As climate shocks multiply, designers seek holy grail: Disaster-proof homes
The First Art Newspaper on the Net    Established in 1996 Friday, November 8, 2024


As climate shocks multiply, designers seek holy grail: Disaster-proof homes
The front entry of the geodesic home of Joel and Deborah Veazey, built to withstand hurricane-force winds, on Pecan Island, La., July 10, 2023. The homebuilding industry has been slow to adopt changes that can better protect against extreme weather, but some architects are showing what’s possible. (Bryan Tarnowski/The New York Times)

by Christopher Flavelle



NEW YORK, NY.- Jon duSaint, a retired software engineer, recently bought property near Bishop, California, in a rugged valley east of the Sierra Nevada. The area is at risk for wildfires, severe daytime heat and high winds — and also heavy winter snowfall.

But duSaint isn’t worried. He’s planning to live in a dome.

The 29-foot structure will be coated with aluminum shingles that reflect heat and are also fire-resistant. Because the dome has less surface area than a rectangular house, it’s easier to insulate against heat or cold. And it can withstand high winds and heavy snowpack.

“The dome shell itself is basically impervious,” duSaint said.

As weather grows more extreme, geodesic domes and other resilient home designs are gaining new attention from more climate-conscious homebuyers — and the architects and builders who cater to them.

The trend could begin to dislodge the inertia that underlies America’s struggle to adapt to climate change: Technologies exist to protect homes against severe weather — but those innovations have been slow to seep into mainstream homebuilding, leaving Americans increasingly exposed to climate shocks, experts say.

The result isn’t just greater risk of death or injury, but also financial calamity, as homeowners struggle with declining property values, an inability to get insurance, or the loss of what is often their most valuable asset. And the emotional and social toll of losing homes to disasters is only beginning to be understood.

Weather-related disasters pushed more than 3.3 million American adults out of their homes in 2022, census data shows. Of those, at least 1.2 million people were out of their homes for a month or longer; more than 500,000 of them never returned, fueling a growing diaspora of domestic climate refugees.

Riding Out the Storm

In the atrium of the Smithsonian’s National Museum of American History, students from the Catholic University of America recently finished reassembling “Weatherbreak,” a geodesic dome built more than 70 years ago and briefly used as a home in the Hollywood Hills. It was avant-garde at the time: roughly 1,000 aluminum struts bolted together into a hemisphere, 25 feet high and 50 feet wide, evoking an oversize metal igloo.

The structure, designed by Jeffrey Lindsay and inspired by the work of Buckminster Fuller, has gained new relevance as the Earth warms.

“We started thinking about how our museum can respond to climate change,” said Abeer Saha, the curator who oversaw the dome’s reconstruction. “Geodesic domes popped out as a way that the past can offer a solution for our housing crisis, in a way that hasn’t really been given enough attention.”

Domes are just one example of the innovation underway. Houses made from steel and concrete can be more resilient to heat, wildfire and storms. Even traditional wood-framed homes can be constructed in ways that greatly reduce the odds of severe damage from hurricanes or flooding.

But the costs of added resiliency can be about 10% higher than conventional construction. That premium, which often pays for itself through reduced repair costs after a disaster, nonetheless poses a problem: Most homebuyers don’t know enough about construction to demand tougher standards. Builders, in turn, are reluctant to add resilience, for fear that consumers won’t be willing to pay extra for features they don’t understand.

One way to bridge that gap would be to tighten building codes, which are set at the state and local level. But most places don’t use the latest code, if they have any mandatory building standards at all.

Some architects and designers are responding on their own to growing concerns about disasters.

On a piece of land that juts out in the Wareham River, near Cape Cod, Massachusetts, Dana Levy is watching his new fortress of a house go up. The structure will be built with insulated concrete forms, or ICF, creating walls that can withstand high winds and flying debris, and also maintain stable temperatures if the power goes out — which is unlikely to happen, thanks to the solar panels, backup batteries and emergency generator. The roof, windows and doors will be hurricane-resistant.

The whole point, according to Levy, a 60-year-old retiree who worked in renewable energy, is to ensure he and his wife won’t have to leave the next time a big storm hits.




“There’s going to be a lot of people spilling out into the street seeking sparse government resources,” Levy said. His goal is to ride out the storm “and, in fact, invite my neighbors over.”

Levy’s new home was designed by Illya Azaroff, a New York architect who specializes in resilient designs, with projects in Hawaii, Florida and the Bahamas. Azaroff said using that type of concrete frame adds 10% to 12% to the cost of a home. To offset that extra cost, some of his clients, including Levy, opt to make their new home smaller than planned — sacrificing an extra bedroom, say, for a greater chance of surviving a disaster.

Building With Steel

Where wildfire risk is great, some architects are turning to steel. In Boulder, Colorado, Renée del Gaudio designed a house that uses a steel structure and siding for what she calls an ignition-resistant shell. The decks are made from ironwood, a fire-resistant lumber. Beneath the decks and surrounding the house is a weed barrier topped by crushed rock to prevent the growth of plants that could fuel a fire. A 2,500-gallon cistern could supply water for hoses in case a fire gets too close.

Those features increased the construction costs as much as 10%, according to del Gaudio. That premium could be cut in half by using cheaper materials, like stucco, which would provide a similar degree of protection, she said.

Del Gaudio had reason to use the best materials. She designed the house for her father.

But perhaps no type of resilient home design inspires devotion quite like geodesic domes. In 2005, Hurricane Rita devastated Pecan Island, a small community in southwest Louisiana, destroying most of the area’s few hundred houses.

Joel Veazey’s 2,300-square-foot dome was not one of them. He only lost a few shingles.

“People came to my house and apologized to me and said, ‘We made fun of you because of the way your house looks. We should never have done that. This place is still here when our homes are gone,’” said Veazey, a retired oil worker.

Dr. Max Bégué lost his house near New Orleans to Hurricane Katrina. In 2008, he built and moved into a dome on the same property, which has survived every storm since, including Hurricane Ida.

Two features give domes their ability to withstand wind. First, the domes are composed of many small triangles, which can carry more load than other shapes. Second, the shape of the dome channels wind around it, depriving that wind of a flat surface to exert force on.

“It doesn’t blink in the wind,” said Bégué, a racehorse veterinarian. “It sways a little bit — more than I want it to. But I think that’s part of its strength.”

‘Something Different’

Veazey and Bégué got their homes from Natural Spaces Domes, a Minnesota company that has seen demand jump the past two years, according to Dennis Odin Johnson, who owns the company with his wife, Tessa Hill. He said he expected to sell 30 or 40 domes this year, up from 20 last year, and has had to double his staff.

The typical dome is about 10% to 20% less expensive to build than a standard wood-frame house, Johnson said, with total construction costs in the range of $350,000 to $450,000 in rural areas, and about 50% higher in and around cities.

Most customers aren’t particularly wealthy, Johnson said, but have two things in common: an awareness of climate threats, and an adventurous streak.

“They want something that’s going to last,” he said. “But they are looking for something different.”

One of Johnson’s newer clients is Katelyn Horowitz, a 34-year-old accounting consultant who is building a dome in Como, Colorado. She said she was drawn by the ability to heat and cool the dome’s interior more efficiently than other structures and the fact that they require less material than traditional homes.

“I like quirky,” Horowitz said, “but I love sustainable.”

This article originally appeared in The New York Times.










Today's News

July 18, 2023

Fossils where they don't belong? Maybe we just didn't look hard enough.

Netherlands Museum for Photography receives € 38 million donation for a new home

National Gallery of Art acquires work by Raphael Morghen

Jane Birkin: An adventurous artist made in England, forged in France

Gallery FUMI presents a solo show by Sam Orlando Miller with works spanning ten years of his career

Patrycja Orzechowska's 'Embracing the Dark' opens at TRAFO Center for Contemporary Art

Milwaukee Public Museum wraps up Thinc Design's gallery unveilings for future museum

SculptureCenter presents: 'In Practice: Literally Means Collapse'

Blending dance and sculpture creates a fresh view of art

Exhibition explores how Romanticism continues to shape the digital age

The Hnatyshyn Foundation announces death of President Gerda Hnatyshyn

African American Museum extends acclaimed South African contemporary exhibition through State Fair of Texas

Madlen Strebel receives HfG Fotoförderpreis 2023 of the Deutsche Börse Photography Foundation

UK art museum presents shows on intersection of art forms, Faisal Abdu'Allah's 'Chair'

ANTI - Contemporary Art Festival announces nominees for the 2023 ANTI Festival International Prize for Live Art

Exhibition brings together specially selected monumental abstract paintings by three legendary artists

The 9th edition of Luxembourg Art Week will be held from 10 to 12 November

GRIMM opens 'The Moon and I'

Review: Rennie Harris' hip-hop dance mixtape

Jane Birkin: Decades of effortless elegance

A long, shining river of verse, flowing from a rower and writer

As climate shocks multiply, designers seek holy grail: Disaster-proof homes

Briansclub Cm: Mastering Cvv Dumps

What Landlords Need to Know About the Law in Alabama

What Is Slot88? Unveiling The Basics Of This Amazing Gaming Platform

How To Play Top Casino Games At Slot88? Step-by-Step Guide For Beginners

Unveiling Hidden Gems: Finding Valuable Art at Pawn Shops

Casinospel med konstnärliga motiv

The Pros And Cons Of Different Garage Door Materials

The Secret to Maintaining Healthy Trees in Alpharetta: Expert Tips

The Evolution of Engagement Rings: From Tradition to Modern Trends

The Green Revolution: Sustainable Landscaping Trends That You Should Try




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Holistic Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful