The First Art Newspaper on the Net    Established in 1996 Thursday, August 18, 2022


Orlando Museum Director loses job after disputed Basquiat show
Aaron De Groft, director at the Orlando Museum of Art, with one 25 works, “Untitled (Industry Insider),” from the Thad Mumford storage locker that are said to be by Jean-Michel Basquiat, Feb. 2, 2022. The FBI’s Art Crime Team is investigating the authenticity of 25 paintings that the Orlando Museum of Art says were created by Basquiat and are on exhibit there, according to a federal subpoena and several people with knowledge about the situation. Melanie Metz/The New York Times.

by Brett Sokol



NEW YORK, NY.- Aaron De Groft, the director and chief executive of the Orlando Museum of Art, was removed from his post Tuesday night, just days after the FBI raided the museum and seized 25 works that had been attributed to Jean-Michel Basquiat but whose authenticity has been called into question.

The chairwoman of the museum’s board, Cynthia Brumback, said in a statement that the museum’s trustees were “extremely concerned” about several issues regarding the exhibition, “Heroes & Monsters: Jean-Michel Basquiat.”

Among them, she said in the statement, was “the recent revelation of an inappropriate email correspondence sent to academia concerning the authentication of some of the artwork in the exhibition.”

The New York Times reported last week that an affidavit filed to secure the search warrant, which was signed by Elizabeth Rivas, a special agent for the FBI, had quoted an email in which De Groft appeared to threaten an academic who had been hired by the owners of the artworks to assess them, and who later expressed qualms about being associated with the exhibit.

The expert was identified in the affidavit only as “Expert-2,” but an associate professor of art at the University of Maryland, Jordana Moore Saggese, confirmed to the Times that she was “Expert-2.”

Saggese, who was paid $60,000 for her written report, contacted the museum and asked that her name not be associated with the exhibition, the affidavit said. At that point, the affidavit said, De Groft sent her a email disparaging her and threatening to disclose the payment and share details about it with her employer.

“You want us to put out there you got $60 grand to write this?” De Groft wrote, according to the affidavit. “Ok then. Shut up. You took the money. Stop being holier than thou.” De Groft, still insisting the paintings were genuine, then threatened to share the details of that payment with the university: “Do your academic thing and stay in your limited lane.”




“We have launched an official process to address these matters, as they are inconsistent with the values of this institution, our business standards, and our standards of conduct,” Brumback said in the statement.

De Groft did not immediately respond to a request for comment.

The FBI raid, on June 24, came just days before the planned June 30 closing of the Basquiat exhibit, after which the works were scheduled to be exhibited in Italy.

The artworks in the “Heroes & Monsters” exhibition, which opened in February, were said by the museum and their owners to have been recovered from a Los Angeles storage unit in 2012.

The Times reported that one of the artworks being shown was painted on the back of a cardboard shipping box bearing an instruction to “Align top of FedEx Shipping Label here,” in a typeface that a designer who worked for Federal Express said had not been used until 1994 — six years after Basquiat’s death.

The search affidavit stated that “forensic information indicates that the cardboard on which one painting was made contains a typeface that was created in 1994, after Basquiat had passed, thereby calling into question the authenticity of at least one piece.”

Both De Groft and the owners of the artworks had said that the works were made by Basquiat in 1982 and sold for $5,000 to a now-deceased television screenwriter, Thad Mumford, who they said had put them into a storage unit and forgotten about them. They were discovered when the storage unit’s contents were seized for nonpayment of rent and auctioned off in 2012, they said.

But the affidavit says that in 2017, a year before his death, Mumford signed a declaration in the presence of federal agents stating that “at no time in the 1980s or at any other time did I meet with Jean-Michel Basquiat, and at no time did I acquire or purchase any paintings by him.”

This article originally appeared in The New York Times.










Today's News

June 30, 2022

Orlando Museum Director loses job after disputed Basquiat show

Museum of Fine Arts, Houston presents the work of Argentine conceptual artist Leandro Erlich

Pace Gallery details plans to expand its multi-level arts complex in Seoul

Francis Bacon's portrait of Lucian Freud sells for £43.4m

Margaret Keane, painter of sad-eyed waifs, dies at 94

National Portrait Gallery announces new special multi-platform collaboration

The Armory Show and USTA to present large-scale sculptures at the 2022 US Open

Artists respond to some of the most urgent issues of our present moment in new exhibition

Democracy needs art: Städel Museum launches education initiative

Miller & Miller announces results of Petroliana, Railroadiana & Advertising auction

Mary Fuller McChesney, Bay Area artist and historian, dies at 99

'Clark V. Fox: Subversion and Spectacle' now on view at Station Museum of Contemporary Art

Enclosing Infinity at the Fralin Museum of Art features six boxes by Joseph Cornell

Remaking the Ballets Russes, with a queer spin

AstaGuru's Collectors Choice Auction featuring works by eminent Indian modernists concludes with an exceptional result

Pam Tanowitz's next act: 'I need to make a Jewish dance'

Harvard Design Press announces the release of three titles this fall

Cahoon Museum of American Art opens major exhibition of the art and history of scrimshaw

Qatar Museums announces unprecedented cultural developments for fall 2022

Unseen Photo Fair anniversary edition: Photography in Wonderland

Martos Gallery opens an exhibition of recent, non-figurative painting

John Moran Auctioneers announces Post-War and Contemporary Art + Design sale results

ICA/Boston promotes Eva Respini to Deputy Director for Curatorial Affairs and Barbara Lee Chief Curator

$800,000 in grants awarded to six NYC and Vermont institutions in honor of Emily Mason and Wolf Kahn

How to watch movies on soap2day without registering

What are the symptoms of nerve pain and nerve damage?

Top Strategies To Use For Crash Gambling

What does an illustrator do, and how to hire one?




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

sa gaming free credit

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful