Keeping an old Italian tradition alive in Australia: 'Passata Day'
The First Art Newspaper on the Net    Established in 1996 Thursday, December 26, 2024


Keeping an old Italian tradition alive in Australia: 'Passata Day'
Harvey Hurst places tomatoes into a machine to be pressed and de-skinned as part of the passata making process, in Donvale, Australia on March 11, 2023. Tomato passata is made by cooking and straining tomatoes to create an unflavored, uncooked purée. (Christina Simons/The New York Times)

by Peter Di Sisto



NEW YORK, NY.- In the years after World War II, as a new wave of migration scattered Italians abroad, tens of thousands made the long journey to Australia to escape the poverty and devastation in their defeated nation.

Even as they built a new life in a new land, many held tight to the habits and customs of the old country. Thus a tradition was born in cities and towns across Australia: “passata day,” an often-raucous annual gathering when families would labor to make an entire year’s supply of tomato passata, a rich, bright-red purée that is a staple in Italian cuisine.

Today, the tradition is dying among the 1.1 million Australians with Italian ancestry. Most in the second and third generations deem making passata to be too hard, too messy and too expensive. Many lack the required equipment, skills and patience. Why bother, they argue, when store shelves are packed with relatively cheap, palatable mass-produced sauce?

Don’t tell that to Silvana Hurst and Filomena Medcalf. The sisters, who live in suburban Melbourne, are passionate champions of passata day, an inheritance from their parents, Giuseppe and Annina Luciani, who arrived in Australia from southern Italy in the 1950s.

Hurst, 63, and Medcalf, 60, aren’t just ensuring that the custom is passed on to their own families. They are also determined to introduce others to the old Italian ways, by turning their home into an open-door passata factory where curious neighbors, food- and wine-loving friends and the occasional work colleague create what amounts to a boisterous social event that can carry on for hours.

They have simpler motivations, too. “It tastes better,” said Hurst, emphasizing her point with a laugh and a flourish of her hand. “Everyone knows that.”

The annual passata extravaganza played out in a delightfully chaotic yet impressively efficient scene last month at Hurst’s home. After breakfast, the sisters’ husbands, Harvey Hurst and Craig Medcalf, were the first to tie their aprons and don yellow and green rubber gloves. “Allora,” said Craig Medcalf, using the popular Italian filler word that indicates something is about to commence.

Tomato passata is made by cooking and straining tomatoes to create an unflavored, uncooked purée. The two husbands diligently ran the passata-making operations with help from a working party that included those slowly getting the hang of it, nervous but willing first-timers and children noisily weaving in and out of trouble while still being productive.

As they raced through their work, the purée makers shouted and laughed while aluminum vats of boiling water hissed and threw off steam, and customized machinery and appliances clanked and whirred.

Not one of the laborers was Italian.

In under four hours, they cooked 600 pounds of washed tomatoes. They ran them twice through a trusty decades-old stainless steel mincer that the sisters’ father had used, employing a food pusher he had fashioned from a discarded piece of timber. They added salt to the warm, aromatic liquid before transferring it to a kitchen sink fitted with a plastic tap for easy dispensing into 25-ounce bottles. They filled the jars — enough to supply the two families for a year, plus a small allocation for the helpers — then sealed and sterilized them in boiling water in two steel drums.

“Not bad, huh?” Harvey Hurst said, gesturing at the final product. Behind him, at the back of the garage, his wife rolled her eyes. “Harvey? Please.” It was time for lunch.




The sisters had initially planned to hold passata day in mid-February, near the end of Australia’s summer, to coincide with what would have been their mother’s 100th birthday. But they pushed the date back because flooding in the state of Victoria, where Melbourne is the capital, had delayed the widespread availability of Roma tomatoes, the long, small variety favored in Australia for passata.

They went ahead with a tribute dinner, however, cooking dishes that Annina Luciani, who died in 2013, had often prepared when the sisters were growing up. As a special touch, they used some of the cooking utensils their mother had carried with her on the slow trip from Naples to Melbourne, via Fremantle in Western Australia, on the TN Roma migrant ship in May 1957.

