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Nordic and Canadian landscape painting (1880-1930) shines at Fondation Beyeler

Helmi Biese, View from Pyynikki Ridge, 1900. Oil on canvas, 91 x 115 cm. Finnish National Gallery, Ateneum Art Museum, Hoving Collection. Photo: Finnish National Gallery / Aleks Talve.

BASEL.- At the beginning of the year, the Fondation Beyeler presents the thematic exhibition “Northern Lights”, focussing on around 70 landscape paintings by artists from the Nordic Countries and Canada created between 1880 and 1930, among them key works by Hilma af Klint and Edvard Munch. These artists all share the nature of the North, in particular the boreal forest, as a common source of inspiration. The seemingly boundless expanses of the forest, the radiant light of endless summer days, the long winter nights, and natural phenomena such as the northern lights gave rise to a specifically Nordic form of modern painting that exerts enduring appeal and fascination. “Northern Lights” features paintings by Helmi Biese, Anna Boberg, Emily Carr, Prince Eugen, Gustaf Fjæstad, Akseli Gallen-Kallela, Lawren S. Harris, Hilma af Klint, J. E. H. MacDonald, Edvard Munch, Ivan Shishkin, Harald Sohlberg and Tom Thomson. While many of these artists are celebrated in their home countrie ... More


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Holabird announces 4-Day Desert Riches Auction, January 31-February 3   Abstract expression and social politics: Joe Overstreet's pioneering work takes center stage at the Menil   Titian's Tobias and Archangel Raphael restored


Beautiful polychromed bronze sculpture by David Lemon (b. 1945), titled Cry on the Wind, number 6 of 20, boasting vivid colors, 24 inches tall by 20 inches long (est. $7,000-$12,000).

RENO, NEV.- Holabird Western Americana Collections, LLC will burst onto the scene in 2025 with a huge, four-day Desert Riches Auction, January 31st thru February 3rd, featuring over 2,100 lots in numerous collecting categories to include mining, gold, numismatics, scripophily, Native Americana, railroadiana, philatelic and general Americana, starting at 8am Pacific time each day. The first three days – January 31st thru February 2nd – are live sessions, hosted in Holabird’s gallery located at 3555 Airway Drive in Reno; as well as online on all of their auction platforms (iCollector.com, LiveAuctioneers.com and Invaluable.com). The fourth day – Monday, February 3rd – is a timed-only session, hosted on iCollector.com and LiveAuctioneers.com only. “We chose the name ‘Desert Riches’ to honor the gold specimens, stock ... More
 

Joe Overstreet, Evolution, 1970. Acrylic on canvas with metal grommets and cotton rope, 115 ½ × 97 in. (293.4 × 246.4 cm). Lent by the Minneapolis Institute of Art, Gift of Mary and Bob Mersky. © Estate of Joe Overstreet/Artist Rights Society (ARS), courtesy of Eric Firestone Gallery, New York. Photo: Jenny Gorman.

HOUSTON, TX.- The Menil Collection announces Joe Overstreet: Taking Flight, the first major museum exhibition in nearly thirty years devoted to the work of this pioneering abstract painter. Renowned for his innovative approach to nonrepresentational painting, American artist Joe Overstreet (1933–2019) consistently sought to intertwine abstraction and social politics. This presentation will include his landmark Flight Pattern series of radially suspended paintings from the early 1970s and bodies of work from the 1960s and 1990s. Overstreet made a significant contribution to postwar art, positioning abstraction as an expansive tool for exploring the idea of freedom and the Black experience in the United States. Joe Overstreet: ... More
 

Detail of Titian's Tobias and the Archangel Raphael, during conservation.

VENICE.- Painted for the altar dedicated to Archangel Raphael in the church of San Marziale, Titian's Tobias and the Archangel Raphael is now displayed in the nearby church of Madonna dell'Orto. The painting has long been the subject of much debate among critics regarding its exact dating and even authorship. Thanks to conservation treatment, closer observation and new research are shedding light on these fascinating issues. In 2023, Save Venice funded a maintenance treatment of the work to remove surface dust and debris, together with comprehensive diagnostic studies that uncovered several compositional changes made the artist. Following this, the painting was featured in the exhibition Tiziano 1508. Agli esordi di una luminosa carriera at the Gallerie dell’Accademia in Venice, where it was displayed alongside an earlier work by Titian of the same subject from the Accademia’s collection. After the exhibition, ... More



Accidentally Wes Anderson arrives in Santa Cruz: A celebration of whimsical architecture and local charm   Impressionist and Realist masterpieces from LACMA on view at The New Britain Museum of American Art   Huastec women: Goddesses, warriors, and governors - A new exhibition unveils their power


Alviso Marina County Park, San Jose, California. Photo: Presley Lugo.

SANTA CRUZ, CA.- The Santa Cruz Museum of Art & History opened Accidentally Wes Anderson: Adventures in Santa Cruz, an exhibition on view at the MAH from January 24–May 18, 2025. The show takes guests on a visual journey to the most beautiful, idiosyncratic locations around the globe—including Santa Cruz County—all seemingly plucked from the whimsical world of visionary filmmaker Wes Anderson. From impossibly grand hotels and chateaus to idyllic lighthouses, cable cars, and train carriages, AWA explores the filmmaker’s distinct aesthetic, whether a perfectly symmetrical landscape or a European city brimming with technicolor structures. The MAH exhibition, which includes a selection of community-sourced images of quirky places and locales in Central Coast California, is also presented as homage to the centennial celebration of the Santa Cruz Beach Boardwalk’s Giant Dipper roller coaster, an Anderson-esque vintage wooden coaster that debuted in 1924. Born off the back of a viral online phenomenon and com ... More
 

Granville Redmond, California Poppy Field, c. 1926, oil on canvas, 40 1/4 × 60 1/4 in. Museo Nacional de Arte. Gift of Raymond Griffith.

NEW BRITAIN, CT.- The New Britain Museum of American Art presents special exhibition Blue Grass, Green Skies: American Impressionism and Realism from the Los Angeles County Museum of Art from January 24 through May 18, 2025. "It must not be assumed that American Impressionism and French Impressionism are identical. The American painter accepted the spirit, not the letter of the new doctrine." - Christian Brinton, 1916 In 1874, a group of avant-garde French artists, including Edgar Degas, Claude Monet, Camille Pissarro, and Pierre-Auguste Renoir, organized the first exhibition of the “Anonymous Society of Painters, Sculptors, Printmakers, etc.” in Paris. Although working independently, rather than as a unified movement or school, they came to be known as the Impressionists—a term first used to disparage their works as unfinished “impressions.” Defined by their loose brushwork, vibrant color palettes, and attention to capturing the ephemeral effects of light and atmosphere, these ... More
 

The exhibition seeks to make visible the political, warlike (or military), religious, social, and familial role of women in the Huastec region of our country. Photo: CNME INAH.

TORREON.- A new exhibition at the Regional Museum of La Laguna (Murel) is set to illuminate the significant role women played in Huastec society during the pre-Hispanic era. Mesoamerican Huastec Women: Goddesses, Warriors, and Governors will showcase 132 archaeological objects, offering a compelling look at the power and influence women held within their communities. The exhibition's opening, scheduled for Saturday, February 1, 2025, at 5:30 PM at Murel (Av. Juárez s/n, inside Bosque Venustiano Carranza), marks a significant moment in recognizing the often-overlooked contributions of women in ancient Mexican history. The project is a collaboration between Mexico’s National Institute of Anthropology and History (INAH) and the National Museum of Mexican Art of Chicago (MNAMC) in Illinois, USA. The inspiration for this binational project stemmed from the remarkable discoveries of two sculptures known as "the Young Woman ... More



Antonio Santín returns to MARC STRAUS with an exhibition of new paintings   Quebracorpo at Carpintaria reveals the connections forged through breakage   Bulgaria's past unearthed: New archaeological treasures on display


Antonio Santín, Puente de plata, 2024. Oil on canvas, 63 x 86⅝ in. (160.00 x 220.00 cm).

NEW YORK, NY.- MARC STRAUS is presenting new paintings by Antonio Santín (b. Madrid, 1978) , in his seventh one-person exhibition with the gallery. Antonio Santín trained as a sculptor, and soon focused on painting which has become ever more tactile and sculptural. He began with figurative paintings however, as the dresses and room adornments such as the carpets became more central to the work, he left figuration. He then began borrowing exquisite carpets and outlining patterning, afterwards adding his own coloration and more patterning, building up layers of paint. In the past two years as his technical skills allowed for far more detail than is found on a sewn carpet, he began to invent the entire image. This has freed him to make paintings that are more beautiful and intricate, and above all, personal. The technical side, which is unique, has taken years to accomplish. Now paint applications measured in millimeters are applied with the assistance of compressors and needles. He builds layer upon ... More
 

Joao Maria Gusmao and Pedro Paiva, Pélvis, 2013. Bronze. Base: 110 x 40 x 40 cm [43.3 x 15.7 x 15.7 in] | Escultura: 24 x 46 x 22 cm [9 x 18 x 8 in] Edição de [3 + 2 AP.

RIO DE JANEIRO.- Quebracorpo devises a set of operations inscribed in broken bodies or embodied breakages. These operations, taken together, create a system of oppositions: slackening-stretching, calcifying-softening, lowering-lifting, thickening-diluting, stimulating-numbing. The pairs listed above are material, visual and tactile. The works’ nudity is their eloquence, the sharpening of the semantic charge coursing between them. Breakage defines their common regions of meaning, the body is the consistency these meanings acquire in a given situation. Breakages in shape or the limits of the surface – inward or outward, toward the looker; of the regimes of symmetry or organization that give certain artworks their finish; of expectations of cohesion and wholeness that accompany painting or sculpture; of the scenographic as a mode of presenting action; of the human bodily figure as measure and bond ... More
 

The exhibition highlights the tireless work of archaeologists who excavated 24 sites across the country, uncovering over centuries of history, from prehistory to the Middle Ages.

SOFIA.- A fascinating new exhibition at the National Historical Museum is offering a captivating glimpse into Bulgaria's rich past, showcasing remarkable archaeological discoveries made throughout 2024. "Ancient Finds. New Discoveries. Archaeological Season 2024" officially opened its doors on January 23, 2025, with a prestigious inauguration attended by Vice President Iliana Yotova, Minister of Tourism Miroslav Borshosh, Deputy Minister of Culture Ameliya Gesheva, and other dignitaries, scientists, and members of the press. The exhibition highlights the tireless work of archaeologists who excavated 24 sites across the country, uncovering over centuries of history, from prehistory to the Middle Ages. These discoveries, made possible through collaboration with the Ministry of Culture, local municipalities, private sponsors, and partner institutions like the Center for Underwater Archaeology, paint a vivid ... More


Ancient flames still burn: Preserving Nahola's 3,000-year-old pottery tradition   Holocaust survivors' stories illuminated in powerful new exhibition at Willy Brandt House   Heritage Auctions Welcomes Liz Goodridge as its West Coast Vice President and Director of American Art


The exhibition features photographs, objects, materials, and tools that tell the story of the Gaytán Reyes family's preserved legacy.

CIUDAD VICTORIA.- In the semi-desert plains of Tamaulipas, a remarkable story of cultural heritage is unfolding. At the INAH Tamaulipas Center, the exhibition I Know a Family from Southwestern Tamaulipas: The Gaytán Reyes. Potters of Santa Ana de Nahola offers a poignant look at a pottery tradition stretching back an incredible 3,000 years. At the heart of this story is Doña Felipa Reyes, an 88-year-old master potter from Santa Ana de Nahola. She began crafting comales (griddles) as a teenager and soon progressed to making pots, inheriting a craft passed down through generations of women in her family: her great-grandmother, grandmother, mother, and sister. Now, she and her daughter, Adela Gaytán, are sharing their invaluable knowledge with the world. Between 2023 and 2024, Doña Felipa and Adela collaborated with Tonantzin Silva Cárdenas, director of INAH Tam ... More
 

"Memories", 2019 © Olaf Schlote.

BERLIN.- A deeply moving exhibition commemorating the 80th anniversary of the liberation of Auschwitz-Birkenau has opened at the Willy Brandt House in Berlin. Through compelling portraits and evocative imagery, photo artist Olaf Schlote's "Memories" project offers a poignant exploration of Holocaust survivors' lives, both during and after their harrowing experiences. Schlote, born in Bremen in 1961, has dedicated his artistic practice to making the incomprehensible – the horrors of the National Socialist regime – visible. His work doesn't simply dwell on the past trauma; it seeks to connect viewers with the enduring spirit and resilience of those who survived. By visiting memorial sites and, crucially, meeting survivors and their descendants in Israel, Schlote has crafted an exhibition that bridges the abyss of history with the vibrant reality of lives lived in its aftermath. "I wanted to create strong, direct images of people and not reduce the ... More
 

Goodridge holds a Bachelor of Arts degree in Art History from Marymount Manhattan College.

DALLAS, TX.- Heritage Auctions announced that Liz Goodridge has joined the auction house’s growing and notable American Art category in its Fine and Decorative Arts department as its West Coast-based Vice President and Director of American Art. Goodridge, who specializes in both 19th- and early 20th-century American Masters, came aboard in January of this year and builds on 15 years of experience in both the primary and secondary American Art markets. Goodridge will work closely with Heritage’s New York-based Senior Vice President of American Art, Aviva Lehmann and the rest of the Fine Art team. “Heritage Auctions is thrilled and deeply honored to welcome Liz Goodridge to our team,” says Lehmann. “Liz’s remarkable expertise, exceptional connoisseurship, and genuine passion for American Art have earned her widespread admiration within the field. She is deeply respected by both ... More



Quote
Indifferent pictures, like dull people, must absolutely be moral. William Hazlitt

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Art embraces collapse as a generative force in "Everything Is So Alive!"
BERGEN.- Bergen Kunsthall presents the group exhibition Everything Is So Alive! with works by Dora Budor, Tianzhuo Chen, Nikita Gale, Ventura Profana, Tracey Rose and Tejal Shah. Everything Is So Alive! offers a hopeful exploration of the possibilities for cohabiting the ruins of a world moving into collapse. Rather than viewing collapse as mere destruction, the exhibition embraces it as a generative force. It considers collapse as a moment of new beginnings, where brokenness is understood as a condition to embody and negotiate, rejecting the neoliberal logic of repair. “After decades of queer theory evolving around world-making, Jack Halberstam describes his concept of unworlding as “not antiutopian. It is a project that understands that utopia is delayed until we unmake the world that we are currently living in” (Halberstam, “Unworlding”, Journal ... More

Meghann Riepenhoff's visceral cyanotypes explore climate change and transformation
SAN FRANCISCO, CA.- Haines Gallery presents State Shift, our second solo exhibition with artist MEGHANN RIEPENHOFF. Opening in tandem with SF Art Week 2025, this highly anticipated show debuts a poetic, visceral, and personal body of work that expands Riepenhoff’s collaboration with both the cyanotype and the environment. Riepenhoff creates her cyanotypes directly within the landscape, allowing the elements to leave physical inscriptions on paper coated with photographic materials. Marking an important breakthrough in her practice, State Shift sees the introduction of new pigments and gestures into Riepenhoff’s process. The signature inky indigos and glacial blues of her cyanotypes are transformed with vivid flashes of green, coral, magenta, and shimmering metallic hues, the result of organic materials (mica, mushroom ink, ... More

Republic Gold '9' Pond 1898 leads Heritage's NYINC World Coins Auctions above $26.5 million
DALLAS, TX.- By the time the auction hammer fell for the final time in Heritage’s January 13 NYINC Platinum Session World & Ancient Coins Signature® Auction, demand drove the so-called “unicorn coin” of the entire series of South African coins to $2.16 million to lead the auction to $18,466,337. That total, when added to the January 20 NYINC Physical Cryptocurrency Featuring the Otoh Collection, Part III Platinum Session Signature® Auction that ended January 20 at $4,102,590 and the NYINC World & Ancient Coins Signature® Auction that brought $3,934,164 January 21-22 made NYINC one of the biggest ever for the world’s largest coins auctioneer, with a total of $26,503,091. The total is part of a remarkable start to 2025 for Heritage Auctions’ numismatics departments — along with the more than $78 million from FUN auctions of US ... More

From everyday movements to art: Cinthia Marcelle and the legacy of 1960s performance at Kunsthalle Mainz
MAINZ.- The exhibition Bodies in Motion – Form in the Making sets performance-based video works by internationally renowned artist Cinthia Marcelle (b. 1974 in Belo Horizonte, Brazil)—one is produced jointly with Tiago Mata Machado (b. 1973 in Belo Horizonte, Brazil)—in context with 1960s/1970s post-minimalist dance and performance works from figures such as Yvonne Rainer (b. 1934 in San Francisco, US), Bruce Nauman (b. 1941 in Fort Wayne), and Suzanne Harris (1940–1979, US) as well as the unique minimalist sculptures by Charlotte Posenenske (1930–1985, Frankfurt am Main), whose form is repeatedly renegotiated and redefined in participatory exercises. Cinthia Marcelle’s oeuvre is a logical evolvement of the socio-political art produced in twentieth-century Brazil, where material experimentation was combined with conceptional ... More

International artists respond to the climate crisis in "Touch Nature" at Lentos Kunstmuseum Linz
LINZ.- The multimedia exhibition Touch Nature is a presentation of international artists who are taking a stand against the devastating political, economic, ecological and humanitarian impact of the Anthropocene. It becomes clear in the process that artists are not only documenting their grievances and formulating resistance but are also designing utopias for a respectful approach to our environment. The economic exploitation of landscapes, increasing soil sealing and the global repercussions of current consumer behaviour are also addressed, as are world nutrition, the spread of epidemics and the consequences of colonialism. In addition, the investigation encourages a change of perspective. It opens up hopeful visions for a new relationship between mankind and nature. Touch Nature is based on the series of exhibitions of the same ... More

Danilo Sciorilli's "A Masked Blessing": Exploring life's contradictions in a Roman home
ROME.- Artist Danilo Sciorilli is transforming a domestic space in Rome's Quadraro district into a captivating realm of symbols and introspection with his solo exhibition, "A Masked Blessing." Opening on January 25, 2025, at Casa Vuota (via Maia 12, int. 4A), the exhibition, curated by Francesco Paolo Del Re and Sabino de Nichilo, invites viewers to contemplate the complexities of human existence through a unique blend of paintings, installations, video animation, and drawings. Sciorilli's artistic language is built upon a foundation of seemingly disparate elements: spheres and children's games, witches and magical rituals, flocks of crows and processions of beetles. These images, rendered primarily in graphite, form a dreamlike and coded visual vocabulary that resonates with a primordial sensibility. The exhibition's title, "A Masked Blessing," itself ... More

The Mennour Institute announces the six winners of the second "Mennour Emergences" open call
PARIS.- Mennour announced the success of the second edition of its “Mennour Emergence” program, committed to supporting young artists in the early stages of their careers, as part of the Mennour Institute. Mennour Emergence is a project initiated by Jessy Mansuy, Global Executive Director of Mennour, and curated by Christian Alandete, Scientific Director of Mennour. This year’s open call, sent out to young graduates of the École des Arts Décoratifs - PSL, the École Nationale Supérieure des Beaux-Arts de Paris and the École Nationale Supérieure d’Arts de Paris-Cergy, was met with great enthusiasm, with over 100 applications received. Six artists were selected by a committee made up of professionals recognized for their commitment to emerging creation: Sam Bardaouil and Till Fellrath from Hamburger Bahnhof-Nationalgalerie der Gegenwart, ... More



Artist Camille Henrot: "There is nothing more divisive than motherhood."






 



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Flashback
On a day like today, Dutch painter Govert Flinck was born
January 25, 1615. Govert (or Govaert) Teuniszoon Flinck (25 January 1615 - 2 February 1660) was a Dutch painter of the Dutch Golden Age. For many years Flinck laboured on the lines of Rembrandt, following that master's style in all the works which he executed between 1636 and 1648. With aspirations as a history painter, however, he looked to the swelling forms and grand action of Peter Paul Rubens, which led to many commissions for official and diplomatic painting. In this image: Blessing of Jacob (1638).



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