P·P·O·W opens an exhibition featuring the paintings of Aaron Gilbert and Martin Wong

The First Art Newspaper on the Net    Established in 1996 Wednesday, May 29, 2024

P·P·O·W opens an exhibition featuring the paintings of Aaron Gilbert and Martin Wong
Aaron Gilbert, Nightshift B15, 2020 (detail). Oil on linen, 30 x 38 ins. 76.2 x 96.5 cm. Courtesy of Aaron Gilbert and PPOW, New York.

NEW YORK, NY.- P·P·O·W is presenting 1981–2021, a two-person exhibition featuring the paintings of Brooklyn-based artist Aaron Gilbert and the late Chinese-American painter Martin Wong. Sparking an intergenerational dialogue, this exhibition focuses on two artists whose practices amplify the societal pressures of both their private lives and the New York communities they inhabit. Spanning over 40 years, their work chronicles a continuum of life within a city under siege. From long abandonment compounded by the gutting of public resources, to the mass displacement of black and brown communities, and ultimately bookended by two distinct pandemics, AIDS and COVID-19, both Wong and Gilbert offer windows into the lived realities of their time to reveal transformative potential in the face of societal precariousness.

Despite the recent resurgence of figurative painting, few artists working today match the nuanced poetry and symbolic density of Wong’s singular vision. Wong first moved to New York in 1978, eventually settling on the Lower East Side, where he turned his attention exclusively to painting. From there, he set forth to depict urban life and through his diaristic approach, built a landscape of stacked bricks, crumbling tenements, closed storefronts, fingerspelling and more. Describing his choice of subject matter, Wong said, “Everything I paint is within four blocks of where I live, and the people are the people I know and see all the time.” More than an artist, Wong was a “documenter of the constellation of social life” during his lifetime.

This description, written for Wong’s renowned Exit Art exhibition in 1988, could just as easily be said of Gilbert now. His quietly charged, domestic scenes circumvent the boundaries imposed by a capitalist society to unearth complex emotional terrains in the presence of crisis. Much like Wong, Gilbert directs his own idiosyncratic lens to his home, neighborhood and surrounding community. Both of these deeply personal and poetic artists turn narrative convention on its head by illuminating historic moments through the private lives of those around them, rather than lauded public figures. This intentional inversion lays their unique visions of the world bare in order to usher in the possibility of new ones.

And yet, for Gilbert, the historical significance of Wong’s work is still yet to be fully recognized. Describing his own connection with Wong’s work, Gilbert says “Wong created a new template for what we could ask and expect from figurative painting. I felt I had found someone whose personal relationship to his work was genuine. He wasn't performing his world for another audience, he was capturing what he loved in the sincerest way, and freezing it in that special perpetual moment that great paintings seem to live eternally in. His work invites us to enter his world and inhabit it on its terms.”

1981–2021 pairs a selection of works by the late artist with Gilbert’s ongoing series. Collapsing time with influences ranging from Early Renaissance painters such as Fra Angelico, devotional retablo painters, to Martin Wong himself, Gilbert honors the profound transformational power of human beings, even in the moments that feel most jarring or unsettling. Taken together, Wong and Gilbert’s works distill meaning and love amid the darkness of our age to reveal the latent beauty in fundamental human existence.

1981–2021 will be accompanied by a catalogue with essay by scholar, writer, and curator Rich Blint. As the Assistant Professor of Literary Studies and Director of the Program in Race and Ethnicity at The New School, Blint has a vocational dedication to the revolutionary potential of innovative humanities practice.

Martin Wong (1946-1999) was born in Portland, Oregon and raised in the Chinatown district of San Francisco, California. He studied ceramics at Humboldt State University, graduating in 1968. Wong was active in the performance art groups, The Cockettes and Angels of Light before moving to New York in 1978. He exhibited for two decades at notable downtown galleries including EXIT ART, Semaphore and PPOW, among others. Wong died in San Francisco from an AIDS related illness. Wong’s work can be found in museum collections including The Metropolitan Museum of Art, The Museum of Modern Art, The Bronx Museum of The Arts, and The Whitney Museum of American Art, New York; The Cleveland Museum of Art; The Art Institute of Chicago; and the San Francisco Museum of Modern Art. Wong had a one person show Sweet Oblivion at the New Museum (1998). City as Canvas: New York City Graffiti from the Martin Wong Collection opened at the Museum of the City of New York in 2013 and traveled to the Amsterdam Museum in 2016. Wong's retrospective, Human Instamatic, opened at the Bronx Museum of The Arts in November 2015 and traveled to the Wexner Center in Columbus, Ohio in 2016 and the UC Berkeley Art Museum and Pacific Film Archive in 2017.

Aaron Gilbert (b. 1979) earned his BFA from Rhode Island School of Design and an MFA from Yale University. He is a 2015 Louis Comfort Tiffany Award recipient and was awarded the "Young American Painter of Distinction" by the American Academy of Arts and Letters in 2010. Gilbert has exhibited paintings at Lyles and King, Deitch Projects, and Lulu Mexico City. His work is currently in the permanent collections of the Studio Museum in Harlem; the Brooklyn Museum of Art; and the Whitney Museum of American Art.

Today's News

April 3, 2021

March of the mummies: Egypt readies for pharaohs' parade

Poussin painting stolen by Nazis found in Italy, returned to owners

UK offers £400 mn to aid culture's Covid recovery

VMFA acquires portrait by iconic 16th-century woman artist Lavinia Fontana

Phillips to host inaugural sales at 432 Park Avenue in June

Hindman to spotlight centuries of watchmaking in Important Timepieces from a Private Collector auction

1-54 Contemporary African Art Fair returns to New York with 1-54 Online, powered by Christie's, 17 - 23 May

Alex Vardaxoglou exhibits a group of works by pioneering British artist Richard Smith

P·P·O·W opens an exhibition featuring the paintings of Aaron Gilbert and Martin Wong

It's never too late: The art of de-cluttering

Michael Friedlander, urban architect of offbeat designs, dies at 63

Hungary egg decorator brings new spin on ancient craft

Largest selection of Annie Leibovitz portraits ever offered coming to Heritage Auctions

Cydne Jasmin Coleby's first solo exhibition in London on view at Unit London

Medusa fountain commissioned by the late Gianni Versace to be offered at auction

Memorabilia auction lets bidders take home a piece of Magic Kingdom history

Art Bridges announces Ashley Holland as Associate Curator

Morphy's announces details of sensational April 27-30 Firearms & Militaria Auction

Anger among UK musicians 'forgotten' in Brexit deal

Neue Auctions announces online-only Fine Estates Collection Auction

Crozier Fine Arts and Arius Technology launch commercial, conservation-quality 3D scanning platform

Moroccan illustrator using comics for #MeToo campaign

195th Annual Exhibition of the Royal Scottish Academy now available to view entirely online

Eye Art and Film Prize announce their 7th edition winner on 1 April 2021 in Amsterdam

How to Hire Dedicated Laravel Developer in India?

Oleg Firer, world-famous rum, Grenada star obituaries and other noteworthy aspects of Grenada lifestyle

How to Clean a Green Swimming Pool in a Professional Way


Clenbuterol Canada

Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .


Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

sa gaming free credit
Truck Accident Attorneys
Accident Attorneys

Royalville Communications, Inc

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful