ATLANTA, GA.- A major American collaboration brings masterworks amassed by one of the longest-reigning European dynasties to the High Museum of Art. “Habsburg Splendor: Masterpieces from Vienna's Imperial Collections,” on view Oct. 18, 2015, through Jan. 17, 2016, showcases masterpieces and rare objects from the collection of the Habsburg Dynasty—the emperors of the Holy Roman Empire and other powerful rulers who commissioned extraordinary artworks now in the collection of the Kunsthistorisches Museum in Vienna.

“Habsburg Splendor,” largely composed of works that have never traveled outside of Austria, was co-organized by the High, the Minneapolis Institute of Art (MIA), the Museum of Fine Arts, Houston (MFAH) and the Kunsthistorisches Museum, Vienna.

The exhibition explores the dramatic rise and fall of the Habsburgs’ global empire, from their political ascendance in the late Middle Ages to the height of their power in the 16th and 17th centuries, the expansion of the dynasty in the 18th and 19th centuries to its decline in 1918 at the end of World War I. The more than 90 artworks and artifacts that tell the story include arms and armor, sculpture, Greek and Roman antiquities, court costumes, a carriage and sleigh, decorative art objects, and paintings by such masters as Correggio, Giorgione, Rubens, Tintoretto, Titian and Velázquez.

Key masterpieces traveling for the first time to the United States include:

· “The Crowning with Thorns” (c. 1602/1604) by Caravaggio

· A portrait of Jane Seymour (1536), Queen of England and third wife to Henry VIII, by Hans Holbein the Younger

· “Jupiter and Io” (c. 1530/32) by Correggio

“For many visitors, this exhibition is a once-in-a-lifetime chance to explore hundreds of years of art collecting by the Habsburg family,” said Gary Radke, consulting curator for the High. “Viewers will find themselves feeling a bit like royalty, sensing both the wealth of these extraordinary rulers and the splendid attention they paid to detail in all of their works of art.”

“We’re delighted to share our Museum’s unique wonders with our American friends,” said Sabine Haag, general director of Kunsthistorisches Museum Wien. “The exhibition will show the extraordinary wide range of the Habsburgs’ collections, including masterpieces of Roman antiquity, medieval armory, early modern painting and craftwork, as well as gorgeous carriages and clothing. We hope this will inspire visitors to make the trip to Vienna to see the collection in person and to discover even more of our treasure.”

“Habsburg Splendor: Masterpieces from Vienna's Imperial Collections” chronicles the Habsburgs’ story in three chapters, each featuring a three-dimensional “tableau”—a display of objects from the Habsburgs’ opulent court ceremonies—as context for the other works on view.

DAWN OF THE DYNASTY
The first section features objects commissioned or collected by the Habsburgs from the 13th through the 16th centuries. In this late medieval/early Renaissance period, Habsburg rulers staged elaborate commemorative celebrations to demonstrate power and to establish their legitimacy to rule, a tradition that flourished during the reigns of Maximilian I and his heirs. Works from this era—including sabres and armor, tapestries, Roman cameos, and large-scale paintings—illustrate the significance of war and patronage in expanding Habsburg influence and prestige.

Tableau: Suits of armor displayed on horseback and jousting weapons from a royal tournament

Highlights include:

• Armor of Emperor Maximilian I (c. 1492) made by Lorenz Helmschmid

• Bronze bust of Emperor Charles V (c. 1555) by Leone Leoni

• A rock crystal goblet made for Emperor Frederick III (1400–1450)

GOLDEN AGE
The second and largest section of the exhibition highlights the apex of Habsburg rule, the Baroque Age of the 17th and 18th centuries. The dynasty used religion, works of art, and court festivities to propagate its self-image and claim to rule during this politically tumultuous time. Paintings by Europe’s leading artists demonstrate the wealth and taste of the Habsburg rulers, while crucifixes wrought in precious metals and gems, as well as sumptuous ecclesiastical vestments, reflect the emperor’s role as defender of the Catholic faith.

Tableau: A procession featuring a Baroque ceremonial carriage and sleigh, with carvings by master craftsman Balthasar Ferdinand Moll

Highlights include:

• An ivory tankard (1642) by Hans Jacob Bachmann

• “Infanta Maria Teresa” (1652–53), a portrait of the daughter of Philip IV of Spain and eventual wife of Louis XIV of France, by Velázquez

• An alchemical medal (1677), illustrated with portraits in relief of the Habsburgs, by Johann Permann

TWILIGHT OF THE EMPIRE
The exhibition concludes with works from the early 19th century, when the fall of the Holy Roman Empire gave rise to the hereditary Austrian Empire—a transition from the ancien régime to a modern state in which merit determined distinction and advancement. Franz Joseph, who would reign longer than any previous Habsburg, saw the growth of nationalism and ultimately ruled over a dual monarchy of Austria-Hungary. As heir to the Habsburg legacy—and in the spirit of public education and enrichment—he founded the Kunsthistorisches Museum in 1891. Reflecting the modernization of the Habsburg administration, the exhibition will end with a spectacular display of official court uniforms and dresses.

Tableau: Uniforms and women’s gowns from the court of Franz Joseph

Highlights include:

• Campaign uniform of Franz Joseph (1907)

• A velvet dress made for Empress Elisabeth (c. 1860/65)

• An evening gown made for Princess Kinsky (c. 1905)

• Ceremonial dress of Crown Prince Otto for the Hungarian Coronation (1916)

The exhibition is curated by Dr. Monica Kurzel-Runtscheiner, director of the Imperial Carriage Museum, Vienna. At the High, the consulting curator is Gary Radke, professor emeritus of art history at Syracuse University.