Jane Birkin: Decades of effortless elegance

The First Art Newspaper on the Net    Established in 1996 Thursday, May 9, 2024


Jane Birkin: Decades of effortless elegance
Birkin had a thriving career as a singer and an actress, in both communicating a seemingly nonchalant demeanor that camouflaged a melancholy core.

by Guy Trebay



NEW YORK, NY.- There are few things more tedious than the term “fashion icon,” but that is not to suggest people don’t exist who definitively set styles for their time. Jane Birkin was one of them.

To some extent, it does an injustice to the British-French actress and singer — who died at 76 of undisclosed causes Sunday in Paris — that she is largely remembered for the luxury Hermès handbag that she inspired and that was named for her. The influence of Birkin, whom modeling agent Paul Rowland called an “eternal muse” on Instagram, was far broader, extending beyond clothes. She gave proof beyond doubt that the best style originates in attitude.

Chic may be “nothing,” as opera director and designer Patrick Kinmonth once observed, “but it’s the right nothing.” Starting in the early days of her fame as muse and consort to musical artist Serge Gainsbourg, Birkin was perennially dressed in exactly the right nothing.

“She set a style example for a generation of women,” designer Anna Sui said Sunday, spooling off an inventory of elements that contributed to the gamin beauty’s offhand chic.

There were the shrunken T-shirts, cutoff jeans and espadrilles that she favored. There were the babydoll dresses that few besides actress Mia Farrow ever wore with greater elan. There were the striped Breton sweaters she helped popularize. There was the dress crocheted with see-through daisies she once wore to a French arts union gala, one whose plunging neckline was strategically, if barely, fastened with a brooch. There were the ragged bangs that she maintained all her life and that looked as if she had cut them herself with cuticle scissors.

“Her style was very different from American style,” Sui said, and it introduced “something new to our fashion vocabulary.” The designer was asked: What exactly was it about that style? “There was something British about it, that slightly rumpled English look but fused with the classic French codes,” she said.




Perhaps, in the end, the Hermès Birkin bag provides the best example. Before its invention, Birkin was often photographed toting a straw marketbasket crammed with makeup, keys and assorted paraphernalia. “I was well known for carrying a basket,” she said in a 2018 interview on YouTube. “So, I obviously knew girls liked to have masses of things in their handbag.”

It was her bulky basket and its overflowing contents that caught the attention of Hermès CEO Jean-Louis Dumas on a flight from Paris to London and inspired him to create a tote capacious enough for all her stuff. “I would love to have been a sort of neat person and wear a Kelly,” Birkin once said, referring to a prim, boxy-style handbag created and named for film star Grace Kelly. “But I never thought you could get enough in it.”

The satchel-style Birkin, made from supple leather, was based on an earlier design, the Haut à Courroies, created by Hermès around 1900. With its loop handles, closed with a strap fastener anchored to a signature hunk of hardware (and typically left unlocked to display the Hermès logo), the bag became a globally recognized emblem of status and wealth. With a base price of more than $10,000, Birkins remain infinitely covetable and customizable (a Diamond Himalaya version became the most expensive handbag at auction when Sotheby’s sold it in 2022 for more than $450,000) and are worn and collected by celebrities such as Kim Kardashian and Kylie Jenner, whose handbag closets constitute a subset of online fashion pornography, as well as Jennifer Lopez and Cardi B.

Birkin favored a simple leather model and, in her typically offhand, bohemian fashion, festooned it with charms, worry beads, keys and even her wristwatch.

“What’s so great and why people are still so obsessed with her,” Sui said, alluding to the images flooding Instagram immediately after Birkin’s death was announced, “is that everything is so corporate now in fashion, so overintentional and programmed, and she wasn’t like that at all.”

Asked once by a journalist whether she was “comped” by the luxury goods maker for her namesake handbags, Birkin replied briskly. “Certainly,” she said, “but I only have one at a time.”

This article originally appeared in The New York Times.










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