CAMBRIDGE, MASS.- Following the launch of Harvard Design Press last spring, the Press announced the release of three titles this fall: John Andrews: Architect of Uncommon Sense, Frida Escobedo: Split Subject, and Empty Plinths: Monuments, Memorials, and Public Sculpture in Mexico.

Documenting John Andrews's path from Australia to the United States and Canada and back again, John Andrews: Architect of Uncommon Sense by Paul Walker, examines the architect's most important buildings and reveals how the internationalization of architecture during this period was an unexpectedly dispersed geographical phenomenon, following more complex flows and localized progressions than earlier modernist ideas that travelled from center to periphery, metropole to outpost. Andrews negotiated the advent of postmodernism not by ignoring it, but by cultivating approaches that this new era foregrounded—identity, history, place—within the formal vocabularies of modernism. As Andrews assumed wider public roles and took appointments that allowed him to shape architectural education, he influenced design culture beyond his own personal portfolio. This book presents Andrews’ legacy traversing local and international scenes and exemplifying late-modern developments of architecture while offering both generational continuities and discontinuities with what came after. John Andrews: Architect of Uncommon Sense features essays from Paul Walker, Mary Lou Lobsinger, Peter Scriver and Antony Moulis, Philip Goad, and Paolo Scrivano, along with nearly 100 new photographs of existing buildings designed by Andrews in North America and Australia from visual artist Noritaka Minami.




Split Subject, an early project by architect Frida Escobedo, deconstructs a fraught allegory of national identity and architectural modernism in Mexico. Unpacking this project and tracing its enduring influence throughout Escobedo’s career, Frida Escobedo: Split Subject reveals a multi-scalar and multi-medium practice whose creative output encompasses permanent buildings, temporary installations, public sculpture, art objects, publications, and exhibitions, and bares at its center a sensitivity to time and weathering, material and pattern, and memory. It includes essays by Julieta Gonzalez, Alejandro Hernández, Erika Naginski, Doris Sommer and José Falconi, and Irene Sunwoo, and a foreword by Wonne Ickx.

Empty Plinths: Monuments, Memorials, and Public Sculpture in Mexico responds to the unfolding political debate around one of the most contentious public monuments in North America, Mexico City’s monument of Christopher Columbus on Avenida Paseo de la Reforma. In convening a diverse collective of voices around the question of the monument’s future, editors José Esparza Chong Cuy and Guillermo Ruiz de Teresa probe the unstable narratives behind a selection of monuments, memorials, and public sculptures in Mexico City, and propose a new charter that informs future public art commissions in Mexico and beyond. At a moment when many such structures have become highly visible sites of protest throughout the world, this new compilation of essays, interviews, artistic contributions, and public policy proposals reveals and reframes the histories embedded within contested public spaces in Mexico.

A book-publishing imprint based at Harvard GSD and distributed in collaboration with Harvard University Press, Harvard Design Press challenges, broadens, and advances the design disciplines and advocates for the value and power of design in making a more resilient, just, and beautiful world. In pursuit of new, original ideas on the research and practice of architecture, landscape architecture, urban planning, and urban design, the Press seeks book proposals from researchers, practitioners, theorists, historians, and critics, among others. More information about submitting a proposal can be found on the Harvard Design Press’s webpage.

Harvard Design Press is organized and edited by Harvard GSD’s Ken Stewart and Marielle Suba, and guided by an Editorial Board composed of Harvard GSD and Harvard University faculty. Alongside Dean Sarah Whiting, the Harvard Design Press Editorial Board includes Harvard GSD’s Martin Bechthold, Anita Berrizbeitia, Eve Blau, Ed Eigen, K. Michael Hays, Niall Kirkwood, Mark Lee, John May, Rahul Mehrotra, Erika Naginski, Jacob Reidel, and Sara Zewde, as well as Harvard University’s Lizabeth Cohen, Sarah Lewis, and Patricio del Real.