Tanya Bonakdar Gallery and 1301PE open a joint exhibition of Uta Barth's work
The First Art Newspaper on the Net    Established in 1996 Monday, December 23, 2024


Tanya Bonakdar Gallery and 1301PE open a joint exhibition of Uta Barth's work
Uta Barth, Installation view, Uta Barth: Figure/Ground, Figure/Ground, Tanya Bonakdar Gallery, Los Angeles and 1301PE, Los Angeles, June 3 – July 16, 2022. Photo by Jeff McLane. Courtesy the artist, Tanya Bonakdar Gallery, New York / Los Angeles and 1301PE, Los Angeles.



LOS ANGELES, CA.- Tanya Bonakdar Gallery and 1301PE are presenting a joint exhibition of Uta Barth’s work, which spans the artist’s entire career. Titled Uta Barth: Figure/Ground, Figure/Ground, this exhibition is curated by writer Jan Tumlir, and has been divided between the two galleries in Los Angeles. Tanya Bonakdar Gallery features photographs in which a figure appears – typically the artist’s own, and often only in partial view – whereas at 1301PE, the selection of photographs as been devoid of figures, displaying all ground. Also featured in this two-part exhibition is a range of contextualizing material, drawn from a cadre of artists who have proved influential on Barth’s practice: Michelangelo Antonioni, John Cage, Harry Callahan, Robert Irwin and Agnes Martin. A selection of books from Barth’s own library have been included as well. And, finally, David Horovitz (who once was Barth’s student) has conceived of a project to link the two galleries by way of an exchange of photographic postcards that unfold throughout the duration of the exhibition.

Jan Tumlir writes, "As steadfast as this line of division between Figure and Ground might seem on paper, it quickly turns porous in actual practice. In Barth’s work, we are always looking for some sort of synthesis between these two poles that nevertheless holds them in tension. A figure appears against its ground when conceived as just a background, but if we add to it the qualities of surface and support, then this also is the place of the figure’s medial grounding, and thus fundamentally indistinguishable from it. And, reciprocally, it could be argued that even in those pictures where no figure encroaches upon the field of vision, the ground nevertheless remains suffused with it. Those hands and feet that, here and there, reach into the picture from the edges of the frame serve to remind us that a person is always there, even when wholly invisible. The photograph records the presence of the photographer on the scene; this witness who once stood before it, now lurks behind it – a haunting figure."

This exhibition has been conceived in anticipation of Uta Barth: Peripheral Vision opening November 15, 2022, at The Getty Center at the Getty Museum in Los Angeles.

For the past twenty years, Uta Barth (b. 1958) has made visual perception the primary subject of her photographic work. Barth first gained critical acclaim in the 1990s for her Ground and Field series, in which she turned her attention to the information contained in a photograph’s often forgotten and peripheral background. Emptying images from what would often be considered a traditional subject matter or narrative, Barth makes the viewer aware of the phenomenological experience of perceiving. The question of how we perceive – versus what we see – differentiates Barth from the dominant trajectory of photography that is tied up with pointing at things in the world and in which subject and content are mostly one and the same thing. Making the "the choice of no choice", Barth has confined her practice to the ambient, incidental, and ephemeral.

A 2012 MacArthur Fellow, Uta Barth was born in Berlin and currently lives and works in Los Angeles. Notable solo exhibitions have been presented at the Art Institute of Chicago; Henry Art Gallery, University of Washington, Seattle; the SCAD Museum of Art, Savannah; SITE, Santa Fe; Contemporary Arts Museum, Houston; Lannan Foundation, Santa Fe; Museum of Contemporary Art, Chicago; and Museum of Contemporary Art, Los Angeles. Her work is well represented in both private and public collections worldwide, including the Whitney Museum of American Art, New York; Museum of Modern Art, New York; Solomon R. Guggenheim Museum, New York and Bilbao; the National Gallery of Art, Washington, D. C., Tate Modern, London; Carnegie Museum of Art, Pittsburgh; Dallas Museum of Art, Texas; UCLA Hammer Museum, Los Angeles; Museum of Contemporary Art, Los Angeles; Museum of Contemporary Art, Chicago; Los Angeles County Museum of Art, Los Angeles; The Getty Museum, Los Angeles; and The Walker Art Center, Minneapolis.










Today's News

June 9, 2022

McNay Art Museum highlights two pioneers of the Cubist art movement

The J. Paul Getty Museum presents two new exhibitions

Victoria Miro announces the death of Portuguese-born British artist Paula Rego

Gagosian exhibits works by Tatiana Trouvé in Paris, in concert with Centre Pompidou exhibition

President of Museum of Natural History to step down after nearly 30 years

Pace Verso announces partnership with generative art platform Art Blocks

Woodside Braseth Gallery presents 'Mark Tobey & The Pike Place Market (1939-1947)'

Artsy announces Christine Layng Aschwald as Head of Artsy Advisory

In struggling Murano, a design intervention

And there was light. And it was brutal.

Tales full of fiber and glitter

Christie's Magnificent Jewels including Jewels by JAR from the Estate of Ann Getty totals $48,872,000

Hamptons Fine Art Fair announces 2022 exhibitor list featuring 85 select galleries for the summers most prestigious art

Stephen Friedman Gallery opens an exhibition of works by Deborah Roberts

Celtic braided mural twists through Midtown Manhattan in the Garment District

Tony nominees for choreography put the past in motion

Tanya Bonakdar Gallery and 1301PE open a joint exhibition of Uta Barth's work

Zeno X Gallery announced the representation of artist Mounira Al Solh

Hamiltons Gallery extends Nobuyoshi Araki exhibition

Russian and Ukrainian pianists meet in Texas at Cliburn Competition

Alvar Aalto Foundation opens exhibition of works by interior architect Maija Heikinheimo

'Mr. Parker' review: Starting over

Film Academy names new Chief Executive

4 Reasons for Using Photo Background Removal In Businesses

How to Throw Your First Live Shopping Stream: 6 Steps to Livestream Like a Pro

Ask a Medical Malpractice Lawyer: How Often Do Malpractice Lawsuits Go to Trial?

Poker Room Décor: Art to Add Flair to Your Gaming Room

Art and Music in Modern Day Slots

The Newbie's Guide to Buying Disposable Vapes

Three Museums to Visit if You Have a Strong Passion for Gaming




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Houston Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง
Motorcycle Accident Lawyer

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful