DENVER, CO.- The Denver Art Museum presents Fazal Sheikh: Thirst | Exposure | In Place, an exhibition created from three projects photographer Fazal Sheikh made on the Colorado Plateau from 2017 to early 2023. Sheikh’s portraits and landscapes shed light on the far-reaching consequences of extractive industry and climate change. Thirst ǀ Exposure ǀ In Place will opens today, and will be on view through October 20, 2024, in the museum’s Photography galleries, located on level 6 of the Martin Building, and will be included with general admission.

Born in 1965 in New York City, Sheikh creates images of displaced communities and marginalized people that prompt awareness of the world beyond the museum. The photographs in Thirst ǀ Exposure ǀ In Place expose indelible marks on the Colorado Plateau and American Southwest landscape that have been etched by both geological and human forces. Through this beautiful and sometimes frightening new work, Sheikh encourages viewers to witness the consequences of the past and imagine the shape of the future.

“Through expansive aerial shots and intimate portraits, Fazal Sheikh documents these regions and their people with solidarity and honesty,” said Christoph Heinrich, Frederick and Jan Mayer Director of the Denver Art Museum. “The Colorado Plateau is a region deeply impacted by climate change and economic development. This exhibition offers a nuanced view into the past, present and future lives of its inhabitants.”

Sheikh is best known for his deeply humane photographs of refugees and migrants displaced by war and famine. Focusing on the United States for the first time, Sheikh explores how Indigenous people and the lands they call home have been affected by industrial growth and government policy.

“The aerial photographs in this exhibition remind us of the great age and natural beauty of the Colorado Plateau,” said Eric Paddock, Curator of Photography at the DAM and curator of this exhibition for Denver. “They create an awareness of deep human and geological time and raise questions about the future of the region. In that context, Sheikh’s portraits and accompanying text affirm local communities’ need to protect their sacred spaces and encourage wider recognition of that need.”

The DAM exhibition presents Sheikh’s recent work in three interrelated sections:
Thirst is a new series of aerial photographs that document the decline of the Great Salt Lake in northeast Utah, which is shrinking due to overconsumption and dwindling rain and snowfall. As the lake dries up, winds carry clouds of toxic sediment—by-products from mining, agriculture and urban development—from the lakebed, across the valley and beyond.

Exposure examines the impacts of uranium, coal, oil and natural-gas extraction on the American Southwest and on its Indigenous inhabitants. Sheikh partnered with Utah Diné Bikéyah—a coalition among the Hopi, Navajo, Uintah Ouray Ute, Ute Mountain Ute and Zuni tribes—and with Indigenous elders and scientists from Princeton University—to address hazardous waste and pollution left across the region by short-sighted development and poorly remediated industrial sites. The project reflects on the resilience of Indigenous people in the face of threats to their culture, spirituality and health.

In Place evokes the enduring landscapes of the Bears Ears region in Utah, bringing Sheikh’s photographs together with contributions from scientists and Indigenous communities in and around Bears Ears in southeastern Utah. Visitors are surrounded by images made at a close distance and from high in the air. Sixty-three large color photographs show the tremendous geological variety and the long cultural continuities of the Four Corners region.

Visitors will reflect upon the transformation—and often devastation—of these landscapes in the context of the past, present and future, while considering the juxtaposition of beauty and catastrophe, as well as intimate, human-scale stories and those spanning vast geological eras and changes.

Jonah Yellowman, spiritual advisor for the Utah Diné Bikéyah intertribal coalition and one of its founding members, will present an offering that represents his Navajo (Diné) spirituality and a deep connection to the land. This offering will be present in the gallery during the run of the exhibition.

Sound recordings taken from seismometer readings by University of Utah geologist Jeffrey Ralston Moore will resonate throughout the gallery space. They represent the otherwise inaudible vibrations of rock formations on the Colorado Plateau. Taken together, the photographs and collaborations in Thirst | Exposure | In Place lay bare the indelible marks etched on the landscape by geological and human forces. Sheikh asks us to witness the consequences of what has passed and imagine what is yet to come.