Giuseppe Luciani, who died in 2007, had arrived 15 months earlier on another ship, the Surriento. As Annina Luciani and their firstborn, Guido, waited for news back home, Giuseppe Luciani found work on the gearbox line at one of Australia’s last local automobile plants. Once reunited, the family would grow to five with the births of the sisters three years apart.

In 1970, they moved to a new home farther out in the Melbourne suburbs. Annina Luciani, who would find work as a housekeeper, appropriated the laundry area for her pasta-making, often by hand but sometimes using a machine.

“As teenagers we were forced to help. We’d be turning the machine and rolling our eyes,” Hurst said. “I wish we had paid more attention!”

The sisters vividly recall their strict, old-fashioned upbringing, with family matters placed above all else. The Lucianis were not unlike many “New Australian” families — non-British migrants who arrived after the war as Australia worked to increase its population for security and development, welcoming people from southern Europe it had previously shunned.

The parents were frugal but loved sharing what they had, particularly what they had grown or made themselves. Although they loved what Australia offered, they insisted on replicating aspects of their former lives.

It wasn’t unusual, for example, for a Sunday roast chicken to have been hand-picked in the morning from the coop at their home, its neck broken, the bird drained of blood and its feathers plucked, before being seasoned and slid into an oven hours later.

The sisters were commandeered to help during the annual passata day and other family gatherings, where wine would flow and, inevitably, someone would break out an accordion. Neighbors would grow to love and become regulars at the events, but there was also derision, common in Australia at the time, directed at the girls’ lunches, for example.

“There was a sense of shame,” Hurst said. “We went to a very Anglo-Saxon high school, and there was only a small bunch of Italians and a few Greeks. We just wanted to fit in. We wanted to be normal and eat what everyone else was.”

The sisters laugh about it now, agreeing that their trials had helped them become strong, independent and open-minded, influenced equally by their Italian and Australian lives. On passata day and other occasions, they take immense pleasure in opening their homes and sharing, as their parents did.

“That was our life. Seeing your family, cooking food and enjoying it, and having a laugh and a wine. That was everything,” Medcalf said. “Now, that’s how we show our love, by cooking for people and having them over.”

“That’s our love language,” Hurst added.

This article originally appeared in The New York Times.










Today's News

April 8, 2023

Sarah Sze and the art of tracking time

Six Picasso shows to see this year

Clark Art Institute presents first solo exhibition of Paul Goesch in North America

Heritage unleashes hidden 1931 'Frankenstein' movie poster during April event full of historic first-time offerings

Zeng Fanzhi at Hauser & Wirth Downtown Los Angeles South Gallery until end of month

Vilhelm Hammershøi's 'Interior. The Music Room, Strandgade 30' to auction at Sotheby's

Pikachu No. 3 from first Pokémon National Championship is in play at Heritage Auctions' Trading Card Games event

Amid exile and fire, a revered Russian theater director is reborn

Max Ernst: Une Semaine de bonté, Photographs & Ephemera, 1933-1934 on view at Ubu Gallery

Discover the Must-See Art Exhibitions of 2023

Spring fine jewelry & timepieces to be offered April 14th by Clars Auction Gallery

Thierry Goldberg announces an online exhibition of works by Bwambale Wesely

Angela Gheorghiu, diva of the Old School, is back at the Met

The Contemporary Austin presents Mexico City artist Duo Celeste in 'Host'

'Yvonne Pickering Carter: Linear Variation Series' at Berry Campbell ends April 15th

Powerhouse Arts welcomes Megan Skidmore as Development Director

Poster Auctions International sees continued passion for posters with $1.8 million sale

Elizabeth de Cuevas, sculptor with a flair for the monumental, dies at 94

Review: Laughing, and crying, in the face of 'grief'

'Showing Up' review: Making art in all its everyday glory

Keeping an old Italian tradition alive in Australia: 'Passata Day'

Coin commemorating the assassination of Julius Caesar leads Heritage's World & Ancient Coins Auction

How to Hire the best Painters in Sydney?

Beauty of Dubai's Desert: A Journey Through the Dunes on a Safari Tour

Protect Your Digital Assets: The Ultimate Guide to Choosing the Best Crypto Wallet in 2023

Laws that Will Surprise You




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Houston Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง
Motorcycle Accident Lawyer

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful