NEW YORK, NY.- Before Canadian musicians like Neil Young, Gordon Lightfoot, Joni Mitchell or Leonard Cohen, there was Ian Tyson.

Tyson, who began his music career as half of folk-era duo Ian and Sylvia and went on to become a revered figure in his home country, celebrated both for his music and his commitment to the culture of Canada’s ranch country, died Thursday at age 89 at his ranch in southern Alberta.

His family said in a statement that he died from “ongoing health complications,” but did not specify further.

Tyson, whose song “Four Strong Winds” in 2005 was voted the most essential Canadian piece of music by the listeners of the Canadian Broadcasting Corporation public radio network, lived most of his life as both a rancher and a musician.

Performances of his songs like “Four Strong Winds” by Young, Johnny Cash and others, and “Someday Soon,” particularly by Judy Collins, made his music, if not always his name, well-known in the United States.

But his persona as a weathered rancher-musician, who performed and ran the Tyson ranch south of Calgary well into his 80s, stubbornly keeping on despite the ravages of time, changing tastes, economic hardship and, for a time, the loss of his voice, made him emblematic in Canada, much as Cash was on the other side of the border.

Young, in the 2006 Jonathan Demme concert film “Heart of Gold,” recalled being 16 or 17 and spending all his money playing the Ian and Sylvia version of “Four Strong Winds” over and over on the jukebox at a restaurant near Winnipeg, Manitoba. “It was the most beautiful record that I’ve heard in my life, and I just could not get enough of it,” he said.

Ian Dawson Tyson was born Sept. 25, 1933, in Victoria, British Columbia, the second child of George and Margaret Tyson. He learned to ride horses on a small farm owned by his father, an insurance salesman and polo enthusiast who had emigrated from England in 1906. Tyson grew up entranced by horses, and beginning in his teens, he competed on the rodeo circuit. He learned to play guitar while in a Calgary hospital recovering from a broken ankle sustained in a fall.

He began performing folk and rock in the late 1950s, but then graduated from the Vancouver School of Art in 1958 and moved to Toronto to work as a commercial artist.

There, he performed in local clubs, and in 1959 began singing with a dark-haired young woman named Sylvia Fricker. They became a full-time folk act in 1961, performing as Ian and Sylvia, and were married four years later.

In 1962, they moved to New York and became mainstays in the emergent American folk scene, and friends with Bob Dylan and his girlfriend Suze Rotolo, who described Tyson as “movie-star handsome” and “the best looking of all the cowboy dudes in Greenwich Village” in her 2008 memoir, “A Freewheelin’ Time.” High-powered manager Albert Grossman, who managed Dylan, Peter, Paul and Mary and others, signed them to Vanguard Records. Their first record, “Ian & Sylvia,” consisted of mostly traditional British and Canadian folk songs.

Their second, “Four Strong Winds,” was more eclectic. It included Dylan’s “Tomorrow Is a Long Time,” and the title track, Tyson’s first song, which he said he wrote in about a half-hour, spurred on by Dylan’s emergence as a songwriter.

It was, he said, about “a lovely Greek girl, I was always leaving and regretting it,” in Vernon, British Columbia. (Her name was Evinia Pulos and, as it turned out they carried on an on-again-off-again love affair over six decades). A tale of lost love and itinerant farm and ranch work set against the Canadian West and the implacable forces of nature (“Four strong winds that blow lonely/Seven seas that run high/All those things that don’t change come what may”), it set the tone for how his work would evolve over time.

In 1968, before the Byrds’ seminal country-rock album, “Sweetheart of the Rodeo,” the two relocated to Nashville, where they recorded two country-influenced albums and formed the country rock group Great Speckled Bird. The couple recorded 13 albums before they stopped performing and then divorced in 1975.

Tyson returned to western Canada, where he resumed ranching and focused on his solo career. And after hosting a show on Canada’s national television network, between 1970 and 1975, he had almost dropped out of music when he reinvented himself less as a folk act than as a cowboy and Western one.

First came his well-received 1983 album, “Old Corrals and Sagebrush,” which combined traditional cowboy music and songs of the West he wrote himself. In 1986, his “Cowboyography,” earned platinum status in Canada. Over time, he became a familiar Canadian presence in his trademark cowboy hat and stiff-legged gait, ranching, recording and performing at concerts and events like the annual National Cowboy Poetry Gathering in Elko, Nevada.

And he recorded a series of evocative, stubbornly unfashionable albums like “Songs from the Gravel Road,” about the allure and frustrations of the lonely ranching life. His own life remained complicated, too, including both an endless array of honors and awards and a 1986 marriage to a teenager, Twylla Biblow, less than half his age, that ended in divorce in 2008.

A complete list of survivors was not immediately available.

Tyson badly strained his voice in 2006 at the Havelock Country Jamboree in Ontario, and a virus a year later caused further and irreversible damage.

He returned two years later, his smooth baritone reduced to a hoarse whisper, but his popularity remained intact with the album “From Yellowhead to Yellowstone and Other Love Stories.”

Throughout, his music reflected the solitary ranching life, the lure of the outdoors, the pains of heartbreak and lost love.

A 2008 profile in The Globe and Mail when he was nearing 75 captured some of the details of it at his T-Bar-Y ranch: The 6 a.m.-to-6 p.m. work schedule. The Monday washing (five pairs of Wranglers to get him through the week). The “mean, garlicky” buffalo he cooked. The place filled with cowboy hats and books — “To Kill a Mockingbird,” a Georgia O’Keeffe biography, a dictionary, “The Western Buckle: History, Art, Culture, Function,” Michael Ondaatje’s “Divisadero.” The magnet on his refrigerator reading: “Life is tough. Life is tougher if you’re stupid. — John Wayne.”

“I became a historian, a chronicler of this way of life,” he told reporter Marsha Lederman, “and this way of life is just about over. The cowboys are all gone.”

It was a theme he often came back to. “People tell me, ‘Tyson, you’re always longing for the old days,’ ” he once said. “And they’re right, that’s true — I live in the past. And it was way better.”

This article originally appeared in The New York Times.