Dawn Wells, who gave 'Gilligan's Island' spunky charm as Mary Ann, dies at 82
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Dawn Wells, who gave 'Gilligan's Island' spunky charm as Mary Ann, dies at 82
In this file photo taken on April 11, 2015 US actress Dawn Wells poses at the 2015 TV Land Awards at the Saban Theatre in Los Angeles. US actress Dawn Wells, who played Mary Ann on US sitcom "Gilligan's Island", died on December 30, 2020 at the age of 82, US media reported. Chris DELMAS / AFP.

by Anita Gates



NEW YORK (NYT NEWS SERVICE).- Dawn Wells, the actress who radiated all-American wholesomeness, Midwestern practicality and a youthful naive charm as the character Mary Ann on the hit 1960s sitcom “Gilligan’s Island,” died Wednesday in a nursing home in Los Angeles. She was 82.

Her publicist, Harlan Boll, said the cause was related to COVID-19.

Debuting on CBS in 1964, “Gilligan’s Island” followed an unlikely septet of day trippers (on a “three-hour tour,” as the theme song explained) who ended up stranded on a desert island.

There, shipwrecked alongside a movie star (who spent most of her time in evening gowns), a science professor, a pompous, older rich couple, and two wacky crew members was Mary Ann Summers (Wells), a farm girl from Kansas who had won the trip in a local radio contest.

The character had a relatively scant back story — it was said that she worked at the hardware store back home and had a boyfriend — but Mary Ann’s persona alone made her memorable. Gingham blouses, short shorts, double ponytails and perky hair bows were all parts of her signature look.

The first version of the show’s theme song mentioned five of the characters “and the rest,” but the lyrics were soon changed to name the professor (Russell Johnson) and Mary Ann as well. The others in the cast were Bob Denver (Gilligan), Alan Hale Jr. (the Skipper), Jim Backus and Natalie Schafer (as the couple Thurston Howell III and Lovey Howell), and Tina Louise (as the actress, Ginger). Louise is the last surviving member of the original cast.

That the premise of “Gilligan’s Island” was pretty much implausible and its humor simplistic made no difference to the show’s millions of fans or its producers, who would discover in the years to come that they had spawned a cultural phenomenon.

Although “Gilligan’s Island” lasted only three seasons, canceled in 1967, it hardly slipped from the horizon. Endless reruns ensued, and the cast members had a series of encore performances. Wells, for one, reprised her role as Mary Ann in three reunion TV movies: “Rescue From Gilligan’s Island” (1978), “The Castaways on Gilligan’s Island” (1979) and “The Harlem Globetrotters on Gilligan’s Island” (1981).

In 1982, she did the voices of both her character and Louise’s movie star for “Gilligan’s Planet,” an animated spinoff series. And she went on to play Mary Ann in episodes of at least four other (unrelated) shows: “Alf” (1986), “Baywatch” (1989), “Herman’s Head” (1991) and “Meego” (1997). “Gilligan’s”-themed episodes had a certain camp value.

Even her career as an author related directly to the series. “Mary Ann’s Gilligan’s Island Cookbook,” which included Skipper’s Coconut Pie, was published in 1993. “What Would Mary Ann Do? A Guide to Life,” a memoir she wrote with Steve Stinson, appeared in 2014.

Mary Ann’s advice in the book included this thought: “Failure builds character. What matters is what you do after you fail.” The San Francisco Book Review called the book “a worthwhile mix of classic values and sincerity.”




Asked decades later about her favorite “Gilligan’s Island” episodes, Wells mentioned “And Then There Were None,” which included a dream sequence in which she got to do a Cockney accent. She also cited “Up at Bat,” an episode in which Gilligan imagined that he had turned into Dracula.

“I loved being the old hag,” she said.

Dawn Elberta Wells was born in Reno, Nevada, on Oct. 18, 1938, the only child of Joe Wesley Wells, a real estate developer, and Evelyn (Steinbrenner) Wells. Dawn majored in chemistry at Stephens College in Columbia, Missouri, then became interested in drama and went to the University of Washington in Seattle. She graduated in 1960 with a degree in theater arts and design, having taken some time off to win a state beauty title and compete in the 1960 Miss America pageant.

“Big deal,” she said in a 2016 interview with Forbes, making light of her Miss Nevada win. “There were only 10 women in the whole state at the time.”

For the Miss America pageant in Atlantic City, her talent performance was a dramatic reading from Sophocles’ “Antigone.”

A 1961 episode of the drama “The Roaring Twenties” was her screen debut. When she was cast on “Gilligan’s Island,” she had appeared on-screen only about two dozen times, mostly in prime-time series, including “77 Sunset Strip” (multiple episodes), “Surfside Six,” “Hawaiian Eye,” “Bonanza” and “Maverick.”

After her television career cooled down, Wells returned to her first love: theater, doing at least 100 productions nationwide. Her last television role was in 2019, as the voice of a supernatural dentist on the animated Netflix series “The Epic Tales of Captain Underpants.”

Her last on-screen appearance was in a 2018 episode of “Kaplan’s Korner,” about actors running an employment agency. Her only soap opera appearance was in a 2016 episode of “The Bold and the Beautiful,” in which she played a fashion buyer from a wealthy family.

Wells’ marriage in 1962 to Larry Rosen, a talent agent, ended in divorce in 1967, the same year “Gilligan’s Island” went off the air. She is survived by a stepsister, Weslee Wells.

She went on to operate charity-oriented businesses. She was a prominent supporter of the Elephant Sanctuary in Tennessee, the nation’s largest natural habitat refuge developed for African and Asian elephants.

She also taught acting, creating the nonprofit Idaho Film and Television Institute while living at her ranch in the Teton Valley. But a screen career was never her childhood dream.

“I wanted to be a ballerina, then a chemist,” she recalled in the Forbes interview. “If I had to do it all over again, I’d go into genetic medicine.”

© 2020 The New York Times Company










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