Exhibition view „Monet on the Normandy Coast. The Discovery of Étretat“.
FRANKFURT.- The coastal town of Étretat has become a myth—and continues to fascinate to this day. The cliffs of Étretat, located in Normandy on the Atlantic coast, captivated numerous artists in the 19th century. The Städel Museum is presenting a major exhibition dedicated to the artistic discovery of the former fishing village of Étretat and its influence on modern painting. On view through 5 July 2026, “Monet on the Normandy Coast. The Discovery of Étretat” brings together around 170 exceptional paintings, drawings, photographs and historical documents on loan from leading French, German and international museums, as well as several private collections. Among them are no fewer than twenty-four works by Claude Monet. Étretat played an important role in the emergence of a new style of painting that went down in art history as Impressionism. Artists were particularly drawn to the distinctive cliff landscape, which they found both breathtakingly beautiful and threatening. Painters and ... More
LONDON.- The British Museum has today announced that Leena Nair CBE will join its Board of Trustees. Leena has built an extensive career in global business; she is the Global Chief Executive Officer of Chanel, headquartered in London, and previously spent thirty years at Unilever where she was the Chief Human Resources Officer and a member of the Executive Committee. Under her leadership, Chanel has deepened its century-long philanthropic commitment to arts and culture, and grown Fondation CHANEL, an independent foundation dedicated to advancing a world where women and girls can shape their own future. As the British Museum continues to deliver its Masterplan, one of the most significant cultural redevelopment projects undertaken anywhere in the world, Leena's unique experience and her leadership of one of the world's most iconic brands will be invaluable. ... More
JR, La Caverne du Pont Neuf, Esquisse #3, 2026, Color print on paper, pasted on zinc, charcoal, anti-reflect & anti- UV 70 % glass, walnut frame, 124.5 x 85 x 7 cm | 49 1/16 x 33 7/16 x 2 3/4 inches. Unique.
PARIS.- JR’s fifth exhibition at Perrotin coincides with the artist’s audacious unveiling of his monumental La Caverne du Pont Neuf in Paris, June 6–28, 2026. Strikingly original and destined to become legendary, this public art project temporarily transforms the Pont-Neuf, Paris’s oldest bridge, into a walkway reimagined as a cave of printed fabric: 120 meters long, 20 meters wide, and 18 meters high. For nearly a month, the immersive installation invites the public to experience it at all hours, day or night. Forty-one years after Christo and Jeanne-Claude’s The Pont-Neuf Wrapped, 1985, La Caverne du Pont Neuf continues JR’s tradition of large-scale trompe-l’oeil projects, which in recent years have adorned the Louvre, the Paris Opera, and the facades of Italian palaces. Inspired by Plato’s allegory of ... More
Hans Burkhardt, Pasadena Bridge, 1948, 60x50 inches.
PASADENA, CA.- The Los Angeles art scene takes center stage at Jack Rutberg Fine Arts in Pasadena in an expansive and unique exhibition entitled Pasadena: L.A.’s Art Legacy, running through August 29. The exhibition brings into focus Pasadena’s outsized and yet seldom addressed role in L.A.’s recognition as a major international art center. L.A. has the buzz! Despite the Pasadena area’s large community of artists, art schools, and its art museums that rival the finest institutions in America, what the broader Pasadena area has lacked over these many decades was a sustaining “gallery scene” that complimented the art exhibited in those institutions. Even Pasadena’s most consequential artists rarely exhibited in Pasadena galleries. Since its move to Pasadena, Jack Rutberg Fine Arts–among L.A.’s longest established galleries–has charted that absence. Taking a deep dive into the exhibition histories of these ... More
Jeppe Hein, Manaia (Māori: Messenger and spiritual guardian of the sky, earth and sea), 2026. High polished stainless steel, stone plinth (dimensions variable), 44.5 x 26 x 26.6 cm; 54.5 x 47 x 40 cm. 17 1/2 x 10 1/4 x 10 1/2 in; 21 1/2 x 18 1/2 x 15 3/4 in. Unique, cast in an edition of 3 + 2AP.
BERLIN.- KÖNIG GALERIE presents Jeppe Hein with YOU ARE NEVER REALLY ALLONE in the Nave of St. Agnes. Hein is known for works that place the viewer at the center of experience and use simple forms to shift the perception of space. In this exhibition, he reworks his mirror balloon sculptures as penguins that have floated from the ceiling to the ground. Their highly polished surfaces reflect and distort the surrounding architecture and the viewer, while the balloon form shifts from abstract volume to a body oscillating between weight and lightness. The figures appear suspended in stillness, ... More
#E94871 is a colour in motion.
MADRID.- ARCO has unveiled its visual identity for its 2027 edition. Both ARCOmadrid and ARCOlisboa will once again share a unified visual aesthetic through a new colour tone, further consolidating a key element of the fair’s identity: a shared visual language that connects the two cities and accompanies the content developed within each of their respective contexts. The signature colour for the season is #E94871, a chromatic choice positioned between red and magenta, intense and luminous, which will serve as the unifying thread throughout the visual communication of ARCOmadrid and ARCOlisboa 2027: from signage, catalogues and tickets to the urban spaces that will infuse the host cities with energy and vitality. #E94871 is a colour in motion. In Madrid, in March (3–7 March), it appears as a contained energy, ... More
LONDON.- Pace presents Kenjiro Okazaki’s first-ever solo exhibition in the UK at its London gallery from June 5 to August 7. Titled Never could be any other way — anagnorisis, the presentation brings together sculptures, large-scale paintings, and a selection of the artist’s delicately framed Zero Thumbnail series. The first part of the exhibition’s title, “Never could be any other way”, is the phrase inscribed in the run-out groove of The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band (1967), buried in the infinite loop after “A Day in the Life.” The second part, anagnorisis (ἀναγνώρισις), is Aristotle’s term from the Poetics for the moment of tragic recognition—the retroactive discovery that what has happened could only have happened this way. Both name the same structure, which is the central thesis of Okazaki’s forthcoming book The Discovery of Art: Conditions ... More
BASEL.- For Art Basel 2026, Galerie Urs Meile will present a curated selection of new works by both Eastern and Western contemporary artists from its program. The display will feature recent works by Antonio Ballester Moreno, Mirko Baselgia, Lêna Bùi, Cao Yu, Martin Disler, Klodin Erb, Guo Tiantian, Hu Qingyan, Ju Ting, Tobias Kaspar, Urs Lüthi, Miao Miao, Rosalind Nashashibi, Shao Fan, Loredana Sperini, Rebekka Steiger, Julia Steiner, Mai Ta, Wiedemann/Mettler, Xie Nanxing, Yan Bingqing, Yang Mushi and Zhang Shujian. The presentation will place the pioneering voices of the seminal generation of contemporary Chinese art in dialogue with a new generation of emerging positions, with particular emphasis on the contributions of female artists. Galerie Urs Meile will also participate in Art Basel Exclusive, unveiling an exceptional artwork by one of the gallery’s principal artists during the preview on June 16. Among others the selection ... More
Kulapat Yantrasast and Gayane Umerova. Courtesy of the Uzbekistan Art and Culture Development Foundation.
BUKHARA.- Bukhara Biennial announces the appointment of Kulapat Yantrasast as Artistic Director of its 2027 edition, set to take place September 3–November 21, 2027 in Bukhara, Uzbekistan. Conceived and commissioned by Gayane Umerova and the Uzbekistan Art and Culture Development Foundation (ACDF), Yantrasast will succeed Diana Campbell as Artistic Director and build on the foundations established by the acclaimed inaugural biennial that drew an estimated 1.8 million visitors to the UNESCO Creative City of Crafts and Folk Art 2025. With recent projects including the Metropolitan Museum of Art’s Michael C. Rockefeller Wing, Dib Contemporary Art Center in Bangkok, the ilmi Science Discovery & Innovation Center in Riyadh, and forthcoming projects at the Musée du Louvre, Yantrasast sits at the nexus of culture, exhibition making, and museumology as one of the most in-demand practitioners working in the field ... More
Willie Cole, Birth of the Blues, 2025, Woodcut print, 56 x 72⅞ in.
NEW YORK, NY.- Sargent’s Daughters is presenting “Mind, Body and Soul,” an expansive solo presentation of new and historic works by acclaimed multimedia interdisciplinary artist Willie Cole. Cole’s practice is at once highly conceptual and materially grounded, exploring the possibilities for everyday objects to reveal greater truths about the world we inhabit. In his first exhibition with the gallery, Cole will present works spanning three decades, including his signature found-object sculptures, large-scale prints, and scorched wooden panels. As the exhibition’s title suggests, Cole’s multidimensional work resonates simultaneously across mediums, disciplines, and themes. For the artist, the Mind refers to knowledge of the self and of World, American, and African Diasporic histories; the Body to materiality; and the Soul to the spirit and meaning of things. Cole interweaves these three forms of understanding within each work, allowing them to speak intellectually, formal ... More
Installation view IN SITU #1 - Nora Turato, 'I hear you, I hear you.' Photo: Peter Tijhuis.
AMSTERDAM.- The Stedelijk Museum Amsterdam is presenting a new site-specific commission by Nora Turato titled i was empty and now i’m full. Turato created the work specifically for the wall opposite Lawrence Weiner’s Escalated from Time to Time (1973), located on the museum’s first floor, at Fonda Café. It responds both to the legacy of conceptual art and to the context of a museum café, where one eats and drinks before, after, or in between seeing art. The work engages with associations of mental and bodily fulfilment while introducing a playful visual language. Set in Comic Sans—a font originally derived from comic book lettering and now often used in the context of children’s books, nurseries, and schools—the sentence i was empty and now i’m full forms a circle, with its letters appearing in a warm, sunny yellow. A sound component forms an integral part of the work, alluding in particular to fulfilment through eating and reinforcing the role of the body in (ae ... More
BASEL.- In December 2025, physicists at Hiroshima University proposed that in the first fractions of a second after the Big Bang, two species of cosmic string wound around one another and locked into stable topological knots. These structures briefly dominated the energy budget of the newborn universe before decaying to produce the matter-antimatter asymmetry from which all baryonic matter emerged. Before atoms, before forces, before form: topology. Identity is secondary. The knot comes first. This is the philosophical premise of Cosmic Knots. The exhibition makes a second, institutional argument: what if the same principle applied to art? Some art operates structurally like the cosmic knot. It precedes its own documentation and complicates the apparatus of measurement, visibility, and reproducibility through which contemporary culture converts experience into exchange value. It does not ... More
Jemila Isa, Rock and a Hard Place. Oil on wood panel, 59.4 × 84.01 cm – 23 3/8 × 33 1/8 in.
LONDON.- Maureen Paley is presenting Dreams Lost Upon Waking, the first solo exhibition of Jemila Isa at the gallery and held at our Studio M space. Working across painting and sculpture, she engages with themes of spirituality, faith, womanhood and the complexity of locating the self-amidst inherited narratives. “The show is inspired by a dream I had in 2015, which was so vivid and visually rich that I woke up and immediately wrote it down. This exact text appears on the surface of a work, The Dream, included in the exhibition. It begins: I dreamt that I was stood on a tall yellow hill, and beside me there was a one-legged swan. I blink twice, and the swan disappears, only then do I realise that there is an identical hill directly opposite mine. However, on this hill there is a white chapel, and in front of it stands a handsome man dressed in pink linen. No words are exchanged as we stare at each other from across our hills. But I intuitively know that the handsome man dressed in pink lin ... More
Quote To be an artist you must learn the laws of nature. Pierre-Auguste Renoir
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Sebastian Gladstone now representing Ce Roser NEW YORK, NY.- Sebastian Gladstone Gallery announced the representation of the New York-based artist Ce Roser. Ce Roser (born Cecilia Roser in Philadelphia, 1925) is a vital figure in postwar American abstraction whose career spans more than six decades. After early training at the Hochschule für Bildende Künste in Berlin with Hans Uhlmann, she settled in New York in the 1960s and developed a lyrical style of abstraction that merged European modernist influences, Chinese calligraphy, and a distinctly American painterly sensibility. Her work demonstrates how cross-cultural vocabularies reshaped abstraction at mid-century, broadening it beyond the narrowly Western frameworks that had long defined the field. As co-founder of the Women in the Arts Foundation in 1971 with Cynthia Navaretta, Roser was a pivotal force in the feminist art movement. ... More
GAMeC turns Bergamo's Palazzo della Ragione into a collaborative educational laboratory BERGAMO.- As part of Pedagogia della Speranza (Pedagogy of Hope), the program dedicated to education as a practice of freedom and transformation, in summer 2026 the GAMeC – Galleria d’Arte Moderna e Contemporanea di Bergamo presents Tabula Plena, an exhibition by Fosbury Architecture and Claire Fontaine conceived as a permanent laboratory that transforms the Sala delle Capriate at Palazzo della Ragione in Bergamo into a space for encounter and shared knowledge production, with contributions by Adelita Husni Bey, URPS (Ufficio Resurrezione Parole Smarrite), and Numero Cromatico. The laboratory platform designed by Fosbury Architecture—a collective that expands the boundaries of architecture through a multidisciplinary approach—was conceived in relation to the thought of the Brazilian pedagogue Paulo Freire. In Freire’s vision, education is a process ... More
Castlefield Gallery, Manchester, presents their first national collaboration with Pipeline, London LONDON.- United by a shared commitment to amplifying the work and voices of emerging artists, Castlefield Gallery and Pipeline's partnership is a rare platform that connects regional practice to national visibility. The collaboration provides an exclusive opportunity for Castlefield Gallery Associates - an artist-development membership scheme - to not only show work at both galleries in Manchester and London, but to also coincide with London Gallery Weekend. Disc Unknown brings together O’Rourke’s DVD-case paintings with larger mixed-media works, wall-based and freestanding paintings which will draw viewers through a landscape of repeated motifs, images, text and materials. O’Rourke’s paintings are often inspired by happenstance, such as an overheard conversation, something seen from a bus window or a found object. Living in Manchester has shaped ... More
Hend Samir wins 14th edition of the ABN AMRO Art Award AMSTERDAM.- Hend Samir is the winner of the fourteenth edition of the ABN AMRO Art Award. The jury describes Samir (1986) as a painter pur sang with a virtuosic technique who, in her work, tells enigmatic stories that seem to be constantly in motion. At the same time, she raises universal questions about trauma, sexuality, family relationships and forms of cohabitation. The ABN AMRO Art Award supports the development of promising female artists in the Netherlands and provides a platform for them to reach the widest possible audience. As part of the Award, Hend Samir will have an exhibition at the Stedelijk Museum Amsterdam March 5th, 2027, and later that year at the ABN AMRO Art Space. The jury is enthusiastic about Samir’s authentic style, in which she switches effortlessly between small, intimate canvases and expansive, metre-long works. In her swirling, ... More
De Appel announces alternative economic art projects and collective exhibition AMSTERDAM.- Building a House Without Bricks consists of a public programme and exhibition hosted by damdam—a collective of collectives brought together by de Appel Curatorial Programme, Sandberg Instituut temporary master Lumbung Practice, and Gudskul, Jakarta—which seeks to cultivate methods of collective organisation in times of crisis. The festival is formulated around three central questions: How to organise? How to distribute labour and resources? How to share what we produce? The exhibition at de Appel is the second act, after a three day public programme at OT301 in June, where you are invited into the house, turning to the physical and material structures inside. Acknowledging the limits of an exhibition, the collectives focus on objects and their potential for resource re-distribution through transvestment (transferring resources from one value ... More
Pip Greenaway debuts immersive video installation Too Much to Swallow AMSTERDAM.- Pip Greenaway’s graduation project Too Much to Swallow is an immersive architectural installation built around a three-channel video work. Reconstructing the atmosphere of a retail interior, the installation brings together filmed shop windows from London, Paris, Berlin, The Hague, and Amsterdam. These seductive storefronts, become symbols of desire and consumption within contemporary urban life. Threaded throughout the installation is a recurring figure, played by the artist herself, who compulsively chews gum until she gradually transforms into the product she consumes. Greenaway uses chewing gum as a metaphor for overconsumption: something intensely desirable at first, quickly losing its appeal, yet difficult to discard. Sound plays a central role in the installation. Greenaway created an ASMR-inspired soundscape that shifts between ... More
Centre Pompidou Hanwha announces Cubist exhibition as its inaugural show SEOUL.- Centre Pompidou Hanwha will present The Cubists: Inventing Modern Vision as its inaugural exhibition from June 4 to October 4, 2026. Centered on works from the collection of Centre Pompidou in France, the exhibition offers a broad survey of Cubism from its emergence around 1907 through the 1920s, taking a contemporary perspective on this revolutionary movement in 20th-century art. By spotlighting Cubism, the movement that opened a new chapter in the history of art, the exhibition symbolically marks the beginning of Centre Pompidou Hanwha. Rather than depicting objects from a single fixed viewpoint, Cubism reconfigured subjects seen from multiple perspectives within a single pictorial plane, reflecting the new visual experiences of modern life shaped by industrialization and urbanization. Organized through a joint curatorial approach between Korea ... More
Marc Selwyn Fine Art announces representation of Cynthia Talmadge BEVERLY HILLS, CA.- Marc Selwyn Fine Art announced the representation of New York–based artist Cynthia Talmadge, whose paintings, photographs, and installations explore the darker undercurrents of contemporary Americana and tabloid culture. Our representation is in collaboration with 56 Henry in New York. Drawing on extensive historical research and blending fact with fiction, Talmadge creates psychologically charged narratives that examine heightened emotional states and their mass media representations. Often painted in her signature Pointillist technique, she constructs elaborate environments that possess the atmospheric quality of a distant memory or cinematic vision. Through subjects ranging from celebrity rehabilitation centers and funeral parlors to imagined diplomatic settings, Talmadge transforms private experiences of anxiety, ... More
Saatchi Gallery opens major summer exhibition inspired by the sun and moon LONDON.- This summer, Saatchi Gallery presents The Sun and The Moon: Art Inspired by the Celestial, a major exhibition exploring how the two most powerful and enduring phenomena in the sky have inspired creativity, curiosity and belief throughout human history and across different cultures. Supported by headline sponsor Cazenove Capital, the exhibition opened to the public on 5 June and runs until 8 September. Occupying two floors of the Gallery and spanning nine major exhibition spaces, the show presents artworks, installations, and objects that reveal how artists have responded to the Sun and the Moon. From ancient mythologies and early cosmologies to contemporary art and popular culture, the exhibition explores the profound influence these celestial bodies continue to have on human imagination. This exhibition follows the immensely ... More
New art installation to crown everyday royalty of Berwick-upon-Tweed BERWICK-UPON-TWEED.- Visitors to Berwick-upon-Tweed this summer will be able to crown themselves king or queen for the day as part of a new interactive art installation inspired by the town’s tradition of crowning the Tweed Salmon Queen. Taking place from Saturday 11 to Thursday 16 July, Our Wic - which takes its name from the Anglo Saxon word for ‘dwelling’ - invites people to perform their own coronation and lay claim to their territory by donning the Our Wic crown. Created by artist Lucy Wright and produced by contemporary arts agency Arts&Heritage, Our Wic celebrates the long tradition of crowning kings and queens of industry across the North of England. It also coincides with the 80th anniversary of the Tweed Salmon Queen celebrations in the town - an annual tradition first established to celebrate the town’s rich salmon fishing heritage ... More
Artists on Artists: Anicka Yi x Paul Thek
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Flashback
On a day like today, British abstract painter Wilhelmina Barns-Graham was born
June 08, 1912. Wilhelmina Barns-Graham CBE (8 June 1912 - 26 January 2004) was one of the foremost British abstract artists, a member of the influential Penwith Society of Arts. Barns-Graham travelled extensively in the 1950s, often with her husband David Lewis. She visited the Scilly Isles, Paris, Italy and Sicily, and Spain, including the Balearic Islands.[16] With the exception of a short teaching term at Leeds School of Art (1956–1957), where fellow St Ives artist Terry Frost, and future studio-mate Stass Paraskos were studying, and three years in London (1960–1963), she lived and worked in St Ives.
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