Nara Roesler opens 'Co(r)respondences: Constructive Affinities/Painting as Surface'
The First Art Newspaper on the Net    Established in 1996 Tuesday, November 12, 2024


Nara Roesler opens 'Co(r)respondences: Constructive Affinities/Painting as Surface'
Installation view.



NEW YORK, NY.- Co(r)respondences: Constructive Affinities/Painting as Surface is the second iteration of a curatorial idea driving group shows organized by structural affinities rather than art historical links. In this occasion works by artists represented by Nara Roesler Gallery are installed in dialogue vis-à-vis works by significant international artists, following two complementary aspects: the primacy of constructive-driven compositions, and painting as a singular understanding of surface.

Modern painting might have seen the light following the famous assertion by Maurice Denis, at the end of the Nineteenth Century: “It should be remembered that a painting, before being a warhorse, a nude or a story, is essentially a flat surface covered with colors assembled in a certain order.” And yet, for as much that art historians, artists and critics have tried to summarize (modern) art under a unique category, it has not stopped taking endless multiform appearances.

When one considers the relation between construction and surface, it is thus possible to draw a vast field of potentialities for art. Two radical polarities, two different categories serve to manifest a field of constant action and agency: on one hand constructive three-dimensionality, on the other hand flat, almost emptied surfaces. In their inexhaustible intervals, formal and historically, the possibilities are countless, infinite in-between these continents. Construction is volume, void, articulation, insertion, cut; surface is subjectile, support, background, ground. And yet construction and surface can transform into each other, as painting is construction on surface, whereas construction could be a path beyond painting, a de/ construction of surfaces.

The show is therefore displayed dialectically, but it aims to stress that art is a single, continuous field of differences where potential affinities unexpectedly rise, beyond contexts and chronologies. The relevance and meaning of works of art do not rest on their uniqueness, rather they only manifest into the degree that the relational interval between their differences is uncovered, displayed, interpreted. It is in its comparative instance that art makes sense, and through which works of art never cease achieving their meaning, beyond the intentional program from which they proceed, beyond the single individual decision that produced them.

Co(r)respondences: Constructive Affinities/Painting as Surface proposes a set of groupings between various artists, following diverse analogical rationale: constructive assemblage investing their site (Bruno Munari, Elaine Reichek, Lucia Koch, Lydia Okumura); serial and continuous composition of elemental forms (Bruno Munari, Tomie Ohtake, Abraham Palatnik); folding surfaces as agencies of spatial displacement and time elapsed (Eugenio Dittborn, Carlos Bunga); all-over repetition between order and chaos (Antonio Dias, Chris Martin, Bruno Dunley); gestural surfaces (Karin Lambrecht, Cristina Canale, Mira Schendel).

Co(r)respondences draws its curatorial impulsion from anthropology rather than art history: it understands art as a politics of multiplicities, against the ghost of unification and synthesis, against the dominant One in which everything subsumes. Through the collision of contexts, it aims to suggest that art can be universal only to the condition that its universality is the ceaseless agency of its variation.










Today's News

July 6, 2024

A masterpiece of fiction inspires the urge to submerge in a gallery crawl

This bigheaded fossil turned up in a place no one expected to find it

Piñatas that provide awe instead of candy

Paal Enger, who stole Munch's 'The Scream,' is dead at 57

Inaugural auction featuring selections from William Strutz's celebrated library realizes $5.65 million at Heritage

The dazzling artistry of Hiroshige's '100 Famous Views of Edo'

Kunstmuseum Wolfsburg opens first institutional exhibition in Germany of works by Firelei Báez

The man behind the Muppets

How the Denisovans survived the Ice Age

John Waters' Baltimore

Museo Picasso Málaga to show a large-format installation by the South African artist William Kentridge

Nara Roesler opens 'Co(r)respondences: Constructive Affinities/Painting as Surface'

Heritage's July Entertainment Auction offers out of this world spaceships, costumes and artwork

The best documentaries of 2024, so far

Ordrupgaard to open an exhibition of works by British artist Flora Yukhnovich

Sculptural fashion and body-related art in the TextielMuseum this November

Exhibition challenges our perceptions of interconnectedness and transformation within the natural world

Heritage's Historical Platinum Signature Auction spans Beethoven and Napoleon to Neil Armstrong and Harry Potter

Celebrated Ruth Nelkin collection of Japanese woodblock prints brings $2.2 million at Heritage Auctions

How big is Taylor Swift by the numbers?

Netflix show earns its Saudi creator plaudits, and a prison sentence

A Jewish teen's diary recounts pain and resilience in a Nazi ghetto

Australian designer Martin Grant gifts more than 200 designs to NGV

International judge announced for The Walters Prize 2024

Protect Your Roof with Effective Roof Coating Solutions




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Holistic Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful