NEW YORK, NY.- The Nohra Haime Gallery presents for the first time in New York, an exhibition of Pedro Ruiz latest work, celebrated for its evocative portrayals of Colombia's natural beauty and cultural essence.
Ruiz masterfully combines a deep reverence for his homeland with universal themes of peace, identity and environmental stewardship. His work invites viewers into a dialogue between past and present, showcasing Colombia's rich traditions while addressing pressing global issues.
Ruiz intricately weaves with depth and spiritual introspection, Colombia's ecological diversity into each work. His dedication to authenticity is evident through meticulous research and a profound connection to the nation's flora and fauna. His art vividly unfolds narratives where solitary figures navigate nature's beauty, offering a glimpse into a magical world that reflects Colombia's vibrant natural environment.
The current exhibition highlights some of his more important series: GOLD, Spirit and Nature of a Territory, evolves from Ruizs Displacements series, presenting a poignant exploration of Colombian identity. This traveling exhibition features 40 miniature works, with 4 pieces enlarged to express a collective identity that transcends stereotypes born from violence and conflict. Through GOLD, Ruiz invites viewers to reflect on Colombia's cultural essence, urging them to look beyond surface impressions and delve into the heart of a rich, complex identity.
In Love is in the Air, Ruiz addresses the politically charged issue of fumigating poppy fields with a deeply human and spiritual tone. This series contrasts the striking beauty of poppies with the sinister presence of gas, reflecting on the irony of destruction veiled in aesthetic delight. Ruiz's work challenges viewers to confront the harsh realities behind these beautiful yet tragic images, echoing Carl Jungs notion that true vision arises from introspection. Through this reflection, Ruiz questions where love resides amidst such profound adversity.
Ruiz's Displacements series poignantly alludes to the tragedy of warfare and forced displacement in Colombia. By juxtaposing serene images of a man transporting his homeland in a canoe with the painful context of displacement, Ruiz highlights how art can preserve and transcend collective memory. The series symbolizes the indelible connection between individuals and their homeland, portraying natures harmony with human suffering and resilience.
A guided visit will take place on Saturday September 7 at 4 p.m.
Born in 1957 and trained in Paris's École Nationale Supérieure des Beaux-Arts, His formative years included studying under the renowned Stanley William Hayter at Atelier 17, experiences that profoundly shaped his artistic vision.
Since he dedicated himself exclusively to painting, he has exhibited widely. Three monographs have been published on the artist