Honolulu Museum of Art celebrates spring with 'Animals in Japanese Art'
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Honolulu Museum of Art celebrates spring with 'Animals in Japanese Art'
Anonymous, Votive Panel of a Horse, Japan, Meiji period, dated 1868. Ink and color on wood. Gift of Mrs. Theodore A. Cooke, 1961.



HONOLULU.- Zoological imagery has a mysterious appeal. Animals in Japanese Art, on view at the Honolulu Museum of Art March 30–July 23, showcases a menagerie of paintings and sculptures from the museum’s permanent collection that date to the 15th century. The works consider relationships to the environment, parody human behavior and highlight topics in Japanese history.

“Apparent in sources as diverse as Aesop’s fables and contemporary cartoons, depictions of various species raise our awareness about the prevalence of nature,” said Shawn Eichman, curator of Asian art at HoMA. “Japanese art is abundant in such imagery, from paintings made for the highest levels of court to humble toggles intended for daily use. These representations of the wild encourage us to reflect upon how we interact with other life forms and our environment in general.”

In some cases, the humorous badgers, mysterious foxes and fearsome lion-dogs featured in the exhibition function as commentaries about the curious behavior of humans. Frolicking Animals, an early copy of a set of handscroll paintings, depicts various beasts that mimic homo sapiens as they play games, dance, make music and perform religious ceremonies. The Tokyo National Museum recently displayed this important artwork alongside the original 12th-century paintings that inspired it.

Many subjects in this exhibition possess symbolic meaning that refer specifically to Japanese history and mythology. Horses, which commonly represent wealth and power, are believed to carry messages to the heavens. These divine horses are sometimes painted on popular votive panels (ema) and donated to shrines. The exhibition includes one such plaque dated to 1868, when, after centuries of military dictatorship, the Imperial family was restored to power and ushered in the modern age.

Other exhibition highlights include Stable, a six-panel screen from the Momoyama period, late 16th-early 17th century; Badger Studying a Sutra, Flowers and Sea Creatures and Black Carp, hanging scrolls from the Edo period; and additional paintings rarely on display.










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