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SICIS masters bring ancient micromosaic to the reimagined V&A



LONDON.- The renovated and expanded Gilbert Galleries at the Victoria and Albert Museum in London, permanent spaces dedicated to the extraordinary collection of decorative arts of the British philanthropists Rosalinde (1913–1995) and Arthur Gilbert (1913–2001), are reopening to the public. Housed at the V&A since 2008, the Collection brings together around 1,200 masterpieces from around the world, including one of the most important collections of micromosaics in the world, with 19th-century examples made in Italy by master mosaicists decorating jewellery, portraits, boxes and tables with landscapes, architectural views, animals and historical scenes of extraordinary precision. The art of micromosaic, ... More

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Larry Poons makes a triumphant return to Paris after 40 years   John Perceval's first major survey in 30 years opens at Heide   Grounds For Sculpture announces exhibitions, bloom schedule for 2026


Larry Poons, Clear Out of Sight, 2025. Acrylic on canvas, 165.1 x 223.2 x 4.5 cm, 65 x 87 7/8 x 1 3/4 (unframed), 168.9 x 227.3 x 5 cm, 66 1/2 x 89 1/2 x 2 in (framed).

PARIS.- Almine Rech Paris, Turenne is presenting 'Kentucky Cols.', Larry Poons’ third solo exhibition with the gallery, on view from March 21 to May 21, 2026. This show, the artist’s first in Paris in nearly forty years, presents a series of new paintings, revealing the new directions in which Poons is taking his work. Larry Poons1, describes the strong impression made by a song he heard on the radio in the early 1950s: he compares this unusually intense experience to, smelling a flower for the first time. Looking at Poons’ recent paintings in this exhibition, viewers are seized by a similar sensation : not the representation of a flower, but the very experience of its opening and its blossoming. Ballroom Chassi, Untitled (025C-3), Untitled (025D-1), and Untitled (025F-2) deploy imposing chromatic fields whose energy is less a matter of representation than of experience. Together, these works demonstrate Poons’ major role in the history of color-field painting. A little ove ... More
 

John Perceval, Boy Discovering ‘Jack-in-a-box’ 1943 Oil on composition board, 42.4 x 34.9 cm. TarraWarra Museum of Art Collection, Victoria. Gift of Eva Besen AO and Marc Besen AO. Donated through the Australian Government’s Cultural Gifts Program © John Perceval/Licensed by Copyright Agency, Australia 2026.

MELBOURNE.- Heide Museum of Modern Art has unveiled John Perceval: All That We Are, the first major survey exhibition of works by the maverick Australian artist John Perceval since 1992. Curated by Heide’s Head Curator Kendrah Morgan, the exhibition is now showing in the Main Galleries until 12 July 2026. This exhibition continues Heide’s long-standing commitment to artists of the Heide Circle, following a series of significant exhibitions presented over the past two decades. John Perceval: All That We Are brings together more than 100 works spanning three decades, drawn from significant public and private collections, including several masterpieces that have rarely been seen. A highlight of the exhibition is a rare collection of 28 of Perceval’s ceramic angel sculptures, alongside an award-winning yet little-known 1962 animated film featuring the angels, directed by Tim Burstall ... More
 

Dan Kainz, “Harmony 3,” 1993, Vermont marble, 68 x 106 x 78 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, © Artist or Artist’s Estate, photo: David Michael Howarth Photography.

HAMILTON, NJ.- Now that the snow has melted, blooms are stretching for the sun and adding their colorful adornment to the art that never lies dormant at Grounds For Sculpture (GFS). With seasonal blooms, more than 300 sculptures on display and six indoor galleries with rotating exhibitions, the sculpture park offers vibrant experiences year-round. “We’ve worked to create a sculpture park for all seasons,” said Janis Napoli, Director of Horticulture. “Nature and art interplay at Grounds For Sculpture, so there are reasons to visit throughout the year to see how seasonal horticulture cycles enrich that relationship.” Spring: Vibrant colors erupt in early spring at Grounds For Sculpture. In March and April, gold daffodils and forsythia and purple irises blanket Fairgrounds Garden. Isaac Witkin’s “Eolith” (1994), a hand-carved Blue Mountain granite sculpture, soars 14 feet above the blooms. Strawberry parfait and white cascade crabapples, visitor favorites, bloom ... More


Kishio Suga's radical Mono-ha survey opens in Paris and New York   Museum Ludwig celebrates 50 years with a Yayoi Kusama takeover   New Museum presents Tschabalala Self sculpture created for museum's facade


Kishio Suga, Layered Edges of Space, 1994, plastic, wood, 65 x 55 x 7.5 cm.

NEW YORK, NY.- Kishio Suga is one of the most important figures of the Japanese contemporary art scene. After studying painting at the Tama Art University, from 1968 he began working with elements drawn from reality, organic or artificial. Through their manipulation, he sought to express the fundamental nature of the world around him and to make visible the relationships between that world and the individual. The works he developed then were not qualified as installations just yet, but sought nonetheless to move beyond both painting and sculpture. They existed in an unidentified zone of practice and theory, allowing Suga to approach matter outside the constraints imposed by the anthropocentric philosophy inherited from Western thought. Suga’s practice investigates the intrinsic possibilities of matter once it is no longer regarded as inert or passive, but as an interlocutor – if not a subject in its own right. His artistic investigation, alongside that of artists such as Nobuo Sekine, Lee U ... More
 

Yayoi Kusama, Beginning of Summer, 1978, Collage und Acryl auf Papier 54,3 x 39, 7 cm. Sammlung der Künstlerin © YAYOI KUSAMA.

COLOGNE.- To mark its fiftieth anniversary, the Museum Ludwig in Cologne is dedicating a major exhibition to the Japanese artist Yayoi Kusama in 2026. Kusama (*1929, Matsumoto) is one of the most renowned artists of our time. Her iconic polka dots, pumpkin sculptures, and lnfinity Mirror Rooms have become a kind of trademark, appearing millions of times over on social media. The exhibition takes visitors on a fascinating journey through Kusama's entire oeuvre, from her first drawing, dating back to ca.1934, to a newly commissioned installation. More than three hundred works will be featured, spanning a wide range of media that includes painting, drawing, sculpture, installation, fashion, performance, and literature. This comprehensive show extends beyond the Museum Ludwig's temporary exhibition spaces and into other areas of the building, including its two rooftop terraces. An immersive installation developed especially for the show, ... More
 

Tschabalala Self has built a singular style from the syncretic use of painting, printmaking, and sculpture to construct her subjects.

NEW YORK, NY.- The New Museum presents a new sculpture by Tschabalala Self (b. 1990, Harlem, New York) created for the building’s facade. Self’s first large-scale public sculpture in New York is part of the New Museum’s longstanding Facade Sculpture Program made possible through the support of the Jacques and Natasha Gelman Foundation, and opens in tandem with the completion of the OMA-designed expansion of the New Museum on March 21, 2026. Critically engaged in questions surrounding figuration, Tschabalala Self has built a singular style from the syncretic use of painting, printmaking, and sculpture to construct her subjects. Self, whose work was included in the New Museum’s 2017 exhibition Trigger: Gender as a Tool and a Weapon, traverses different artistic and craft traditions to explore questions of selfhood and human flourishing. Her work for the New Museum’s facade, entitled Art Lovers, depicts a romantic ... More


Monet and Venice: A luminous masterpiece reunion debuts at the de Young   Jeffrey Meris reclaims the reliquaries of Haitian history   Descanso Gardens opens Journal of Therolinguistics exhibition


Installation view of "Monet and Venice," de Young museum, San Francisco, 2026. Photography by Gary Sexton. Image courtesy of the Fine Arts Museums of San Francisco.

SAN FRANCISCO, CA.- Monet and Venice is the first major international loan exhibition devoted to Claude Monet’s luminous paintings of La Serenissima. Co-organized by the Fine Arts Museums of San Francisco and the Brooklyn Museum, Monet and Venice runs from March 21 through July 26, 2026, at the de Young museum in San Francisco, following its presentation in Brooklyn. In October 1908, at the age of 68, Monet and his second wife, Alice, made their one and only trip to Venice. Venice was Monet’s last significant international trip and his final engagement with architectural subject matter. With more than 100 artworks on view in the exhibition galleries, Monet and Venice reveals how transformative Monet’s sojourn to Venice was by situating these paintings within the context of his illustrious career. Anchored by paintings from the Brooklyn Museum and the Fine Arts Museums of San Francisco, the exhibition brings ... More
 

Jeffrey Meris is a multidisciplinary artist whose practice explores relationships between material, gesture, and larger cultural and social phenomena.

NEW YORK, NY.- François Ghebaly New York is presenting Assotto:ottossA, Jeffrey Meris’s debut solo exhibition at the gallery’s Lower East Side space. Soul by Assotto Saint I remember the beginning a dream ancient as dawn a dream of destiny drumming up the blood the flesh this earth a dream we were once one soul Haitian-born artist Jeffrey Meris inhabits a unique syncretism in his work. Drawing from across disciplines and both personal and historical contexts, Meris uses sculpture (as well as installation, performance, drawing, and site-specificity) to bridge timescales, geographic place, folklores, and epistemologies of care. His newest exhibition, Assotto:ottossA, centers a posthumous conversation with the pioneering Haitian-American poet and AIDS activist Assotto Saint. A key figure in the cultural arts and Black Gay movements in New York in the 1980s and early 1990s, Saint drew extensively from Haitian and diasporic spiritualisms in his exaltations of queerness and resistance. ... More
 

Nicole Brugger, Bork Bibliothek, 2022-25 (detail). Multimedia installation with natural specimens. Dimensions are variable. Courtesy of the artist.

LA CAÑADA FLINTRIDGE, CA.- The historic Boddy House at Descanso Gardens hosts an exhibition exploring communication beyond the human. Journal of Therolinguistics features works by eight international artists examining translation across species—mammals, insects, plants, and fungi—as acts of ecological curiosity, care, and kinship. The exhibition takes its name from “therolinguistics,” a fictional field coined by author and California native Ursula K. Le Guin in 1974 to describe the study of languages beyond the human. Her provocation remains timely: rather than interpreting the natural world through human rules and limitations, what might it mean to listen, learn, and encounter other species on their own terms? Throughout the Boddy House, visitors encounter multisensory installations that translate interspecies communication into sound, image, and participation. Birdsong becomes vibrant multicolor scores. Plant signaling emerges through ... More


Rare Song Dynasty masterpieces unveiled in Kansas City   A Living Landscape: Ben Brown Fine Arts debuts expanded Hong Kong gallery with Les Lalanne   An original staircase from the Eiffel Tower up for auction


Li Cheng, Chinese (919–967 C.E.). A Solitary Temple Amid Clearing Peaks, Northern Song Dynasty (960–1127). Hanging scroll; ink and slight color on silk, 88 x 22 1/2 inches (223.52 x 57.15 cm). The Nelson-Atkins Museum of Art, Purchase: William Rockhill Nelson Trust, 47-71.

KANSAS CITY, MO.- Song dynasty landscapes that shaped the course of Chinese art for centuries and established an enduring influence across East Asia are on view at The Nelson- Atkins Museum of Art in Kansas City. Legendary Landscapes: Sublime Visions from China’s Song Dynasty opened March 21 and runs through Sept. 27. “Within East Asia, these works occupy a role comparable to the Renaissance in Europe — a moment when art, spiritual practice, and imperial patronage converged to shape a cultural landscape,” said Julián Zugazagoitia, Director & CEO of the Nelson-Atkins. “These treasures are very fragile and light-sensitive, making this exhibition a unique, once-in- a-generation opportunity to see them together.” Deep ties between the natural world and spiritual practice have nourished the significant role of shanshui ... More
 

Portrait of Claude and François-Xavier Lalanne in their garden in Ury © Mariana Cook, 1991.

HONG KONG.- Ben Brown Fine Arts opened Les Lalanne: A Living Landscape, a spectacular exhibition of works by Claude and François-Xavier Lalanne, presented at the Hong Kong gallery in conjunction with Art Basel Hong Kong 2026. Bringing together an exceptional group of highly sought-after masterpieces, this blockbuster presentation marks one of the most significant showcases of Les Lalanne ever staged in Asia. On the occasion of this exhibition, Ben Brown Fine Arts also announced the expansion of its Hong Kong gallery, significantly increasing its footprint to create a larger, more versatile exhibition space, including additional viewing rooms, accommodating increasingly ambitious, museum-quality presentations. The expansion underscores the gallery’s sustained commitment to Hong Kong and the wider Asian market, strengthening its role as a trusted platform for international artists and estates, while creating new opportunities for collaboration with collectors and institutions. Les Lalanne: A Li ... More
 

Neurdein frères, Gustave Eiffel at the top with his son-in-law and colleague, Mr Salles. 1889 © Neurdein Roger-Viollet, DR.

PARIS.- On May 21st, 2026, Artcurial’s Art Deco department will present a piece of Eiffel Tower history: a section of the original spiral staircase dating from 1889, designed under the supervision of Gustave Eiffel (1832 - 1923). This piece, section no. 1 of the staircase connecting the second and third floors, is estimated at €40,000 - 50,000. Measuring 2.75 metres in total height (2.60 metres to the landing) and 1.75 metres in diameter, this structure made of steel and riveted sheet metal, with 14 steps resting on a cross-shaped base, was part of the spiral staircase that once allowed visitors to reach the top of the Eiffel Tower. Built for the 1889 World’s Fair, this spiral staircase connected the various levels of the tower designed by Gustave Eiffel and his colleagues. During the modernisation work carried out in 1983 to install new lifts, the staircase was dismantled. On December 1st, 1983, twenty sections were sold at auction directly from the Eiffel Tower during a sale o ... More



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Painting is easy when you don't know how, but very difficult when you do. Degas

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World record for a Patek Philippe Ref. 3940
PARIS.- On March 11th 2026, Artcurial Beurret Bailly Widmer held its annual auction in Basel, featuring Swiss Art, International Art before 1900, and Important Watches. Art lovers and collectors turned out in force, whether in the auction room, by telephone, or online. In total, the three sales reached CHF 4.9 M (€5.4 M). The Basel Watch Auction was marked by a new world record for a Patek Philippe watch. The “Beyer. No. 17" Ref. 3940 achieved the exceptional result of CHF 762,150 (€843,113). Produced from 1985 to 2007, the Ref. 3940 is considered a major piece of complication watchmakingThe first 25 pieces were created to celebrate the 225th anniversary of the Beyer retailer: numbers 1 to 15 featured a German calendar, while numbers 16 to 25 were fitted with an English calendar. Number 17 belongs to this latter series of just 10 pieces, making it an exceptionally ... More

Jeff Dunas brings a human portrait of America to Munich
MUNICH.- There’s something quietly powerful about the way American photographer Jeff Dunas looks at people. No grand gestures, no spectacle—just presence. That sensibility is now on full display in Munich, where American Pictures & State of the Blues opened yesterday at Amerikahaus Munich. The exhibition, which runs through July 31, offers a deeply human portrait of the United States—one that feels both intimate and expansive at the same time. At the heart of the show is American Pictures, a long-running body of work Dunas has developed over decades. Rather than chasing iconic landmarks or dramatic moments, he turns his lens toward ordinary encounters—people standing still, waiting, thinking, simply existing. These photographs move at a different rhythm. They are quiet, almost restrained, yet they linger. A face in a small town, a figure on the edge ... More

Kunstverein München presents exhibitions by Matt Browning and Dorothea Lasky
MUNICH.- All Woodcarvings Remain Slow Motion Mobiles suggests a paradox at the center of Matt Browning’s work in wood. Objects that appear fixed and inert are in fact the result of prolonged movement—weeks of repeated cutting and carving—and remain subject to the wood’s own slow movement over time. What appears as stillness is not the absence of motion but its residue, a form temporarily stabilized through sustained physical engagement. Since 2013, Browning has worked steadily in carving. The exhibition brings together works produced during this time, all carved in Douglas fir. All of the works take the form of chain-link carvings cut from a single piece of wood, through which interior voids, grids, and frames emerge without assembly. Rather than constructing space from separate parts, material is removed until space grows from the block ... More

Louisiana Art & Science Museum hosts Then, and Now, and Always: The Art of Nick Bustamante
BATON ROUGE, LA.- The Louisiana Art & Science Museum is presenting Then, and Now, and Always: The Art of Nick Bustamante. Then, and Now, and Always explores themes of family, memory, loss, and transformation through Bustamante’s distinctive visual language. His work reflects the ways personal history and inherited experience shape identity over time, inviting viewers to consider healing, resilience, and connection across generations. “Then and Now and Always is a meditation on how memory, tender and painful, shapes who we are,” said Nick Bustamante. “Through layered surfaces and suspended forms, these paintings hold the echoes of family, loss, and transformation, inviting reflection on the histories we carry within us, across time.” Nicholas Bustamante earned his Bachelor of Arts from Humboldt State University and his Master ... More

Haus der Kulturen der Welt presents Tirailleurs: Trials and Tribulations
BERLIN.- On August 15, 2024, French President Emmanuel Macron invited the world to commemorate the 80th anniversary of the Allied landing in Provence that followed the Normandy invasion and was pivotal to liberating France and Europe from Nazi Germany. The ceremony highlighted an often-overlooked truth: the majority of the 250,000 troops in the so-called B Army were African soldiers who, according to Le Monde, “came from the colonies.” These young Tirailleurs played an active role in the liberation of France from Nazi Germany, while many others hailing from Africa, Asia, the Americas, Oceania, and beyond were integral to the reshaping of Europe’s future and its institutions. Yet, their contributions have been systematically marginalized. While commemorative gestures, such as inviting African leaders to anniversary events, attempt to recognize their sacrifice, this history ... More

Rodney McMillian returns to Columbia for major career survey
COLUMBIA, SC.- The Columbia Museum of Art presents major spring exhibition Rodney McMillian: A Son of the Soil, on view from March 21 through June 28, 2026. Organized by the Columbia Museum of Art in collaboration with the artist, this exhibition is the first solo presentation in the Southeast of the work of Rodney McMillian, a Columbia-born artist working at the national level. Rodney McMillian: A Son of the Soil is a thematic presentation of the artist’s work across a range of media, including painting, video, and works assembled from industrial materials and household discards. The exhibition broadly locates McMillian’s artistic investigations within the cultural and political landscape of the American South, highlighting his diverse engagements with topics of land, the body, and the domestic sphere. It will feature more than 30 artworks, including new work that ... More

Takako Kido's defiant exploration of intimacy opens at IBASHO
ANTWERP.- IBASHO presents a solo exhibition by Takako Kido. ‘Skinship’ is a common term in Japan that describes the skin-to-skin, heart-to-heart connection between a mother and child, as well as among other close relatives. Kido was arrested in New York for producing what were deemed “controversial” photographs, yet she remains resolute in using her work to affirm the strength and necessity of family ties. In Japan, skinship is considered essential to the healthy development of family relationships, particularly between parents and children. From breastfeeding to cuddling, piggyback rides, bathing together, co-sleeping and even play, these forms of physical closeness express and foster intimacy. Through loving touch, a child learns what it means to feel loved and, in turn, how to extend that love to others, fostering healthy development and strengthening family bonds. ... More

Lucy McKenzie reimagines the spectacle in first French solo debut
SÈTE.- The exhibition Plastic Newspaper at the Crac Occitanie is the third instalment of a travelling project that began in September 2024 at Z33 in Hasselt (Belgium), and then moved to fjk3 —Contemporary Art Space in Vienna (Austria) in 2025. In this cycle, Lucy McKenzie examines the first forms of mass entertainment that appeared in the modern era. She explores their formal and cultural inventions that contributed to transforming everyday life into a permanent spectacle—such as painted panoramas, and sites devoted to art, science, and entertainment, where playful experiences and the rise of mass spectatorship converge. Lucy McKenzie was born in 1977 in Glasgow (Scotland). She lives and works in Brussels. She studied at the Duncan of Jordanstone College of Art & Design in Dundee (Scotland), then specialised in trompe-l’œil at the Institut Supérieur ... More

Scottsdale Museum of Contemporary Art presents Beth Ames Swartz and Julianne Swartz: Tender Alchemy
SCOTTSDALE, AZ.- Tender Alchemy: Beth Ames Swartz and Julianne Swartz presents the works of mother and daughter artists whose distinct practices are united by a shared devotion to transformation, healing, and the invisible forces that shape human experience. Though their materials and methods differ, both engage in a kind of alchemy: a transmutation of matter, energy, and sentiment into forms of quiet power and profound presence. Tender Alchemy marks the first time their works are presented together, offering an intimate look at artistic lineage. The differences between their practices are as instructive as are their affinities. Beth’s art is maximalist, saturated, and layered with meaning and color, striving toward symbolic depth. Julianne’s work is minimalist, ephemeral, and fragile in its neutrality. One accumulates density; the other cultivates restraint. ... More

Twenty years of mother's tankstation celebrated through a private collection
DUBLIN.- Only the fine, the large, the human, the natural, the fundamental, the passionate things. [i] It's hard not to catastrophise, but it feels almost impossible to write anything meaningful or genuine in the face of a dark and darkening world, without being entirely overwhelmed. The world stands by, watching “weapons grade idiocy”, rampant self-interest, and innocent people dying in the Minnesota snow. But if we don’t, think, speak, we lose. So I’m writing about Love. And Art. About loving art… About optimism. Twenty years of mother’s tankstation, celebrated by sharing it’s collection. Outside of the museum or corporate contexts, collecting art is (or preferably is) a profoundly personal matter, yet in potential, a shared experience: collecting is a quiet privilege but inessentially about possession or proprietorship, we are mere custodians. Nor do we believe it should ... More



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Flashback
On a day like today, Spanish painter Juan Gris was born
March 23, 1887. José Victoriano González-Pérez (23 March 1887 - 11 May 1927), better known as Juan Gris was a Spanish painter born in Madrid who lived and worked in France for most of his active period. Closely connected to the innovative artistic genre Cubism, his works are among the movement's most distinctive. In this image: Juan Gris, Guitar and Fruit Dish on a Table, 1918, Kunstmuseum Basel, Gift Dr. h.c. Raoul La Roche 1952.



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