New sculptures by artist Andrew Gannon at Fruitmarket question our thinking around prosthetics
The First Art Newspaper on the Net    Established in 1996 Thursday, December 12, 2024


New sculptures by artist Andrew Gannon at Fruitmarket question our thinking around prosthetics
Andrew Gannon, Drawing Limb Performance, 2022, within his exhibition Impressions in
the Fruitmarket Warehouse. Courtesy the artist. Photo: Tom Nolan.



Following the success of his 2021 Edinburgh Art Festival exhibition Eccentric Limbs at Edinburgh Sculpture Workshop, Andrew Gannon has created a series of new works for solo exhibition in the Fruitmarket Warehouse that began on December 10th, and will end on January 8th, 2023.

Sculptures are cast from Gannon’s own arm, mirroring the prosthetic production process and reframing the possibilities and purpose of human prosthetics. While it has multiple connotations, the exhibition's title is drawn from the impression made as part of the initial process of casting a prosthesis.

The exhibition asks questions about the visibility of disability, and includes a series of live drawing performances with the artist using an elongated prosthetic inspired by the drawing sticks used by Henri Matisse to loosen up his style for drawing murals.

New sculptures by Andrew Gannon




Edinburgh-based artist Andrew Gannon shows a series of new works created from clusters of hollow modular forms cast from his own left arm. Using plaster as if in preparation for a prosthesis, Gannon creates wearable casts that become increasingly unwearable as they are bound together, their functional ungainliness becoming a sculptural elegance.

Gannon has a congenital limb difference, and describes his own prosthesis as ‘near me, but not part of me.’ His object-sculptures test out a space between limb and independent sculpture and challenge the assumption that prostheses should offer functional and cosmetic ‘normality’, allowing us to question some of the oft-repeated discourses that surround disability.

Many galleries, including the Fruitmarket, are trying to address disability, often through our engagement programmes. This exhibition is one step towards giving disability more of a central space in the exhibition programme.

Speaking ahead of the exhibition, artist Andrew Gannon said: “This new work comes from a decision to centre my own disability in my practice. That is not to say that it is ‘exclusively about’ disability, but that it comes from a position of lived experience of a particular disability’.

In regular performances throughout the exhibition, Gannon will draw using a limb which incorporates a long bamboo pole and is based on the drawing sticks used by Henri Matisse to loosen up his style for drawing murals. The drawings and limbs will be incorporated into the exhibition as the performances progress.

Fruitmarket Director Fiona Bradley said: “It is exciting for the Fruitmarket to be able to show Andrew Gannon’s work as it moves beyond performance to incorporate sculpture. I am interested to see how our audience respond to these intriguing, material presences.










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