Opening at Collezione Maramotti 'QUEM GENUIT ADORAVIT' by Manuele Cerutti
The First Art Newspaper on the Net    Established in 1996 Thursday, November 21, 2024


Opening at Collezione Maramotti 'QUEM GENUIT ADORAVIT' by Manuele Cerutti
Manuele Cerutti, Margotta aerea, 2023, pencil and watercolour on paper, 14,1 x 20 cm © Manuele Cerutti. Courtesy the Artist and Guido Costa Projects. Ph. Cristina Leoncini.



REGGIO EMILIA.- Collezione Maramotti is now housing Manuele Cerutti’ project QUEM GENUIT ADORAVIT, the solo exhibition by the Turin-based painter that presents a new group of paintings and works on paper developed specifically for this original project.
Drawing inspiration from simple, yet intense personal experiences – fatherhood, and the first few years of his son’s life – Cerutti depicts the generation of an entity that unexpectedly takes on childlike attributes: an unconscious, almost involuntary creation informed by the vegetative experience of plants and (in the tradition of alchemy) minerals.

For years now, this artist has been giving painted form and performative presence to the ordinary objects – sometimes mutilated or fragmented, always stripped of their original function – that fill his studio: an old coffee pot, twisted sticks and tubes, bits of plastic, chicken bones, stools, palettes, buckets and jars of all kinds. They take on central roles in “unstill lifes” where details from the everyday world, recomposed in new ways, become expressions of a suspended, primal, even sacred time.

A recurring image in the exhibition is a piece of black plastic landscape fabric knotted around the leg of the human figure who appears in the works. Almost a natural extension of his body, this binding alludes to marcotting, or layering: a technique that creates new plants by encouraging root growth at some point in the stem or branch of the original one. This method of asexual propagation, achieved by detaching part of the parent’s body, ties into the artist’s allegorical, mythological exploration of parthenogenesis, a type of reproduction in which the egg cell develops without fertilization. Amid echoes of the miraculous, even monstrous births found in ancient myth, the individual at the centre of Cerutti’s story in images bears the features of the artist, subjected to a process of constant examination and multiplication that ultimately transforms them into a universal figure.

The subject of these works is plagued by an incurable wound in his leg: a part of himself that he delicately wraps in the fabric, a fertile injury that he endlessly nurses, an unexpected point of germination that buds into other lives and paths. This archetypal figure does not fit the definition of a contemporary hero. Rather, he embodies a deviation from the canon, an interruption in linear development, evoking a sense of inadequacy and fragility. An element out of balance – often suspended within pictures so sophisticated and detailed that they seem real – he attempts, through a series of actions, to assimilate the child’s form of knowledge, recognizing that asymmetrical movement is a possible way forward.

The territory he travels through, moving beyond the studio, is the landscape on the outskirts of Turin: places the artist knows well, pervaded by entropy, where the city overlaps with the countryside, rivers flow under flyovers, industrial ruins mingle with empty fields and a concrete underpass can be magically transformed into a huge portal straight out of a sci-fi story. But Cerutti’s realm of exploration is first and foremost painting itself, which he calls “a continual imprinting of action.”

Whether it is the subject that summons up its own vivid apparition on the canvas, or the painting process, with its layers, glazes and erasures, that makes way for the composition it underpins, one finds an endless investigation into the language of this medium that reverberates through the key figure’s journey. Through engagement and detachment, achievements and failures, attempts at reclamation and acts of renunciation, it is a movement towards the formation of an inexpressible attachment (which the exhibition title refers to: “She worshipped the one she bore”). And in it, one may stumble into awe, creating new relationships with existence.

The catalogue published in conjunction with the exhibition will feature texts by sociologist Gian Antonio Gilli and by Elena Volpato, curator and conservator at GAM - Galleria Civica d’Arte Moderna e Contemporanea in Turin.

Collezione Maramotti
Manuele Cerutti: QUEM GENUIT ADORAVIT
10 March - 28 July 2024










Today's News

March 10, 2024

Patti Smith sings for a 'New York Gem'

James Fuentes Tribeca has opened 'Kikuo Saito: Color Codes', curated by Christopher Y. Lew

Gabriel García Márquez wanted to destroy his last novel. It's about to be published.

Retrospective celebrates 800th anniversary of the appearance of the stigmata on Saint Francis of Assisi

American maestros are scarce at home

Sharjah Art Foundation presents major solo exhibition of Telsem art by Henok Melkamzer

Not just for Scooby-Doo anymore - the secret door is having a moment

Bond of brothers: The Black Crowes are back, and bygones are bygones

Denver Art Museum presents 'Fazal Sheikh: Thirst, Exposure, In Place'

A growth spurt in green architecture

Opening at Collezione Maramotti 'QUEM GENUIT ADORAVIT' by Manuele Cerutti

At City Ballet, 2 sparkling premieres and many moments to remember

The Latvian Centre for Contemporary Art (LCCA) announces Jussi Koitela as the curator of Survival Kit 15

Review: Welcome to 'Illinoise,' land of love, grief and zombies

The PinchukArtCentre is now presenting the exhibition 'I Feel You'

Revival and continuity of traditions of Tashkent school of embroidery evident in 'Suzani: A Story of an Embroiderer'

Unveiling the hidden legacy of the hobo monikers' impact on global street art and graffiti culture

Drew Bennett, Laird Gough, Lyndsey Marko, Alexandria Mento, Dominic Musa and Ben Walker at Alexander Berggruen

'More than Meets the Eye', contemporary art exhibition to re-canonise the history of art in Saudi Arabia

'Bożenna Biskupska: The Artist and Possible Construction' at Four Domes Pavilion

Exhibition explores social and cultural impact on visual arts

Lily Gladstone for best actress? Oscars gamblers are betting big.

Amazing Collection of Cheap Club Soccer Jerseys at KFRENOVA Store

5 Business Areas Automatically Improved by Online Check Mailing

Jinwei Sun: music creation through fabric pleats----Issey Miyake in academic composition

Breaking Barriers: Shiyue Xu's Journey from East to West in 'Zero to Hero'

Blending Artistry and Technology: The Evolving Landscape of BIM and CAD in Design




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Holistic Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful