries and beyond, from a major exhibition of ink painting to an event exploring street art. The programme is made possible by the long-term partnership between Tate and Hyundai Motor, now extended until 2036, reflecting a shared commitment to artistic innovation and public access to contemporary art. The Hyundai Tate Research Centre: Transnational Annual Symposium begins tomorrow. Entitled Transnational Resistances, ... More
David Kordansky Gallery showcases layered projection paintings and domestic scenes by artist Jenna Gribbon NEW YORK, NY.- David Kordansky Gallery presents Projections, an exhibition of new paintings by Jenna Gribbon and the gallery’s first presentation of Gribbon’s work in New York. Projections is on view at 520 W. 20th St. from November 6 through December 19, 2026. Gribbon’s paintings probe the complex interrelationships between looking and performing, between the tangled psychoscape of a romantic relationship and its everyday expression. The larger paintings in Projections constitute an evolution of a series in which the artist creates layered, often borderline-surreal scenes by using a projector to stack photographic images onto each other and onto figures that are physically present in the studio. In these newest works, ... More
With low-stimulus visits, Bozar is increasing the accessibility of its programming BRUSSELS.- In order to enable as many people as possible to access its artistic offer, Bozar is further enhancing the accessibility of its programming. The institution offers ‘relax’ tours, guided tours for deaf or hard-of-hearing visitors, and inclusive film screenings (with subtitles and audio description). This offer, developed in collaboration with several partners, forms part of the CARE project: Transforming Mental Health Through Culture, co-funded by the European Union. Launched in November 2024, the CARE project has enabled more than 2,400 people to benefit from this tailored service at Bozar over the past two years. For the first time, Bozar will also be organising – on 9 December 2026 and 9 January 2027 – low-stimulus tours of the Jean Brusselmans exhibition. “Bozar is a place for meeting and dialogue, open to everyone. With this in mind, we felt it was important ... More
Oliver Beer transforms Kiasma's top floor into a prehistoric, resonant cave HELSINKI.- Lullabies, traditional songs, and vodou melodies intertwine in this autumn’s major installation at Kiasma, bringing to life the atmosphere and acoustics of a painted prehistoric cave. The exhibition presents the second iteration of British artist Oliver Beer’s video opera Resonance Project: The Cave, which premiered at the Lyon Biennale in 2024. Beer’s work has previously been shown at the Metropolitan Museum of Art in New York, the Centre Pompidou in Paris, and the Venice Biennale. The installation runs at Kiasma from November 6, 2026 to March 28, 2027. Beer was granted special permission to work and film inside Font-de-Gaume, an archaeologically significant cave in southwestern France renowned for its hundreds of prehistoric paintings, some dating back more than 15,000 years. While studying the cave’s acoustics, Beer discovered that its strongest ... More
National Gallery of Ireland unveils ambitious 2027 programme featuring landmark exhibitions and major collection rehang DUBLIN.- The National Gallery of Ireland has announced its 2027 programme, headlined by exhibitions depicting the west coast of Ireland over the past two centuries, the work and impact of German Expressionist groups Die Brücke (Bridge) and Der Blaue Reiter (The Blue Rider), plus news of a major total rehang of the Gallery’s permanent collection. The 2027 season will provide a journey through the world of art, showcasing a dynamic blend of Irish and European artists across multiple genres and eras. Beloved annual traditions also return in 2027, including the January display of the watercolours of J.M.W. Turner (1775–1851) and a celebration of contemporary Irish portraiture in the AIB Portrait Prize & AIB Young Portrait Prize 2027. In ... More
Peter Blum Gallery showcases paintings, collages, and new etchings by artist Erik Lindman NEW YORK, NY.- Peter Blum Gallery is presenting Perceval, a solo exhibition of paintings and etchings by New York-based artist Erik Lindman (b. 1985), marking his third exhibition with the gallery. The exhibition continues Lindman's ongoing investigation into the possibilities of painting and the expressive potential of printmaking. Exploring the relationship between two and three-dimensional forms, he exploits the physical properties of materials to generate new ways of seeing and experiencing the world. Working at the intersection of painting, collage, and sculpture, Lindman has developed a distinctive visual language. Blurring the boundaries between abstraction and representation, material and image, figure and ground are his focus. Incorporating found materials such as canvas webbing and other discarded surfaces, the artist constructs richly ... More
Studio Visit with Artist Mohammed Kazem
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On a day like today, American artist Harry Bertoia died
November 06, 1978. November 06, 1978. Harry Bertoia (March 10, 1915 - November 6, 1978) was an Italian-born American artist, sculptor, and designer celebrated for merging art, sound, and form into a unified creative language. After emigrating to the United States in 1930, he studied at the Cranbrook Academy of Art, where he became part of a visionary circle that included Charles and Ray Eames and Eero Saarinen. Bertoia first gained fame for his iconic wire furniture designs for Knoll, especially the Diamond Chair (1952), a modernist classic that remains a staple of 20th-century design. In this image: Harry Bertoia, Untitled, 1960, welded and patinated bronze, 6 x 12 1/2 x 7 3/4 inches.
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